Bollywood Biggies Set Up BIG Clash With Hollywood Superheroes At The Box Office

BY SACNILK

Mumbai, July 12 - Bollywood star Ajay Devgn's Dhamaal 4 is turning out to be a bona fide box office success with better-than-expected opening weekend collection. After taking a good opening at 14 crores net, the comedy entertainer witnessed a massive jump of over 60% on Saturday, and it is simply running riot on Sunday to close the weekend on a strong note. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Indra Kumar, Dhamaal 4 has registered a phenomenal jump of around 25% on its first Sunday at the Indian box office. As per early estimates, the comedy entertainer has collected over 28 crore net on Day 3, following its impressive 22.50 crore net haul on Saturday. The film's opening weekend now stands at approximately 65 crore net, making it one of the biggest Bollywood opening weekends of 2026. After a solid opening on Friday, Dhamaal 4 witnessed excellent growth over the weekend, driven by strong family footfall and positive word-of-mouth. The film recorded excellent occupancy across multiplexes and single screens, with evening and night shows performing particularly well. The healthy day-on-day growth reflects the audience's acceptance of the film and the enduring popularity of the Dhamaal franchise. (adsbygoogle = window.adsbygoogle || []).push({}) The Sunday collection of Dhamaal 4 is the biggest single-day collection for a Bollywood movie of 2026, outside Dhurandhar 2: The Revenge. The strong weekend has also placed Dhamaal 4 among Ajay Devgn's biggest box office starters. More importantly, the film has built a solid foundation heading into the weekdays. If it manages to hold well on Monday and maintain steady collections through the first week, it will be on course for an impressive lifetime total at the domestic box office. Directed by Indra Kumar, Dhamaal 4 features Ajay Devgn alongside Riteish Deshmukh, Arshad Warsi, Jaaved Jaaferi, Sanjay Mishra, Ravi Kishan and an ensemble cast. With excellent weekend momentum and encouraging audience response, the comedy entertainer has emerged as a clear box office winner and is expected to continue its successful run in the coming days.

BY SACNILK

Mumbai, July 12 - Ajay Devgn's Dhamaal 4 has registered an impressive jump on its first Saturday, putting the comedy entertainer on course for a strong opening weekend at the Indian box office. After opening with around 14 crore net on Friday, the film witnessed excellent growth on Day 2, driven by family audiences and strong evening occupancy across multiplexes as well as mass centres. (adsbygoogle = window.adsbygoogle || []).push({}) The comedy entertainer witnessed a massive jump of around 60% on its first Saturday, collecting an estimated 22.50 crore net. The film's total stands at 36.50 crore net after two days. The strong Saturday performance has put Dhamaal 4 firmly on course for an opening weekend of 60 crore or more, with Sunday expected to be the biggest day of its run. The strong Saturday trend suggests that positive audience reception is translating into solid word of mouth. While the film opened below Total Dhamaal, the weekend trajectory has significantly improved its prospects, and a Sunday collection in the 25 crore range now looks achievable if the current momentum continues. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Indra Kumar, Dhamaal 4 reunites Ajay Devgn with franchise regulars Riteish Deshmukh, Arshad Warsi and Jaaved Jaaferi. If the film crosses the 60 crore mark in its first weekend, it will reinforce the enduring popularity of the Dhamaal franchise and provide Bollywood with another successful comedy performer in 2026.

BY SACNILK

Mumbai, July 12 - Diljit Dosanjh-starrer Satluj has reportedly been removed from ZEE5's international platform, days after the film was taken down in India. The latest development means the controversial film is currently unavailable for streaming on the platform across multiple territories, marking another twist in its troubled release journey. The film premiered on ZEE5 on July 3 and was initially available for audiences outside India. However, it was removed from the Indian platform on July 5, with ZEE5 stating that the title was "unavailable in India until further notice" due to ongoing developments. At the time, the film continued to stream internationally, allowing overseas viewers to access it. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest reports, Satluj has now also been withdrawn from ZEE5's global catalogue. While the streaming platform has not issued an official statement explaining the international removal, the film is no longer accessible to subscribers in overseas markets either. The makers have also not commented on the development so far. Directed by Honey Trehan, Satluj is based on the life of human rights activist Jaswant Singh Khalra and has been surrounded by controversy over the past few years. The film has faced delays and multiple hurdles before eventually making its digital debut. Its subsequent removal from both the Indian and international versions of ZEE5 has once again put the spotlight on the project and raised fresh questions about its future availability on streaming platforms.

BY SACNILK

Mumbai, July 11 - Ajay Devgn has added another notable opening-day performer to his illustrious career with Dhamaal 4. The Indra Kumar-directed comedy opened to an estimated 14 crore net at the Indian box office, giving the actor yet another double-digit opener and securing a place among his top 10 biggest opening-day earners. The opening is a healthy result for a comedy franchise, especially without the benefit of a major holiday. Decent advance bookings, franchise value, and positive response from family audiences helped the film register a solid first-day total. The real test now lies in how well it capitalises on Saturday and Sunday, with trade expecting a significant jump if word of mouth remains favourable. (adsbygoogle = window.adsbygoogle || []).push({}) With its Day 1 collection, Dhamaal 4 has comfortably entered Ajay Devgn's list of biggest openers. The actor's top opening-day performers continue to be led by Singham Again, Drishyam 2, Shaitaan, Total Dhamaal, and Golmaal Again, highlighting his consistent box-office pull across the action, thriller, and comedy genres. The encouraging start also reinforces the enduring popularity of the Dhamaal franchise. If the film records the expected weekend growth, it could emerge as one of Ajay Devgn's strongest comedy successes in recent years and provide another much-needed hit for Bollywood's theatrical business in 2026. (adsbygoogle = window.adsbygoogle || []).push({}) Ajay Devgn's Top 10 Biggest Opening Days (India Net) Rank Movie Day 1 Collection Year 1 Singham Again ₹43.50 Cr 2024 2 Singham Returns ₹32.10 Cr 2014 3 Golmaal Again ₹30.15 Cr 2017 4 Raid 2 ₹19.25 Cr 2025 5 Total Dhamaal ₹16.50 Cr 2019 6 Drishyam 2 ₹15.40 Cr 2022 7 Tanhaji: The Unsung Warrior ₹15.00 Cr 2020 8 Shaitaan ₹14.75 Cr 2024 9 Dhamaal 4 ₹14.00 Cr 2026 10 Baadshaho ₹12.60 Cr 2017

BY SACNILK

The third Friday has proven to be a challenging day for Welcome To The Jungle, as the film faced a significant reduction in its theatrical footprint to accommodate the release of Dhamaal 4. On its 15th day, the comedy entertainer collected a net of ₹ 1.00 crore in India. This represents a 53.5 per cent drop from the ₹ 2.15 crore it managed on the previous day. This sharp decline is directly linked to a massive screen crunch; while the movie was running on 6,092 shows this Thursday, that number was cut down to 3,769 shows on Friday, effectively losing nearly half of its screens in a single day. Currently, the total India net collection for Welcome To The Jungle stands at ₹ 126.05 crore, with the India gross reaching ₹ 149.80 crore. On the international front, the film added ₹ 0.25 crore on Friday, bringing its total overseas gross to ₹ 31.70 crore. When we look at the global picture, the total worldwide gross collection has now reached ₹ 181.50 crore. (adsbygoogle = window.adsbygoogle || []).push({}) The impact of new competition is very clear when we examine the performance in national chains like PVR, INOX, and Cinepolis. On Thursday, the film was holding steady in these chains with around 12,000 tickets sold, generating a gross of approximately ₹ 26 lakh. However, by Friday, those numbers saw a steep fall. Across the three major chains, the film sold only about 2,900 tickets, bringing in a gross of ₹ 9 lakh. PVR contributed nearly 1.4k tickets with a gross of ₹ 4.5 lakh, followed by INOX with 1.3k tickets and ₹ 3 lakh gross. Cinepolis saw a much smaller contribution of nearly 0.3k tickets, amounting to around ₹ 70,000 in gross collections. On BookMyShow, the shift in audience interest was also evident. The film had sold about 27,640 tickets on its second Thursday, but that figure dropped to 13,940 tickets on the third Friday. The total lifetime tickets sold on the platform have now reached 2,235,000. Much like Alia Bhatt's Alpha, Welcome To The Jungle stopped trending on the BookMyShow charts on Saturday due to the Dhamaal 4 surge. However, in a surprising turn, the film has started to trend again, particularly during the 11 AM to 12 PM window, suggesting some level of recovery or interest from the weekend crowd. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the Hindi 2D version stood at 12.92 per cent on Friday. The film started the day with 8.77 per cent occupancy in the morning shows and saw a very minor increase to 9.38 per cent in the afternoon. Evening shows remained steady at 10.23 per cent, but there was a notable jump in the night shows, which reached 17.77 per cent. This indicates that while daytime shows are struggling due to the competition, there is still a dedicated audience opting for the late-night screenings. Regional data shows some interesting variations, particularly in Bengaluru. While most cities were quiet, Bengaluru recorded an impressive overall occupancy of 27.5 per cent, fueled by a massive 47 per cent occupancy during the morning shows. In contrast, the National Capital Region (NCR) saw a modest 10 per cent occupancy across 616 shows, with night shows peaking at 14 per cent. Mumbai, with 402 shows, managed an overall 12 per cent occupancy, where night shows were the most active at 17 per cent. Lucknow performed relatively well with 11.8 per cent overall occupancy, while cities like Ahmedabad and Pune stayed under the 10 per cent mark. Surat remained the weakest performing major circuit with an occupancy of just 3.5 per cent. (adsbygoogle = window.adsbygoogle || []).push({}) While the 50 per cent reduction in screens has limited its potential for a massive third week, Welcome To The Jungle is still finding pockets of audience, especially in the south. The coming two days will be crucial to see if the renewed trending status translates into a weekend jump that can help the film push further toward the ₹ 200 crore worldwide mark.

BY SACNILK

The Dhamaal series has seen a steady transformation since the original film released in 2007. What started as a light-hearted road comedy focused on a treasure hunt has now grown into one of Bollywood’s most reliable comedy brands. Each sequel has attempted to scale up the stakes, moving from simple chases to the large-scale spectacle seen in Total Dhamaal. With Dhamaal 4, the narrative takes a new direction by incorporating sea pirates and supernatural themes into the mix. By bringing back core cast members like Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, the makers are sticking to the established chemistry that fans expect, while trying to give the franchise a fresh look for its latest theatrical run. Dhamaal 4 has concluded its first day with a net collection of ₹ 14 crore in India. Running across 10,669 shows, the film reached an India gross of ₹ 16.80 crore. When we look at the international market, early estimates suggest a gross of ₹ 5.00 crore, bringing the total worldwide opening day gross collection to ₹ 21.80 crore. (adsbygoogle = window.adsbygoogle || []).push({}) A notable aspect of this release is the 4DX format, making Dhamaal 4 the first movie in 2026 to receive a 4DX theatrical release. While this immersive format is rare for Indian cinema, it has been used for major titles in the past like Pathaan, Jawan, Tiger 3, and more recently for Kalki 2898 AD, Pushpa 2: The Rule, Thamma, and Bade Miyan Chote Miyan. The response for Dhamaal 4 has been quite encouraging, with an overall occupancy of 42.30 per cent for 4DX shows, which is significantly higher than the standard format. In Mumbai, the 4DX occupancy was as high as 50 per cent, while National Capital Region shows stood at 40.8 per cent. The night shows in this format reached 46.69 per cent, showing that a section of the audience is seeking a premium theatrical experience. If we analyze the performance of the franchise, this fourth installment has shown growth over the earlier parts but missed the high bar set by the previous film. The original Dhamaal opened with ₹ 2.38 crore in 2007, and Double Dhamaal grew to ₹ 7.6 crore in 2011. While Total Dhamaal had set a franchise record with ₹ 16.5 crore, Dhamaal 4 fell slightly short of that mark. However, with the current trend, a positive response from the audience could drive a significant weekend surge. (adsbygoogle = window.adsbygoogle || []).push({}) In the list of major openers for the year 2026, Dhamaal 4 has secured a spot in the top five. It currently ranks as the fourth-highest opener of the year so far, just ahead of Cocktail 2. You can see how the top performers compare in the following table: Top 5 Movie Openers of 2026 - India Net CollectionMOVIE NAMEINDIA NET COLLECTIONDhurandhar 2: The Revenge₹ 99.10 CrBorder 2₹ 30.00 CrWelcome To The Jungle₹ 15.25 CrDhamaal 4₹ 14 CrCocktail 2₹ 13.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Looking at ticket sales on BookMyShow, the movie sold 270,190 tickets on its opening Friday. Combined with pre-sales of 92,810 tickets, the total count on the platform stands at 363,000 tickets. Interestingly, the film narrowly missed a spot in the top 10 ticket sellers of the 2025-26 cycle, landing at the 12th position. It was only about 1,000 tickets behind Sikandar and 8,000 tickets behind Raid 2. This suggests that while it is attracting a large crowd, it is operating in a very competitive environment. The national chains, which include PVR, INOX, and Cinepolis, contributed a total of roughly 45,000 tickets for the opening day. This amounted to a gross of ₹ 1.65 crore. PVR led the chains with approximately 23.4k tickets and a gross of ₹ 92 lakh at an occupancy of 7.71 per cent. INOX followed with about 15.4k tickets, earning ₹ 53 lakh with 5.45 per cent occupancy. Cinepolis recorded nearly 6.2k tickets, collecting around ₹ 21 lakh with a 3.90 per cent occupancy rate. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the standard Hindi 2D version was 24.54 per cent for the day. The film saw a clear upward trend as the day progressed. It started with 8.38 per cent in the morning and grew to 19.15 per cent in the afternoon. By the evening, occupancy reached 24.85 per cent, finally peaking at 42.00 per cent for the night shows. This pattern indicates that families and office-goers are opting for late shows, which is a good sign for Saturday and Sunday growth. Regionally, Mumbai and the National Capital Region were the strongest performers for the 2D version. Mumbai recorded 24 per cent occupancy across 820 shows, with night shows hitting 43 per cent. NCR followed closely with 22.8 per cent occupancy across 969 shows, peaking at 37 per cent at night. Other regions like Ahmedabad, Bengaluru, and Hyderabad also maintained steady levels around 22 to 23 per cent. Cities like Surat and Kolkata were on the lower side, staying under 15 per cent overall. (adsbygoogle = window.adsbygoogle || []).push({}) For those opting for the 4DX experience, the occupancy levels were notably higher than the standard format, with an overall average of 42.30 per cent. This premium version saw a slow start in the morning at 6.08 per cent, but it gained significant traction as the day progressed. By the afternoon, occupancy rose to 17.23 per cent, and while there was a slight dip in the evening to 11.15 per cent, the night shows recorded a very strong 46.69 per cent. In terms of regions, Mumbai saw the highest demand for 4DX with a 50 per cent overall occupancy across its 5 shows, peaking at 51 per cent in the evening. The National Capital Region, which had a larger volume of 15 shows, maintained a steady 40.8 per cent occupancy, starting particularly well in the morning at 44 per cent. Bengaluru recorded an overall occupancy of 28.7 per cent for its 11 shows, though its night shows stood out with a high of 54 per cent. These numbers suggest that while the show count for 4DX is limited, the audience interest for this specific immersive experience is quite high compared to regular screenings. While the opening numbers are stable, the film's long-term success will depend on how it holds up over the weekend. The fact that it is a clean family entertainer and is available in multiple formats like 4DX should help in sustaining the momentum if the word of mouth remains positive.

BY SACNILK

Dhamaal 4 released in theatres yesterday, July 10, 2026, and has instantly struck a chord with the family audience. On its opening day, the film recorded a solid performance, collecting a net of ₹14 Cr across 10,669 tracked shows in India. This brings the total India gross collections to ₹16.80 Cr. Early estimates for the overseas market suggest a gross of approximately ₹5.00 Cr, pushing the worldwide opening day total to a massive ₹21.80 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) With this opening, Dhamaal 4 has officially surpassed the Day 1 collections of Bol Bachchan (₹12.10 Cr) to become one of the Top 3 comedy openers of Ajay Devgn's career, trailing only behind Golmaal Again and Total Dhamaal. The film brings back the beloved trio of Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, while adding fresh energy with Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta. Critics have praised the fast-paced madness and the clean, kid-friendly humor that has been missing from the big screen lately. LIVE BLOG: DAY 2 UPDATES 04:15 PM (IST) 11 JUL 2026 Live Update: Saturday Afternoon Explosion; Dhamaal 4 Crosses 500K Ticket Milestone on BMS Dhamaal 4 is on a rampage this Saturday, showing a massive jump in footfalls across the country. As of 4:15 PM, the film has already minted ₹7.02 crore net live today across 6,236 tracked shows. This brings the total India net collection to ₹21.02 crore, with the total gross reaching ₹25.08 crore within just 40 hours of its release. The momentum on BookMyShow (BMS) is unprecedented for a comedy entertainer this year. Between 3 PM and 4 PM alone, the film sold 22,850 tickets, recording a significant surge compared to the 15,850 tickets sold during the same window yesterday. The cumulative sales since 7 AM this morning have now touched 1,59,170 tickets—nearly doubling yesterday's performance of 90,320 in the same period. The most significant milestone of the day comes from the platform itself, as Dhamaal 4 has officially crossed 500,000 (500K) total tickets sold on BookMyShow. The occupancy levels for the Hindi 2D version are reflecting a massive Saturday surge. While the morning shows started steadily at 12.77 per cent, the afternoon shows witnessed an explosive jump, recording 33.92 per cent occupancy across the country. Currently, the overall average for the day stands at 23.35 per cent. 01:45 PM (IST) 11 JUL 2026 Live Update: Saturday Momentum Skyrockets; Day 2 Live Net Crosses ₹2 Crore Dhamaal 4 is maintaining an extraordinary pace as it enters the Saturday afternoon shows. As of 1:45 PM, the film has already collected a net of ₹2.31 crore live today across 4,087 tracked shows. This takes the total India net collection to ₹16.31 crore, with the gross collection now standing at ₹19.53 crore so far. The ticket sales on BookMyShow are nearly doubling compared to the opening day. Between 12 PM and 1 PM today, the film sold 21,430 tickets, showing a massive jump from the 12,510 tickets sold during the same window yesterday. The total tickets booked since 7 AM this morning have reached a staggering 89,770, compared to 45,770 in the same period on Friday. 12:45 PM (IST) 11 JUL 2026 Live Update: Dhamaal 4 Crosses ₹15 Cr Net; Morning Occupancy Jumps by 50% Dhamaal 4 is witnessing a terrific surge on its first Saturday, with audience interest scaling new heights. As of 12:45 PM, the film has already minted ₹1.44 crore net live today across 3,575 tracked shows. This pushes the total India net collection to ₹15.19 crore (₹18.20 crore gross) so far. The ticket sales on BookMyShow have hit an explosive pace. Between 11 AM and 12 PM today, the film sold 24,510 tickets, which is more than double the 11,330 tickets sold during the same hour yesterday. The cumulative sales since 7 AM this morning have reached 68,340 tickets, compared to 33,260 yesterday. Occupancy trends are equally impressive. The morning shows recorded an overall occupancy of 12.77%, a significant leap from Friday's 8.38% morning start. Regionally, Mumbai and Pune are leading the charge with 18% occupancy each, followed by NCR and Bengaluru at 15% and 13% respectively. The Dhamaal wave has significantly altered the trending charts; while Alia Bhatt's Alpha has stopped trending on BMS , Welcome To The Jungle has started to emerge in the trending list during the 11 AM-12 PM window. With matinee and evening shows expected to see heavy walk-ins, the film is firmly on track for a huge Saturday finish. 10:15 AM (IST) 11 JUL 2026 Live Update: 2x Surge on Saturday Morning; Weekend Projections Eye ₹60 Crore Mark The momentum for Dhamaal 4 has witnessed a massive jump on Saturday morning. Between 9 AM and 10 AM today, the film sold 13,870 tickets on BookMyShow, which is more than double the 6,770 tickets sold in the same window yesterday. The total sales since 7 AM this morning have reached 24,330, compared to 12,660 yesterday morning. With an 8.9/10 rating on BMS from over 4,200 votes, the positive audience feedback is clearly driving a strong weekend surge. Based on current ticket sales and occupancy trends, the film is now gearing up to collect over ₹20 crore on both Saturday and Sunday, with a strong chance of hitting ₹25 crore tomorrow. If this pace continues, Dhamaal 4 is looking at a ₹60 crore plus opening weekend, comfortably surpassing initial trade expectations. 09:15 AM (IST) 11 JUL 2026 Live Update: Day 2 Morning Sales Explode; 77% Jump Over Friday Dhamaal 4 is showing signs of a massive weekend surge. As of 9:15 AM on Day 2, the film is running across 1,488 shows and has already collected a live net of ₹0.19 Cr today. This brings the cumulative India net to ₹13.94 Cr (₹16.72 Cr Gross) within the first few hours of Saturday. The momentum on BookMyShow (BMS) is staggering. Between 8 AM and 9 AM today, the film sold 7,320 tickets, compared to 4,230 tickets during the same window yesterday. The total sales since 7 AM today have reached 10,460 tickets, nearly doubling yesterday's 5,890. In the National Chains (PIC), the advance booking for today stands at a robust 71.8K tickets, generating a gross of approximately ₹2.74 Cr with a 9.3% occupancy. This is a significant jump compared to yesterday's 44K tickets at the same time. Leading the charge is PVR with 35.8K tickets (₹1.45 Cr), followed by INOX with 24.5K tickets (₹89 Lakh) and Cinepolis with 11.5K tickets (₹40 Lakh). The strong Word of Mouth is clearly translating into heavy spot bookings for the weekend. (adsbygoogle = window.adsbygoogle || []).push({}) @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; }

BY SACNILK

Fans walking into theatres for Dhamaal 4 today were greeted with an unexpected and emotional surprise right at the start. The film, which marks the fourth installment of the long-running comedy franchise, opens with a specially designed animated sequence that features a digital resurrection of the late veteran actor Satish Kaushik. Reprising his iconic role as Bata Bhai from Double Dhamaal (2011), the late actor's appearance was made possible through a blend of high-end CGI and Artificial Intelligence. Satish Kaushik, whose sudden passing in 2023 left a void in the Indian film industry, was a key highlight of the second film with his hilarious underworld antics. By using AI to recreate his likeness and voice, director Indra Kumar has ensured that the actor's legacy remains part of the Dhamaal universe. In a touching gesture, the makers have specifically thanked Satish Kaushik's wife, Shashi Kaushik, in the opening credits for her support in making this digital tribute possible. This sequence serves as a bridge between the new story and the franchise's history, immediately setting a nostalgic tone for the audience. (adsbygoogle = window.adsbygoogle || []).push({}) The surprises don't stop with Bata Bhai. The same animated sequence also features an appearance by Jackie Shroff, marking his second unique contribution to the series. In the previous installment, Total Dhamaal (2019), Jackie Shroff had lent his distinct voice to a tapori-style GPS system that guided the characters—a gimmick that became a fan favorite. This time, his AI-generated appearance adds another layer of madness to the opening, signaling that the film intends to lean heavily into the slapstick, pure-comedy roots that made the 2007 original a cult classic. Produced on a reported budget of ₹200 crore, Dhamaal 4 is a high-stakes adventure that moves away from the multi-story structure of Total Dhamaal, functioning instead as a direct continuation. The film follows a massive treasure hunt involving sea pirates and supernatural elements, where the gang tracks down a hidden ₹50 crore treasure. The scale of the production is evident in the technical work, especially the use of CGI to bring back beloved characters, which allows the film to balance modern technology with old-school humor. (adsbygoogle = window.adsbygoogle || []).push({}) The core of the film remains the dynamic between the veteran cast. Ajay Devgn leads as the sharp-witted Guddu Rastogi, alongside the franchise's original trio: Arshad Warsi as Aditya Srivastav, Jaaved Jaaferi as the lovable but dim-witted Manav, and Riteish Deshmukh as the eccentric Deshbandhu Roy. Joining them in this chaotic race is Sanjay Mishra as Johnny D'Costa and Ravi Kishan, who plays the primary antagonist, a pirate captain named Michael. The film also introduces Sanjeeda Shaikh, Esha Gupta, and Anjali Anand, the latter of whom is already receiving praise for her performance as Paaro. By honoring Satish Kaushik right at the beginning, Indra Kumar has successfully tapped into the emotional connection fans have with this franchise, making Dhamaal 4 more than just a typical comedy sequel.

BY SACNILK

Ajay Devgn has carved out a unique space for himself where he effortlessly balances high-octane action with mass-market comedy. While he is often associated with the intense Singham persona, his track record in the comedy genre is arguably just as impressive. With Dhamaal 4 arriving in cinemas today, July 10, 2026, all eyes are on the box office to see if this new installment can break into the list of his all-time biggest comedy openers. Top 5 Comedy Openers of Ajay Devgn - India Net CollectionMOVIE NAMEDAY 1 NET COLLECTIONRELEASE YEARGolmaal Again₹ 30.14 Cr2017Total Dhamaal₹ 16.50 Cr2019Bol Bachchan₹ 12.10 Cr2012Golmaal 3₹ 8.10 Cr2010Double Dhamaal₹ 7.60 Cr2011 (adsbygoogle = window.adsbygoogle || []).push({}) At the top of the pyramid sits Golmaal Again, which remains a landmark film in the genre. Its opening of 30.14 crore in 2017 is particularly historic because it came during a massive Diwali clash against Secret Superstar. Despite the competition, the Rohit Shetty-Ajay Devgn brand ensured maximum theatre occupancy, making it the highest opening day ever for a Bollywood comedy at the time. It eventually finished as one of the career-best performers for Devgn, proving that family audiences would turn up in droves for the right brand of humor. Total Dhamaal holds the second spot with a 16.50 crore opening in 2019. What makes this number special is that it was achieved on a standard, non-holiday Friday. Most big openers rely on festival windows, but this film relied purely on mass-market dominance, especially in circuits like Gujarat and Central India. It also famously reunited the hit pair of Anil Kapoor and Madhuri Dixit after seventeen years, adding a layer of nostalgia that helped it kick off a double-blockbuster year for the actor. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the 2012 release Bol Bachchan, its 12.10 crore start was a significant milestone because double-digit openings were relatively rare back then for comedy films. It was also a breakthrough film for Devgn in overseas markets, particularly in the UAE and North America, where it collected 2.05 million dollars in its first weekend. It remains one of the fastest comedies of that era to cross the 100 crore net mark, finishing its domestic run at an exact 103.12 crore. Golmaal 3, which released in 2010, remains one of the most significant milestones in the history of Indian comedy. It shattered long-standing records by becoming the first-ever film in a Bollywood comedy franchise to enter the prestigious 100 crore net club. Backed by a lean production budget of 40 crore, the film performed exceptionally well not just in India but also in international markets, securing over 18 crore in overseas collections. It eventually finished with a massive 162.30 crore worldwide gross, earning an undisputed Blockbuster verdict and setting the stage for the even larger sequels that followed. Following closely in 2011 was Double Dhamaal, which recorded a solid 7.60 crore on its opening day. This film was a massive win in terms of profitability, achieving complete recovery and earning a Hit verdict with an India lifetime net of 44.10 crore. It was a true heavyweight in the mass market, deriving more than 65% of its total theatrical footfalls from single-screen theatres and B-centers across North and Central India. This performance established the Dhamaal brand as a family-favorite commercial draw, eventually closing its global run with a 71 crore worldwide gross. (adsbygoogle = window.adsbygoogle || []).push({}) So, where does Dhamaal 4 stand in this elite company? Current tracking and advance booking data suggest that the film is heading for a very strong start. With a net advance of 2.57 crore and steady morning occupancy of around 8.38 percent, trade experts are projecting an opening day in the range of 10 to 14.5 crore net. If the film touches the upper end of these estimates, it will comfortably overtake Bol Bachchan to secure the third spot on this list, trailing only behind the massive holiday records of Golmaal Again and Total Dhamaal. Even a mid-range performance will see it easily surpassing the initial day figures of Golmaal 3 and Double Dhamaal, solidifying the Dhamaal brand's enduring pull at the box office. The momentum for Dhamaal 4 is being driven by strong ticket sales on BookMyShow, which saw over 33,000 tickets sold in the morning hours alone. While it may not challenge the massive holiday record of Golmaal Again, entering the top three would be a significant achievement for the franchise. It would further solidify Ajay Devgn's position as a consistent star in the comedy space, showing that his brand of entertainment continues to resonate with both multiplex and single-screen audiences.

BY SACNILK

Before the global spotlight hits the international stage, the makers of Ramayana are starting their journey at home by engaging with India's youngest creators. They have launched the Colours of Ramayana contest, an art competition specifically for school students across the nation. It's a creative call to bring the ancient epic to life through paintings and sketches, with some very exciting rewards on the line. Winners won't just get official limited-edition merchandise; they will also get a world-first chance to watch the movie's trailer in 3D in theaters before anyone else. This local initiative, which closes for entries on July 14, 2026, is just the first step in a massive marketing campaign that is now heading toward a historic global debut. The scale of this outreach is truly massive, with the promotional tour set to actively reach over 400 schools across 18 major cities in India. The goal is to connect directly with more than 5 lakh students through various interactive segments. Beyond just the art competition, the team is hosting historical quizzes and educational sessions designed to make the epic's rich history relatable to the younger generation. (adsbygoogle = window.adsbygoogle || []).push({}) The "Ramayana: Our Truth. Our History. Contest" is LIVE!We invite school students across India to participate in Colours of Ramayana, an art competition that celebrates their imagination, devotion and creativity.Bring your vision to life with your paintings, sketches and… pic.twitter.com/BMv8tflqax— The World Of Ramayana (@WorldOfRamayana) July 9, 2026 The global stage is being set for what is perhaps the most ambitious project in the history of Indian cinema. Namit Malhotra and Nitesh Tiwari’s upcoming retelling of the Ramayana is heading to the prestigious San Diego Comic-Con (SDCC) for a major international showcase on July 23, 2026. This move places the Indian epic alongside top-tier global franchises and television networks that traditionally dominate the event. (adsbygoogle = window.adsbygoogle || []).push({}) For its exclusive international debut, the movie has been officially titled Ramayana: The Epic Begins. The panel is scheduled to take place in Ballroom 20, located on the upper level of the San Diego Convention Center. To understand the scale of this event, one must look at the venue itself. Ballroom 20 is the second-largest hall at SDCC, boasting a massive seating capacity of approximately 4,800 to 5,000 attendees. Historically, this space is reserved for major studio presentations and top-tier television networks. With this milestone, Ramayana becomes only the second Indian film in history to secure a major hall showcase at SDCC, following in the footsteps of Kalki 2898 AD. The panel is scheduled for Thursday, July 23, 2026, running for exactly one hour from 3:15 PM to 4:15 PM PDT. For fans in India who want to track the updates live, the event will kick off early the next morning at 3:15 AM IST on Friday, July 24. The creators are treating this as a Hollywood-grade international launch, intended to introduce the scale of the Indian epic to a global audience. The lineup for the panel is equally impressive. Lead superstars Ranbir Kapoor, who portrays Lord Ram, and Yash, who plays Ravana, will take the stage live alongside director Nitesh Tiwari and producer Namit Malhotra, who is also the Global CEO of the Academy Award-winning VFX powerhouse DNEG. Their presence indicates a significant level of commitment to the film’s international positioning, offering fans a chance for live interactions and interviews. (adsbygoogle = window.adsbygoogle || []).push({}) One of the most intriguing highlights of the presentation will be the reveal of world-first technology. The team is expected to unveil a special version of the trailer that utilizes Brahma AI. This is an indigenously developed, advanced artificial intelligence system designed to sync English lip movements perfectly with the live-action footage. This technological leap aims to solve the immersion issues often found in dubbed content, making the film more accessible to international viewers without losing the impact of the performances. Beyond the technical reveals, attendees in Ballroom 20 will be treated to never-before-seen footage and exclusive behind-the-scenes breakdown clips that detail how this ancient epic was visualized for the modern big screen. The one-hour block also promises live stage performances and special limited-edition giveaways for those inside the hall. While the global marketing kicks off in San Diego, the makers are also engaging audiences back home through the Colours of Ramayana art contest, which offers Indian school students a chance to win exclusive merchandise and early trailer screenings.

BY SACNILK

Bollywood comedy franchises have become some of the most reliable assets for producers over the last two decades. While action films often grab headlines for their massive openings, comedy series like Housefull, Golmaal, and Dhamaal have built a loyal fanbase that ensures longevity at the ticket windows. As Dhamaal 4 makes its theatrical debut today, July 10, 2026, the stakes are higher than ever for this slapstick series to climb the all-time rankings. The success ratio of these franchises is remarkably high. Looking at the records, the Housefull series has seen four out of its five films being tagged as Hits or Superhits. Similarly, the Golmaal franchise has a flawless record, with Golmaal 3 becoming a historic milestone in 2010 as the first-ever Bollywood comedy franchise film to enter the ₹100 crore club. This consistency is what separates these brands from standalone comedy hits; they have the unique ability to bring family audiences back to the silver screen regardless of critics' reviews. (adsbygoogle = window.adsbygoogle || []).push({}) Highest Grossing Comedy Franchises in Bollywood - Worldwide Box OfficeRANKFRANCHISEFILMSWORLDWIDE COLLECTION1Housefull5₹ 1,077.77 Cr2Golmaal4₹ 599.66 Cr3Welcome*3₹ 468.26 Cr4Dhamaal (Pre-Part 4)3₹ 354.48 Cr5Fukrey3₹ 290.75 Cr *Welcome includes the current worldwide box office collection of Welcome to the Jungle, which is still running in its third week of release. The Housefull franchise currently stands at the top of the mountain. It remains the only comedy series in Indian cinema to cross the ₹1,000 crore milestone worldwide. While Housefull 2 marked the entry into the elite tier in 2012, it was Housefull 4 in 2019 that completely redefined the scale by raking in nearly ₹300 crore globally. More recently, Housefull 5 set a record-breaking pace in 2025 by entering the ₹100 crore net club in just 4 days, eventually finishing with a domestic net of ₹183.38 crore. Housefull Franchise: Housefull | Worldwide: ₹119.00 Cr Housefull 2 | Worldwide: ₹188.40 Cr Housefull 3 | Worldwide: ₹185.70 Cr Housefull 4 | Worldwide: ₹296.00 Cr Housefull 5 | Worldwide: ₹288.67 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Following closely is the Golmaal franchise. While it has one fewer film than Housefull, its peak performance has been massive. Golmaal Again in 2017 shattered expectations by grossing ₹205 crore net in India alone. It established 13 independent box office records at the time and proved that Ajay Devgn could dominate holiday slots usually reserved for the Khans. With Golmaal 5 already in development, the battle for the top spot is far from over. Golmaal Franchise: Golmaal: Fun Unlimited | Worldwide: ₹46.70 Cr Golmaal Returns | Worldwide: ₹82.04 Cr Golmaal 3 | Worldwide: ₹162.30 Cr Golmaal Again | Worldwide: ₹308.62 Cr The Welcome franchise has been a consistent box office heavyweight since 2007, when the original film finished as the second-highest grosser of the year, just behind Om Shanti Om. Beyond turning Majnu Bhai and Uday Shetty into pop-culture icons, the series has shown remarkable financial legs across decades. With the ongoing run of Welcome to the Jungle, the franchise's cumulative worldwide total has climbed to ₹468.26 crore, setting a high bar for Dhamaal 4 as it attempts to break into the top three comedy brands. Welcome Franchise: Welcome | Worldwide: ₹119.50 Cr Welcome Back | Worldwide: ₹168.70 Cr Welcome To The Jungle | Worldwide: ₹180.06 Cr Even franchises like Fukrey have demonstrated that comedy often succeeds through steady momentum rather than just initial hype. The Fukrey films hold a unique box office milestone because of how the journey began. While the first Fukrey in 2013 opened to a tiny and negligible day-one number, it eventually achieved an incredible sleeper hit status purely through positive word-of-mouth. This shows that in the comedy genre, audience appreciation can often override a slow start at the ticket windows, a trend Dhamaal 4 will be looking to capitalize on as it moves through its first weekend. Fukrey Franchise: Fukrey | Worldwide: ₹50.70 Cr Fukrey Returns | Worldwide: ₹112.30 Cr Fukrey 3 | Worldwide: ₹127.75 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The Dhamaal franchise, however, is the one in focus today. Before the release of the fourth installment, the series stood at a combined ₹354.48 crore. Total Dhamaal in 2019 was the turning point, achieving blockbuster status in mass territories like Gujarat and settling at a colossal ₹155.67 crore net in India. For Dhamaal 4 to push the franchise into the third spot, it needs to overtake the Welcome series, which currently sits at ₹468.26 crore. This means Dhamaal 4 needs a lifetime worldwide gross of roughly ₹114 crore—a figure that looks very achievable given the initial trends. Dhamaal Franchise: Dhamaal | Worldwide: ₹51.30 Cr Double Dhamaal | Worldwide: ₹71.00 Cr Total Dhamaal | Worldwide: ₹232.18 Cr Based on the final advance booking data, Dhamaal 4 has sold approximately 92.81K tickets on BookMyShow, trending ahead of films like OMG 2 and Jolly LLB 3. The total Day 1 advance gross stands at ₹2.57 crore without block seats and ₹5.79 crore with them. Historically, these mass-market comedies see a huge surge in spot bookings for evening shows. National chains like PVR, INOX, and Cinepolis have contributed 1.65 crore to the gross, showing that the urban audience is turning up. If the film follows the growth pattern of its predecessor, we are looking at an opening day India net in the range of ₹9 to ₹11 crore. While this is lower than the ₹16 crore opening of Total Dhamaal, a steady weekend could easily propel the film toward a healthy lifetime total. (adsbygoogle = window.adsbygoogle || []).push({}) The real test for the film will be its performance in mass circuits like Maharashtra and Gujarat, which have historically been the backbone for the Dhamaal and Golmaal films. Maharashtra is already leading the charts today with a gross of nearly 60 lakh in advance sales. If the film manages to sustain its momentum through the weekend, it will comfortably cement the Dhamaal series as one of the most bankable comedy brands in the country.

BY SACNILK

Mumbai, July 10 - Bollywood superstar Akshay Kumar's Welcome To The Jungle has continued its good theatrical run by collecting around 32 crore net in its second week at the Indian box office. Despite facing fresh competition and a reduction in screens, the comedy entertainer has displayed stability, taking its two-week domestic total to around 125 crore net. (adsbygoogle = window.adsbygoogle || []).push({}) The Ahmed Khan directorial maintained a steady hold throughout its second week, driven largely by family audiences and positive word of mouth. While weekday collections naturally slowed after a strong opening week, the film's healthy trend ensured a good second-week total of 32 crore net, keeping it comfortably among the biggest Hindi successes of the year. The film now enters its third week with Ajay Devgn's Dhamaal 4 arriving in cinemas today. As a direct comedy release, Dhamaal 4 is expected to take away a significant share of screens and show timings, making the coming days more challenging for Welcome To The Jungle. Even so, if the film manages to retain a section of its family audience, it remains on course to finish its theatrical run in the 150 crore net range in India. (adsbygoogle = window.adsbygoogle || []).push({}) Worldwide, Welcome 3 has collected approximately 180 crores in 14 days so far, eyeing a 215-225 crores finish, which is a good result. Featuring a massive ensemble cast including Akshay Kumar, Suniel Shetty, Paresh Rawal, Arshad Warsi, Tusshar Kapoor, Shreyas Talpade, Jacqueline Fernandez, Disha Patani and several others, Welcome To The Jungle has emerged as a crowd-pleasing commercial entertainer. Its consistent box office performance over two weeks has reaffirmed the enduring popularity of the Welcome franchise and positioned the film for a strong lifetime finish. It also marked Akshay Kumar's return to the franchise after leading the original Welcome in 2007. (adsbygoogle = window.adsbygoogle || []).push({}) Welcome Franchise Box Office Collection S. No. Movie Year Second Week Lifetime India Net 1 Welcome 2007 ₹19.30 Cr ₹70.15 Cr 2 Welcome Back 2015 ₹18.70 Cr ₹96.55 Cr 3 Welcome To The Jungle 2026 ₹31.90 Cr ₹125+ Cr* As of July 9, 2026.