Yash Raj Films Launches Raah Records To Nurture Original Independent Music Talent

BY SACNILK

Yash Raj Films has officially stepped into the independent music scene with the launch of Raah Records. This new label and artist incubator is designed to discover and develop original Indian music talent specifically outside the realm of film soundtracks. For a studio that has defined the sound of Bollywood for over five decades, this move represents a logical expansion into the booming non-film music ecosystem. The label is starting its journey with the release of Jaadugari, a debut single by singer-songwriter Aman, which is scheduled to drop across major streaming platforms on August 5th. What makes this launch interesting is the approach behind it. Rather than a quick commercial release, Aman has reportedly spent nearly a year within the YRF incubator system. This allowed the artist to refine his sound and songwriting with professional support before facing the public, highlighting the label's commitment to quality over speed. (adsbygoogle = window.adsbygoogle || []).push({}) Akshaye Widhani, the CEO of Yash Raj Films, has emphasized that Raah Records is built on the philosophy of nurturing careers rather than just launching marketing campaigns. He noted that as the independent music space in India grows, artists need a foundation built on trust and time. By providing a structured environment that includes world-class production and strategic marketing, the studio intends to give emerging musicians a creative home where they can grow into their authentic selves without the pressure of cinematic requirements. The venture is being led by Nakul Sharma, who serves as the Senior General Manager of Music Management at YRF. Sharma has been a key figure in developing the incubator model, which focuses on every step of the artistic journey, from the initial songwriting phase to the final creative direction. He believes that standing beside an artist throughout their development is essential for long-term success. This artist-first approach is expected to define the label's roster as it expands in the coming months. (adsbygoogle = window.adsbygoogle || []).push({}) This initiative places YRF at the forefront of the evolving digital landscape in India. As streaming platforms continue to democratize music consumption, the demand for high-quality independent tracks is at an all-time high. By leveraging its vast industry experience and infrastructure, YRF is positioning Raah Records as a serious competitor in the non-film music space, offering a professional platform for a new generation of Indian voices.

BY SACNILK

The bidding war for the music rights of Namit Malhotra's Ramayana has taken a definitive turn just hours after the initial reports of a competition surfaced. In what is being described as a wild card entry, T-Series has reportedly secured the deal with a massive ₹75 crore offer. This development comes after Sony Music was leading the race earlier today with a ₹70 crore bid, while the production team was holding out for a target closer to ₹100 crore. According to reports from Lets Cinema, a formal handshake between the Ramayana team and T-Series took place today, with the official paperwork now underway to finalize the partnership. By offering ₹75 crore, T-Series has effectively locked the deal for the global music rights across all languages. This amount represents a new benchmark for the Indian music industry, comfortably surpassing the previous record of ₹54 crore held by Ranveer Singh’s Dhurandhar: The Revenge. (adsbygoogle = window.adsbygoogle || []).push({}) The record-breaking valuation is largely driven by the high-profile nature of the film's score, which is a collaborative effort between Academy Award winners AR Rahman and Hans Zimmer. The combination of these two musical giants is seen as a central pillar of the film’s global appeal, justifying the premium price tag. For T-Series, this acquisition ensures that the soundtrack of one of India’s biggest ever productions will be backed by the country’s largest music label. While the makers were initially seeking a three-figure sum, the ₹75 crore deal is a significant win in terms of pre-release revenue. It marks an increase of nearly 40 percent over the highest previously recorded music deal for a Hindi film. With major distribution partnerships already in place with Dharma Productions and Sony Pictures, locking the music rights at such a high figure further strengthens the financial recovery strategy for the film as it moves toward its Diwali 2026 release.

BY SACNILK

The long-standing anticipation surrounding Rocking Star Yash's next move is finally shifting from speculation to reality. After the massive global success of the KGF franchise, the focus has moved entirely to his upcoming project, Toxic: A Fairy Tale for Grown-Ups. Industry trackers and trade reports suggest that the makers are preparing a massive trailer launch event in Bengaluru on August 8, 2026. This isn't just a standard digital release; it is being positioned as a major promotional spectacle to set the tone for its worldwide theatrical debut on August 26. The path to securing a final release date for Toxic has been a complex process of tactical shifts and high-stakes planning. Initially scheduled for April 10, 2025, production hurdles and logistical challenges pushed the project into the following year. A brief window on March 19, 2026, was considered, but trade circles quickly noted a potential collision with Ranveer Singh's Dhurandhar. To avoid this clash and navigate specific market sensitivities in the Middle East, the date was moved to June 4, 2026. However, it was the strong international feedback following a showcase at CinemaCon that led to the final decision. By locking in August 26, 2026, the team is now prioritizing a global distribution strategy that gives this high-budget venture the breathing room it needs to perform across diverse territories. (adsbygoogle = window.adsbygoogle || []).push({}) What makes this project particularly interesting from an industry perspective is the collaboration between Yash and director Geetu Mohandas. Known for her critically acclaimed, grounded storytelling in films like Moothon, Geetu is now steering a project with a reported budget ranging between 850 and 1,000 crore rupees. This transition from independent-style sensitivity to a high-stakes, pan-world gangster epic set in the Goa underworld of the 1940s to 1970s is a bold move. It suggests that Toxic will likely prioritize character depth and stylized grit over the standard high-decibel action tropes we often see in big-budget cinema. The promotional strategy has already started building a unique identity for the film. The recent Ladies and Ladies teaser was a strategic choice, shifting the spotlight onto a powerful female ensemble that includes Kiara Advani, Nayanthara, Huma Qureshi, and Rukmini Vasanth. This indicates that while Yash remains the central draw, the narrative architecture depends heavily on these supporting characters. Furthermore, the track Tabaahi has already generated significant digital traction. The chemistry between Yash and Kiara Advani in the song has served its purpose, keeping the film trending across social media platforms and broadening its appeal beyond the traditional action-seeking demographic. (adsbygoogle = window.adsbygoogle || []).push({}) When we look at the box office trajectory, the stakes are significantly higher than they were during the KGF era. KGF: Chapter 2 was a phenomenon that built its momentum over years, eventually becoming a benchmark for Indian cinema. Toxic, however, is entering the market with the pressure of a massive 1,000-crore investment. To be profitable, it needs to perform exceptionally not just in the domestic markets of Karnataka and the Hindi belt, but also internationally. Shooting the film simultaneously in Kannada and English is a clear indicator that the producers are targeting a global footprint from day one. The choice of Bengaluru for the August 8 event is a calculated nod to Yash's roots, ensuring that the local fan base remains the core of the film's energy before it scales up. If the trailer hits the right notes, the August 26 release could potentially challenge existing opening-day records, though the ultimate test will be how the audience reacts to this newer, more stylized version of the superstar.

BY SACNILK

The cinematic adaptation of the timeless epic, Ramayana, directed by Nitesh Tiwari, has remained one of the most discussed projects in Indian cinema. With a massive budget and a stellar cast that brings together the best of various industries, the film is being crafted as a global spectacle. In a significant development, it has come to light that a 34-minute footage of the film has been officially certified by the Australian Classification Board. This news has sparked a lot of conversation among fans who are eagerly waiting for the first glimpse of Ranbir Kapoor as Lord Ram and Sai Pallavi as Sita. According to the official certification details, the 34-minute footage has been granted an M (Moderate) rating. The primary reason cited by the Australian board for this classification is moderate violence. The application for this certification was submitted by Prathyangira Cinemas PTY LTD, indicating that the makers are already laying the groundwork for a massive international rollout. A 34-minute duration is quite substantial for a censor filing at this stage, leading to speculation that this could be a special extended preview, a prologue, or a detailed glimpse intended for international distributors and trade showcases. (adsbygoogle = window.adsbygoogle || []).push({}) To understand the implications of this rating, we must look at how the Australian classification system works. The M classification stands for Mature, signifying content with a moderate impact (such as moderate violence), and functions as an advisory guidance category rather than a legally restrictive one.Unlike the MA 15+ rating, which legally restricts entry to those under 15 unless accompanied by a parent or adult guardian, the M rating is advisory. It suggests that the content is best suited for persons aged 15 and over, but it does not legally prevent children of any age from viewing the film. Essentially, anyone can see an M-rated film, but the board advises parents that the themes or sequences might not be suitable for younger children. The mention of moderate violence is particularly interesting given the nature of the source material. While the Ramayana is a spiritual and emotional journey, it also culminates in a grand scale conflict between the forces of good and evil. The M rating suggests that Nitesh Tiwari is not shying away from a realistic portrayal of the epic's battlefield sequences. By opting for a tone that includes moderate violence, the film appears to be targeting a more grounded and intense cinematic experience rather than a purely sanitized version often seen in older television adaptations. (adsbygoogle = window.adsbygoogle || []).push({}) The buzz surrounding the film is amplified by its extraordinary ensemble. Apart from Ranbir Kapoor and Sai Pallavi, the film features Yash as the formidable Ravana, Sunny Deol as Hanuman, and Lara Dutta as Kaikeyi. The technical side is equally strong, with Namit Malhotra's Prime Focus and the Oscar-winning VFX house DNEG handling the visual effects. The goal is to create a visual masterpiece that matches the standards of global fantasy epics, and this early certification in Australia is a clear sign that the production is moving at a steady pace toward its massive theatrical release. As the project nears its next phases, this M-rated footage provides the first concrete hint regarding the film's artistic direction. It suggests a mature, high-stakes narrative that balances the divinity of the story with the gritty reality of an ancient war. For the global audience, this certification confirms that Ramayana is being prepared as a top-tier international production, ready to compete on the world stage with its scale, storytelling, and now, a certified mature tone.

BY SACNILK

Before the global spotlight hits the international stage, the makers of Ramayana are starting their journey at home by engaging with India's youngest creators. They have launched the Colours of Ramayana contest, an art competition specifically for school students across the nation. It's a creative call to bring the ancient epic to life through paintings and sketches, with some very exciting rewards on the line. Winners won't just get official limited-edition merchandise; they will also get a world-first chance to watch the movie's trailer in 3D in theaters before anyone else. This local initiative, which closes for entries on July 14, 2026, is just the first step in a massive marketing campaign that is now heading toward a historic global debut. The scale of this outreach is truly massive, with the promotional tour set to actively reach over 400 schools across 18 major cities in India. The goal is to connect directly with more than 5 lakh students through various interactive segments. Beyond just the art competition, the team is hosting historical quizzes and educational sessions designed to make the epic's rich history relatable to the younger generation. (adsbygoogle = window.adsbygoogle || []).push({}) The "Ramayana: Our Truth. Our History. Contest" is LIVE!We invite school students across India to participate in Colours of Ramayana, an art competition that celebrates their imagination, devotion and creativity.Bring your vision to life with your paintings, sketches and… pic.twitter.com/BMv8tflqax— The World Of Ramayana (@WorldOfRamayana) July 9, 2026 The global stage is being set for what is perhaps the most ambitious project in the history of Indian cinema. Namit Malhotra and Nitesh Tiwari’s upcoming retelling of the Ramayana is heading to the prestigious San Diego Comic-Con (SDCC) for a major international showcase on July 23, 2026. This move places the Indian epic alongside top-tier global franchises and television networks that traditionally dominate the event. (adsbygoogle = window.adsbygoogle || []).push({}) For its exclusive international debut, the movie has been officially titled Ramayana: The Epic Begins. The panel is scheduled to take place in Ballroom 20, located on the upper level of the San Diego Convention Center. To understand the scale of this event, one must look at the venue itself. Ballroom 20 is the second-largest hall at SDCC, boasting a massive seating capacity of approximately 4,800 to 5,000 attendees. Historically, this space is reserved for major studio presentations and top-tier television networks. With this milestone, Ramayana becomes only the second Indian film in history to secure a major hall showcase at SDCC, following in the footsteps of Kalki 2898 AD. The panel is scheduled for Thursday, July 23, 2026, running for exactly one hour from 3:15 PM to 4:15 PM PDT. For fans in India who want to track the updates live, the event will kick off early the next morning at 3:15 AM IST on Friday, July 24. The creators are treating this as a Hollywood-grade international launch, intended to introduce the scale of the Indian epic to a global audience. The lineup for the panel is equally impressive. Lead superstars Ranbir Kapoor, who portrays Lord Ram, and Yash, who plays Ravana, will take the stage live alongside director Nitesh Tiwari and producer Namit Malhotra, who is also the Global CEO of the Academy Award-winning VFX powerhouse DNEG. Their presence indicates a significant level of commitment to the film’s international positioning, offering fans a chance for live interactions and interviews. (adsbygoogle = window.adsbygoogle || []).push({}) One of the most intriguing highlights of the presentation will be the reveal of world-first technology. The team is expected to unveil a special version of the trailer that utilizes Brahma AI. This is an indigenously developed, advanced artificial intelligence system designed to sync English lip movements perfectly with the live-action footage. This technological leap aims to solve the immersion issues often found in dubbed content, making the film more accessible to international viewers without losing the impact of the performances. Beyond the technical reveals, attendees in Ballroom 20 will be treated to never-before-seen footage and exclusive behind-the-scenes breakdown clips that detail how this ancient epic was visualized for the modern big screen. The one-hour block also promises live stage performances and special limited-edition giveaways for those inside the hall. While the global marketing kicks off in San Diego, the makers are also engaging audiences back home through the Colours of Ramayana art contest, which offers Indian school students a chance to win exclusive merchandise and early trailer screenings.

BY SACNILK

The mid-2026 cinematic window is shaping up to be one of the most competitive periods in recent box office history. As major domestic and international titles prepare for their theatrical debuts, BookMyShow interest trends provide a fascinating look at which films are currently capturing the audience’s imagination. From massive superhero sequels to technically ambitious epics from master directors, the diversity of content is driving high engagement across the board. Leading the pack with massive traction is Spider-Man: Brand New Day, which currently boasts over 636k total interests. Directed by Destin Daniel Cretton, the film explores a Peter Parker operating in complete anonymity in a world that has forgotten him. Starring Tom Holland and Zendaya alongside new additions like Sadie Sink and Mark Ruffalo, the movie is adding a steady 8k interests daily as it approaches its July 31 release. Close behind is the pan-Indian spectacle Toxic: A Fairy Tale for Grown-ups. Starring Yash in a dual role, this ₹500 crore period gangster epic has amassed 619k interests. Even with its August 26 release still weeks away, the buzz surrounding Geetu Mohandas's vision and the powerhouse female cast of Nayanthara and Kiara Advani is undeniable. (adsbygoogle = window.adsbygoogle || []).push({}) Christopher Nolan's The Odyssey is carving its own unique path with 226k interests. This project is making history as the first narrative feature shot entirely on IMAX film cameras. While early trailers sparked internet debates over Robert Pattinson's modern dialogue choices, official first reactions from critics have described it as a visual masterpiece. With a nearly three-hour runtime and a cast featuring Matt Damon and Anne Hathaway, the film is set to hit theaters on July 17. The daily growth of 2k interests suggests that Nolan's technical ambition is outweighing any social media polarization. In the comedy and drama segments, Dhamaal 4 is generating healthy momentum with 121k total interests. The Ajay Devgn-led ensemble is currently adding 4k daily likes, showing strong nostalgia for the franchise as it gears up for a July 10 launch. Meanwhile, Awarapan 2 has crossed the 150k milestone. The legacy sequel marks the return of Emraan Hashmi to his iconic role as Shivam. Directed by Nitin Kakkar, the film completed principal photography in June and is eyeing an August 14 release. To better visualize how these heavyweights stack up against each other, here is a breakdown of their current standing on the platform. (adsbygoogle = window.adsbygoogle || []).push({}) Most Anticipated Movies (July-August 2026) - BMS Interest TrendsMOVIE NAMETOTAL BMS INTERESTSRELEASE DATESpider-Man: Brand New Day636K+31 Jul 2026Toxic: A Fairy Tale for Grown-ups619K+26 Aug 2026The Odyssey226K+17 Jul 2026Awarapan 2150K+14 Aug 2026Dhamaal 4121K+10 Jul 2026 The data suggests a very healthy appetite for diverse genres this summer. While Spider-Man and Toxic are operating on a different scale of volume, the steady rise of films like Dhamaal 4 indicates that family audiences and franchise fans are ready to return to theaters in large numbers. As release dates draw closer, these interest counts are expected to translate into strong advance booking numbers, setting the stage for several potential blockbusters across July and August.

BY SACNILK

The landscape of Indian cinema is preparing for what could be its most monumental theatrical event yet. Nitesh Tiwari's mythological epic, Ramayana, has remained a constant subject of fascination since its announcement. In a significant development for the film's domestic prospects, Variety India has exclusively reported that Karan Johar's Dharma Productions has officially secured the Indian distribution rights for this ambitious project. The deal comes after a rigorous selection process by producer Namit Malhotra, the CEO of DNEG and Founder of Prime Focus. To find the right partner for a project of this scale, Malhotra reportedly showcased an edited 30-minute footage of the film to several major studios. The visual spectacle and craftsmanship shown in this sneak peek reportedly left Dharma Productions impressed, leading to deep negotiations. While initial discussions for the distribution rights were said to have started at a staggering ₹500 crore, the deal was eventually finalized at ₹250 crore. This partnership ensures that the film will benefit from Dharma’s extensive reach and marketing expertise across the Indian market. (adsbygoogle = window.adsbygoogle || []).push({}) While Dharma Productions handles the domestic front, the film's global footprint is equally impressive. Warner Bros. Pictures has been brought on board to distribute the first installment overseas, marking a rare collaboration between a major Hollywood studio and an Indian mythological epic for a Diwali release. This dual distribution strategy highlights the producer's vision to position Ramayana not just as a national event, but as a global cinematic milestone. The project boasts one of the most high-profile pan-India ensembles ever assembled. Ranbir Kapoor leads the cast as Lord Rama, with Sai Pallavi portraying Goddess Sita and Yash taking on the role of the formidable Ravana. The supporting cast is equally star-studded, featuring Sunny Deol as Lord Hanuman and Ravie Dubey as Lakshman. The wider cast includes industry veterans and popular stars like Lara Dutta as Kaikeyi, Rakul Preet Singh as Surpanakha, and Arun Govil—who famously played Rama in the original television series—now appearing as King Dashrath. The scale of the production is further elevated by its musical score, which is a historic collaboration between Hollywood maestro Hans Zimmer and the legendary AR Rahman. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, known for his work on Dangal and Chhichhore, the film is set to be released in two parts. By focusing on a character-driven narrative supported by world-class visual effects from DNEG, the production aims to bring a fresh yet faithful perspective to the timeless epic. With the distribution partners now locked in both locally and internationally, the path is clear for Ramayana to dominate the theatrical space when it arrives this Diwali.

BY SACNILK

Mumbai, July 2 - The Indian box office in the second half of 2026 is shaping up to be one of the most competitive theatrical periods in recent memory. With pan-India spectacles, franchise sequels, Hollywood tentpoles, and superstar-driven entertainers arriving within the same release windows, audiences are set to witness several massive clashes across languages and genres. From Shah Rukh Khan to Yash, from Marvel to Tamil horror franchise, the upcoming release calendar is packed with high-stakes battles that could redefine box-office records in India. (adsbygoogle = window.adsbygoogle || []).push({}) Here are five of the biggest upcoming clashes to watch out for (with confirmed current release dates). 1. Awarapan 2 vs Batwara 1947 — August 14 The Independence Day weekend will bring an interesting face-off between nostalgia and patriotism at the Hindi box office. Awarapan 2 marks the return of Emraan Hashmi to one of his most loved cult characters. The original Awarapan earned a loyal fan following over the years because of its music, emotional storytelling, and dark action-drama tone. The sequel already carries strong nostalgia value among millennials and longtime Bollywood fans. On the other side is Batwara 1947, a patriotic period drama featuring Sunny Deol, reuniting with the legendary director Rajkumar Santoshi. With historical themes and mass-market appeal in North India, the film is expected to target family audiences during the holiday corridor. While both films cater to different audience segments, the clash could significantly impact screen allocation and opening-day collections. (adsbygoogle = window.adsbygoogle || []).push({}) 2. Toxic vs Eetha vs Vvan — August 26/28 This is shaping up to be one of the biggest extended clashes of the year. Yash's Toxic: A Fairytale for Grown-Ups will officially release on August 26, 2026. Directed by Geetu Mohandas, the gangster-action thriller is among the most anticipated pan-India films. The film is expected to dominate premium formats, especially large multiplex chains. Just two days later, Eetha and Vvan arrive on August 28. Eetha, starring Shraddha Kapoor, is a culturally rooted dramatic film, while Vvan is a supernatural thriller featuring Sidharth Malhotra and Tamannaah Bhatia. Despite releasing later, both films are expected to benefit from the festive holiday corridor and strong youth appeal. Because Toxic gets a two-day head start along with the Onam holiday advantage, the weekend could turn into a massive multi-film battle across India. (adsbygoogle = window.adsbygoogle || []).push({}) 3. Sardar 2 vs Demonte Colony 3 — September 10/11 Tamil cinema is preparing for a major holiday box-office showdown. Karthi's Sardar 2 arrives as the sequel to the successful spy-action thriller Sardar. Directed by P.S. Mithran, the sequel is expected to scale up the espionage action and franchise storytelling significantly. At the same time, Demonte Colony 3 continues one of Tamil cinema's strongest horror franchises. Horror films have consistently performed well in Tamil Nadu, especially among younger audiences and urban centres. With both films targeting the Vinayagar Chaturthi holiday frame, competition for screens and audience attention is expected to be intense. (adsbygoogle = window.adsbygoogle || []).push({}) 4. Avengers: Doomsday vs Dune: Part Three — December 18 The Christmas corridor begins with a giant Hollywood-versus-Hollywood battle. Marvel Studios' Avengers: Doomsday is expected to become one of the biggest global releases of the decade. Despite fluctuations in MCU box-office performance in recent years, the Avengers brand remains extremely powerful in India, not just in multiplex chains and IMAX screens, but also in smaller centres. Sharing the same release window is Dune: Part Three, the continuation of Denis Villeneuve's acclaimed sci-fi saga. While Dune primarily targets premium urban audiences, the franchise has built a strong fanbase among Indian cinephiles. The biggest battle here will likely revolve around IMAX and premium large-format screens, where both films are expected to compete aggressively. (adsbygoogle = window.adsbygoogle || []).push({}) 5. King vs Shakti Shalini — December 24 If the release dates remain unchanged, this could become the interesting clash of the year. King marks Shah Rukh Khan's return to the big screen in a large-scale action entertainer directed by Siddharth Anand after Rajkumar Hirani's Dunki in December 2023. Following the blockbuster success of his previous films earlier in the decade, expectations surrounding King are already enormous. Facing it is Shakti Shalini, a major film connected to the expanding Maddock horror-comedy universe. While King is expected to dominate single screens and mass-market territories, Shakti Shalini could attract younger multiplex audiences if the horror-comedy genre continues its successful run. There is, however, a strong possibility that the Aneet Padda-led film will be postponed to next year to avoid a clash with a giant like King. (adsbygoogle = window.adsbygoogle || []).push({}) The 2026 release calendar highlights how competitive Indian cinema has become in the era of pan-India filmmaking and cinematic universes. Major stars, franchises, and studios are now fighting not only for audiences but also for screens, show timings, and premium theatrical formats. Whether it is Yash taking over the festive corridor with Toxic, Shah Rukh Khan leading the Christmas race with King, or Marvel battling Dune for IMAX dominance, moviegoers are set for a thrilling year at the cinemas.

BY SACNILK

Mumbai, July 1 - Superstar Yash-fronted Toxic: A Fairy Tale for Grown-Ups is among the most-anticipated Indian films in the making, and the newly released Ladies & Ladies teaser (watch below) from the action thriller has become one of the most discussed film promos on social media, something the makers may have already envisioned. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Geethu Mohandas, Toxic stars Yash in the lead role and marks his highly anticipated return after the success of K.G.F: Chapter 2. Featuring the actor alongside an ensemble female cast, the teaser quickly grabbed attention for its stylish visuals, dark tone, and glamorous presentation. However, while many viewers praised the promo, others criticised it for its portrayal of women. The teaser introduces key female characters played by Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria, and Rukmini Vasanth. Set in a gritty gangster universe, the teaser blends luxury, action, and mystery with a strong visual style. Fans of the film were quick to celebrate the teaser online. Many praised the cinematography, background score, and the bold screen presence of the actresses. (adsbygoogle = window.adsbygoogle || []).push({}) At the same time, the teaser also sparked criticism from a section of social media users. Some viewers argued that despite being promoted as "Ladies & Ladies," the teaser still relied heavily on glamour-driven visuals and male-centric storytelling. Critics claimed the female characters appeared more decorative than empowering, leading to debates about whether the film genuinely presents strong women characters. The mixed reactions have only increased curiosity surrounding the project. Discussions about the teaser continue across platforms, with fans defending the film's artistic style while critics question the crass dialogues and representation shown in the promo. The controversy has further boosted online engagement for the film ahead of its release. The film is scheduled to release on August 26 in multiple languages (adsbygoogle = window.adsbygoogle || []).push({})

BY SACNILK

Here is the Bengali movie SOS Kolkata box office collection which is an action film. This film is directed by Anshuman Pratyush and produced by Pratyush Production. ## SOS Kolkata stars Nusrat Jahan, Mimi Chakraborty, Yash, Sabyasachi Chakraborty, Shantilal Mukherjee, and Ena Saha in key roles. ## SOS Kolkata Review ## Coming Soon ## SOS Kolkata Box Office Collection Day Wise DayIndia Net Collection Change(+/-) Day 1 [1st Wednesday] ₹ 0.01 Cr - Day 2 [1st Thursday] ₹ 0.01 Cr 0.00% Day 3 [1st Friday] ₹ 0.01 Cr 0.00% Day 4 [1st Saturday] ₹ 0.02 Cr 100.00% Day 5 [1st Sunday] ₹ 0.02 Cr 0.00% Day 6 [1st Monday] ₹ 0.01 Cr -50.00% Day 7 [1st Tuesday] ₹ 0.01 Cr 0.00% Day 8-9 [2nd Wednes-Thursday] ₹ 0.01 Cr 0.00% Week 1 Collection ₹ 0.1 Cr - Total ₹ 0.1 Cr - ## India Net Collection ₹ 0.1 Cr ## Worldwide Collection ₹ 0.11 Cr ## Overseas Collection ₹ 0 Cr ## India Gross Collection ₹ 0.11 Cr ## SOS Kolkata Budget: ₹ Cr * Approx ## SOS Kolkata Verdict: Coming Soon ## SOS Kolkata Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 21st October 2020 ## For more and the latest news about Bengali Tollywood Box Office Collection, Stay tuned to us.