Veresh Kambli

Veresh Kambli

🎬
Known For
Indian Cinema
Musician

Career Stats

Total Movies 0
Debut Year N/A
Awards Won N/A
Box Office ₹0 Cr
💹

Top 10 Net Collection

Kendada Seragu
Collection: ₹0.06 Cr
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Recent Movies

Kendada Seragu
Kendada Seragu
Apr 2026

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Athiradi Box Office Collection | All Language | Day Wise | Worldwide Box Office
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Athiradi Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK TEAM

Here is the Malayalam movie Athiradi box office collection which is an action comedy film. This film is directed by Arun Anirudhan and produced by Basil Joseph Entertainment and Dr. Ananthu S Entertainment. ## Athiradi stars Basil Joseph, Tovino Thomas, Vineeth Sreenivasan, Riya Shibu, and Shaan Rahman in key roles. ## Athiradi Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Thursday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Athiradi Budget: ₹ - Cr * Approx ## Athiradi Verdict: Coming Soon ## Athiradi Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 14th May 2026 ## For more and the latest news about Mollywood Box Office Collection, Stay tuned to us.Athiradi State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 0 [ Wednesday]₹ 0 Cr₹ 0 Cr₹ 0 Cr₹ 0.6 Cr₹ 0 Cr₹ 0.6 CrDay 1 [1st Thursday]₹ 0.55 Cr₹ 0.05 Cr₹ 0.22 Cr₹ 5.5 Cr₹ 0.12 Cr₹ 6.44 CrDay 2 [1st Friday]₹ 0.4 Cr₹ 0.04 Cr₹ 0.14 Cr₹ 4.25 Cr₹ 0.1 Cr₹ 4.93 CrDay 3 [1st Saturday]₹ 0.65 Cr₹ 0.06 Cr₹ 0.25 Cr₹ 4.75 Cr₹ 0.21 Cr₹ 5.92 CrDay 4 [1st Sunday]₹ 0.6 Cr₹ 0.05 Cr₹ 0.25 Cr₹ 5.3 Cr₹ 0.29 Cr₹ 6.49 CrDay 5 [1st Monday]₹ 0.13 Cr₹ 0.01 Cr₹ 0.08 Cr₹ 2.35 Cr₹ 0.04 Cr₹ 2.61 CrDay 6 [1st Tuesday]₹ 0.1 Cr₹ 0.01 Cr₹ 0.09 Cr₹ 2.13 Cr₹ 0.05 Cr₹ 2.38 CrDay 7 [1st Wednesday]₹ 0.08 Cr₹ 0.01 Cr₹ 0.07 Cr₹ 1.83 Cr₹ 0.04 Cr₹ 2.03 CrDay 8 [2nd Thursday]₹ 0.07 Cr₹ 0.01 Cr₹ 0.05 Cr₹ 1.1 Cr₹ 0.02 Cr₹ 1.25 CrWeek 1 Gross₹ 2.58 Cr₹ 0.24 Cr₹ 1.15 Cr₹ 27.81 Cr₹ 0.87 Cr₹ 32.65 CrDay 9 [2nd Friday]₹ 0.06 Cr₹ 0 Cr₹ 0.05 Cr₹ 0.97 Cr₹ 0.03 Cr₹ 1.11 CrDay 10 [2nd Saturday]₹ 0.12 Cr₹ 0.01 Cr₹ 0.07 Cr₹ 1.24 Cr₹ 0.03 Cr₹ 1.47 CrDay 11 [2nd Sunday]₹ 0.1 Cr₹ 0.01 Cr₹ 0.08 Cr₹ 1.55 Cr₹ 0.03 Cr₹ 1.77 CrDay 12 [2nd Monday]₹ 0.02 Cr₹ 0 Cr₹ 0.03 Cr₹ 0.65 Cr₹ 0.01 Cr₹ 0.71 CrDay 13 [2nd Tuesday]₹ 0.03 Cr₹ 0 Cr₹ 0.03 Cr₹ 0.6 Cr₹ 0.01 Cr₹ 0.67 CrDay 14 [2nd Wednesday]₹ 0.03 Cr₹ 0 Cr₹ 0.03 Cr₹ 0.8 Cr₹ 0.01 Cr₹ 0.87 CrDay 15 [3rd Thursday]₹ 0.05 Cr₹ 0 Cr₹ 0.04 Cr₹ 0.75 Cr₹ 0.01 Cr₹ 0.85 CrWeek 2 Gross₹ 0.41 Cr₹ 0.02 Cr₹ 0.33 Cr₹ 6.56 Cr₹ 0.13 Cr₹ 7.45 CrDay 16 [3rd Friday]₹ 0.01 Cr₹ 0 Cr₹ 0.02 Cr₹ 0.5 Cr₹ 0 Cr₹ 0.53 CrTotal₹ 3 Cr₹ 0.26 Cr₹ 1.5 Cr₹ 34.87 Cr₹ 1 Cr₹ 40.63 Cr ##

Pati Patni Aur Woh Do Box Office Collection | All Language | Day Wise | Worldwide Box Office
34.9K views

Pati Patni Aur Woh Do Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK TEAM

Here is the Hindi movie Pati Patni Aur Woh Do box office collection, which is a romantic comedy film. This film is directed by Mudassar Aziz and produced by T-Series and B.R. Studios. ## Pati Patni Aur Woh Do stars Ayushmann Khurrana, Sara Ali Khan, Wamiqa Gabbi, and Rakul Preet Singh in key roles. ## Pati Patni Aur Woh Do Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Pati Patni Aur Woh Do Budget: ₹ - Cr * Approx ## Pati Patni Aur Woh Do Verdict: Coming Soon ## Pati Patni Aur Woh Do Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 15th May 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

Mohanlal's Drishyam 3 To Have Biggest Release Outside Kerala As Makers Confirm Different Versions of The Film In Malayalam and Hindi Mollywood
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Mohanlal's Drishyam 3 To Have Biggest Release Outside Kerala As Makers Confirm Different Versions of The Film In Malayalam and Hindi

BY SUNIT JANGIR

Kochi, May 13 - The makers of Drishyam 3 are planning a historic release strategy for the film, with the Mohanlal starrer set to get one of the biggest pan-India rollouts ever for a Malayalam movie. Recent reports confirm that the thriller will release not only in Malayalam but also in dubbed versions across multiple languages, while a separate Hindi adaptation is already in the works with major changes tailored for the North Indian audience. (adsbygoogle = window.adsbygoogle || []).push({}) According to producers Kumar Mangat Pathak and Abhishek Pathak, the Malayalam version of the film will release in over 500 screens outside Kerala, with the number potentially going as high as 800-900 screens depending on exhibitor demand. The makers described it as the biggest pan-India release ever for a Malayalam film, highlighting the massive anticipation surrounding the return of Georgekutty. The film stars Mohanlal in the iconic role of Georgekutty, with Jeethu Joseph once again directing the franchise. Reports also confirm that the movie will simultaneously release in Telugu, Tamil, and Kannada dubbed versions alongside the Malayalam original, significantly expanding its reach beyond the Kerala market. (adsbygoogle = window.adsbygoogle || []).push({}) Meanwhile, the Hindi adaptation of Drishyam 3 starring Ajay Devgn is being developed separately and will not completely mirror the Malayalam version. The first two Drishyam films were scene-to-scene remakes of the original Malayalam versions and were massive box office successes. Now, the makers are going with a separate version for Hindi, which will be interesting to see. The buzz surrounding the Malayalam film is already extraordinary ahead of release. Advance bookings for the Malayalam version have reportedly opened with a bang, both in Kerala and overseas markets, indicating massive audience interest in the third chapter of the blockbuster franchise.

Bhooth Bangla Day 26 Box Office: Tuesday Net Touches Rs. 1.70 Cr, Surpassing Bhool Bhulaiyaa 3 To Rank 16th All-Time Box Office
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Bhooth Bangla Day 26 Box Office: Tuesday Net Touches Rs. 1.70 Cr, Surpassing Bhool Bhulaiyaa 3 To Rank 16th All-Time

BY CHRISTA LINCY

Bhooth Bangla is proving that the horror-comedy genre has a very deep reservoir of audience interest, even as it nears the end of its first month in theatres. On its 26th day, which fell on a Tuesday, the film netted 1.70 crore across the domestic market. What is particularly interesting here is the 26 per cent jump in collections compared to Monday's haul of 1.35 crore. This kind of mid-week growth in the fourth week is a clear indicator that the film is running on a sustained rhythm rather than just early momentum. To put this performance into perspective, this Tuesday's haul has placed the project at the 16th spot among the top 50 highest Day 26 collections in Hindi cinema history. It has managed to outpace several massive hits within the same genre. Specifically, it moved past the Day 26 numbers of Bhool Bhulaiyaa 2, which earned 1.29 crore, and Bhool Bhulaiyaa 3, which stood at 1.10 crore. Even the original Stree, which was known for its incredible endurance, recorded a lower 0.87 crore on its 26th day. This comparison highlights just how robust the current run has been for this latest instalment. The film's performance today has earned it a spot among the all-time greats, as it now ranks 18th in the list of the highest Day 26 collections in Indian cinema history. Check out the Top 50 Day 26 Box Office Collections here This steady flow of interest is clearly reflected in the digital bookings as well. On BookMyShow, the film recorded approximately 35 thousand ticket sales for the day, bringing its total ticket tally on the platform to over 3 million since its release. With 4,059 shows still running across India, the movie has managed to reach a domestic net total of 161.80 crore. This translates to an India gross of 191.90 crore, showing that the movie remains a significant contributor to the theatrical ecosystem nearly a month after its debut. (adsbygoogle = window.adsbygoogle || []).push({}) The major national multiplex chains continue to act as a steady fuel source for these earnings. On Tuesday, PVR led the contributions with approximately 7.6 thousand tickets sold. INOX followed with about 4.9 thousand, and Cinepolis chipped in with roughly 3 thousand tickets. When you look at the combined total of over 15 thousand tickets from these three major chains, it is evident that urban centers are still providing a healthy flow of patrons. This steady participation from premium venues is what allows the film to maintain a respectable average despite being in its fourth week. Looking at specific regions like the National Capital Region (NCR), the performance is quite granular. With nearly 500 shows running in this belt alone, the overall occupancy stood at a healthy 19.3 percent. Interestingly, the interest peaked during the night shows at 24 percent, while the morning shows started at a modest 10 percent. This late-day surge is a typical trend for horror-themed films, where the evening atmosphere often draws in a larger crowd looking for a communal viewing experience. On the international front, the film is wrapping up its run with a smaller but consistent contribution, adding 0.05 crore on its 26th day. This takes the total overseas bounty to 53.20 crore. When we consolidate the domestic gross and international receipts, the worldwide gross collection has now climbed to 245.10 crore. The film is now essentially on a final dash toward the 250 crore milestone globally, a figure that cements its status as a major commercial winner. Ultimately, the logic behind these numbers suggests that Bhooth Bangla has tapped into a demographic that values theatrical longevity over a front-loaded opening. By consistently outperforming established benchmarks in its fourth week, the film has secured its place as a reliable performer. As the theatrical window begins to narrow, the focus will be on how much further it can push its lifetime record before making its digital transition.

Aakhri Sawal Delhi Premiere: UA 16+ Certified Film To Host High-Profile Dignitaries Tonight Ahead of Friday Release Bollywood
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Aakhri Sawal Delhi Premiere: UA 16+ Certified Film To Host High-Profile Dignitaries Tonight Ahead of Friday Release

BY CHRISTA LINCY

As we stand just 48 hours away from the theatrical release of Aakhri Sawal, the spotlight is firmly on the national capital today. According to reports by Bollywood Hungama, the makers are hosting a grand premiere this Wednesday evening, May 13. This is far from a standard film industry event; the guest list is expected to be a heavy-hitting mix of senior politicians, top bureaucrats, and other administrative dignitaries. By choosing Delhi for such a high-profile gathering today, the production team is clearly looking to generate a strong ripple effect through the country's social and political nerve center ahead of the nationwide rollout this Friday, May 15. The choice of venue and the guest list align perfectly with the film's subject matter. Directed by National Award-winner Abhijeet Mohan Warang, the movie takes a cinematic look into the history of the Rashtriya Swayamsevak Sangh (RSS). Given the deep roots of the organization, the presence of administrative and political figures at the premiere is likely to turn the event into a major talking point across social and news circles. It appears the strategy is to move beyond the traditional film-buff audience and tap into a broader national conversation. Sanjay Dutt, who both stars in and produces the film alongside Nikhil Nanda, is currently carrying significant momentum at the box office. His involvement comes on the heels of the highly successful Dhurandhar duology, which has likely provided the necessary financial cushion and audience goodwill for a film of this scale. While the project was originally slated for a May 8 release, the one-week postponement to May 15 seems to have been a calculated move. This extra window has allowed the makers to fine-tune their strategy and ensure the Delhi premiere acts as the primary ignition for the film’s theatrical run. (adsbygoogle = window.adsbygoogle || []).push({}) One aspect of Aakhri Sawal that is drawing genuine praise from industry observers is its focus on inclusivity. In a landmark move for Indian cinema, this will be the first Hindi feature film to be made available in Indian Sign Language. By incorporating this feature, the team is effectively expanding the film's accessibility, allowing a much wider demographic to experience the narrative. This initiative, coupled with the hard-hitting trailer that sparked conversations earlier this month, has added a layer of social equity to the project that goes beyond mere entertainment. From a technical and administrative standpoint, the film has already cleared its final hurdles. The Central Board of Film Certification (CBFC) has granted the movie a UA 16+ certificate as of May 12, indicating that the content is geared toward a mature audience that can engage with its historical and political nuances. The film features a strong ensemble cast, including Amit Sadh, Namashi Chakraborty, Sameera Reddy, and Tridha Choudhury, bringing together a mix of seasoned talent and fresh energy under the PVR INOX Pictures distribution banner. The creative blueprint for the film is backed by a solid team, with the story and screenplay penned by Utkarsh Naithani. On the production side, the project sees a collaborative effort from Puneet Nanda, Dr. Deepak Singh, Gaurav Dubey, and Ujjwal Anand. With the combination of a high-stakes premiere, a unique accessibility milestone, and the star power of Sanjay Dutt, the film is positioning itself as more than just a Friday release. As we wait for the first reactions from the Delhi premiere, the industry is closely watching to see how this historical narrative resonates with both the dignitaries in attendance and the general public.

From Dragon Glimpse To Devara 2 Poster: The Announcements Coming On Jr. NTR's Birthday Tollywood
13.4K views

From Dragon Glimpse To Devara 2 Poster: The Announcements Coming On Jr. NTR's Birthday

BY SUNIT JANGIR

Hyderabad, May 13 - The birthday celebration of Jr. NTR is set to become a massive event for fans this year, with multiple high-profile announcements planned for May 20. From the much-awaited glimpse of Dragon to the first major update from Devara Part 2, the actor's lineup has already created huge anticipation across social media. (adsbygoogle = window.adsbygoogle || []).push({}) The biggest attraction among the birthday releases will be the glimpse of Dragon a.k.a NTRNeel, directed by Prashanth Neel. The film marks the first collaboration between the actor and the filmmaker, making it one of the most anticipated pan-Indian projects in production. Fans are eagerly waiting to see Jr. NTR's intense new avatar in the special birthday glimpse. The movie has been confirmed for a June 11, 2027, release. Apart from Dragon, the announcement of the much-awaited God of War is set to be made on the superstar's birthday. It is said that director Trivikram Srinivas and his team have started working on a grand announcement video for May 20th. God of War is about Lord Murugan, and the team is excited to begin work on it. (adsbygoogle = window.adsbygoogle || []).push({}) Another major surprise arriving on May 20 will be a brand-new poster from Devara: Part 2. Amid the uncertainty about the sequel's future, reports say that the makers are determined to make it, and they will officially confirm with a new poster on the actor's birthday. With three major updates arriving together, Jr. NTR's birthday is expected to dominate entertainment headlines and social media trends. From powerful glimpses to exciting posters, May 20 is shaping up to be a celebration packed with surprises for the actor's fans.

Krishnavataram Part 1 Day 6 Box Office: Rare 37% Tuesday Surge Pushes Film Past 10 Cr Milestone Box Office
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Krishnavataram Part 1 Day 6 Box Office: Rare 37% Tuesday Surge Pushes Film Past 10 Cr Milestone

BY CHRISTA LINCY

Krishnavataram Part 1: The Heart is showing a surprising amount of stamina as it completes its sixth day at the box office. This Tuesday, the film netted 1.85 crore in India, which is a significant figure given the usual weekday trajectory. What stands out is the 37 percent growth compared to Monday’s net collection of 1.35 crore. Seeing an upward trend of this scale on a Tuesday is a rarity, suggesting that the film is picking up momentum through positive word-of-mouth as it nears the end of its first week. A closer look at the theatrical footprint reveals that the film is currently the primary choice for moviegoers in the national multiplex chains. It holds the number one rank in terms of ticket sales within these major circuits. On Tuesday alone, the combined sales from PVR, INOX, and Cinepolis reached approximately 27.7 thousand tickets. To break it down, PVR led the contribution with 12.9 thousand tickets, followed by INOX with 9.2 thousand and Cinepolis with 5.6 thousand. This steady participation from premium urban venues has been a key factor in keeping the daily run-rate healthy. The digital engagement on BookMyShow further confirms this upward trend. The platform recorded 53.42 thousand tickets on Tuesday, which is a noticeable climb from Monday 44.04 thousand. Since its release, the film has seen a consistent build-up in digital sales. Starting with a modest 5 thousand in pre-sales and 14.18 thousand on Thursday, it spiked during the weekend with 63.87 thousand on Saturday and 71.32 thousand on Sunday. With the Friday contribution of 28.97 thousand, the cumulative ticket sales on the platform have now reached an impressive 280K. (adsbygoogle = window.adsbygoogle || []).push({}) When we examine the linguistic performance, the Hindi market remains the heavy lifter for this project. Out of the 1.85 crore earned on Tuesday, the Hindi version accounted for 1.70 crore, operating at a very healthy 33 percent occupancy across 1,999 shows. The Telugu version chipped in with 0.12 crore from 160 shows, while the Tamil market contributed 0.03 crore from 49 shows. Over the six-day period, the Hindi version has amassed a total net of 9.82 crore, while Telugu and Tamil have brought in 0.56 crore and 0.19 crore respectively. The overall financial status of the film has now officially crossed into double-digit territory. With the Tuesday collection factored in, the total India net collection stands at 10.57 crore, which translates to a domestic gross of 12.52 crore. While the opening phase was gradual, the consistent occupancy levels—averaging 31.9 percent across 2,208 shows on Tuesday—indicate that the film is effectively consolidating its position as it approaches the end of its first six days in theaters. Ultimately, the logic behind these numbers suggests that Krishnavataram Part 1 is benefiting from a lack of major competition and a steady interest in the heart-focused narrative. By maintaining a 37 percent growth on a Tuesday and securing the top spot in national chains, the film has successfully navigated the typical Monday dip. As it prepares to complete its first week, the focus will be on whether this momentum can carry over into the second weekend to solidify its status at the box office.

Karuppu Day 1 Advance Booking: 119K BMS Sales and Special 9 AM Shows; Can Suriya Surpass Parasakthi's Record-Breaking Opening Box Office
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Karuppu Day 1 Advance Booking: 119K BMS Sales and Special 9 AM Shows; Can Suriya Surpass Parasakthi's Record-Breaking Opening

BY CHRISTA LINCY

If you have been following the buzz around Suriya's latest outing, Karuppu, the advance booking numbers suggest a project that is finding a solid footing ahead of its release. Directed by RJ Balaji and produced by Dream Warrior Pictures, the film has managed to secure a significant theatrical window. In a major move to accommodate the anticipated rush, the Tamil Nadu Chief Minister has approved special 9 AM shows for the first two days, May 14 and 15, giving the film a much-needed headstart in its home territory. While the advance numbers for Karuppu are promising, they are being measured against a very high bar set earlier this year. Currently, Parasakthi holds the record for the biggest opening day of the year in Tamil Nadu, having netted 12.50 crore on its first day across 3,603 shows. That translated to a domestic gross of 14.50 crore. For Karuppu to claim the top spot, it will need to leverage its higher show count of 4,384 and the approved special shows to bridge that gap. Surpassing the benchmark set by Parasakthi remains the primary challenge as the film heads into its release day. Looking at the domestic financial haul, Karuppu has already amassed approximately 3.00 crore in advance booking gross across India. When you factor in blocked seats, that figure stretches to 5.59 crore. The Tamil version is clearly doing the heavy lifting here, contributing 2.85 crore of that total. With 177,660 tickets already sold for the first day across 3,809 shows in the Tamil 2D format, the movie is entering the box office with a healthy reservoir of pre-release interest. (adsbygoogle = window.adsbygoogle || []).push({}) The regional distribution shows a strong preference in major hubs. Chennai remains the focal point, contributing 1.18 crore with a 29 percent occupancy rate across 718 shows. If we look at the broader Tamil Nadu landscape, the film has secured 2.35 crore in gross bookings with a 17 percent real occupancy. Neighboring markets are also chipping in, with Coimbatore adding 28.85 lakh and Bengaluru's Tamil version bringing in 24.31 lakh. Beyond the primary state, Kerala and Karnataka have added 20.89 lakh and 27.19 lakh respectively, ensuring the film has a balanced footprint across the South. While the Tamil version dominates, the Telugu market is also beginning to register. The aggregate Telugu 2D bookings stand at 14.38 lakh from 575 shows. A closer look at the Telugu-speaking regions reveals that Hyderabad is leading the pack with 6.73 lakh. Other contributors include Warangal at 54.29 thousand, Vijayawada at 39.15 thousand, and Vizag at 24.59 thousand. Though occupancy rates in these regions are currently modest—hovering around 6 percent in Hyderabad—the sheer number of cities, including Guntur, Karimnagar, and Mahbubnagar, indicates a wide release strategy that could see a boost once the early reviews are out. The digital footprint on BookMyShow has shown an aggressive upward curve over the last few days. Starting with 13.42 thousand tickets on May 10, the bookings jumped to 31.72 thousand on May 11, and then skyrocketed to 74.09 thousand by May 12. This brings the cumulative BMS sales to 119.23 thousand tickets. Even within the day, the pace is quick; between 1 PM and 2 PM today, the platform sold over 4.3 thousand tickets, contributing to a total of 22.34 thousand tickets sold since 7 AM this morning. (adsbygoogle = window.adsbygoogle || []).push({}) To stay updated with the live trends and final numbers from the pre-sales period, you can check the full report here: Karuppu 2026 First Day Advance Booking Report. The national multiplex chains are also providing a steady stream of revenue. For the opening weekend, the cumulative ticket sales across PVR, INOX, and Cinepolis have reached a solid 84.5 thousand as of 3 pm on May 13. Breaking this down by day, the release day (Thursday) has booked 44.9 thousand tickets. Friday follows with 15.1 thousand, Saturday with 13.1 thousand, and Sunday with 11.4 thousand. Within these chains, PVR is the primary driver, accounting for over 31.8 thousand tickets for the opening day alone, reflecting a 30 percent occupancy rate in their screens. On the international front, the North American market is showing a more cautious start with total premiere advance sales standing at 18 thousand dollars, which is approximately 15.12 lakh in Indian currency. When you factor in the combined opening day bookings, the total North American tally reaches 32 thousand dollars, or about 26.88 lakh. Looking specifically at the USA premieres, the film has secured 6,717 dollars (around 5.64 lakh) from 468 tickets sold across 30 locations. While these figures have been somewhat affected by late premiere start times, the project still maintains a visible presence in major states like California and Texas as it prepares for its global rollout. Ultimately, Karuppu is heading into its release with a domestic ticket tally of over 188 thousand across 4,384 shows. By securing special shows and maintaining a high volume of shows in its primary language, the film has created a sturdy foundation. While the overseas and Telugu markets are still warming up, the sheer dominance in Tamil Nadu suggests that the film has enough fuel to ensure a respectable opening weekend at the box office.

Raja Shivaji Day 12 Box Office: 2nd Tuesday Net Hits Rs. 2.50 Cr, Becomes Highest Grossing Marathi  Film of 2026 Box Office
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Raja Shivaji Day 12 Box Office: 2nd Tuesday Net Hits Rs. 2.50 Cr, Becomes Highest Grossing Marathi Film of 2026

BY CHRISTA LINCY

Raja Shivaji has reached a significant turning point in its theatrical journey, officially claiming the top spot as the highest-grossing film of 2026. On its 12th day, the biographical epic showed an impressive level of resilience, netting 2.50 crore across the country. What makes this figure noteworthy is the 4.2 percent growth seen on Tuesday compared to Monday’s 2.40 crore. It is quite unusual for a film to see an upward trend on a second Tuesday, suggesting that word-of-mouth is acting as a strong theatrical anchor for the project. The regional bedrock of this success remains the Marathi market, which continues to outperform the Hindi version by a wide margin. On Tuesday, the Marathi version alone contributed 1.85 crore with a very healthy 30 percent occupancy rate across 1,920 shows. Meanwhile, the Hindi version added 0.65 crore from 1,938 shows at a 14 percent occupancy. When looking at the cumulative totals, the Marathi market has generated 51.75 crore net so far, while the Hindi version has brought in 21.40 crore, highlighting how deeply the film has resonated with its primary audience. Looking at the national multiplex chains, the film is maintaining a very competitive footprint. On day 12, it recorded the second-highest ticket sales across major chains, trailing only behind the new release Krishnavataram. To give you an idea of the volume, PVR accounted for approximately 9.8 thousand tickets, while INOX saw about 10 thousand bookings. Cinepolis contributed another 5.7 thousand, bringing the combined total from these three giants over 25 thousand tickets for the day. This steady participation from premium urban venues has been a key factor in the film's financial stability. (adsbygoogle = window.adsbygoogle || []).push({}) The digital engagement on platforms like BookMyShow also paints a picture of long-term theatrical stamina. The total number of tickets booked via the platform is now approaching the 2 million mark. Following a strong first week that saw 1.22 million tickets sold, the second week has remained surprisingly consistent. After a busy weekend, Monday and Tuesday have stabilized with roughly 75 thousand tickets each, ensuring that the daily run-rate remains high enough to keep the project at the top of the charts. From a broader perspective, the financial health of the film is record-breaking for the current year. The total India net collection has reached 73.15 crore, which translates to a domestic gross of 86.65 crore. By crossing these figures, Raja Shivaji has now surpassed every other release in 2026 to become the number one movie of the year in terms of collection. This achievement is a testament to the film's ability to balance regional appeal with a broader national presence. Ultimately, the logic behind these numbers suggests that the film has successfully navigated the difficult second-week hurdle. Over its 12-day run, the project has spanned a total of 60,155 shows, resulting in a domestic net collection of 73.15 crore. As there has been no contribution from overseas markets yet, the worldwide gross matches the India gross at 86.65 crore. With 3,858 shows still active nationwide, the film is effectively maximizing its reach during the weekdays. As these cumulative totals continue to climb, the focus now shifts to where the final lifetime benchmark will land, especially as the film remains the primary choice for audiences across its key markets.

Dhurandhar 2 Day 55 Box Office Collection: Tuesday Net Hits Rs. 0.40 Cr, Recording a 14.3% Growth Compared to Monday Box Office
17.1K views

Dhurandhar 2 Day 55 Box Office Collection: Tuesday Net Hits Rs. 0.40 Cr, Recording a 14.3% Growth Compared to Monday

BY CHRISTA LINCY

Dhurandhar 2: The Revenge is showing a level of durability that most sequels struggle to achieve, especially as it enters its 55th day in theaters. This Tuesday, the film added 0.40 crore to its domestic net, which is a notable figure for an eighth-week run. What is particularly interesting here is the slight improvement in momentum compared to the start of the week. The Tuesday collection represents a 14.3 percent growth over Monday’s 0.35 crore, suggesting that the film is still finding a fresh audience even at this late stage.

Akshay Kumar Teases Welcome To The Jungle With A New Picture Bollywood
12.6K views

Akshay Kumar Teases Welcome To The Jungle With A New Picture

BY SUNIT JANGIR

Mumbai, May 13 - Riding high on the success of Bhooth Bangla, superstar Akshay Kumar is gearing up for his next film, which is the third instalment of the comedy entertainer Welcome. The actor has sparked excitement around Welcome To The Jungle by sharing a striking new picture from the film's world. Akshay, who led the original Welcome in 2007, posted an intense jungle-themed image featuring himself, teasing the scale and vibe of the upcoming comedy-action entertainer. The actor is seen making a stylish entry through a lush jungle pathway with sunlight cutting through the trees behind him. Dressed in a dark suit and sunglasses, he carries a larger-than-life aura while walking on a red carpet placed in the middle of the wilderness. (adsbygoogle = window.adsbygoogle || []).push({}) The film has already generated strong buzz due to its massive ensemble cast and its connection to the iconic Welcome franchise. The Ahmed Khan directorial is gearing up for a theatrical release on June 26, 2026. The newly shared picture gives off a larger-than-life adventure feel, hinting that Welcome To The Jungle may blend the franchise's trademark comedy chaos with action and exotic visuals. Akshay Kumar’s stylish avatar in the middle of a cinematic jungle backdrop has quickly grabbed attention across social media. The movie features a huge cast, including Suniel Shetty, Paresh Rawal, Raveena Tandon, Arshad Warsi, Jacqueline Fernandez, Disha Patani, Johnny Lever, Rajpal Yadav, Tusshar Kapoor, Shreyas Talpade and several others. (adsbygoogle = window.adsbygoogle || []).push({}) Next… #WelcomeToTheJungle pic.twitter.com/HlxrCQ4T89— Akshay Kumar (@akshaykumar) May 13, 2026

Karuppu Box Office: Suriya Starrer Sells Over 50K Tickets In Advance Sales; Worldwide Totals Approach Rs. 2 Crore Mark Box Office
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Karuppu Box Office: Suriya Starrer Sells Over 50K Tickets In Advance Sales; Worldwide Totals Approach Rs. 2 Crore Mark

BY CHRISTA LINCY

Suriya is finally returning to the big screen with his upcoming film Karuppu, and the early buzz suggests that the audience has been eagerly waiting for this moment. Directed by RJ Balaji, the film is being positioned as a large-scale superhero entertainer, a genre that is quite rare in the Tamil film industry. The combination of Suriya, who is known for his versatile performances, and RJ Balaji, who has a knack for blending social messages with entertainment, has created a significant amount of curiosity. The film is produced by Dream Warrior Pictures, a banner known for backing high-quality content like Kaithi and Theeran Adhigaaram Ondru, which further adds to the expectations. Before the film even reaches the theaters on May 14, the business side of things looks very healthy. Reports indicate that the movie has already locked in over 110 crore in pre-release business through its non-theatrical avenues, which includes digital streaming rights, satellite rights, and music. This massive figure provides a strong financial safety net for the producers. In the domestic market, the theatrical rights for Tamil Nadu alone were reportedly sold for around 40 to 42 crore. For a mid-week release on a Thursday, these numbers indicate that distributors are highly confident in the film's potential to draw crowds during its opening weekend. It is worth noting that the journey to this May 14 release hasn't been a quick one, as the film moved through several tentative windows before locking its current date. Initially, there were talks of a Diwali 2025 release, but unfinished post-production and the need for extensive CGI work pushed it further. Subsequent slots like Pongal in January 2026, and even dates in March and April, were bypassed to navigate technical hurdles, digital rights negotiations, and to avoid the busy exam season. Director RJ Balaji has been vocal about these delays, explaining that the extra time was essential to perfect the complex visual effects needed for the superhero elements of the deity Karuppusamy. He also made a strategic choice to avoid the political noise surrounding the Tamil Nadu Legislative Assembly elections, picking this mid-May window specifically to ensure that families could focus on entertainment during the peak summer holidays. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the advance booking trends, the momentum is picking up quite rapidly. On BookMyShow alone, we have seen about 13,420 tickets booked as of May 10. When we broaden the scope to the tracked advance bookings across India for the opening day, the film has already grossed approximately 91 lakh. This has come from selling nearly 54,700 tickets across roughly 800 shows. The current occupancy rate is hovering around 18 percent, but what is more interesting is the presence of over 50 shows that are either already housefull or filling up fast. This level of activity four days before the release suggests that the numbers will likely double or triple as we get closer to the premiere. The speed of sales in Tamil Nadu has been particularly impressive. When bookings opened, the film managed to cross 10 lakh in pre-sales in under 20 minutes, and it hit the 40 lakh mark in just about an hour. Currently, Tamil Nadu is the strongest contributor with a gross of around 75 lakh. Kerala is also showing great promise with over 13 lakh in collections from about 300 shows. Other states like Karnataka and Andhra Pradesh are currently at 1.3 lakh and 0.9 lakh respectively, but these numbers are expected to rise as more local language shows are added to the schedule. Internationally, the film is performing well with overseas pre-sales estimated at 1.39 crore, bringing the worldwide total advance booking close to the 2 crore mark already. (adsbygoogle = window.adsbygoogle || []).push({}) To stay updated with the live trends and final numbers from the pre-sales period, you can check the full report here: Karuppu 2026 First Day Advance Booking Report. What makes Karuppu stand out is its unique premise. Suriya plays a lawyer named Saravanan who essentially becomes a vessel for the ancient guardian deity, Karuppuswamy. The plot seems to blend a modern legal battle with supernatural superhero elements, focusing on a superhuman guardian who awakens to restore order in a corrupt society. This mixture of ancient mythology and contemporary social issues is right in RJ Balaji's wheelhouse. Supporting the leads are Trisha Krishnan and a strong ensemble cast including Yogi Babu, Natarajan Subramaniam, and Mansoor Ali Khan, which ensures a mix of drama and humor throughout the narrative. On the technical front, the film has a very strong lineup. G.K. Vishnu, who earned a lot of praise for his work in Jawan and Mersal, is handling the cinematography, so we can expect a very high visual standard. The action sequences are choreographed by Anbariv and Vikram Mor, who are known for their high-impact work in films like KGF and Vikram. This suggests that the superhero transformation and the deity's ancient strength will be showcased through some intense, high-energy sequences, especially in the climax. With Sai Abhyankkar’s music already generating interest, the film seems to have all the components of a major commercial entertainer. As long as the content matches the current hype, we could be looking at one of the biggest openings for Suriya in recent times.