BY SACNILK

Mumbai, July 9 - Ajay Devgn returns to the big screen with Dhamaal 4, the fourth instalment in the popular comedy franchise directed by Indra Kumar. The film is set to release in cinemas on July 10 and has generated decent pre-release buzz among family audiences. Riding on the franchise's popularity and the genre's appeal, the film is expected to register a decent opening at the Indian box office. (adsbygoogle = window.adsbygoogle || []).push({}) Based on the current trend, Dhamaal 4 is expected to collect 12-14 crore net on its opening day in India. As of 8 PM on Thursday, the film has recorded 5 crore+ gross in advance bookings (with block seats) for Day 1, with final pre-sales expected to close at around 6 crore+ gross. These numbers are almost identical to the booking of Akshay Kumar's Welcome To The Jungle before its release. Despite similar advance sales, the box office trajectory of the two films is slightly different. Welcome To The Jungle went on to open at 15 crore+ net (19 crore net with previews), largely because its paid previews generated positive word of mouth before the official opening day, resulting in a surge in spot bookings from morning shows themselves. Dhamaal 4 does not have the benefit of paid previews, making its opening more dependent on Friday's audience response. (adsbygoogle = window.adsbygoogle || []).push({}) Nevertheless, the film still has the potential to exceed expectations. Comedy entertainers traditionally rely heavily on spot bookings and walk-in audiences, especially in mass circuits and smaller centres. If the initial audience reactions are positive, Dhamaal 4 could witness a strong jump in evening and night shows, giving it a realistic chance of touching the 15 crore net mark on its opening day. Positive word of mouth will be the key factor in determining whether the film can outperform its current projections.

BY SACNILK

Mumbai, July 9 - Sidharth Malhotra's much-awaited folk thriller Vvan: Force of the Forest has officially shifted its theatrical release date and will now arrive in cinemas on September 25, 2026. The move comes as a strategic decision by the makers to avoid the crowded late-August release window, which was set to witness a high-profile three-way clash with Shraddha Kapoor's Eetha and Yash's pan-India action spectacle Toxic. Vvan, which stars Sidharth Malhotra and Tamannaah Bhatia in the lead, was previously scheduled to release on August 28, 2026. However, with Toxic now locked for August 26 and Eetha also coming on August 28, the makers have opted to push the film by nearly a month to secure a cleaner release window and maximise its box office potential. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Deepak Mishra, Vvan is positioned as a rooted folklore-based thriller backed by Balaji Motion Pictures, TVF Motion Pictures, and 11:11 Productions. The film marks Sidharth Malhotra's return to the big screen in a genre that blends mythology, mystery, and supernatural elements, making it one of the most anticipated Hindi releases of the year. The new release date gives Vvan a significantly better opportunity at the box office by avoiding direct competition for screens and premium formats. With Toxic expected to dominate the Pan India market upon release and Eetha carrying strong anticipation of its own, the September 25 slot offers Vvan a more favourable theatrical runway ahead of the festive season.

BY SACNILK

The Welcome franchise has established itself as one of the most resilient comedy brands in Indian cinema over the last two decades. The journey began in 2007 with the first film grossing roughly 119.50 crore worldwide, followed by Welcome Back in 2015 which earned approximately 168.70 crore. Together, the first two installments brought in a combined worldwide gross of 288.20 crore. Now, with the third part, Welcome To The Jungle, the franchise is expanding significantly, already pushing the collective total well past the 460 crore mark globally. Featuring a massive ensemble led by Akshay Kumar, Suniel Shetty, and Paresh Rawal, this film has managed to sustain interest by leaning into the nostalgic value of the brand. Looking at the Day 13 box office numbers, which fell on its second Wednesday, Welcome To The Jungle collected a net of 2.35 crore across India. This represents a 21.7 percent drop from the previous day’s net of 3.00 crore. While mid-week dips are expected for big-budget entertainers in their second week, the film maintained a presence across 6,372 shows during the day. This brings its total India net collection to 122.90 crore and its total India gross to 146.10 crore. When we look at the cumulative footprint, these numbers have been achieved through a massive scheduling of over 1.13 lakh shows since its release. (adsbygoogle = window.adsbygoogle || []).push({}) The international market has provided a steady cushion to the overall totals. On its thirteenth day, the film added 0.50 crore from overseas territories, taking its total overseas gross to 31.45 crore. According to data tracked by Venky Box Office, the film earned 37,000 dollars (approx. 31 lakh) in North America on Tuesday, pushing its total in that region to 1.51 million dollars (approx. 12.65 crore). When we combine the domestic and international figures, the total worldwide gross collection for Welcome To The Jungle currently stands at 177.55 crore. The major national cinema chains provides a detailed look at urban audience engagement. PVR led the contributions with approximately 4,700 tickets sold for a gross of 12.90 lakh. INOX followed with about 3,100 tickets and a gross of 7.20 lakh, while Cinepolis accounted for roughly 1,650 tickets with a gross of 3.60 lakh. Collectively, these chains sold approximately 9,450 tickets, contributing around 23 lakh to the day's earnings. The overall occupancy for the Hindi 2D version stood at 11.92 percent on Wednesday, with night shows showing the best footfalls at 16.08 percent. (adsbygoogle = window.adsbygoogle || []).push({}) Regional performance remains fairly consistent across the major hubs. The National Capital Region recorded an occupancy of 11 percent across 670 shows, while Mumbai saw slightly higher engagement at 12 percent from 421 shows. Cities like Bengaluru and Pune also hovered around the 11 to 12 percent mark. Digital engagement on BookMyShow also remains visible, with 30,940 tickets booked on Wednesday following a high of 54,120 on Tuesday. This brings the total number of tickets sold on the platform to approximately 21.93 lakh so far. Amidst this theatrical run, director Ahmed Khan has shared some significant updates regarding the future of the franchise. In an exclusive conversation with Koimoi, the filmmaker officially confirmed that Welcome 4 is already in the development pipeline. While his immediate priority is launching his son Azaan, he mentioned that the next part of the Welcome series will be his subsequent project. Ahmed Khan also hinted at having a packed schedule with multiple event films in development with producers like Firoze Nadiadwala and Sajid Nadiadwala. The confirmation of a fourth part, coming just as the third installment crosses major domestic milestones, suggests that the producers are keen on maintaining the momentum of this comedy universe. (adsbygoogle = window.adsbygoogle || []).push({}) With its worldwide gross approaching the 180 crore mark, Welcome To The Jungle has managed to scale higher than the original 2007 film and is closing the gap with the second installment. The focus for the coming weekend will be on how much further it can push its totals before new releases arrive. For a franchise that relies heavily on ensemble energy and family-friendly humor, the current trajectory indicates that there is still a significant appetite for this brand of entertainment on the big screen.

BY SACNILK

Mumbai, July 9 - After the massive success of Chhaava and a potential big success of the upcoming film Eetha, director Laxman Utekar is reportedly setting the wheels in motion for his next directorial venture. According to the latest industry reports, the director has approached Hrithik Roshan to headline an ambitious new film, although the project is still in its early stages and no agreement has been finalised yet. As per a Variety India report, Laxman Utekar recently narrated the script to Hrithik Roshan, who is said to have responded positively to the concept. However, the superstar is yet to make a final decision, as he is currently occupied with multiple commitments. If everything falls into place, the project will mark the first-ever collaboration between the actor and the acclaimed filmmaker. (adsbygoogle = window.adsbygoogle || []).push({}) Laxman Utekar has emerged as one of Bollywood's most successful directors in recent years with films such as Luka Chuppi, Mimi, Zara Hatke Zara Bachke, and the blockbuster historical drama Chhaava. He is currently awaiting the release of Eetha, a biographical drama starring Shraddha Kapoor, before moving on to his next feature. Meanwhile, Hrithik Roshan has an exciting slate ahead. The actor is currently focused on the pre-production of his directorial debut, Krrish 4. He will be next seen in Rajinikanth's Jailer 2 as he has already shot his cameo on June 22 and June 23 in Chennai. While reports of his collaboration with Laxman Utekar have generated considerable buzz, the project may take some time to start as Hrithik also has a movie with Hombale Films.

BY SACNILK

The Dhamaal franchise has been a staple of Hindi comedy for years, known for its slapstick humor and an ensemble cast that usually brings chaos to the screen. As Indra Kumar prepares to release the fourth installment, Dhamaal 4, tomorrow on July 10, there is already significant news regarding the future of the series. According to a report by Bollywood Hungama, the makers are so confident in the latest film that they have ended it with a direct hint of a sequel. A source mentioned that a specific sequence at the end of the movie indicates that Dhamaal 5 is already in the offing, promising another madcap entertainer for the fans. Directed by Indra Kumar, Dhamaal 4 sees the return of the franchise core members including Ajay Devgn, Riteish Deshmukh, Arshad Warsi, Sanjay Mishra, and Jaaved Jaaferi. To keep the dynamic fresh, new faces like Esha Gupta, Sanjeeda Shaikh, Anjali Anand, and Ravi Kishan have been added to the mix. The film is produced by a large team including Ajay Devgn and Bhushan Kumar, and the industry is keeping a close eye on how this ensemble will perform at the box office. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the advance booking numbers, the film is showing a decent buildup for its opening day. So far, the all-India advance booking gross stands at 1.13 crore, excluding block seats. If we include block seats, that figure jumps to approximately 3.33 crore. A total of 44,659 tickets have been sold across 7,626 shows for the first day. Most of the sales are coming from the standard 2D format, which has contributed nearly the entire gross amount, while premium formats like 4DX are just beginning to see some movement. As we reach midday on July 9, the performance in national cinema chains is showing steady growth leading into tomorrow's release. Based on the latest tracking, PVR has sold approximately 7,100 tickets for a gross of 29.30 lakh. INOX follows with about 3,550 tickets and a gross of 10.95 lakh, while Cinepolis has added roughly 1,030 tickets for a gross of 3.35 lakh. In total, these major national chains have already accounted for approximately over 11,000 tickets and a combined gross of around 43 lakh as the film enters its final countdown before hitting theaters. (adsbygoogle = window.adsbygoogle || []).push({}) The momentum on digital platforms like BookMyShow also indicates a rising interest as the release date nears. On July 7, the platform saw 6,170 tickets booked, which significantly increased to 21,260 tickets on July 8. This brings the total tickets sold on the platform to approximately 27,430 so far. More recent tracking shows that between 11 am and 12 pm today, another 2,100 tickets were sold, bringing the total since 9 am this morning to 5,220 tickets. This hourly acceleration is a good sign for the film's spot bookings tomorrow. Regionally, the National Capital Region and Mumbai are the primary drivers for the advance bookings. NCR has recorded a gross of 21.48 lakh across 948 shows, a figure that goes up to 66.68 lakh if we include block seats. Mumbai follows with 19.47 lakh from 744 shows, reaching 41.32 lakh with block seats. While real occupancy in these major hubs currently stands at 2 percent, both cities have already seen one almost full show and several filling fast statuses. Hyderabad is performing slightly better in terms of engagement with a 5 percent occupancy across 230 shows, earning 6.18 lakh. Interestingly, Chennai reports the highest occupancy at 14 percent despite having a smaller window of 59 shows, contributing 2.37 lakh. (adsbygoogle = window.adsbygoogle || []).push({}) In other markets, Ahmedabad has grossed 4.26 lakh across 438 shows, while Jaipur and Bengaluru have collected 3.85 lakh and 3.33 lakh respectively. Other cities like Pune, Kolkata, and Surat are currently seeing more modest movement, with gross totals ranging from 1.50 lakh to 2.90 lakh. Although overall occupancy levels are mostly around 1 percent right now, the presence of filling fast shows across multiple regions indicates that demand is starting to pick up. With the news of a fifth installment already being teased, the makers of Dhamaal 4 seem to be leveraging the strong franchise recall across these major urban centers.

BY SACNILK

Mumbai, July 9 - The first six months of 2026 have painted an interesting picture for the Indian film industry. While a handful of blockbuster releases dominated the box office and broke multiple records, some high-profile films struggled to justify their massive budgets. Overall, the period from January 1 to June 30 witnessed a healthy theatrical market led by Hindi cinema, while Malayalam films continued to punch above their weight with remarkable overseas performances. The biggest story of the year was undoubtedly the phenomenal success of Dhurandhar 2: The Revenge, which emerged as the highest-grossing Indian film of the year by a massive margin. The Ranveer Singh-led action spectacle crossed 1800 crore worldwide, making it one of the biggest Indian successes in history. It was followed by Border 2, while Telugu cinema contributed one major success in the form of Mana ShankaraVaraprasad Garu. Tamil cinema's biggest performer was Karuppu, which comfortably crossed the 300 crore mark worldwide. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Movies Overall – All-India (First Half of 2026) Rank Movie Language India Gross Worldwide Gross Footfalls (India) 1 Dhurandhar 2 Hindi ₹ 1375.00 Cr ₹ 1813.00 Cr 4.50+ Cr 2 Border 2 Hindi ₹ 393.00 Cr ₹ 450.00 Cr 1.58 Cr 3 Peddi Telugu ₹ 288.00 Cr ₹ 340+ Cr N/A 4 MSVPG Telugu ₹ 258.50 Cr ₹ 301.50 Cr 1.27 Cr 5 Karuppu Tamil ₹ 229.00 Cr ₹ 310.00 Cr N/A Hindi cinema enjoyed the strongest headline performance thanks to Dhurandhar 2 and Border 2, but the overall success was largely concentrated among a few event films. Telugu cinema delivered mixed results, with the only major success being Mana Shankara. The box office collections alone did not always translate into commercial success, as some expensive productions failed to recover their investments despite respectable worldwide numbers. (adsbygoogle = window.adsbygoogle || []).push({}) Malayalam cinema once again proved why it continues to be one of India's most consistent film industries. Films like Vaazha 2 and Drishyam 3 not only performed exceptionally well in Kerala but also generated huge revenues overseas. The industry continued to benefit from its strong presence in international markets, especially across the Gulf region, allowing several medium-budget films to achieve impressive worldwide totals. Tamil cinema also experienced a mixed first half. While Karuppu emerged as a blockbuster and became one of the biggest Tamil hits of the year, mid-budget films such as Thaai Kizhavi and Blast also delivered solid numbers, indicating that audiences were willing to support well-made commercial entertainers beyond star-driven spectacles. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Hollywood Movies Rank Movie India Gross Worldwide Gross 1 Obsession ₹ 100.15 Cr ₹ 3850+ Cr 2 Project Hail Mary ₹ 89.50 Cr ₹ 6436+ Cr 3 Michael ₹ 83.65 Cr ₹ 9050+ Cr 4 The Devil Wears Prada 2 ₹ 35.90 Cr ₹ 6400+ Cr 5 Lee Cronin's The Mummy ₹ 30.00 Cr ₹ 30.00 Cr Hollywood releases maintained a steady presence in India, with films such as Obsession, Project Hail Mary, and Michael attracting strong urban audiences. However, their worldwide collections were naturally driven by international markets rather than India, making domestic box office comparisons with Indian films less meaningful. Kannada cinema endured a relatively quiet first half compared to other industries. No Sandalwood release managed to create a nationwide impact, and the industry's highest-grossing films remained significantly behind their counterparts from Tamil, Telugu, Malayalam, and Hindi cinema. The second half of the year will be crucial for Kannada cinema to regain momentum. (adsbygoogle = window.adsbygoogle || []).push({}) Surprise Indian Successes S. No. Movie Industry India Gross Worldwide Gross 1 Thaai Kizhavi Kollywood ₹ 71.65 Cr ₹ 82.00 Cr 2 Vaazha 2 Mollywood ₹ 149.50 Cr ₹ 235.25 Cr 3 Aadu 3 Mollywood ₹ 59.10 Cr ₹ 120.10 Cr 4 Blast Kollywood ₹ 61.00 Cr ₹ 75.40 Cr One of the most encouraging trends of the first half was the continued success of content-driven cinema. Films like Thaai Kizhavi, Blast, and Aadu 3 exceeded trade expectations despite not carrying the scale or hype of pan-India spectacles. Their performances reinforced the fact that audiences continue to reward strong storytelling and positive word of mouth. At the same time, a few expensive productions struggled to meet expectations. Despite collecting well worldwide, some big-budget releases were unable to secure profitable theatrical runs due to their enormous production costs. This once again highlighted that worldwide collections alone are no longer sufficient to determine a film's commercial success. (adsbygoogle = window.adsbygoogle || []).push({}) Hyped but Failed/Underwhelmed Movies S. No. Movie Industry India Gross Worldwide Gross 1 The Raja Saab Tollywood ₹ 174.15 Cr ₹ 208.40 Cr 2 Peddi Tollywood ₹ 288.00 Cr ₹ 340+ Cr 3 Patriot Mollywood ₹ 36.75 Cr ₹ 80.00 Cr Overall, the first half of 2026 can be described as top-heavy but healthy. Films across industries have grossed around 6500 crores at the Indian box office in the first 6 months, which is better than the first halves of the previous post-pandemic years. Bollywood produced the year's biggest blockbuster, Telugu cinema delivered mixed results, Malayalam cinema continued its remarkable consistency, and Tamil cinema found success through both star vehicles and mid-budget entertainers. As the industry heads into the second half of the year with several highly anticipated releases on the horizon, the box office appears well-positioned to build on an encouraging start to 2026.

BY SACNILK

Cocktail 2 has reached a significant milestone in its theatrical run as it enters its third week. The film has officially surpassed the lifetime worldwide collection of Teri Baaton Mein Aisa Uljha Jiya, which stood at 139 crore. With this achievement, Cocktail 2 has secured a spot in the top five highest-grossing romantic comedies in Indian cinema since 2012. This steady performance highlights the sustained interest in the genre when backed by a strong franchise name. On its twentieth day, which was a Wednesday, the film collected a net of 0.45 crore across India. When compared to the previous day’s net of 0.50 crore, this represents a 10 percent drop, which is a standard trend for a film at this stage. The movie maintained a presence across 1,172 shows during the day. Taking a closer look at the cumulative figures, the total India net collection now stands at 93.90 crore, while the total India gross has reached 111.93 crore. Globally, the film is performing well, with a worldwide gross collection of 142.33 crore achieved across more than 1,04,000 shows so far. (adsbygoogle = window.adsbygoogle || []).push({}) The international market continues to be a steady contributor to the film's success. On Day 20, the overseas collection was 0.10 crore, taking the total overseas gross to 30.40 crore. According to data tracked by Venky Box Office, the film earned 13,000 dollars in North America on Tuesday, bringing its total in that region to 1.45 million dollars. As the film's pace begins to slow down, it remains to be seen if it can cross the 1.5 million dollar mark by the end of its theatrical run. If it manages to reach this figure, it will be Shahid Kapoor's second film as a solo lead to hit the 1.5 million dollar milestone in North America, following Teri Baaton Mein Aisa Uljha Jiya, which finished with approximately 2.50 million dollars. In terms of audience engagement on digital platforms, BookMyShow recorded 6,520 tickets booked on Wednesday, following 11,530 tickets on Tuesday. This brings the total tickets sold on the platform to approximately 16,34,640. Looking at the performance in national cinema chains for Wednesday, PVR led the way with roughly 1,460 tickets sold for a gross of 4.75 lakh. INOX followed with approximately 840 tickets and a gross of 1.90 lakh, while Cinepolis contributed about 520 tickets with a gross of 1.17 lakh. In total, these major chains accounted for roughly 2,820 tickets and a combined gross of 7.80 lakh for the day. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the Hindi 2D version stood at 13.99 percent on Wednesday. Similar to previous days, the night shows saw the highest footfalls at 17.15 percent, while morning shows started at around 6.6 percent. Regionally, Mumbai led the occupancy charts among major hubs with 13 percent across 99 shows. The National Capital Region followed with 11.8 percent across 167 shows, while Ahmedabad and Bengaluru both recorded an occupancy of 10.3 percent. These numbers indicate that the film is still holding a decent grip in metropolitan areas even as new releases arrive. Top 5 Rom-Coms Since 2012 - Worldwide GrossMOVIE NAMEWORLDWIDE GROSSYeh Jawaani Hai Deewani₹ 318.00 CrTanu Weds Manu Returns₹ 258.00 CrTu Jhoothi Main Makkaar₹ 223.00 Cr2 States₹ 173.10 CrCocktail 2₹ 142.33 Cr

BY SACNILK

The Yash Raj Films Spy Universe has come a long way since its inception in 2012 with Ek Tha Tiger. Over the last decade, we have seen this franchise evolve from standalone actioners into a massive interconnected cinematic world featuring some of the biggest stars in Indian cinema. While the universe has largely been dominated by male leads like Salman Khan, Hrithik Roshan, and Shah Rukh Khan, Alpha marks a significant pivot as the first female-led installment. Starring Alia Bhatt and Sharvari, this film carries the weight of expanding the lore while maintaining the high-octane momentum established by predecessors like Pathaan and Tiger 3. On its sixth day, which was a Wednesday, Alpha earned a net collection of 2.85 crore across India. When we look at this in comparison to the previous day, it represents a 32.9 percent drop from Tuesday's net of 4.25 crore. However, it is important to note that Tuesday's numbers were slightly inflated due to it being a discounted ticket day, which is a common trend in the current exhibition landscape. The film maintained its presence across 7,321 shows on Wednesday, which indicates that exhibitors are still giving it a fair amount of breathing room despite the usual mid-week slump. (adsbygoogle = window.adsbygoogle || []).push({}) Taking a closer look at the cumulative totals, Alpha has reached a total India net collection of 44.95 crore, with the total India gross standing at 53.59 crore. While these figures represent the current standing after six days, they reflect a clear underperformance when considering the massive scale and franchise value of the Spy Universe. For a brand that usually commands much higher footfalls, these numbers indicate that the film is finding it difficult to live up to the high commercial benchmarks set by its predecessors. The audience engagement remains visible on digital platforms as well. On BookMyShow, the film saw 37,390 tickets booked on Wednesday, following a high of 82,920 tickets on Tuesday. This brings the total tickets sold on the platform to approximately 8,02,360 so far. If we break down the performance in national cinema chains like PVR, INOX, and Cinepolis, the numbers give us a clearer picture of urban audience interest. For the selected day, PVR led the way with roughly 5,000 tickets sold, amounting to a gross of 15 lakh. INOX followed closely with approximately 4,400 tickets and a gross of 10.5 lakh, while Cinepolis contributed about 1,850 tickets with a gross of 4 lakh. In total, these major chains accounted for roughly 11,250 tickets and a combined gross of over 29 lakh. The overall occupancy for the Hindi 2D version stood at 9.79 percent, starting with a lower morning opening of 6 percent and peaking during the night shows at about 12.5 percent. (adsbygoogle = window.adsbygoogle || []).push({}) Regionally, the National Capital Region and Mumbai continue to be the primary drivers for the film. NCR recorded an occupancy of 10.3 percent across 743 shows, while Mumbai followed with 9.5 percent across 549 shows. Other cities like Pune and Ahmedabad also hovered around the 9 percent mark, showing a fairly uniform interest across major metropolitan hubs. This consistency is vital for the film as it heads into its second weekend, where it will need to see a jump in footfalls to sustain its long-term theatrical run. On the global front, the early estimates for the overseas collection stand at 1.50 crore for Day 6, taking the total overseas gross to 21.30 crore. According to data tracked by Venky Box Office, the film earned 119,000 dollars (approx. 1 crore) in North America on Tuesday, bringing its total in that region to 750,000 dollars (approx. 6.25 crore). When we combine the domestic gross of 53.59 crore with the overseas estimates, the total worldwide gross collection for Alpha is approximately 74.89 crore so far. (adsbygoogle = window.adsbygoogle || []).push({}) To give you some context on these numbers, Alpha has already managed to surpass the lifetime worldwide collection of Alia Bhatt's previous solo-led film, Jigra, within its first six days. For comparison, Jigra ended its run with a worldwide gross of 56.93 crore and an India net of 31.98 crore. By crossing these milestones in less than a week, Alpha has demonstrated the added pull of the Spy Universe brand. The logical next step for the film will be to target the 100 crore worldwide mark as it enters its second week of release.

BY SACNILK

Mumbai, July 8 - The excitement surrounding Nitesh Tiwari's Ramayana: Part 1 continues to build as the makers gear up to begin the film's full-scale promotional campaign. After creating immense buzz with its introduction glimpse, the epic is now preparing for its biggest marketing milestone ahead of its highly anticipated Diwali 2026 theatrical release. (adsbygoogle = window.adsbygoogle || []).push({}) According to a report by Variety India, the official trailer of Ramayana: Part 1 will be unveiled on July 18, 2026, at a grand launch event at Bharat Mandapam in New Delhi. The event is expected to be attended by director Nitesh Tiwari, producer Namit Malhotra, and several members of the star-studded cast. Reports suggest that Ranbir Kapoor, Sai Pallavi, Ravi Dubey, Rakul Preet Singh, and Kunal Kapoor are likely to be present, while the attendance of Yash and Sunny Deol is yet to be confirmed. (adsbygoogle = window.adsbygoogle || []).push({}) Ramayana stars Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. Backed by Prime Focus Studios and Monster Mind Creations, the ambitious two-part adaptation has been mounted on a massive scale with cutting-edge visual effects and is being positioned as one of the most expensive and visually spectacular films ever produced in Indian cinema. The upcoming trailer is expected to provide audiences with their first detailed look at the film's storytelling, action sequences, and visual grandeur. With anticipation already soaring among moviegoers, the July 18 launch is likely to become one of the biggest promotional events of the year. Ramayana: Part 1 is scheduled to arrive in cinemas worldwide during Diwali 2026, while its second instalment is slated for Diwali 2027.

BY SACNILK

Mumbai, July 8 - The first half of 2026 has delivered a few blockbuster successes across the Indian film industry, with Hindi, Telugu, and Tamil cinema all contributing major hits at the global box office. While a handful of films crossed significant milestones worldwide, one title stood far above the rest in the form of Dhurandhar: The Revenge The Ranveer Singh-fronted spy actioner emerged as the undisputed box office champion, becoming the biggest Indian blockbuster of the year so far and one of the biggest of all-time with a phenomenal worldwide gross of over 1800 crore. The film continued to dominate the box office week after week and shattered several records for an Indian film. (adsbygoogle = window.adsbygoogle || []).push({}) Sunny Deol's Border 2 lit up the box office earlier this year, justifying the hype around the film with its superb trending. The war drama secured the second position on the list with an impressive 450 crore worldwide gross, reaffirming the enduring popularity of the border franchise and patriotic action dramas. Tamil superstar Suriya found his lost box office mojo with the Tamil blockbuster Karuppu emerging as one of the biggest Indian blockbusters of the year so far. The action drama continued its remarkable theatrical run for weeks to finish with 310 crore globally, becoming the actor's highest-grossing film by more than 2x margin. (adsbygoogle = window.adsbygoogle || []).push({}) Megastar Chiranjeevi also muscled his star power with the Telugu family entertainer Mana Shankara Vara Prasad Garu, and proved that he can still challange biggest of the stars of Telugu cinema with his unmatched aura and fan following even at the age of 70. The Anil Ravipudi directorial collected over 300 crores worldwide and is among the top 5 highest-grossing Indian films of the year so far. Meanwhile, the Indian box office also delivered rich results, thanks to blockbuster runs of the top 5 movies and beyond. With over 6500+ crores gross so far, it is turning out to be one of the biggest years for Indian cinema. With several big-ticket releases still scheduled for the second half of 2026, the race for the year's highest-grossing Indian film is far from over. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Highest-Grossing Indian Films of the First Half of 2026 S. No. Movie Industry Worldwide Gross 1 Dhurandhar: The Revenge Bollywood (Hindi) ₹ 1813.00 Cr 2 Border 2 Bollywood (Hindi) ₹ 450.00 Cr 3 Peddi Tollywood (Telugu) ₹ 340+ Cr 4 Karuppu Kollywood (Tamil) ₹ 310.00 Cr 5 Mana Shankara Vara Prasad Garu Tollywood (Telugu) ₹ 301.50 Cr

BY SACNILK

Mumbai, July 8 - Nitesh Tiwari's Ramayana: Part 1 continues to dominate headlines even months ahead of its theatrical release. Starring Ranbir Kapoor as Lord Rama, the epic has easily been the most anticipated Indian movie in the making, not just among fans but also in the trade, for its enormous box-office potential. (adsbygoogle = window.adsbygoogle || []).push({}) As the release date gets nearer, the film distribution race is heating up. Yesterday, Variety India reported that Karan Johar's Dharma Productions has acquired the all-India distribution rights to Ramayana Part 1 in a massive 250-crore deal. While the deal is huge, it started a conversation on social media about whether the rights were really sold for 250 crores, a significant but half of what the makers reportedly quoted, as earlier reports stated a staggering 500 crore demand. Now, according to the latest report by Bollywood Hungama, Dharma Productions has reportedly secured the theatrical distribution rights for 350 crore, making it the biggest distribution deal in Bollywood history. While the official announcement hasn't been made yet, the 350 crore deal looks more believable given the massive box office potential and the distribution demand of the makers. (adsbygoogle = window.adsbygoogle || []).push({}) Dharma Productions is reportedly preparing an extensive nationwide release strategy for the epic. The project, directed by Nitesh Tiwari and backed by Namit Malhotra, stars Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, Yash as Ravana, Ravie Dubey as Laxman, and Sunny Deol as Hanuman, among many others in prominent roles. Mounted on a massive budget and envisioned as a two-part cinematic saga, Ramayana is among the most anticipated Indian films in recent years. Produced by Prime Focus Studios and Monster Mind Creations, the first instalment is scheduled for a grand worldwide theatrical release during the 2026 Diwali festive season, while Ramayana Part 2 will release on Diwali 2027.

BY SACNILK

The Dhamaal franchise has built a legendary reputation for delivering high-octane laughter, and the upcoming fourth installment is currently one of the most anticipated releases of 2026. After several shifts in the release schedule to find the perfect window, the makers have finally settled on a release date of July 10. The anticipation is visible on platforms like BookMyShow, where over 125K people have already marked their interest in the film, making it one of the most tracked Indian movies of the year on IMDb. Looking at the initial advance booking reports, the film is starting to gain momentum across the country. For the first day, Dhamaal 4 has recorded an all-India gross of 33.79 Lac. When we include block seats, this figure jumps to a much more substantial 1.61 Cr. So far, the film has sold roughly 13,475 tickets for its opening day across 3,698 shows. While the real occupancy currently sits at 1 percent, these are early numbers and the pace is expected to pick up significantly as the release day approaches. (adsbygoogle = window.adsbygoogle || []).push({}) Maharashtra is currently leading the charts among states, with a gross of 8.48 Lac and a total including block seats of 36.12 Lac from 912 shows. Delhi follows closely with a gross of 6.72 Lac, reaching 36.46 Lac with block seats. In terms of major regions, the National Capital Region (NCR) and Mumbai are the primary drivers, contributing 6.72 Lac and 6.57 Lac respectively to the opening day tally. Other markets like Gujarat and Rajasthan are also contributing, with Gujarat showing a gross with block seats of 19.59 Lac from 700 shows and Rajasthan recording 11.1 Lac with block seats. The pressure on this fourth installment is high because the franchise has a perfect track record at the box office. The original Dhamaal was a Hit with an India net collection of 33.06 Cr and a worldwide gross of 51.30 Cr. Double Dhamaal followed that success with 44.10 Cr net and 71.00 Cr worldwide gross, also earning a Hit verdict. The stakes were raised significantly with Total Dhamaal, which collected a massive 155.67 Cr net in India and a worldwide gross of 232.18 Cr, making it a Superhit. With all three previous films being successful, the industry is watching closely to see if Dhamaal 4 can maintain this 100 percent success rate. (adsbygoogle = window.adsbygoogle || []).push({}) The plot this time around follows the classic boys on a wild quest for the Treasure of Life, but with a few supernatural twists involving pirates and ghosts. Ajay Devgn returns as a quirky IRS officer, leading the veteran ensemble of Riteish Deshmukh, Arshad Warsi, Jaaved Jaaferi, and Sanjay Mishra. Interestingly, the film is moving away from the franchise tradition of having no female leads. After Madhuri Dixit joined the third part, Dhamaal 4 features a larger female cast including Sanjeeda Shaikh, Esha Gupta, and Anjali Anand. Ravi Kishan also joins the chaos as a quirky pirate. The technical aspects of the film are also set for a smooth release. The Censor Board has granted a U/A 13+ certificate with a runtime of 2 hours and 23 minutes. While no scenes were cut, minor modifications were made to certain hand gestures and vocabulary to keep it family-friendly. On the music front, the soundtrack is already generating buzz. Songs like Chatni, which is a recreation of the popular track originally by Mamta Sharma, and Guru Randhawa's energetic track Qeher are trending heavily, adding to the overall excitement for the film's theatrical debut on July 10.