Peddi Box Office: Just $500K Away From Breaking Ram Charan's 8-Year-Old North America Record

BY SACNILK

Mumbai, July 17 - Warner Bros. and New Line Cinema's Evil Dead Burn has delivered a strong performance at the Indian box office, emerging as the biggest opening week for a horror film released in 2026. The supernatural horror title wrapped up its first seven days with an impressive 25 crore gross, comfortably surpassing the 22 crore-plus opening week of Curry Barker's Obsession. (adsbygoogle = window.adsbygoogle || []).push({}) The film collected 2+ crore gross on its seventh day, taking its first-week total to 25 crore gross. Despite facing competition from multiple Indian releases, Evil Dead Burn maintained steady collections throughout the week, with South India and major metropolitan cities leading its business. The result underlines the growing appetite for horror films among Indian audiences. The latest instalment in Sam Raimi's iconic Evil Dead franchise has also achieved another significant milestone by making India the biggest international opening weekend market for the film. During its opening weekend, the movie grossed approximately 15+ crore, outperforming every overseas territory outside North America and highlighting the franchise's strong fanbase in the country. (adsbygoogle = window.adsbygoogle || []).push({}) With positive word-of-mouth and limited direct competition in the horror genre, Evil Dead Burn now has an opportunity to extend its theatrical run over the coming weeks. Having already overtaken Obsession to register the biggest first week for a horror film in India this year, the film has established itself as one of Hollywood's notable box office successes in the Indian market in 2026. Earlier, Obsession had an excellent run at the Indian box office. Despite starting slowly, the thriller grew exceptionally over the weeks due to extremely positive word of mouth. It became only the second Hollywood horror title to surpass the 100 crore gross mark in India, to emerge as one of the biggest non-Indian titles. It needs to be seen how far Evil Dead Burn can go.

BY SACNILK

Mumbai, July 17 - Bollywood superstar Akshay Kumar's Welcome To The Jungle is now expected to finish its theatrical run below the 200 crore worldwide gross mark, despite looking like a certain entrant into the club just a week ago. The comedy entertainer enjoyed a good opening, maintained healthy collections through its initial days, and appeared comfortably on course to cross the milestone before the box office landscape changed dramatically. (adsbygoogle = window.adsbygoogle || []).push({}) Just a week ago, Welcome 3 looked like a sure-shot 200 crore worldwide grosser. However, the arrival of Dhamaal 4, another major comedy franchise targeting the same audience, has significantly dented its momentum. With exhibitors allocating more shows to the new release and audiences shifting towards the fresher offering, Welcome To The Jungle witnessed a sharp decline in its third-week collections, making the 200 crore mark increasingly difficult to achieve. The timing of Dhamaal 4's release has proved crucial. Since both films belong to the comedy genre, there has been a direct overlap in their target audience. While Welcome To The Jungle had already enjoyed a successful theatrical run, the increased competition curtailed its long legs at the box office. The film is now expected to wrap up its run just short of the double-century milestone worldwide unless it stages an unexpected late surge. (adsbygoogle = window.adsbygoogle || []).push({}) In three weeks, the Ahmed Khan-directed flick has minted around 190 crores gross worldwide, including over 156 crores gross domestically. The turnaround now looks unlikely with Christopher Nolan's highly-anticipated The Odyssey releasing today (July 17), which will be the number 1 movie this week at the Indian box office. Despite missing the 200 crore worldwide mark, Welcome To The Jungle will still be counted among the successful Hindi releases of the year. The film delivered respectable numbers, further strengthened Akshay Kumar's resurgence at the box office, and once again highlighted the commercial appeal of well-made comedy entertainers. However, considering where the film stood only a week ago, falling short of 200 crore worldwide will undoubtedly be viewed as a missed opportunity.

BY SACNILK

Akshay Kumar's Welcome To The Jungle, serving as the third installment of the beloved comedy franchise, has now concluded its third week at the box office. With a reported production budget of 120 crore, the film has successfully navigated past that figure to emerge as a hit, currently standing with a net collection of 131.85 Cr. While the project achieved profitability, there is a distinct feeling that it could have reached a much higher peak had it not been for the aggressive competitive waves that have effectively inhabited its throne. The arrival of fresh releases has squeezed its screen presence, leaving the film to navigate a significantly tighter market as it heads toward its final lifetime numbers. As of the end of its third week, Welcome To The Jungle has achieved a cumulative worldwide gross collection of ₹190.00 Cr. This includes a domestic gross of ₹156.65 Cr and an overseas contribution of ₹33.35 Cr. In terms of India net collections, the film currently stands at ₹131.85 Cr. While the numbers are respectable, the drop from the previous weeks is quite evident as the screening landscape shifted significantly over the last seven days. (adsbygoogle = window.adsbygoogle || []).push({}) Welcome To The Jungle - Week 3 India Net CollectionDAY NUMBERINDIA NET COLLECTIONSHOW COUNTDay 15 (3rd Friday)₹ 1.00 Cr3,769Day 16 (3rd Saturday)₹ 1.60 Cr2,315Day 17 (3rd Sunday)₹ 1.90 Cr2,273Day 18 (3rd Monday)₹ 0.55 Cr1,917Day 19 (3rd Tuesday)₹ 0.75 Cr1,951Day 20 (3rd Wednesday)₹ 0.50 Cr1,908Day 21 (3rd Thursday)₹ 0.50 Cr1,902Total Week 3₹ 6.80 Cr16,035 As we look at the cumulative performance, the film has reached an India net collection of ₹131.85 Cr. However, the momentum has shifted noticeably with each passing week. After a strong ₹93.15 Cr start in its opening week, the second week saw a standard dip to ₹31.90 Cr. The most drastic change occurred in this third week, where earnings fell to ₹6.80 Cr—a sharp drop of nearly 78 percent from the previous week. This decline is largely attributed to the arrival of new major releases like Dhamaal 4 and Alpha, which took away a substantial portion of the screens and show counts. By the end of the third week, the film was operating on 1,902 shows on Thursday, a steep decline from its peak show counts in the first fortnight. Occupancy remained on the lower side, averaging around 9 to 10 percent during the weekdays. (adsbygoogle = window.adsbygoogle || []).push({}) Daily performance during the third week showed some resilience over the weekend, with Saturday and Sunday bringing in ₹1.60 Cr and ₹1.90 Cr respectively. However, the weekdays saw the numbers settling into the 50 to 75 lakh range. On its 21st day, the film collected ₹0.50 Cr net, showing a flat trend from the previous day. This stability at lower levels suggests that the film has reached its saturation point in most urban centers. Ticket sales data from BookMyShow further illustrates this journey. For the third week alone, the platform recorded roughly 1 lakh tickets sold, with the weekend accounting for more than half of that volume. Cumulatively, the film has sold over 2.32 million tickets on the platform since its release. In the broader context of 2026 releases, Welcome To The Jungle currently holds the 4th position in terms of ticket sales, trailing only behind major hits like Dhurandhar 2, Border 2, and Bhooth Bangla. While it narrowly missed the overall top 10 list for the 2025-26 period, its performance remains notable for a comedy sequel. (adsbygoogle = window.adsbygoogle || []).push({}) Multiplex engagement also saw a dip, with national chains like PVR, INOX, and Cinepolis selling approximately 24,000 tickets throughout the third week. On the international front, the film added around ₹1.65 Cr during the third week, taking its total overseas gross to ₹33.35 Cr. The slow pace in the international market mirrors the domestic trend, as the diaspora audience also shifts focus toward newer releases. Looking ahead, the path for Welcome To The Jungle is expected to narrow even further. With Christopher Nolans The Odyssey arriving in theaters today, all premium formats and a vast majority of general screens will be occupied by the global tentpole. This will likely limit the films fourth-week prospects significantly. Based on current trends, the film is expected to finish its lifetime run with an India net collection in the range of ₹135 Cr to ₹138 Cr. While it has managed to cross the 130 Cr mark, the intense competition in the 2026 calendar has curtailed its ability to reach the 150 Cr milestone.

BY SACNILK

The Dhamaal franchise has always relied on its core strength of slapstick humor and a massive ensemble cast that appeals to family audiences. With Dhamaal 4, the expectations were high for it to replicate the success of its predecessors. Released during a busy 2026 cinematic calendar, the film has managed to carve out its own space by maintaining a steady flow of audience interest throughout its opening week. Looking at the cumulative data for the first seven days, Dhamaal 4 has closed its first week with a worldwide gross collection of ₹132.74 Cr. This total is comprised of an India gross of ₹114.49 Cr and an overseas contribution of ₹18.25 Cr. On a net basis, the film has reached ₹96.00 Cr in India, placing it on the verge of a significant milestone. If the trend continues, it is poised to become the fifth movie of 2026 to enter the 100 Crore club, following in the footsteps of Dhurandhar 2, Border 2, Bhooth Bangla, and Welcome to the Jungle. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of franchise performance, Dhamaal 4 has officially set a new benchmark for the series. By finishing its first week at 96.00 Cr, it has successfully surpassed the 94.55 Cr opening week record previously held by Total Dhamaal. This makes it the strongest-performing first week in the history of the franchise so far. However, the momentum will face a significant test starting today, Friday, 17 July. With the massive arrival of Christopher Nolans The Odyssey, Dhamaal 4 is retaining roughly 45 percent of its screens and has lost all its premium IMAX and large-format allocations. The final push toward the 100 Cr mark will now depend on how well the film holds in its remaining general screens against this high-profile Hollywood competition. Dhamaal 4 - Week 1 India Net CollectionDAY NUMBERINDIA NET COLLECTIONSHOW COUNTDay 1 (Friday)₹ 14.00 Cr10,669Day 2 (Saturday)₹ 22.50 Cr10,954Day 3 (Sunday)₹ 28.50 Cr11,481Day 4 (Monday)₹ 8.75 Cr10,598Day 5 (Tuesday)₹ 9.50 Cr11,077Day 6 (Wednesday)₹ 6.75 Cr11,137Day 7 (Thursday)₹ 6.00 Cr11,006Total Week 1₹ 96.00 Cr76,922 (adsbygoogle = window.adsbygoogle || []).push({}) Analyzing the daily trends, we see that the film peaked during the first weekend, with Sunday bringing in ₹28.50 Cr. Like most comedies, the weekdays saw a standard drop, but the film remained fairly resilient. On its seventh day, Dhamaal 4 collected ₹6.00 Cr net, which is an 11.1 percent drop compared to the previous day. This drop is considered within the normal range for a film heading into its second week. The total show count for the week was a massive 76,922, showing that exhibitors have given the film ample breathing room. The occupancy rates on the seventh day provide a clear picture of how the film is currently being consumed, showing a distinct preference for later screenings. While the overall occupancy for the day was 12.95 percent, the trajectory throughout the day was steadily upward. Morning shows started at a modest 6.38 percent, but momentum built through the afternoon at 13.08 percent and evening at 14.69 percent, eventually peaking at 16.15 percent for night shows. (adsbygoogle = window.adsbygoogle || []).push({}) On a regional level, the performance was varied across major circuits. Ahmedabad emerged as the top performer with a robust 18.5 percent occupancy across its 643 shows. In the high-volume markets, the National Capital Region and Mumbai remained incredibly steady, recording 12.8 percent and 12.5 percent respectively despite having the highest number of screenings. Other key cities also showed consistent interest, with Bengaluru at 11.5 percent and Pune at 11.3 percent. Meanwhile, Surat saw a softer response with an occupancy of 6.3 percent for the day. These numbers across diverse regions indicate that while the initial frenzy has leveled off, the film maintains a respectable baseline as it completes its first full week in theaters. On BookMyShow alone, Dhamaal 4 has moved approximately 1.7 million tickets throughout its opening week. The momentum peaked over the first three days with nearly 2.7 lakh tickets sold on Friday, followed by a massive surge on Saturday with roughly 4.5 lakh and Sunday with around 4.3 lakh tickets. Even as the week transitioned into the working days, the film maintained a steady rhythm, selling about 1.2 lakh tickets on Monday and around 1.3 lakh on Tuesday. (adsbygoogle = window.adsbygoogle || []).push({}) As we look at the tail end of the first week, the digital demand settled into a consistent pattern. On Wednesday, bookings were around 1 lakh, and on Thursday, which was the seventh day of the week, nearly 95,000 tickets were booked through the platform. The performance in national chains like PVR, INOX, and Cinepolis - the numbers tell a more specific story of multiplex engagement. For the entire week, these chains accounted for approximately 2.7 lakh tickets. On the seventh day specifically, the daily advance bookings in these chains reached around 1,600 tickets across roughly 420 shows in 45 venues. PVR emerged as the primary contributor for this specific period, selling nearly 1,570 of those tickets with no notable contributions form other chains. (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, the film has found a respectable audience, especially in the Western markets. In North America, according to data shared by Venky Box Office, the film earned 63k dollars (approximately ₹53 lakh) on Wednesday, which brought its total in that specific region to 777k dollars (approximately ₹6.5 Cr). Looking at the broader global picture as the first week comes to a close, early estimates for the seventh-day overseas collections stand at ₹1.00 Cr. This pushes the total cumulative overseas gross to ₹18.25 Cr so far. As the film transitions into its second week, all eyes are on that final 4 Cr gap needed to reach the 100 Cr net milestone. While the first-week momentum was strong, the path ahead has become significantly narrower starting today. With Christopher Nolans The Odyssey taking over the lions share of premium space, Dhamaal 4 is now operating on roughly 45 percent of its original screen count and has relinquished all its IMAX and large-format allocations. The films success in the coming days will depend entirely on its ability to maintain high occupancy in general screenings.

BY SACNILK

Here is the English movie The Odyssey box office collection which is a Epic Action Fantasy film. This film is directed by Christopher Nolan and produced by . ## The Odyssey stars , Matt Damon, Tom Holland, Zendaya, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Charlize Theron in key roles. ## The Odyssey Review ## The Odyssey Review: What Public Has To Say About This Movie ## The Odyssey Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## The Odyssey Budget: ₹ 1 Cr * Approx ## The Odyssey Verdict: Coming Soon ## The Odyssey Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 17th July 2026 ## For more and the latest news about Hollywood Box Office Collection, Stay tuned to us.

BY SACNILK

The cinematic adaptation of the timeless epic, Ramayana, directed by Nitesh Tiwari, has remained one of the most discussed projects in Indian cinema. With a massive budget and a stellar cast that brings together the best of various industries, the film is being crafted as a global spectacle. In a significant development, it has come to light that a 34-minute footage of the film has been officially certified by the Australian Classification Board. This news has sparked a lot of conversation among fans who are eagerly waiting for the first glimpse of Ranbir Kapoor as Lord Ram and Sai Pallavi as Sita. According to the official certification details, the 34-minute footage has been granted an M (Moderate) rating. The primary reason cited by the Australian board for this classification is moderate violence. The application for this certification was submitted by Prathyangira Cinemas PTY LTD, indicating that the makers are already laying the groundwork for a massive international rollout. A 34-minute duration is quite substantial for a censor filing at this stage, leading to speculation that this could be a special extended preview, a prologue, or a detailed glimpse intended for international distributors and trade showcases. (adsbygoogle = window.adsbygoogle || []).push({}) To understand the implications of this rating, we must look at how the Australian classification system works. The M classification stands for Mature, signifying content with a moderate impact (such as moderate violence), and functions as an advisory guidance category rather than a legally restrictive one.Unlike the MA 15+ rating, which legally restricts entry to those under 15 unless accompanied by a parent or adult guardian, the M rating is advisory. It suggests that the content is best suited for persons aged 15 and over, but it does not legally prevent children of any age from viewing the film. Essentially, anyone can see an M-rated film, but the board advises parents that the themes or sequences might not be suitable for younger children. The mention of moderate violence is particularly interesting given the nature of the source material. While the Ramayana is a spiritual and emotional journey, it also culminates in a grand scale conflict between the forces of good and evil. The M rating suggests that Nitesh Tiwari is not shying away from a realistic portrayal of the epic's battlefield sequences. By opting for a tone that includes moderate violence, the film appears to be targeting a more grounded and intense cinematic experience rather than a purely sanitized version often seen in older television adaptations. (adsbygoogle = window.adsbygoogle || []).push({}) The buzz surrounding the film is amplified by its extraordinary ensemble. Apart from Ranbir Kapoor and Sai Pallavi, the film features Yash as the formidable Ravana, Sunny Deol as Hanuman, and Lara Dutta as Kaikeyi. The technical side is equally strong, with Namit Malhotra's Prime Focus and the Oscar-winning VFX house DNEG handling the visual effects. The goal is to create a visual masterpiece that matches the standards of global fantasy epics, and this early certification in Australia is a clear sign that the production is moving at a steady pace toward its massive theatrical release. As the project nears its next phases, this M-rated footage provides the first concrete hint regarding the film's artistic direction. It suggests a mature, high-stakes narrative that balances the divinity of the story with the gritty reality of an ancient war. For the global audience, this certification confirms that Ramayana is being prepared as a top-tier international production, ready to compete on the world stage with its scale, storytelling, and now, a certified mature tone.

BY SACNILK

The anticipation surrounding Thalapathy Vijay’s final cinematic outing, Jana Nayagan, has reached a level rarely seen in the industry. Set for a massive global release on July 23, 2026, the film is being positioned as a historic milestone, marking the end of an era for one of cinema's most dominant stars. KVN Productions, headed by Venkat K. Narayana, has left no stone unturned in preparing for this farewell event, securing an expansive footprint of approximately 7,000 to 8,000 screens across the globe to ensure the film reaches every corner of his massive fan base. With a planned footprint of 7,000 to 8,000 screens, Jana Nayagan enters the elite league of the biggest Indian releases in history. While it sits just behind the massive scale set by Pushpa 2: The Rule, which holds the record with over 12,000 screens, and Shah Rukh Khan's Jawan with 10,000 screens, it stands in the same bracket as other recent blockbusters. For context, Kalki 2898 AD and K.G.F: Chapter 2 both released on approximately 9,500 screens worldwide, while the global phenomenon RRR occupied 9,000 screens. For a film primarily driven by the Tamil market to secure such a high volume of theaters globally highlights the sheer stardom Thalapathy Vijay commands on the international stage. (adsbygoogle = window.adsbygoogle || []).push({}) The scale of this release is truly global, spanning more than 30 countries. Early reports suggest that even with only limited locations and shows currently open, the worldwide advance booking has already crossed the 4 crore mark. This is just the tip of the iceberg, as full-fledged bookings in its primary fortress, Tamil Nadu, are expected to open only by Sunday, July 19. Industry insiders anticipate a complete shutdown of ticket portals the moment the Tamil Nadu bookings go live, given the emotional weight attached to this being the actors final film before his full-time political journey. In the overseas market, the United Kingdom is currently leading the charge. The official distributor, Ahimsa Entertainment, confirmed that the movie has already cleared 1 crore in standalone pre-sales. The demand was so intense that thousands of tickets were snapped up within the first hour of bookings opening. A major draw for the UK audience is the confirmation that the film will be screened completely uncut, preserving the original vision of the director without any modifications. This has only added to the frenzy among the diaspora. (adsbygoogle = window.adsbygoogle || []).push({}) Moving across the Atlantic, the situation in Canada is equally fascinating but follows a more structured approach. York Cinemas has introduced a unique phased booking system to manage the surge. For the first three days, access is strictly limited to VIP Members, specifically those fans who held tickets for the films previously delayed January release. This move aims to prioritize loyal supporters before opening general public bookings. Meanwhile, in Australia, ticket portals have gone live across all major theater chains, recording rapid sales that suggest a record-breaking opening weekend for an Indian film in the region. Back home in India, Bengaluru has taken the honor of being the first major city to open advance reservations. On July 16, tickets were quietly released for select screens, and the response was instantaneous. The highly coveted 6:00 AM First Day First Show slots were sold out in minutes, proving that the craze for Vijay transcends state borders. However, it has not been entirely smooth sailing, as Bengaluru's famous Victory Cinema has reportedly opted out of screening the film following a commercial dispute with the production house. While this is a loss for that specific venue, it has done little to dampen the overall spirit of the fans who are flocking to other available theaters.

BY SACNILK

The anticipation for Awarapan 2 has been building steadily, with fans eager to see the return of one of the most iconic characters in Hindi cinema. The original Awarapan, released in 2007, was directed by Mohit Suri and featured a stellar ensemble including Emraan Hashmi, Shriya Saran, Ashutosh Rana, and Ashish Vidyarthi. While the film did not set the box office on fire during its initial run, it eventually transformed into a massive cult classic. Its legacy was cemented through years of television broadcasts and the timeless appeal of its musical score, which remains a favorite for many to this day. According to a report by Bollywood Hungama, the makers are now looking to capitalize on this long-standing craze by re-releasing the first part of Awarapan in cinemas on July 31. This strategic move aims to refresh the audience's memory and build a massive momentum exactly two weeks before the sequel hits the theaters. Sources suggest that the films strong recall value, driven by its emotional depth and massy moments, makes it a perfect candidate for a theatrical revival for a generation that might have missed it on the big screen nearly two decades ago. (adsbygoogle = window.adsbygoogle || []).push({}) This re-release sets up an interesting battle at the box office, as it is scheduled to clash with the major Hollywood blockbuster, Spider-Man: Brand New Day, which arrives in India on July 30. While the superhero flick is expected to take a gargantuan start, industry insiders believe that Awarapan still holds enough emotional weight to attract significant footfalls. The nostalgia factor is a powerful tool in the current market, and the trade expects the film to find its own dedicated audience despite the heavy international competition. We have seen a growing trend where films that underperformed during their original runs, such as Tumbbad, Sanam Teri Kasam, and Laila Majnu, emerged as huge hits upon their re-release. Many fans feel a sense of regret for not supporting these films in theaters originally, and that sentiment is expected to play a major role here. Awarapan fits this mold perfectly, having grown in stature over the years through home video and digital platforms, and the July 31 release is seen as a way to correct its previous box office record. (adsbygoogle = window.adsbygoogle || []).push({}) Transitioning to the sequel, Awarapan 2 is being handled by director Nitin Kakkar, known for his work on Filmistaan. The new installment features Emraan Hashmi returning to his iconic role as Shivam Pandit, joined by Disha Patani and Shabana Azmi. The story reportedly picks up from where the 2007 film left off, suggesting that Shivam survived the intense events of the original climax. This return to a brooding, tragic hitman persona is being viewed as the ideal comeback vehicle for Hashmi, tapping into the soulful romantic-action genre that defined a specific era of his career. With the sequel set to release on August 14, the industry is hopeful that Awarapan 2 will deliver a major hit for Emraan Hashmi. The romantic musical genre is currently seeing a resurgence, and given that the sequel aims to replicate the emotional core of the first part, the trade expects a solid opening. By bringing the original film back to theaters first, the makers are ensuring that the hype for Shivam Pandits new mission reaches a fever pitch by the time the second part officially arrives.

BY SACNILK

Gatta Kusthi 2 has emerged as a significant player in the sports-comedy genre, riding high on the success of its predecessor. Directed by Chella Ayyavu and featuring the popular duo of Vishnu Vishal and Aishwarya Lekshmi, the film has sustained a lot of buzz due to its blend of high-stakes wrestling and relatable family dynamics. The sequel was met with high expectations, and it seems the audience is still showing up to support the film well into its second week of release. When we look at the financial health of the movie, the numbers tell a story of steady progress. Gatta Kusthi 2 has now reached a total worldwide gross collection of 47.42 crore. To break that down for you, 39.22 crore has come from the domestic Indian market, while 8.20 crore was earned from overseas territories. In terms of net earnings, the film has managed to secure 34.18 crore so far. This has been achieved across a very wide release totaling 24,908 shows. (adsbygoogle = window.adsbygoogle || []).push({}) On Day 13, the India gross was 1.05 crore, which is a manageable drop from the 1.17 crore it grossed on Day 12. If we talk about the net figures, the Day 13 collection of 0.93 crore represents an 8.8 percent decline compared to the previous day's net of 1.02 crore. This kind of trend is quite logical for a film in this stage of its theatrical journey, as it stabilizes after the initial rush. The state-wise gross report further illustrates the film's regional dominance. On Day 13, Tamil Nadu led the way with 1.00 crore in gross earnings. Karnataka and Kerala followed with 0.03 crore and 0.02 crore respectively. Looking at the cumulative totals, Tamil Nadu is the clear engine of growth with 35.45 crore grossed to date. Karnataka has contributed 2.22 crore, Kerala has added 1.21 crore, while the Andhra Pradesh and Telangana regions have brought in 0.15 crore. Other parts of India have contributed a combined 0.19 crore to the total gross. (adsbygoogle = window.adsbygoogle || []).push({}) In the national multiplex chains, the film is maintaining a presence showing a consistent performance. For Day 13, the combined gross from PVR, INOX, and Cinepolis was approximately 4 lakh. This came from a total of 3,800 tickets sold across 200 shows at 65 venues. Breaking this down, PVR led the segment with 2,300 tickets resulting in a 2.5 lakh gross. INOX followed with 1,200 tickets and a 1.2 lakh gross, while Cinepolis rounded out the total with 300 tickets and a 0.3 lakh gross. The average occupancy for these national chains was about 8 percent. The general occupancy across all theaters for Day 13 was 16.53 percent. What is interesting is how the interest built up throughout the day. Starting with 14.55 percent in the morning, the numbers moved up to 15.91 percent in the afternoon and 16.36 percent in the evening, before peaking at 17.91 percent for the night shows. (adsbygoogle = window.adsbygoogle || []).push({}) Regionally, Chennai remains the most active market for Gatta Kusthi 2. The city recorded an occupancy of 20.8 percent across its 260 shows. Coimbatore also saw a fair amount of traffic with 12.3 percent occupancy from 100 shows, while Bengaluru recorded 9.8 percent occupancy across 62 shows. These figures highlight that the film is maintaining a consistent grip on its core urban markets. Finally, the digital engagement continues to reflect a healthy appetite for the film. In the last 24 hours alone, 10,690 tickets were sold on BookMyShow, bringing the total tickets sold on the platform to 719,300. As the film approaches the 50 crore worldwide gross milestone, it is clear that the wrestling-based drama is finding a way to keep the audience engaged even after nearly two weeks in the theaters.

BY SACNILK

Dhamaal 4 arrives as the latest installment in a comedy franchise that has historically relied on loud, slapstick humor to draw crowds. The film reunites the familiar ensemble of Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey, aiming to capitalize on the nostalgia of the earlier hits. However, the pre-release momentum was notably lukewarm; when the trailer first dropped, it failed to ignite the kind of massive social media conversation or high-octane buzz usually expected from a big-budget sequel. Instead of a wave of excitement, the initial reaction was quite measured, leaving the film to rely heavily on its theatrical performance to prove its worth. Now, six days into its run, the film is performing well at the box office, managing to find its footing and draw in consistent numbers. By the end of its sixth day, Dhamaal 4 has reached a worldwide gross of ₹124.66 Cr, a figure that highlights its steady performance across markets. This total is built on a solid domestic foundation, with India gross collections standing at ₹107.41 Cr. In the international circuit, the film has brought in a total gross of ₹17.25 Cr. When focusing on the core domestic earnings, the movie has officially secured a net collection of ₹90 Cr in India so far. (adsbygoogle = window.adsbygoogle || []).push({}) Looking specifically at the Day 6 performance, which fell on a Wednesday, the film collected a net of ₹6.75 Cr. When we compare this to Tuesday's net collection of ₹9.50 Cr, we see a drop of 28.9 percent. This decline is quite standard for a comedy film during the middle of its first week, as the initial weekend rush settles into a steady weekday pace. To achieve this Day 6 figure, the movie played across 11,137 shows, contributing to a massive cumulative total of 65,916 shows since its release. On the international front, early estimates suggest the film added another ₹1.25 Cr (approximately 149 thousand dollars) on its sixth day. According to Venky Box Office, the film earned 139 thousand dollars (roughly ₹1.16 Cr) on Tuesday alone. This brings its total North American gross to 714 thousand dollars (approximately ₹5.98 Cr). These numbers indicate a decent pull among the diaspora, even on working days. (adsbygoogle = window.adsbygoogle || []).push({}) Ticketing trends on BookMyShow further highlight the film's reach. On Tuesday, the platform recorded 133.65K tickets booked, while Wednesday saw 100.96K bookings. In total, the film has seen over 16,12,090 tickets sold through this platform alone. These figures reflect a healthy interest, though there is a visible downward trend as the week progresses. Looking at the performance across major national chains—PVR, INOX, and Cinepolis—we get a clearer picture of how the movie is trending through advance bookings. For its sixth day, these chains collectively sold around 5,300 tickets, resulting in a total gross of approximately ₹14.3 Lakhs. This was achieved across nearly 3,490 shows, reflecting a modest advance occupancy of about 0.9 percent. When we break these numbers down, INOX led the way with roughly 2,900 tickets sold, bringing in nearly ₹7.2 Lakhs from about 1,280 shows, which translates to a 1.0 percent occupancy rate. PVR followed with roughly 2,400 tickets, generating about ₹7.1 Lakhs from a slightly higher show count of around 1,540, resulting in an occupancy of approximately 0.8 percent. Interestingly, Cinepolis, which scheduled around 670 shows across nearly 80 venues, saw no activity in advance ticket sales for this period. These figures highlight that the film is currently relying more on spontaneous spot bookings and walk-in audiences rather than pre-planned ticket purchases, which is quite common for comedy sequels during the work week as they aim to maintain their screen count heading into the second weekend. (adsbygoogle = window.adsbygoogle || []).push({}) When we break down the occupancy for Day 6, the overall average across India stood at 14.12 percent. The interest level grew steadily throughout the day, starting with a 6.92 percent occupancy in the morning shows. This jumped to 13.62 percent in the afternoon and 15.31 percent in the evening with the night shows peaking at 19.00 percent occupancy. Regional performance also tells an interesting story. The National Capital Region (NCR) led with 1,025 shows and an overall occupancy of 14.5 percent. Mumbai followed closely with 856 shows and 14.0 percent occupancy. Ahmedabad showed a strong preference for the film with 623 shows and a 15.5 percent occupancy rate, while Pune and Bengaluru saw 12.3 percent and 13.3 percent occupancy respectively. Surat recorded a lower engagement at 7.3 percent across its 381 shows.

BY SACNILK

The long wait for one of the most anticipated films of 2026 is finally coming to an end. KVN Productions has officially announced that Jana Nayagan, starring Thalapathy Vijay, will hit the big screens on July 23. The announcement was made with a powerful message describing the project as tested by fire and built for history. This official confirmation settles months of speculation regarding the release of what is widely considered to be the final cinematic outing for Vijay, who has now transitioned into a full-time political career after being sworn in as the Honorable Chief Minister of Tamil Nadu following his electoral victory. Directed by H. Vinoth, the film is a political action thriller that has generated massive interest since its announcement. The project features an impressive ensemble cast including Pooja Hegde, Bobby Deol, Mamitha Baiju, Gautham Vasudev Menon, Prakash Raj, Narain, and Priyamani. The technical team is equally strong with Anirudh Ravichander composing the music and Sathyan Sooryan handling the cinematography. Originally intended for a Pongal release in January, the film’s arrival was delayed by seven months due to an unprecedented standoff with the censor board. (adsbygoogle = window.adsbygoogle || []).push({}) The censorship journey for Jana Nayagan has been particularly turbulent. After months of legal discussions and revisions, the Central Board of Film Certification recently awarded the film an A certificate. The initial runtime was reported as 183 minutes, but fresh updates indicate that the movie has been re-censored to include an additional 41 seconds of footage. This brings the final runtime to approximately 3 hours, 3 minutes, and 52 seconds. While Indian audiences will see the version with suggested modifications, reports suggest that some overseas markets will screen the original uncut version with a 15+ classification. However, the road to the official release date has not been without its share of administrative hurdles. For the past few days, there was significant confusion within the trade and among fans as overseas distributors and ticketing platforms were operating on a July 24 release window. In fact, bookings had already opened in several international territories like the UK and Canada for the 24th. The sudden shift back to July 23, just ten days before the premiere, has created a logistical mess for overseas distributors who now have to reshuffle screenings and confirmed bookings at the last minute. Industry trackers suggest this late change could potentially impact the initial screen count in certain international markets due to the sudden scheduling conflict. (adsbygoogle = window.adsbygoogle || []).push({}) Tested by fire.Forged by time.Built for history.The tougher the battle,The louder the victory.#JanaNayaganFromJuly23#JanaNayakuduFromJuly23#JanNetaFromJuly23The Hon'ble Chief Minister @actorvijay @KvnProductions #HVinoth @hegdepooja @anirudhofficial @thedeol… pic.twitter.com/21xjixgUBM— KVN Productions (@KvnProductions) July 15, 2026 Despite these last-minute changes, the buzz on the ground remains exceptionally high. As the film prepares for its massive worldwide opening, the primary focus is now on the advance bookings in the domestic market. With the release date now set in stone for July 23, the industry is gearing up for what is expected to be a historic theatrical run for the actor.

BY SACNILK

Here is the English movie Moana (3D) box office collection which is a Adventure Comedy Fantasy film. This film is directed by Thomas Kail and produced by . ## Moana (3D) stars , Catherine Laga'aia, Dwayne Johnson, Rena Owen in key roles. ## Moana (3D) Review ## Moana (3D) Review: What Public Has To Say About This Movie ## Moana (3D) Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Moana (3D) Budget: ₹ 1 Cr * Approx ## Moana (3D) Verdict: Coming Soon ## Moana (3D) Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 10th July 2026 ## For more and the latest news about Hollywood Box Office Collection, Stay tuned to us.