BY SACNILK TEAM

Here is the Hindi movie Baby Do Die Do box office collection which is a Action Crime Mystery Thriller film. This film is directed by Nachiket Samant and produced by . ## Baby Do Die Do stars , Huma Qureshi, Sikander Kher, Chunky Panday, Vidya Malavade, Himanshu Malik, Marudhar Shekhawat in key roles. ## Baby Do Die Do Review ## Baby Do Die Do Review: What Public Has To Say About This Movie ## Baby Do Die Do Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Baby Do Die Do Budget: ₹ 1 Cr * Approx ## Baby Do Die Do Verdict: Coming Soon ## Baby Do Die Do Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 3rd July 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

BY CHRISTA LINCY

With Dhurandhar 2: Raw & Undekha having completed more than a month of streaming on JioHotstar since its early June premiere, the performance data of the first film is being revisited as a key market indicator. Comparing the global reach of the edited version against the domestic success of the uncut release offers significant insights for producers and advertisers about the specific pull of raw content in the Indian market. Currently, RRR (Hindi) maintains its position as the most viewed Indian film on Netflix with approximately 46.25 million views. However, Dhurandhar has secured a strong second place on the all-time list with 38.6 million views, outperforming other major hits like Jawan (35.3M), Animal (33.4M), and Gangubai Kathiawadi (32.84M). These figures, which exclude direct-to-digital releases, reflect the film's standing through June 2026. (adsbygoogle = window.adsbygoogle || []).push({}) A closer look at the Netflix data shows that Dhurandhar remained in the Global Top 10 for ten consecutive weeks. The viewership pattern was steady, starting with 7.6 million views in its first week and peaking at 8.2 million in the second. Interestingly, the film saw a significant resurgence in its eighth week, jumping back up to 2.3 million views. This late-stage push was a direct result of the buzz surrounding the release of the sequel, showing how new theatrical installments can revive interest in older catalogue titles. Here is the week-wise Netflix viewership breakdown for Dhurandhar: 1st Week – 7.6 Million 2nd Week – 8.2 Million 3rd Week – 2.9 Million 4th Week – 2 Million 5th Week – 1.3 Million 6th Week – 1 Million 7th Week – 1 Million 8th Week – 2.3 Million (adsbygoogle = window.adsbygoogle || []).push({}) However, the most intriguing data point comes from the comparison between platforms. While Netflix streamed a cut version of the film for a global audience, JioHotstar carried the Raw & Undekha (uncut) version specifically for the Indian market. The difference in numbers is stark. While Netflix's best global week recorded 8.2 million views that week with 28.1 million hours viewed and 10 weeks in the Top 10, JioHotstar reported that their uncut version garnered more than 32 million views in India within just three days of its release. The marketing strategy played a major role in this domestic surge. Using the campaign line, India Ruka Bhi, JioHotstar Par Dekha Bhi, the platform positioned the film as a national viewing event rather than a standard digital release. The fact that an India-only platform claimed 32 million views in 72 hours—surpassing the global weekly numbers of a giant like Netflix—highlights the massive domestic demand for uncut, mass-market Hindi entertainment.

BY SACNILK TEAM

Mumbai, July 17 - The Punjab and Haryana High Court on Friday declined to entertain a Public Interest Litigation (PIL) seeking the restoration of Diljit Dosanjh-starrer Satluj, which was recently taken down from its OTT platform shortly after its release. The Bench, comprising Acting Chief Justice Ashwani Kumar Mishra and Justice Rohit Kapoor, did not examine the merits of the film's removal and instead questioned the maintainability of the petition. (adsbygoogle = window.adsbygoogle || []).push({}) During the hearing, the Court observed that the petitioner, a Punjab resident, was neither the producer nor the director of the film and therefore lacked the legal standing (locus standi) to seek such relief. Faced with the Court's observations, the petitioner's counsel stated that the plea would be withdrawn and refiled through the film's director. As a result, the High Court declined to entertain the PIL without ruling on whether the takedown of the film was justified. Appearing for the Union Government and the Central Board of Film Certification (CBFC), Senior Advocate Dheeraj Jain argued that the petitioner had no locus to file the PIL and had failed to provide details of the alleged order directing the film's removal. He further submitted that the petition had been filed just days after the movie was taken down without first approaching the concerned authorities or submitting any representation. (adsbygoogle = window.adsbygoogle || []).push({}) The petition had contended that the abrupt removal of Satluj violated the public's fundamental right to receive information and artistic expression under Article 19(1)(a) of the Constitution. It also argued that paying subscribers had been deprived of access to content they had already purchased and claimed that the biographical film, based on the life of human rights activist Jaswant Singh Khalra, did not threaten the country's sovereignty or public order. Originally developed under the title Punjab '95, Satluj has remained at the centre of controversy for years over certification issues and its depiction of sensitive historical events. While the latest PIL has been withdrawn, the legal battle surrounding the film appears far from over, with the possibility of a fresh petition being filed through the film's director in the coming days.

BY CHRISTA LINCY

The collaboration between SS Rajamouli and Mahesh Babu, now officially titled Varanasi, has set a firm release date for April 7, 2027. Following the global reach of RRR, this project is being designed as an international action-adventure, with the script written by Vijayendra Prasad and music by M.M. Keeravani. The film is expected to be a high-budget production, aiming for a wide theatrical release across multiple global markets. Mahesh Babu has spent a significant amount of time preparing for this role, adopting a new look and undergoing a physical transformation to fit the globe-trotting theme of the story. Given Rajamouli's preference for high-end technical standards, the film is being shot with Premium Large Formats (PLF) in mind. The goal is to deliver a visual experience that scales well on international screens, similar to major Hollywood franchises. (adsbygoogle = window.adsbygoogle || []).push({}) However, an interesting challenge has surfaced regarding the film's global release strategy. While the April 7 date is confirmed, it places Varanasi in a very competitive window between two major Hollywood productions. Godzilla x Kong: Supernova is scheduled for March 26, 2027, and the thriller Panic Carefully is set to arrive shortly after on April 9. Both of these films are expected to occupy a large portion of IMAX and premium screens in overseas markets. This creates a potential bottleneck for Varanasi. In the international market, Hollywood studios often secure IMAX and PLF screens well in advance, which could limit the number of premium screens available for an Indian production during that specific two-week window. For Rajamouli, who prioritizes the best possible theatrical presentation, securing these screens is a vital part of the film's global rollout plan. (adsbygoogle = window.adsbygoogle || []).push({}) As of now, the production team has not indicated any plans for a postponement, and the original release date remains unchanged. However, industry observers suggest that the release plan could be revisited if the screen crunch becomes a significant obstacle. For now, the focus remains on completing the project, while trade circles keep a close eye on how the film will navigate this scheduling conflict in the premium screen space.

BY SUNIT JANGIR

Mumbai, July 17 - Superstar Aamir Khan has addressed one of the most persistent beliefs surrounding 3 Idiots, clarifying that his iconic character Rancho, also known as Phunsukh Wangdu, was not inspired by education reformer and climate activist Sonam Wangchuk. The actor made the statement while expressing concern over Wangchuk's ongoing hunger strike and health. (adsbygoogle = window.adsbygoogle || []).push({}) Speaking to the media, Aamir said he hoped Wangchuk would end his fast soon and that he was worried about his well-being. However, he also emphasised that the 2009 blockbuster was not based on Wangchuk's life, putting to rest the long-standing assumption that the character of Phunsukh Wangdu was modelled on the Ladakh-based innovator. The association between 3 Idiots and Sonam Wangchuk has existed since the film's release. Many viewers believed that Wangchuk served as the real-life inspiration for Rancho because of his work in alternative education and sustainable development. The similarity between Wangchuk's educational initiatives and the film's philosophy further strengthened that perception over the years. (adsbygoogle = window.adsbygoogle || []).push({}) Today at @BFI I asked Mr Amir Khan about @Wangchuk66 and his fast. Here is his response: @abhijeet_dipke @CJP_2029 @Cockroachisback @SauravDassss pic.twitter.com/jkeKFssrDX— nabanita sircar (@sircarnabanita) July 16, 2026 Interestingly, Wangchuk himself has previously stated that the filmmakers never consulted him and does not consider himself to be the real-life Phunsukh Wangdu, despite the widespread public belief. His comments had earlier sparked debate about how closely (or not) the film's fictional narrative was connected to his life and work. The discussion resurfaced recently after actor Omi Vaidya, who played Chatur Ramalingam in 3 Idiots, appealed for support for Sonam Wangchuk during his hunger strike and referred to him as the "real-life Phunsukh Wangdu." Aamir Khan's latest clarification has once again brought the issue into the spotlight while separating the film's beloved fictional character from the real-life activist. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Rajkumar Hirani, 3 Idiots remains one of the most influential films in Indian cinema. Starring Aamir Khan, R. Madhavan, Sharman Joshi, Kareena Kapoor, and Boman Irani, the film remains celebrated for its commentary on India's education system, even as the debate over Rancho's real-life inspiration rages. A sequel to the blockbuster is in the making with the original cast set to return.

BY CHRISTA LINCY

The cinematic adaptation of the timeless epic, Ramayana, directed by Nitesh Tiwari, has remained one of the most discussed projects in Indian cinema. With a massive budget and a stellar cast that brings together the best of various industries, the film is being crafted as a global spectacle. In a significant development, it has come to light that a 34-minute footage of the film has been officially certified by the Australian Classification Board. This news has sparked a lot of conversation among fans who are eagerly waiting for the first glimpse of Ranbir Kapoor as Lord Ram and Sai Pallavi as Sita. According to the official certification details, the 34-minute footage has been granted an M (Moderate) rating. The primary reason cited by the Australian board for this classification is moderate violence. The application for this certification was submitted by Prathyangira Cinemas PTY LTD, indicating that the makers are already laying the groundwork for a massive international rollout. A 34-minute duration is quite substantial for a censor filing at this stage, leading to speculation that this could be a special extended preview, a prologue, or a detailed glimpse intended for international distributors and trade showcases. (adsbygoogle = window.adsbygoogle || []).push({}) To understand the implications of this rating, we must look at how the Australian classification system works. The M classification stands for Mature, signifying content with a moderate impact (such as moderate violence), and functions as an advisory guidance category rather than a legally restrictive one.Unlike the MA 15+ rating, which legally restricts entry to those under 15 unless accompanied by a parent or adult guardian, the M rating is advisory. It suggests that the content is best suited for persons aged 15 and over, but it does not legally prevent children of any age from viewing the film. Essentially, anyone can see an M-rated film, but the board advises parents that the themes or sequences might not be suitable for younger children. The mention of moderate violence is particularly interesting given the nature of the source material. While the Ramayana is a spiritual and emotional journey, it also culminates in a grand scale conflict between the forces of good and evil. The M rating suggests that Nitesh Tiwari is not shying away from a realistic portrayal of the epic's battlefield sequences. By opting for a tone that includes moderate violence, the film appears to be targeting a more grounded and intense cinematic experience rather than a purely sanitized version often seen in older television adaptations. (adsbygoogle = window.adsbygoogle || []).push({}) The buzz surrounding the film is amplified by its extraordinary ensemble. Apart from Ranbir Kapoor and Sai Pallavi, the film features Yash as the formidable Ravana, Sunny Deol as Hanuman, and Lara Dutta as Kaikeyi. The technical side is equally strong, with Namit Malhotra's Prime Focus and the Oscar-winning VFX house DNEG handling the visual effects. The goal is to create a visual masterpiece that matches the standards of global fantasy epics, and this early certification in Australia is a clear sign that the production is moving at a steady pace toward its massive theatrical release. As the project nears its next phases, this M-rated footage provides the first concrete hint regarding the film's artistic direction. It suggests a mature, high-stakes narrative that balances the divinity of the story with the gritty reality of an ancient war. For the global audience, this certification confirms that Ramayana is being prepared as a top-tier international production, ready to compete on the world stage with its scale, storytelling, and now, a certified mature tone.

BY CHRISTA LINCY

The wait for Ananya Panday and Lakshya's intense romantic drama, Chand Mera Dil, to arrive on digital platforms is finally coming to an end. After making its theatrical debut on May 22, 2026, the film is transitioning to the streaming space where it is expected to find a new audience. Despite the high-profile casting and a modern take on romance, the film had a challenging run at the box office, and its upcoming digital premiere is being viewed as its second life on the small screen. Where and when to stream Chand Mera Dil on OTT? Makers have stuck to a standard eight-week exclusive theatrical window before bringing the film to digital viewers. Chand Mera Dil is officially scheduled to stream on JioHotstar starting July 17, 2026. This digital premiere comes exactly 56 days after its theatrical release. Interestingly, the partnership with JioHotstar was teased right from the opening credits during its cinema run, making it an anticipated arrival for subscribers of the platform. One notable aspect of the OTT version is the age rating and censorship. While the theatrical version had its own set of guidelines, the streaming version carries a U/A 16+ rating. To secure this, the Central Board of Film Certification ordered significant changes, including the complete removal of a prominent 1-minute and 36-second lip-lock scene and the trimming of another 10-second kissing sequence. This edited version is what will be available for viewers on the platform from July 17. What is the story of Chand Mera Dil? The narrative of the film explores the darker, more turbulent side of modern relationships. The plot follows Ronit, played by Lakshya, and Tara, played by Ananya Panday, who experience a whirlwind romance after their paths cross. What starts as a passionate and deep connection soon takes a turn as Ronit’s love begins to transform into an extreme and suffocating obsession. The story focuses on the thin line between passion and toxicity, delving into the emotional fallout of a relationship that becomes increasingly volatile. Financially, the film struggled to find its footing during its stay in theaters. Produced on an estimated budget of 40 crore, the movie ended its theatrical run as a flop venture. While it managed to garner some attention in urban centers, it could not generate the mass momentum required to recover its costs. By the end of its run, the film secured a worldwide gross of 38.11 crore, failing to cross its production budget in terms of raw earnings. (adsbygoogle = window.adsbygoogle || []).push({}) Chand Mera Dil: Lifetime Total Box Office Collection CATEGORY COLLECTION (INR) India Net Collection ₹ 29.09 Cr India Gross Collection ₹ 34.26 Cr Overseas Collection ₹ 3.85 Cr Worldwide Total ₹ 38.11 Cr Chand Mera Dil: Frequently Asked Questions (FAQs) Is Chand Mera Dil a hit or a flop? Chand Mera Dil is a Box Office Flop. Against a budget of 40 crore, the film grossed 38.11 crore worldwide, which was insufficient to cover its production and distribution costs. Where to stream Chand Mera Dil on OTT? The film will be available for streaming exclusively on JioHotstar starting July 17, 2026. What is the age rating for the OTT version of Chand Mera Dil? The digital version of the film has been given a U/A 16+ rating after certain romantic sequences were trimmed or removed by the censor board. Who are the lead actors in Chand Mera Dil? The film features Ananya Panday and Lakshya in the lead roles, portraying a couple caught in a turbulent romance.

BY CHRISTA LINCY

The anticipation for Awarapan 2 has been building steadily, with fans eager to see the return of one of the most iconic characters in Hindi cinema. The original Awarapan, released in 2007, was directed by Mohit Suri and featured a stellar ensemble including Emraan Hashmi, Shriya Saran, Ashutosh Rana, and Ashish Vidyarthi. While the film did not set the box office on fire during its initial run, it eventually transformed into a massive cult classic. Its legacy was cemented through years of television broadcasts and the timeless appeal of its musical score, which remains a favorite for many to this day. According to a report by Bollywood Hungama, the makers are now looking to capitalize on this long-standing craze by re-releasing the first part of Awarapan in cinemas on July 31. This strategic move aims to refresh the audience's memory and build a massive momentum exactly two weeks before the sequel hits the theaters. Sources suggest that the films strong recall value, driven by its emotional depth and massy moments, makes it a perfect candidate for a theatrical revival for a generation that might have missed it on the big screen nearly two decades ago. (adsbygoogle = window.adsbygoogle || []).push({}) This re-release sets up an interesting battle at the box office, as it is scheduled to clash with the major Hollywood blockbuster, Spider-Man: Brand New Day, which arrives in India on July 30. While the superhero flick is expected to take a gargantuan start, industry insiders believe that Awarapan still holds enough emotional weight to attract significant footfalls. The nostalgia factor is a powerful tool in the current market, and the trade expects the film to find its own dedicated audience despite the heavy international competition. We have seen a growing trend where films that underperformed during their original runs, such as Tumbbad, Sanam Teri Kasam, and Laila Majnu, emerged as huge hits upon their re-release. Many fans feel a sense of regret for not supporting these films in theaters originally, and that sentiment is expected to play a major role here. Awarapan fits this mold perfectly, having grown in stature over the years through home video and digital platforms, and the July 31 release is seen as a way to correct its previous box office record. (adsbygoogle = window.adsbygoogle || []).push({}) Transitioning to the sequel, Awarapan 2 is being handled by director Nitin Kakkar, known for his work on Filmistaan. The new installment features Emraan Hashmi returning to his iconic role as Shivam Pandit, joined by Disha Patani and Shabana Azmi. The story reportedly picks up from where the 2007 film left off, suggesting that Shivam survived the intense events of the original climax. This return to a brooding, tragic hitman persona is being viewed as the ideal comeback vehicle for Hashmi, tapping into the soulful romantic-action genre that defined a specific era of his career. With the sequel set to release on August 14, the industry is hopeful that Awarapan 2 will deliver a major hit for Emraan Hashmi. The romantic musical genre is currently seeing a resurgence, and given that the sequel aims to replicate the emotional core of the first part, the trade expects a solid opening. By bringing the original film back to theaters first, the makers are ensuring that the hype for Shivam Pandits new mission reaches a fever pitch by the time the second part officially arrives.

BY SUNIT JANGIR

Mumbai, July 16 - The Bhool Bhulaiyaa franchise is gearing up for another spooky adventure. After the commercial success of the previous instalments, work has reportedly begun on Bhool Bhulaiyaa 4, with reports suggesting that the film is currently in development. Kartik Aaryan is expected to reprise his popular role as Rooh Baba, continuing the character's journey in the horror-comedy universe. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest report by Pinkvilla, the script for Bhool Bhulaiyaa 4 is presently being written, with the makers taking their time to craft a fresh story for the next chapter. Production is reportedly being planned for 2027, although the project is still in its early stages. The remaining cast and crew, including the film's director, are yet to be officially finalised. Director Anees Bazmee had previously confirmed that the fourth instalment was in the works and stated that Kartik Aaryan's return was the only casting decision locked at the time. There is no clarity if Bazmee will return to direct the upcoming comedy entertainer, as the conversations are progressing internally on who will helm the project. (adsbygoogle = window.adsbygoogle || []).push({}) The Bhool Bhulaiyaa franchise has evolved into one of Bollywood's most successful horror-comedy series. Following the success of the original film starring Akshay Kumar, the franchise found renewed momentum with Kartik Aaryan leading Bhool Bhulaiyaa 2 and Bhool Bhulaiyaa 3. With a fourth instalment now in development, fans can expect another blend of supernatural thrills, comedy, and mystery as Rooh Baba prepares to return to the big screen.

BY SUNIT JANGIR

Mumbai, July 16 - The first week of December 2026 is shaping up to be one of the biggest box office battlegrounds in recent memory. Three major Hindi and pan-India releases are set to arrive within two days of each other, setting the stage for an intense clash before Hollywood giants Avengers: Doomsday and Dune: Part Three, and Shah Rukh Khan's King dominate cinemas later in the month. (adsbygoogle = window.adsbygoogle || []).push({}) Prabhas' much-awaited period action drama Fauzi has officially locked December 3, 2026, as its theatrical release date. Directed by Hanu Raghavapudi, the film has generated significant buzz ever since its announcement and is expected to be one of the biggest pan-India releases of the year. With Prabhas returning in a larger-than-life role, the film is expected to command a massive release across multiple languages. Just a day later, on December 4, Ajay Devgn's much-awaited Ranger is scheduled to hit theatres. Sharing the same release date is Akshay Kumar's untitled collaboration with director Anees Bazmee, setting up a direct three-way contest among some of Indian cinema's biggest stars. While all three films cater to different audiences, they will inevitably compete for premium screens, show timings, and opening weekend collections. (adsbygoogle = window.adsbygoogle || []).push({}) The timing makes the clash even more significant. The three Indian releases will have barely two weeks to maximise their theatrical business before Avengers: Doomsday and Dune: Part Three, along with King, arrive later in December, films that are expected to occupy a substantial share of IMAX and premium large-format screens worldwide. As a result, the opening weekend and first fortnight will be crucial for Fauzi, Ranger, and Akshay Kumar's upcoming entertainer. With Prabhas, Ajay Devgn, and Akshay Kumar all eyeing the lucrative year-end holiday season, the first week of December 2026 is set to become one of the most closely watched box office clashes in recent years. Whether all three films stick to their announced dates or one eventually opts to avoid the crowded window remains to be seen, but as of now, audiences are in for a blockbuster showdown.

BY CHRISTA LINCY

With only a few days remaining before the Ramayana trailer release, new details have emerged regarding its official launch at the San Diego Comic-Con. On July 15, the Central Board of Film Certification (CBFC) cleared a 4-minute-15-second-long trailer for the film with a U certificate. This sets the stage for a major international presentation, where director Nitesh Tiwari and the core team are expected to unveil the first look of the epic to a global audience. One of the most significant updates involves the official trailer, which was cleared by the Central Board of Film Certification on July 15 with a U certificate. The makers have reportedly prepared two distinct versions for the launch. One cut, titled Trailer - Ramayana 3D, features a runtime of 4 minutes and 15 seconds, while a second version, intended for theatrical use, runs for exactly 4 minutes. This unusually long duration indicates that the team is ready to offer an extensive and detailed look into the mythological world they have built over the last few years. (adsbygoogle = window.adsbygoogle || []).push({}) The trailer launch is not just a digital release but a grand physical event in San Diego. The panel will be held in Ballroom 20, which is the second-largest venue at the convention center, capable of accommodating nearly 4,800 attendees. It is a prestigious slot, occurring between 3:15 pm and 4:15 pm PDT on July 23, which translates to 3:45 am to 4:45 am IST for viewers in India on Friday, July 24. The official Comic-Con website has listed producer Namit Malhotra and director Nitesh Tiwari alongside lead actors Ranbir Kapoor and Yash, referring to them as international superstars. The panel description promises much more than a simple screening. Attendees can expect never-before-seen footage, exclusive reveals, live performances, and special giveaways. This move puts Ramayana in the same league as global franchises like the Marvel Cinematic Universe, whose president Kevin Feige is scheduled for a major presentation in the larger Hall H on the following day to reveal the future of the MCU and likely the trailer for Avengers: Doomsday. By securing a spot in Ballroom 20, the makers are positioning the film as a global cinematic spectacle, backed by the visual effects expertise of DNEG and Prime Focus Studios. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the international buzz, the team has also launched a massive ground-level campaign in India titled Hamara Satya, Hamara Itihaas. This school outreach initiative, which began on July 9, aims to connect with over five lakh students across 400 schools in 18 different cities. Through quizzes, drawing competitions, and interactive sessions, the campaign focuses on the core values of the epic, engaging the next generation before the film’s theatrical release. It is a dual strategy that balances local cultural roots with global promotional ambitions. The scale of the production is further highlighted by its cast and crew. While Ranbir Kapoor leads as Rama and Yash takes on the role of Ravana, the film also features Sai Pallavi as Sita, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. Veterans like Arun Govil and Lara Dutta are also part of the ensemble as Dashrath and Kaikeyi. The musical score is a collaboration between Academy Award winners Hans Zimmer and A.R. Rahman, adding another layer of international appeal. With the first part scheduled for a Diwali 2026 release and the second in Diwali 2027, the San Diego Comic-Con showcase marks the beginning of what the creators call the largest cinematic undertaking in Indian film history.

BY SUNIT JANGIR

Mumbai, July 16 - The promotional campaign for Nitesh Tiwari's massively anticipated Ramayana: Part 1 has officially entered its next phase, with the film's much-awaited trailer receiving clearance from the Central Board of Film Certification (CBFC) ahead of its global launch. The trailer has been awarded a 'U' certificate, making it suitable for audiences of all age groups. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest reports, two versions of the trailer have been certified. The theatrical trailer runs exactly 4 minutes, while the official digital version runs 4 minutes and 15 seconds. Both versions have received a clean U certificate, reflecting the makers' intention to position Ramayana as a grand family entertainer. The trailer is scheduled to make its worldwide debut on July 24, following an exclusive industry and media launch event. The extended runtime suggests that audiences will get a comprehensive look at the film's scale, introducing the principal characters, large-scale action sequences, breathtaking visual effects, and the mythical world envisioned by director Nitesh Tiwari. (adsbygoogle = window.adsbygoogle || []).push({}) Produced by Namit Malhotra's Prime Focus Studios in association with Monster Mind Creations, Ramayana: Part 1 stars Ranbir Kapoor as Lord Ram, Yash as Ravana, Sai Pallavi as Sita, Sunny Deol as Hanuman, and Ravie Dubey as Lakshman. The first instalment is slated to release in theatres on October 30, 2026, with Part 2 scheduled for Diwali 2027. With a four-minute-plus trailer now certified, anticipation is at an all-time high for what is widely expected to be one of the biggest cinematic events in Indian film history.

BY SUNIT JANGIR

Mumbai, July 15 - Shraddha Kapoor's much-awaited biographical drama Eetha might no longer hit theatres on its originally announced release date of August 28, 2026, according to a report by Bollywood Hungama. The Laxman Utekar directorial is now expected to arrive on a new date, with the makers reportedly evaluating whether to prepone the film or push it further into the year. (adsbygoogle = window.adsbygoogle || []).push({}) As per the report, Maddock Films is actively discussing multiple release options and is expected to announce a revised date in the coming days. One of the primary reasons behind the move is the crowded release calendar in late August, particularly the arrival of Yash's pan-India action entertainer Toxic: A Fairy Tale for Grown-Ups, which is scheduled to release on August 26. Trade circles believe a direct clash could impact the box office potential of both films, especially in Maharashtra, where Eetha is expected to enjoy strong traction due to its subject. The report further states that both preponement and postponement are on the table. If the makers opt to bring the film forward, the Independence Day weekend or August 7 are among the possible windows being explored. (adsbygoogle = window.adsbygoogle || []).push({}) The development comes at a time when several Bollywood release dates are being reshuffled. Sidharth Malhotra and Tamannaah Bhatia's Vvan, which was also slated for August 28, has already moved to September 25, opening the door for further adjustments across the release calendar. Directed by Laxman Utekar, Eetha stars Shraddha Kapoor as legendary Marathi Tamasha artiste Vithabai Narayangaonkar, with Randeep Hooda and Mohd Zeeshan Ayyub playing key roles. While the makers are yet to make an official announcement, all eyes are now on Maddock Films as it finalises the film's new theatrical release date.