BY CHRISTA LINCY

Six days into its theatrical run, Peddi has firmly established itself as one of the biggest box office performers in Ram Charan's career. Directed by Buchi Babu Sana and co-starring Janhvi Kapoor, the sports drama has not only posted impressive numbers worldwide but has also emerged as a strong force in overseas markets. With collections continuing to hold steady, the film is now on the verge of achieving a major milestone in North America. Within just six days of release, Peddi has grossed ₹261.23 crore worldwide and recovered an impressive ₹150+ crore share. With a breakeven target of ₹215 crore share, the film has already recovered 69.8% of its investment and is firmly on track to enter the profit zone by its second weekend.While the domestic performance has been strong, the overseas market is where an even more interesting story is unfolding. Peddi has collected over $3 million in North America within its first week, putting it on the verge of a major career milestone for Ram Charan. With PEDDI crossing the $3 million mark in North America, the film has joined a relatively exclusive club of Telugu releases that have achieved the feat over the years. 2015 – Baahubali: The Beginning 2017 – Baahubali 2: The Conclusion 2018 – Rangasthalam 2018 – Bharat Ane Nenu 2019 – Saaho 2020 – Ala Vaikunthapurramuloo 2020 – Sarileru Neekevvaru 2022 – RRR 2023 – Salaar 2023 – Adipurush 2024 – HanuMan 2024 – Kalki 2898 AD 2024 – Devara: Part 1 2024 – Pushpa 2: The Rule 2025 – Mirai 2025 – They Call Him OG 2026 – Mana Shankara Vara Prasad Garu 2026 – PEDDI* (adsbygoogle = window.adsbygoogle || []).push({}) To understand why this is significant, one has to look at the actor's overseas track record. At the very top sits RRR, the SS Rajamouli-directed global phenomenon that eventually amassed over $15 million in North America. However, RRR occupies a category of its own. It was a once-in-a-generation event film featuring both Ram Charan and NTR Jr, backed by Rajamouli's unmatched brand value. Among Ram Charan's solo-led films, the benchmark has long belonged to Rangasthalam. Released in 2018, the Sukumar directorial started with a premiere gross of around $710K and went on to enjoy an extraordinary theatrical run, eventually finishing with $3.51 million in North America. For nearly eight years, no solo Ram Charan film has been able to cross that mark. That is where Peddi enters the conversation. The film opened with a strong $1.57 million from premieres alone, more than double the premiere numbers of Rangasthalam. By Day 6, its North American total had already climbed to approximately over $3 million, putting it within striking distance of Rangasthalam's lifetime record.The pace is what makes Peddi's run particularly noteworthy. Rangasthalam needed a long and steady theatrical run powered by exceptional word-of-mouth to reach $3.51 million. Peddi, meanwhile, has already covered most of that distance within its opening week itself. In practical terms, the film now needs less than half a million dollars to become Ram Charan's highest-grossing solo film in North America. (adsbygoogle = window.adsbygoogle || []).push({}) The comparison becomes even more impressive when viewed alongside some of the actor's recent releases. Game Changer, despite arriving with the backing of director Shankar and massive expectations, concluded its North American run at around $2.2 million. Peddi has comfortably moved past that figure within days of release and is now chasing a much bigger target. Of course, overtaking RRR is never part of the discussion. The Rajamouli blockbuster remains the undisputed king of Ram Charan's filmography overseas and continues to rank among the biggest Telugu films ever released in North America. The real battle is for the second position, and Peddi appears to have one hand firmly on that spot already. As the film heads into its second weekend, two milestones are now within reach. The first is breakeven, which could be achieved in the coming days if the current trend continues. The second is the North American record among Ram Charan's solo films, a crown that Rangasthalam has worn since 2018. If Peddi maintains momentum over the weekend, Ram Charan may soon have a new overseas champion in his solo filmography.

BY SUNIT JANGIR

Mumbai, June 8 - The makers of superstar Akshay Kumar-fronted Welcome To The Jungle are gearing up for the next major phase of the film's promotional campaign. After generating buzz with its teaser and songs, the highly anticipated comedy entertainer is now set to unveil its theatrical trailer on June 11 at a grand launch event. On Wednesday, the makers confirmed that the trailer of the film will be launched on June 11, reportedly in the presence of the film's cast and crew. The nearly three-minute-long promo is expected to showcase the film's trademark blend of comedy, action, and chaos, while offering audiences a better understanding of the story and characters. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Ahmed Khan, Welcome 3 is the latest instalment in the popular Welcome franchise. The film features an ensemble cast led by Akshay Kumar, alongside Suniel Shetty, Paresh Rawal, Arshad Warsi, Jacqueline Fernandez, Disha Patani, Raveena Tandon, Lara Dutta, Rajpal Yadav, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Jackie Shroff, Aftab Shivdasani, and several others. The film's promotional campaign began earlier with the release of its teaser and songs, both of which received a positive response from fans. The teaser introduced audiences to the film's adventurous jungle backdrop and hinted at the larger-than-life comic madness that the franchise is known for. Since then, excitement for the trailer has continued to grow among moviegoers. (adsbygoogle = window.adsbygoogle || []).push({}) Report suggests that the chemistry between Akshay Kumar, Suniel Shetty, and Paresh Rawal will be one of the major highlights of the film. Their comic timing and screen presence are expected to play a key role in delivering the laughter-packed entertainment that audiences associate with the Welcome brand. Scheduled to hit cinemas on June 26, Welcome To The Jungle is among the most awaited Bollywood releases of the year. With the trailer launch now just days away, fans are eager to see whether the film can recreate the magic of its predecessors and emerge as one of the biggest comedy entertainers of 2026.

BY SUNIT JANGIR

Mumbai, June 10 - The much-awaited teaser of Alpha has finally dropped, and it promises a fierce new chapter in the YRF Spy Universe. Headlined by Alia Bhatt, Sharvari Wagh, and Bobby Deol, the first glimpse introduces audiences to a darker, more intense world in which Alia's character is portrayed as a ruthless, highly trained assassin. The teaser marks the beginning of Yash Raj Films' ambitious promotional campaign for one of the biggest action spectacles of 2026. (adsbygoogle = window.adsbygoogle || []).push({}) The teaser wastes no time in establishing its gritty tone. Alia Bhatt is seen in multiple high-octane action sequences, showcasing hand-to-hand combat, tactical operations, and deadly precision. Unlike previous protagonists in the spy franchise, Alpha appears to focus on the origin story of a girl who is raised and moulded into a killing machine. The first glimpse of the film solely focuses on Alia Bhatt's character and Bobby Deol, who plays her father and trains her to become India's next-generation soldier. The scale of the action and stylish visuals suggest that YRF is positioning Alpha as a major theatrical event. Directed by Shiv Rawail, the film is the first female-led instalment in the blockbuster spy franchise. (adsbygoogle = window.adsbygoogle || []).push({}) With this, Yash Raj Films has also confirmed that Alpha will be released on July 3rd, after the release date was advanced from July 10. With its action-packed first look, Alpha has instantly become one of the most talked-about films of the year. YRF's marketing campaign is expected to intensify in the coming weeks, with the studio building the film around the idea that "Alpha" is more than just a title—it's an attitude.

BY CHRISTA LINCY

Ram Charan is back on the big screen with Peddi, and if you have been following the box office lately, the numbers are telling an interesting story. While the collections look solid on their own, we have to look at the massive scale and budget this film carries. For many films, these would be celebration numbers, but for a Mega Power Star project, the performance feels a bit underwhelming so far. After a significant drop on Monday, the film is trying to find its steady ground during the weekdays. Despite the mixed reception regarding its pace, Peddi has already emerged as Ram Charan's highest-grossing film as a solo lead, which is a major milestone in his career. Talking about the Day 6 performance, Peddi earned a gross collection of ₹11.31 Cr across India. This is a drop compared to Monday's (Day 5) gross of ₹14.31 Cr. While a dip on Tuesday is common, the film is under pressure to maintain a stronger grip given its high production costs. Looking at the regional breakdown for Tuesday, the APTG region led with ₹8.25 Cr gross (down from ₹11.00 Cr on Day 5), while the Rest of India contributed ₹1.91 Cr (an increase from ₹1.75 Cr on Day 5). Karnataka brought in ₹0.85 Cr, Tamil Nadu ₹0.25 Cr, and Kerala ₹0.05 Cr. With these numbers, the total India gross collection for Peddi now stands at ₹213.23 Cr after its six-day run. (adsbygoogle = window.adsbygoogle || []).push({}) If we look at the tracked data from the national cinema chains for Tuesday, PVR led the way with approximately ₹16.2 Lakhs, followed by INOX with ₹12.2 Lakhs and Cinepolis with ₹6.1 Lakhs. These tracked figures, gathered from 1,857 shows, result in a combined gross of roughly ₹34.5 Lakhs from these major chains. On a much larger scale, the film continues to run on a massive footprint with 7,554 shows on Day 6 alone, bringing the total show count across India to 56,918 since its release. On the global front, the early estimates for overseas collections on Day 6 are around ₹1.00 Cr. This brings the total overseas gross to approximately ₹48.00 Cr. Combining the domestic and international numbers, the worldwide gross collection for Peddi is now reaching an early estimate of ₹261.23 Cr. It is a big number, but the trade is watching closely to see if it can maintain this momentum to reach the break-even mark. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket sales on BookMyShow give us a good look at the audience's interest. On Tuesday, the film sold 126.56K tickets. This brings the total number of tickets booked via the platform to a staggering 30,15,190. While the film is currently ranked at number 18 in the list of highest first Tuesday collections for Tollywood, it still has a long way to go to catch up with the top performers in that category. Here is a look at the top 5 movies that hold the record for the highest first Tuesday Telugu net collections : Sankranthiki Vasthunam: 23.00 Cr RRR: 21.78 Cr Mana ShankaraVaraprasad Garu: 18.75 Cr Ala Vaikunthapurramuloo: 15.80 Cr Salaar: Cease Fire - Part 1: 13.70 Cr Looking at the trend, the film is heading towards a decent first week, but the real test will be the second weekend. Since it has already become Ram Charan's top solo grosser, surpassing his previous records, the focus is now on how much further it can push into the 300-crore club worldwide.

BY CHRISTA LINCY

Director Keerthiswaran has officially confirmed that a sequel to the successful film Dude is currently in the developmental stages. In a recent statement, the filmmaker revealed that he has already pitched the concept for Dude 2 to lead actor Pradeep Ranganathan. According to the director, the new idea carries the same spirit as the original and is planned as a direct continuation of the story. While the project depends on final approvals and scheduling, the pitch marks the first formal step toward turning this into a franchise. The move to develop a sequel is a logical one given the commercial performance of the first installment. Produced on a relatively modest budget of 35 crore by Mythri Movie Makers, Dude managed to secure a superhit status at the box office. The film ended its theatrical run with an India net collection of 73.13 crore and a worldwide gross of 114.30 crore. The Tamil version alone contributed 56.80 crore to the domestic total, showing a strong resonance with the local audience. Such high returns on a controlled budget make the sequel an attractive proposition for the producers. For Pradeep Ranganathan, this project further solidifies his standing as a bankable lead in Kollywood. Dude served as his second consecutive major success following Dragon, which had previously grossed over 153 crore. Delivering back-to-back hits has significantly increased his market value and established him as a key figure in the mid-to-high budget segment. The consistency of his films at the box office suggests that there is a dedicated audience base eager for the specific type of relatable, youth-centric storytelling he has become associated with. (adsbygoogle = window.adsbygoogle || []).push({}) He was last seen in the film Love Insurance Kompany, which followed the release of Dude but unfortunately ended its theatrical run as a flop. The movie managed an India net collection of 43.07 crore and a domestic gross of 49.57 crore. With an overseas contribution of 11.10 crore, the total worldwide gross stood at 60.67 crore. This performance was a notable dip compared to his previous hits, making the potential development of a sequel like Dude 2 a significant move for his career momentum. Apart from the performances, the technical crew played a vital role in the film's success. Music director Sai Abhyankkar's soundtrack was a major factor in building pre-release buzz, with several tracks going viral on social media platforms. The involvement of a leading production house like Mythri Movie Makers also ensured the film had a wide reach and a strong promotional push. If the sequel moves forward with the same core team, the production will likely look to replicate the formula of high-quality music paired with a grounded narrative.

BY SACNILK TEAM

Here is the Tamil movie Parimala and Co box office collection which is a Comedy Crime Thriller film. This film is directed by Pandiraj and produced by . ## Parimala and Co stars , Jayaram Subramaniam, Urvashi, Mysskin, Yogi Babu, Sandy Master in key roles. ## Parimala and Co Review ## Parimala and Co Review: What Public Has To Say About This Movie ## Parimala and Co Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Parimala and Co Budget: ₹ 1 Cr * Approx ## Parimala and Co Verdict: Coming Soon ## Parimala and Co Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 5th June 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.

BY SUNIT JANGIR

Mumbai, June 9 - The horror genre has long been known as one of the safest bets in Hollywood. While big-budget blockbusters often require hundreds of millions of dollars to break even, several horror films have delivered extraordinary returns despite being made on incredibly low budgets. The remarkable box office run of Obsession has once again highlighted how low-cost genre films can generate massive profits when they connect with audiences. (adsbygoogle = window.adsbygoogle || []).push({}) Over the years, a handful of horror movies have achieved what seemed impossible, crossing the coveted $100 million worldwide mark despite being produced for less than $1 million. These films relied on strong concepts, innovative storytelling, and word-of-mouth publicity rather than expensive visual effects or star-studded casts. The most famous example remains The Blair Witch Project (1999). Made for an estimated budget of around $60,000, the found-footage horror phenomenon became a global sensation and grossed approximately $248 million worldwide, as per Box Office Mojo. Its unique marketing campaign convinced many viewers that the events depicted in the film were real, helping it become one of the most profitable movies ever made. (adsbygoogle = window.adsbygoogle || []).push({}) Another remarkable success story is Paranormal Activity (2007). Produced for just $15,000, the supernatural thriller revolutionised modern horror and eventually earned more than $193 million worldwide. The film's minimalist approach, combined with audience-driven marketing campaigns, transformed it into a cultural phenomenon and launched a major franchise. Obsession is the third film to join this rank. Made on a budget of $750,000, the film continues its impressive theatrical run, already grossing over $225 million worldwide, including $5 million in India. These examples serve as a reminder that in the horror genre, creativity often matters more than budget. While blockbuster spectacles dominate headlines, films like The Blair Witch Project, Paranormal Activity, and Obsession show that a modest investment can sometimes yield extraordinary box office results.

BY CHRISTA LINCY

Recent data from booking platforms highlights the immense popularity of Christopher Nolan among Indian audiences. In just one day, The Odyssey recorded 14,000 interests on BookMyShow, staying well ahead of many highly anticipated Indian releases. A major reason behind this early traction is Nolan's popularity, which has reached an all-time high in India following the success of films such as Interstellar, Inception, and Oppenheimer. Over the years, he has built a loyal fan base that treats each of his projects as a major cinematic event, making his name alone a significant factor in driving audience interest, regardless of the film’s genre or origin. The Odyssey is drawing significant attention because it is the first feature film shot entirely using IMAX cameras. Beyond the technical milestone, the film features a massive cast including Matt Damon, Zendaya, Tom Holland, Anne Hathaway, and Charlize Theron. The story follows the perilous ten-year journey of Odysseus after the Trojan War, and the combination of Nolan’s direction with a pure IMAX format is driving early digital engagement ahead of its July 17 release. It appears the Nolan brand now carries the kind of weight in India that was previously reserved only for the biggest local stars. (adsbygoogle = window.adsbygoogle || []).push({}) Following in the second spot is the next Spider-Man installment, titled Brand New Day, which saw 4,000 interests. Recent reports indicate that the runtime for this Marvel entry is approximately 2 hours and 30 minutes. This substantial duration suggests a dense narrative for the franchise, which has always enjoyed a loyal following in India. The presence of international titles in the top positions is likely due to the high brand familiarity associated with these specific franchises and creators. While domestic films typically gain massive traction closer to their release dates, the current digital engagement for Hollywood projects indicates that their established audiences are actively tracking these films even in the early stages of the release cycle. When comparing these figures to anticipated domestic titles, projects like Yash's Toxic and Prabhas' Spirit are currently seeing lower daily interest volumes. Toxic recorded 2,000 interests, while Spirit, directed by Sandeep Reddy Vanga, saw 1,000. While these numbers are likely to surge once trailers and official marketing campaigns begin, the current lead held by Hollywood is a notable data point. Other titles in the list include Cocktail 2 and BharatBhagyaViddhaata, which are also working to build momentum among digital users. (adsbygoogle = window.adsbygoogle || []).push({}) BookMyShow Interest Trends - Last 24 HoursMOVIE NAMEINTERESTS (24 HOURS)The Odyssey14,000Spider-Man: Brand New Day4,000Toxic2,000Cocktail 21,600Spirit1,000 While domestic films typically dominate the overall box office through sheer volume and wider reach, the early excitement for the upcoming season is being driven largely by big-budget international spectacles. The high interest in a 2.5-hour Spider-Man film and a pure IMAX Nolan epic indicates that the theatrical experience is being increasingly valued for its scale and technical quality across major Indian cities.

BY SUNIT JANGIR

Mumbai, June 9 - The long-awaited Sunny Deol starrer Lahore 1947 has officially been retitled as Batwara 1947. The makers unveiled the film's first-look poster on Tuesday, putting an end to months of speculation surrounding the title. The striking poster features Sunny Deol in a fierce and intense avatar, holding a blazing torch while standing protectively alongside his family amid the backdrop of communal unrest during the Partition era. (adsbygoogle = window.adsbygoogle || []).push({}) Along with the title reveal, the makers also confirmed that Batwara 1947 will hit cinemas worldwide on August 14, 2026. The Independence Day weekend release is considered an ideal window for the historical drama, which is set against one of the most significant and emotional chapters in Indian history. The film is directed by Rajkumar Santoshi and produced by Aamir Khan Productions. The title change is said to better reflect the film's core theme, which revolves around the human cost of Partition and the emotional upheaval faced by millions during the division of India in 1947. While Lahore 1947 had generated considerable buzz since its announcement, the new title Batwara 1947 is believed to capture the essence of the story on a broader scale. The first-look poster further hints at an intense narrative packed with drama, conflict, sacrifice, and survival. (adsbygoogle = window.adsbygoogle || []).push({}) In times of hatred and fear, he chose courage.Watch #Batwara1947 in theatres from 14th August 2026.@iamsunnydeol @realpreityzinta @AzmiShabana @alifazal9 karandeol @sargam.singh44 @khhushihajare @kanikkakapur @RajSantoshi @AKPPL_Official pic.twitter.com/WYnLAodPEB— Sunny Deol (@iamsunnydeol) June 9, 2026 Batwara 1947 boasts a strong ensemble cast led by Sunny Deol, alongside Preity Zinta, Shabana Azmi, Ali Fazal, Karan Deol, and Abhimanyu Singh in pivotal roles. The film also marks the much-anticipated collaboration between Sunny Deol, director Rajkumar Santoshi, and producer Aamir Khan. Academy Award-winning composer A.R. Rahman has scored the music, while veteran lyricist Javed Akhtar has penned the songs. With its powerful first look, new title, and release date now officially announced, Batwara 1947 has emerged as one of the most anticipated Bollywood releases of 2026. Fans are now eagerly awaiting the teaser and trailer, which are expected to kickstart the film's full-fledged promotional campaign in the coming weeks.

BY CHRISTA LINCY

Drishyam 3, the latest installment in the iconic thriller franchise, has completed 19 days at the box office. While the film arrived with immense expectations and a reported budget of 100 crore, its theatrical journey has been one of steady performance rather than record-shattering growth. Led by Mohanlal, the film has managed to maintain its footing in the domestic market, though its overall collection trend has remained within a more moderate range compared to the significant anticipation surrounding the release. On its 19th day, which marked its third Monday, Drishyam 3 recorded an India gross of 0.58 crore across 743 shows. This reflects a drop of approximately 70 percent from the third Sunday’s gross of 1.95 crore, a normal trend for a weekday in its third week. The total India gross for the film now stands at 124.05 crore, while the cumulative net collection has reached 106.93 crore. The film has also seen a decent response in international markets, where it has grossed a total of 111.50 crore. When combined with the domestic performance, the worldwide gross for Drishyam 3 now stands at 235.55 crore. These numbers have been achieved across 56,722 shows globally over its three-week run. (adsbygoogle = window.adsbygoogle || []).push({}) The collection trend shows a strong start followed by a gradual slowdown as the film moved through its theatrical run. Here is a look at the week-wise and recent daily net collections in the domestic market: Week 1 Net: ₹81.95 Cr Week 2 Net: ₹20.68 Cr Day 16 (3rd Friday): ₹0.80 Cr Day 17 (3rd Saturday): ₹1.30 Cr Day 18 (3rd Sunday): ₹1.70 Cr Day 19 (3rd Monday): ₹0.50 Cr A significant milestone is currently within reach for the film in the domestic market. With an India gross of ₹124.05 crore, Drishyam 3 is now just ₹51 lakh away from surpassing the domestic gross of L2: Empuraan, which stands at ₹124.56 crore. The film is expected to cross this mark by Day 20, becoming the second highest-grossing Malayalam film of all time in India, behind only the record-holder Lokah Chapter 1: Chandra, which has a domestic gross of ₹183.96 crore. (adsbygoogle = window.adsbygoogle || []).push({}) In the national theater chains for Monday, the numbers remained low but steady. PVR recorded approximately 400 tickets sold for a gross of 94,000 rupees. Cinepolis followed with 200 tickets resulting in a gross of 49,000 rupees, while INOX sold about 140 tickets for a gross of 22,000 rupees. Collectively, these chains sold roughly 740 tickets on Monday. On the digital front, BookMyShow recorded 10,450 tickets for the day, bringing its platform total to over 3.86 million tickets. Regionally, the film's earnings continue to be heavily concentrated in its home state. Kerala contributed 0.55 crore to the Monday gross, while other regions saw minimal activity. The state-wise gross breakdown for Day 19 is as follows: APTG: ₹0.01 Cr Tamil Nadu: ₹0.01 Cr Karnataka: ₹0.01 Cr Kerala: ₹0.55 Cr Rest of India: - Total Day 19 Gross: ₹0.58 Cr While Drishyam 3 has established itself as a commercial success, the performance reflects a more stabilized trend typical of a long-running franchise. With no major competition in the immediate future, the film will look to add more to its domestic kitty before it concludes its theatrical run.

BY SUNIT JANGIR

Mumbai, June 9 - Bollywood star Ajay Devgn's much-awaited comedy entertainer Dhamaal 4 is reportedly set for another release date change as Bollywood reshuffles its release calendar ahead of Christopher Nolan's highly anticipated epic The Odyssey. The move is aimed at avoiding a direct clash and ensuring that both films get sufficient breathing space at the box office. (adsbygoogle = window.adsbygoogle || []).push({}) While an official announcement is still awaited, the development has already become a major talking point among trade circles. Dhamaal 4, directed by Indra Kumar and starring Ajay Devgn, Riteish Deshmukh, Arshad Warsi, Jaaved Jaaferi, and Sanjay Mishra, is now expected to release on July 10, 2026. The comedy sequel was previously scheduled to arrive on July 17, but the makers have reportedly decided to move it a week earlier to create room for The Odyssey, which is slated for a worldwide release on July 17. Christopher Nolan remains one of the most bankable filmmakers in India, with films such as Oppenheimer, Interstellar, and Dunkirk enjoying tremendous success among audiences. Given the enormous demand expected for The Odyssey, particularly across IMAX and premium-format screens, exhibitors are likely to prioritise it over other films. The advance booking for the same has already begun in IMAX, and as expected, the initial response is super solid. (adsbygoogle = window.adsbygoogle || []).push({}) The revised strategy allows Dhamaal 4 to capitalise on its own theatrical window before the Hollywood spectacle takes over multiplexes. The decision reflects a growing trend within the industry, where producers are increasingly willing to adjust release plans to avoid major box-office clashes. If the new date is officially confirmed, Dhamaal 4 will benefit from a cleaner opening week, while The Odyssey will enjoy a solo release frame, setting the stage for two of the most anticipated films of the month to maximise their theatrical potential.

BY CHRISTA LINCY

Karuppu is now entering its fourth week of theatrical release, and as it reaches Day 25, the focus has largely moved from its daily earnings toward the overall milestones it is approaching. While daily numbers naturally slow down during a long theatrical run, the film's sustained performance has put it in a position where it is now chasing significant records on digital booking platforms. The interest levels remain steady enough to suggest that the film is still a point of discussion as it heads toward its final phase in cinemas. Looking at the ticket sales data from BookMyShow, the numbers reveal a high level of sustained engagement. Starting with a pre-sale of 75,000 tickets, the film enjoyed a massive first week with over 2.8 million tickets sold. While the volume has naturally tapered, the fourth weekend showed surprising resilience. Here is the detailed breakdown of the ticket sales trajectory so far: Pre Sales- 75K 1st Week- 2.85M 2nd Week- 1.10M 3rd Week- 374K 4th Friday- 15.38K 4th Saturday- 32.22K 4th Sunday- 26.1K 4th Monday- 6.79K Total Tickets Sold- 4,473,790 (adsbygoogle = window.adsbygoogle || []).push({}) With a cumulative total of approximately 4.47 million tickets sold on the platform, Karuppu is now on the verge of joining the elite top 5 list of Tamil cinema. It is currently trailing the fifth-placed film, The GOAT, by roughly 40,000 tickets. Entering this list would be a major achievement, though time is of the essence. The film is scheduled to premiere on OTT on June 12, which typically slows down theatrical ticket movement. Whether it can bridge this small gap in the next few days is the main point of interest for now. Top 5 Tamil Movies - Approximate BMS Ticket SalesMOVIE NAMEAPPROXIMATE BMS SALESJailer9.21MLeo7.30MCoolie6.09MAmaran4.90MThe GOAT4.51M (adsbygoogle = window.adsbygoogle || []).push({}) On its 25th day, which was the fourth Monday, Karuppu collected a net of 0.53 crore across 874 shows in India. This represents a 69.7 percent drop from the previous day's net collection of 1.75 crore, which is a standard stabilization for a weekday this late in the cycle. This latest addition brings the total India net to 193.93 crore and the domestic gross to 224.15 crore. Internationally, the film added 0.10 crore on Monday, taking the total overseas gross to 80.70 crore. Collectively, the worldwide gross has officially crossed the 300-crore mark, currently standing at 304.85 crore. In the national theater chains for Monday, the performance was led by PVR with approximately 1,400 tickets sold, resulting in a gross of 1.8 lakhs. INOX followed with about 1,000 tickets sold for a gross of 1.2 lakhs, while Cinepolis contributed a gross of around 25,000 from 200 tickets. Regionally, Chennai reported a healthy occupancy of 29.3 percent on Monday, while Coimbatore saw 22 percent occupancy, showing that the core audience in Tamil Nadu is still showing up for shows. As the film approaches its digital premiere, its theatrical run has already established it as a significant commercial success. The journey from a strong opening to crossing the 300-crore worldwide milestone reflects the broad appeal the story has had across markets. While the OTT release on June 12 might bring the theatrical curtains down, the potential to enter the all-time top 5 ticket sales list remains a possibility over the coming days.