After India Takedown, Diljit Dosanjh's Controversial Film Satluj Removed From ZEE5 Globally

BY SACNILK

Mumbai, July 12 - Diljit Dosanjh-starrer Satluj has reportedly been removed from ZEE5's international platform, days after the film was taken down in India. The latest development means the controversial film is currently unavailable for streaming on the platform across multiple territories, marking another twist in its troubled release journey. The film premiered on ZEE5 on July 3 and was initially available for audiences outside India. However, it was removed from the Indian platform on July 5, with ZEE5 stating that the title was "unavailable in India until further notice" due to ongoing developments. At the time, the film continued to stream internationally, allowing overseas viewers to access it. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest reports, Satluj has now also been withdrawn from ZEE5's global catalogue. While the streaming platform has not issued an official statement explaining the international removal, the film is no longer accessible to subscribers in overseas markets either. The makers have also not commented on the development so far. Directed by Honey Trehan, Satluj is based on the life of human rights activist Jaswant Singh Khalra and has been surrounded by controversy over the past few years. The film has faced delays and multiple hurdles before eventually making its digital debut. Its subsequent removal from both the Indian and international versions of ZEE5 has once again put the spotlight on the project and raised fresh questions about its future availability on streaming platforms.

BY SACNILK

Mumbai, July 11 - Ajay Devgn has added another notable opening-day performer to his illustrious career with Dhamaal 4. The Indra Kumar-directed comedy opened to an estimated 14 crore net at the Indian box office, giving the actor yet another double-digit opener and securing a place among his top 10 biggest opening-day earners. The opening is a healthy result for a comedy franchise, especially without the benefit of a major holiday. Decent advance bookings, franchise value, and positive response from family audiences helped the film register a solid first-day total. The real test now lies in how well it capitalises on Saturday and Sunday, with trade expecting a significant jump if word of mouth remains favourable. (adsbygoogle = window.adsbygoogle || []).push({}) With its Day 1 collection, Dhamaal 4 has comfortably entered Ajay Devgn's list of biggest openers. The actor's top opening-day performers continue to be led by Singham Again, Drishyam 2, Shaitaan, Total Dhamaal, and Golmaal Again, highlighting his consistent box-office pull across the action, thriller, and comedy genres. The encouraging start also reinforces the enduring popularity of the Dhamaal franchise. If the film records the expected weekend growth, it could emerge as one of Ajay Devgn's strongest comedy successes in recent years and provide another much-needed hit for Bollywood's theatrical business in 2026. (adsbygoogle = window.adsbygoogle || []).push({}) Ajay Devgn's Top 10 Biggest Opening Days (India Net) Rank Movie Day 1 Collection Year 1 Singham Again ₹43.50 Cr 2024 2 Singham Returns ₹32.10 Cr 2014 3 Golmaal Again ₹30.15 Cr 2017 4 Raid 2 ₹19.25 Cr 2025 5 Total Dhamaal ₹16.50 Cr 2019 6 Drishyam 2 ₹15.40 Cr 2022 7 Tanhaji: The Unsung Warrior ₹15.00 Cr 2020 8 Shaitaan ₹14.75 Cr 2024 9 Dhamaal 4 ₹14.00 Cr 2026 10 Baadshaho ₹12.60 Cr 2017

BY SACNILK

The third Friday has proven to be a challenging day for Welcome To The Jungle, as the film faced a significant reduction in its theatrical footprint to accommodate the release of Dhamaal 4. On its 15th day, the comedy entertainer collected a net of ₹ 1.00 crore in India. This represents a 53.5 per cent drop from the ₹ 2.15 crore it managed on the previous day. This sharp decline is directly linked to a massive screen crunch; while the movie was running on 6,092 shows this Thursday, that number was cut down to 3,769 shows on Friday, effectively losing nearly half of its screens in a single day. Currently, the total India net collection for Welcome To The Jungle stands at ₹ 126.05 crore, with the India gross reaching ₹ 149.80 crore. On the international front, the film added ₹ 0.25 crore on Friday, bringing its total overseas gross to ₹ 31.70 crore. When we look at the global picture, the total worldwide gross collection has now reached ₹ 181.50 crore. (adsbygoogle = window.adsbygoogle || []).push({}) The impact of new competition is very clear when we examine the performance in national chains like PVR, INOX, and Cinepolis. On Thursday, the film was holding steady in these chains with around 12,000 tickets sold, generating a gross of approximately ₹ 26 lakh. However, by Friday, those numbers saw a steep fall. Across the three major chains, the film sold only about 2,900 tickets, bringing in a gross of ₹ 9 lakh. PVR contributed nearly 1.4k tickets with a gross of ₹ 4.5 lakh, followed by INOX with 1.3k tickets and ₹ 3 lakh gross. Cinepolis saw a much smaller contribution of nearly 0.3k tickets, amounting to around ₹ 70,000 in gross collections. On BookMyShow, the shift in audience interest was also evident. The film had sold about 27,640 tickets on its second Thursday, but that figure dropped to 13,940 tickets on the third Friday. The total lifetime tickets sold on the platform have now reached 2,235,000. Much like Alia Bhatt's Alpha, Welcome To The Jungle stopped trending on the BookMyShow charts on Saturday due to the Dhamaal 4 surge. However, in a surprising turn, the film has started to trend again, particularly during the 11 AM to 12 PM window, suggesting some level of recovery or interest from the weekend crowd. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the Hindi 2D version stood at 12.92 per cent on Friday. The film started the day with 8.77 per cent occupancy in the morning shows and saw a very minor increase to 9.38 per cent in the afternoon. Evening shows remained steady at 10.23 per cent, but there was a notable jump in the night shows, which reached 17.77 per cent. This indicates that while daytime shows are struggling due to the competition, there is still a dedicated audience opting for the late-night screenings. Regional data shows some interesting variations, particularly in Bengaluru. While most cities were quiet, Bengaluru recorded an impressive overall occupancy of 27.5 per cent, fueled by a massive 47 per cent occupancy during the morning shows. In contrast, the National Capital Region (NCR) saw a modest 10 per cent occupancy across 616 shows, with night shows peaking at 14 per cent. Mumbai, with 402 shows, managed an overall 12 per cent occupancy, where night shows were the most active at 17 per cent. Lucknow performed relatively well with 11.8 per cent overall occupancy, while cities like Ahmedabad and Pune stayed under the 10 per cent mark. Surat remained the weakest performing major circuit with an occupancy of just 3.5 per cent. (adsbygoogle = window.adsbygoogle || []).push({}) While the 50 per cent reduction in screens has limited its potential for a massive third week, Welcome To The Jungle is still finding pockets of audience, especially in the south. The coming two days will be crucial to see if the renewed trending status translates into a weekend jump that can help the film push further toward the ₹ 200 crore worldwide mark.

BY SACNILK

The Dhamaal series has seen a steady transformation since the original film released in 2007. What started as a light-hearted road comedy focused on a treasure hunt has now grown into one of Bollywood’s most reliable comedy brands. Each sequel has attempted to scale up the stakes, moving from simple chases to the large-scale spectacle seen in Total Dhamaal. With Dhamaal 4, the narrative takes a new direction by incorporating sea pirates and supernatural themes into the mix. By bringing back core cast members like Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, the makers are sticking to the established chemistry that fans expect, while trying to give the franchise a fresh look for its latest theatrical run. Dhamaal 4 has concluded its first day with a net collection of ₹ 14 crore in India. Running across 10,669 shows, the film reached an India gross of ₹ 16.80 crore. When we look at the international market, early estimates suggest a gross of ₹ 5.00 crore, bringing the total worldwide opening day gross collection to ₹ 21.80 crore. (adsbygoogle = window.adsbygoogle || []).push({}) A notable aspect of this release is the 4DX format, making Dhamaal 4 the first movie in 2026 to receive a 4DX theatrical release. While this immersive format is rare for Indian cinema, it has been used for major titles in the past like Pathaan, Jawan, Tiger 3, and more recently for Kalki 2898 AD, Pushpa 2: The Rule, Thamma, and Bade Miyan Chote Miyan. The response for Dhamaal 4 has been quite encouraging, with an overall occupancy of 42.30 per cent for 4DX shows, which is significantly higher than the standard format. In Mumbai, the 4DX occupancy was as high as 50 per cent, while National Capital Region shows stood at 40.8 per cent. The night shows in this format reached 46.69 per cent, showing that a section of the audience is seeking a premium theatrical experience. If we analyze the performance of the franchise, this fourth installment has shown growth over the earlier parts but missed the high bar set by the previous film. The original Dhamaal opened with ₹ 2.38 crore in 2007, and Double Dhamaal grew to ₹ 7.6 crore in 2011. While Total Dhamaal had set a franchise record with ₹ 16.5 crore, Dhamaal 4 fell slightly short of that mark. However, with the current trend, a positive response from the audience could drive a significant weekend surge. (adsbygoogle = window.adsbygoogle || []).push({}) In the list of major openers for the year 2026, Dhamaal 4 has secured a spot in the top five. It currently ranks as the fourth-highest opener of the year so far, just ahead of Cocktail 2. You can see how the top performers compare in the following table: Top 5 Movie Openers of 2026 - India Net CollectionMOVIE NAMEINDIA NET COLLECTIONDhurandhar 2: The Revenge₹ 99.10 CrBorder 2₹ 30.00 CrWelcome To The Jungle₹ 15.25 CrDhamaal 4₹ 14 CrCocktail 2₹ 13.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Looking at ticket sales on BookMyShow, the movie sold 270,190 tickets on its opening Friday. Combined with pre-sales of 92,810 tickets, the total count on the platform stands at 363,000 tickets. Interestingly, the film narrowly missed a spot in the top 10 ticket sellers of the 2025-26 cycle, landing at the 12th position. It was only about 1,000 tickets behind Sikandar and 8,000 tickets behind Raid 2. This suggests that while it is attracting a large crowd, it is operating in a very competitive environment. The national chains, which include PVR, INOX, and Cinepolis, contributed a total of roughly 45,000 tickets for the opening day. This amounted to a gross of ₹ 1.65 crore. PVR led the chains with approximately 23.4k tickets and a gross of ₹ 92 lakh at an occupancy of 7.71 per cent. INOX followed with about 15.4k tickets, earning ₹ 53 lakh with 5.45 per cent occupancy. Cinepolis recorded nearly 6.2k tickets, collecting around ₹ 21 lakh with a 3.90 per cent occupancy rate. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the standard Hindi 2D version was 24.54 per cent for the day. The film saw a clear upward trend as the day progressed. It started with 8.38 per cent in the morning and grew to 19.15 per cent in the afternoon. By the evening, occupancy reached 24.85 per cent, finally peaking at 42.00 per cent for the night shows. This pattern indicates that families and office-goers are opting for late shows, which is a good sign for Saturday and Sunday growth. Regionally, Mumbai and the National Capital Region were the strongest performers for the 2D version. Mumbai recorded 24 per cent occupancy across 820 shows, with night shows hitting 43 per cent. NCR followed closely with 22.8 per cent occupancy across 969 shows, peaking at 37 per cent at night. Other regions like Ahmedabad, Bengaluru, and Hyderabad also maintained steady levels around 22 to 23 per cent. Cities like Surat and Kolkata were on the lower side, staying under 15 per cent overall. (adsbygoogle = window.adsbygoogle || []).push({}) For those opting for the 4DX experience, the occupancy levels were notably higher than the standard format, with an overall average of 42.30 per cent. This premium version saw a slow start in the morning at 6.08 per cent, but it gained significant traction as the day progressed. By the afternoon, occupancy rose to 17.23 per cent, and while there was a slight dip in the evening to 11.15 per cent, the night shows recorded a very strong 46.69 per cent. In terms of regions, Mumbai saw the highest demand for 4DX with a 50 per cent overall occupancy across its 5 shows, peaking at 51 per cent in the evening. The National Capital Region, which had a larger volume of 15 shows, maintained a steady 40.8 per cent occupancy, starting particularly well in the morning at 44 per cent. Bengaluru recorded an overall occupancy of 28.7 per cent for its 11 shows, though its night shows stood out with a high of 54 per cent. These numbers suggest that while the show count for 4DX is limited, the audience interest for this specific immersive experience is quite high compared to regular screenings. While the opening numbers are stable, the film's long-term success will depend on how it holds up over the weekend. The fact that it is a clean family entertainer and is available in multiple formats like 4DX should help in sustaining the momentum if the word of mouth remains positive.

BY SACNILK

Dhamaal 4 released in theatres yesterday, July 10, 2026, and has instantly struck a chord with the family audience. On its opening day, the film recorded a solid performance, collecting a net of ₹14 Cr across 10,669 tracked shows in India. This brings the total India gross collections to ₹16.80 Cr. Early estimates for the overseas market suggest a gross of approximately ₹5.00 Cr, pushing the worldwide opening day total to a massive ₹21.80 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) With this opening, Dhamaal 4 has officially surpassed the Day 1 collections of Bol Bachchan (₹12.10 Cr) to become one of the Top 3 comedy openers of Ajay Devgn's career, trailing only behind Golmaal Again and Total Dhamaal. The film brings back the beloved trio of Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, while adding fresh energy with Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta. Critics have praised the fast-paced madness and the clean, kid-friendly humor that has been missing from the big screen lately. LIVE BLOG: DAY 2 UPDATES 04:15 PM (IST) 11 JUL 2026 Live Update: Saturday Afternoon Explosion; Dhamaal 4 Crosses 500K Ticket Milestone on BMS Dhamaal 4 is on a rampage this Saturday, showing a massive jump in footfalls across the country. As of 4:15 PM, the film has already minted ₹7.02 crore net live today across 6,236 tracked shows. This brings the total India net collection to ₹21.02 crore, with the total gross reaching ₹25.08 crore within just 40 hours of its release. The momentum on BookMyShow (BMS) is unprecedented for a comedy entertainer this year. Between 3 PM and 4 PM alone, the film sold 22,850 tickets, recording a significant surge compared to the 15,850 tickets sold during the same window yesterday. The cumulative sales since 7 AM this morning have now touched 1,59,170 tickets—nearly doubling yesterday's performance of 90,320 in the same period. The most significant milestone of the day comes from the platform itself, as Dhamaal 4 has officially crossed 500,000 (500K) total tickets sold on BookMyShow. The occupancy levels for the Hindi 2D version are reflecting a massive Saturday surge. While the morning shows started steadily at 12.77 per cent, the afternoon shows witnessed an explosive jump, recording 33.92 per cent occupancy across the country. Currently, the overall average for the day stands at 23.35 per cent. 01:45 PM (IST) 11 JUL 2026 Live Update: Saturday Momentum Skyrockets; Day 2 Live Net Crosses ₹2 Crore Dhamaal 4 is maintaining an extraordinary pace as it enters the Saturday afternoon shows. As of 1:45 PM, the film has already collected a net of ₹2.31 crore live today across 4,087 tracked shows. This takes the total India net collection to ₹16.31 crore, with the gross collection now standing at ₹19.53 crore so far. The ticket sales on BookMyShow are nearly doubling compared to the opening day. Between 12 PM and 1 PM today, the film sold 21,430 tickets, showing a massive jump from the 12,510 tickets sold during the same window yesterday. The total tickets booked since 7 AM this morning have reached a staggering 89,770, compared to 45,770 in the same period on Friday. 12:45 PM (IST) 11 JUL 2026 Live Update: Dhamaal 4 Crosses ₹15 Cr Net; Morning Occupancy Jumps by 50% Dhamaal 4 is witnessing a terrific surge on its first Saturday, with audience interest scaling new heights. As of 12:45 PM, the film has already minted ₹1.44 crore net live today across 3,575 tracked shows. This pushes the total India net collection to ₹15.19 crore (₹18.20 crore gross) so far. The ticket sales on BookMyShow have hit an explosive pace. Between 11 AM and 12 PM today, the film sold 24,510 tickets, which is more than double the 11,330 tickets sold during the same hour yesterday. The cumulative sales since 7 AM this morning have reached 68,340 tickets, compared to 33,260 yesterday. Occupancy trends are equally impressive. The morning shows recorded an overall occupancy of 12.77%, a significant leap from Friday's 8.38% morning start. Regionally, Mumbai and Pune are leading the charge with 18% occupancy each, followed by NCR and Bengaluru at 15% and 13% respectively. The Dhamaal wave has significantly altered the trending charts; while Alia Bhatt's Alpha has stopped trending on BMS , Welcome To The Jungle has started to emerge in the trending list during the 11 AM-12 PM window. With matinee and evening shows expected to see heavy walk-ins, the film is firmly on track for a huge Saturday finish. 10:15 AM (IST) 11 JUL 2026 Live Update: 2x Surge on Saturday Morning; Weekend Projections Eye ₹60 Crore Mark The momentum for Dhamaal 4 has witnessed a massive jump on Saturday morning. Between 9 AM and 10 AM today, the film sold 13,870 tickets on BookMyShow, which is more than double the 6,770 tickets sold in the same window yesterday. The total sales since 7 AM this morning have reached 24,330, compared to 12,660 yesterday morning. With an 8.9/10 rating on BMS from over 4,200 votes, the positive audience feedback is clearly driving a strong weekend surge. Based on current ticket sales and occupancy trends, the film is now gearing up to collect over ₹20 crore on both Saturday and Sunday, with a strong chance of hitting ₹25 crore tomorrow. If this pace continues, Dhamaal 4 is looking at a ₹60 crore plus opening weekend, comfortably surpassing initial trade expectations. 09:15 AM (IST) 11 JUL 2026 Live Update: Day 2 Morning Sales Explode; 77% Jump Over Friday Dhamaal 4 is showing signs of a massive weekend surge. As of 9:15 AM on Day 2, the film is running across 1,488 shows and has already collected a live net of ₹0.19 Cr today. This brings the cumulative India net to ₹13.94 Cr (₹16.72 Cr Gross) within the first few hours of Saturday. The momentum on BookMyShow (BMS) is staggering. Between 8 AM and 9 AM today, the film sold 7,320 tickets, compared to 4,230 tickets during the same window yesterday. The total sales since 7 AM today have reached 10,460 tickets, nearly doubling yesterday's 5,890. In the National Chains (PIC), the advance booking for today stands at a robust 71.8K tickets, generating a gross of approximately ₹2.74 Cr with a 9.3% occupancy. This is a significant jump compared to yesterday's 44K tickets at the same time. Leading the charge is PVR with 35.8K tickets (₹1.45 Cr), followed by INOX with 24.5K tickets (₹89 Lakh) and Cinepolis with 11.5K tickets (₹40 Lakh). The strong Word of Mouth is clearly translating into heavy spot bookings for the weekend. (adsbygoogle = window.adsbygoogle || []).push({}) @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; }

BY SACNILK

Fans walking into theatres for Dhamaal 4 today were greeted with an unexpected and emotional surprise right at the start. The film, which marks the fourth installment of the long-running comedy franchise, opens with a specially designed animated sequence that features a digital resurrection of the late veteran actor Satish Kaushik. Reprising his iconic role as Bata Bhai from Double Dhamaal (2011), the late actor's appearance was made possible through a blend of high-end CGI and Artificial Intelligence. Satish Kaushik, whose sudden passing in 2023 left a void in the Indian film industry, was a key highlight of the second film with his hilarious underworld antics. By using AI to recreate his likeness and voice, director Indra Kumar has ensured that the actor's legacy remains part of the Dhamaal universe. In a touching gesture, the makers have specifically thanked Satish Kaushik's wife, Shashi Kaushik, in the opening credits for her support in making this digital tribute possible. This sequence serves as a bridge between the new story and the franchise's history, immediately setting a nostalgic tone for the audience. (adsbygoogle = window.adsbygoogle || []).push({}) The surprises don't stop with Bata Bhai. The same animated sequence also features an appearance by Jackie Shroff, marking his second unique contribution to the series. In the previous installment, Total Dhamaal (2019), Jackie Shroff had lent his distinct voice to a tapori-style GPS system that guided the characters—a gimmick that became a fan favorite. This time, his AI-generated appearance adds another layer of madness to the opening, signaling that the film intends to lean heavily into the slapstick, pure-comedy roots that made the 2007 original a cult classic. Produced on a reported budget of ₹200 crore, Dhamaal 4 is a high-stakes adventure that moves away from the multi-story structure of Total Dhamaal, functioning instead as a direct continuation. The film follows a massive treasure hunt involving sea pirates and supernatural elements, where the gang tracks down a hidden ₹50 crore treasure. The scale of the production is evident in the technical work, especially the use of CGI to bring back beloved characters, which allows the film to balance modern technology with old-school humor. (adsbygoogle = window.adsbygoogle || []).push({}) The core of the film remains the dynamic between the veteran cast. Ajay Devgn leads as the sharp-witted Guddu Rastogi, alongside the franchise's original trio: Arshad Warsi as Aditya Srivastav, Jaaved Jaaferi as the lovable but dim-witted Manav, and Riteish Deshmukh as the eccentric Deshbandhu Roy. Joining them in this chaotic race is Sanjay Mishra as Johnny D'Costa and Ravi Kishan, who plays the primary antagonist, a pirate captain named Michael. The film also introduces Sanjeeda Shaikh, Esha Gupta, and Anjali Anand, the latter of whom is already receiving praise for her performance as Paaro. By honoring Satish Kaushik right at the beginning, Indra Kumar has successfully tapped into the emotional connection fans have with this franchise, making Dhamaal 4 more than just a typical comedy sequel.