Tollywood

2 days ago

4.3K views

Peddi Box Office: Becomes the 9th movie to achieve the 200 Crore Telugu Net milestone

BY SACNILK

Peddi is heading toward the end of its second week at the box office. On its fourteenth day, the film collected a gross of ₹2.83 crore across India. When we look at the previous day, where it earned ₹3.96 crore gross, there is a clear downward movement as the film nears the end of its second week. Most of the revenue continues to come from the Telugu states, but the drop indicates that the initial frenzy is now stabilizing into a steady run. Breaking down the state-wise gross for Day 14, the Andhra Pradesh and Telangana regions contributed ₹2.10 crore. Other territories followed with Karnataka at ₹0.25 crore, Tamil Nadu at ₹0.08 crore, and the Rest of India bringing in ₹0.40 crore. Comparing these to Day 13, where APTG stood at ₹2.80 crore and the Rest of India was at ₹0.71 crore, it is evident that the Hindi and other language markets are seeing a steeper decline than the home market. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of screen presence and viewer interest, Peddi held approximately 3,800 shows across India on Wednesday with an overall occupancy of 17 percent. In major hubs like Hyderabad, the Telugu version maintained a decent 17.3 percent occupancy from 379 shows. Meanwhile, the Hindi version in the National Capital Region saw 9.8 percent occupancy across 89 shows, and Surat recorded a lower 3.8 percent. These numbers reflect a film that is performing well in its primary market while finding it tougher to sustain momentum in the North. The total India net collection of ₹226 crore shows a heavy reliance on the Telugu version, which has contributed ₹200.48 crore. The Hindi dub has performed decently with ₹21.57 crore so far. Contributions from other languages include ₹1.96 crore from the Tamil version, ₹1.69 crore from Kannada, and ₹0.30 crore from Malayalam. These figures clarify that while the film has made an impact across multiple markets, its core strength remains the Telugu audience. (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales on BookMyShow also tell a similar story. After selling 43.03K tickets on its second Tuesday, the count moved to 27.71K on the second Wednesday. This brings the total tickets sold on the platform to 3,709,770. This consistent interest has helped the film cross a significant milestone in its home language, officially entering the 200 crore net club in Telugu alone. Looking at the performance in national multiplex chains, Peddi sold nearly 2,800 tickets across PVR, INOX, and Cinepolis on Wednesday. This resulted in a total gross of approximately ₹7 lakh from 780 shows. Among the chains, INOX contributed the most with 1,400 tickets sold and a gross of ₹3 lakh. PVR and Cinepolis followed with 770 and 660 tickets respectively, each adding about ₹2 lakh to the tally. With an overall occupancy of 2 percent in these urban centers, it is clear that the films current momentum is largely driven by single screens and regional circuits. (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, the film added ₹0.25 crore on Day 14. According to data from Venky Box Office, the North America total has reached $3.42 million after a $66K Tuesday. Based on early estimates, the total overseas gross now stands at ₹52.45 crore. When combined with the India gross of ₹268 crore, the worldwide gross collection for Peddi reaches an estimated ₹320 crore, while the total India net collection currently sits at ₹226 crore. Fastest Movies to 200 Cr Net (Telugu Version)MOVIE NAMEDAYS TAKENTELUGU NET COLLECTIONRRR3₹ 216.23 CrPushpa: The Rule - Part 25₹ 211.60 CrBaahubali 2 The Conclusion7₹ 203.00 CrKalki 2898 AD7₹ 202.05 CrSalaar: Cease Fire - Part 111₹ 205.75 CrPeddi14₹ 200.48 CrDevara - Part 116₹ 200.25 CrMana ShankaraVaraprasad Garu17₹ 200.65 CrAla Vaikunthapurramuloo47₹ 200.25 Cr

Kollywood

2 days ago

262 views

Gatta Kusthi 2: Vishnu Vishal's First Sequel Sets July 3 Release; Red Giant Movies Bags TamilNadu Theatrical Rights

BY SACNILK

The 2022 sports-comedy Gatta Kusthi was a significant success for Vishnu Vishal, earning a Hit status at the box office. Made on a modest budget of around ₹5 crore, the film managed to collect over ₹14 crore worldwide, proving that a strong story about gender dynamics can resonate deeply with the audience. Now, the team is back with Gatta Kusthi 2, which is scheduled for a worldwide theatrical release on July 3, 2026. The project has already started on a high note, with Red Giant Movies recently bagging the Tamil Nadu theatrical rights, adding a major boost to its distribution. This film is a milestone for Vishnu Vishal as it marks the very first sequel in his career. Interestingly, it wasn't a pre-planned franchise. After the first film's success, director Chella Ayyavu pitched a different story to Vishnu, but the actor specifically requested a sequel to Veera and Keerthi's journey instead. Vishnu has been quite open about his past disappointments with sequels for hits like Ratsasan and Indru Netru Naalai falling through. He believes that if Gatta Kusthi 2 succeeds, it could finally break the sequel curse and open doors for his other popular franchises to return. (adsbygoogle = window.adsbygoogle || []).push({}) While the first film focused on the wife breaking societal boundaries and the husband learning to accept her strength, the sequel shifts the gaze to the man's perspective. It aims to explore modern household power dynamics, specifically looking at a relationship where the wife is the primary financial earner or the more successful public figure. Vishnu Vishal clarified that it isn't a simple comedy at the expense of men, but a narrative promoting true partnership and equality in a modern setup. Aishwarya Lekshmi returns to play Keerthi, and their chemistry is expected to be the core of this second chapter. The scale of the sequel is much larger than its predecessor. The cast has seen massive new additions, including veteran actress Ramya Krishnan as Raja Rajeshwari and comedy superstar Yogi Babu as Balbir Singh. Familiar faces like Karunas, Kali Venkat, and Munishkanth are also reprising their roles to maintain the comedic flavor of the original. On the technical side, the film features a fresh team with Sean Roldan handling the music and KM Bhaskaran behind the lens. The hype is already visible online, as the official teaser crossed 3 million views within just 24 hours of its release. (adsbygoogle = window.adsbygoogle || []).push({}) Watch the Teaser here: Financially, the film has already secured a very strong position. Vishnu Vishal revealed that this project has achieved the highest pre-release business of his entire career. A major part of this is due to a premium OTT deal with Netflix, which secured the digital rights even before the physical shooting had begun. This was an outright purchase model rather than a revenue-sharing one, covering a significant chunk of the production costs early on. With Vels Film International and Vishnu Vishal Studioz producing, Gatta Kusthi 2 is shaping up to be one of the most anticipated family entertainers of the summer.

Bollywood

3 days ago

511 views

Rishab Shetty's Chhatrapati Shivaji Maharaj Biopic Expanded Into A Two-Part Theatrical Saga

BY SACNILK

Rishab Shetty is currently at a peak in his career, especially after his National Award win for Kantara. If you have been following his upcoming line-up, it is clear that he is moving toward massive, high-budget epics. According to a report by Variety India, his highly anticipated historical project, The Pride of Bharat: Chhatrapati Shivaji Maharaj, has now seen a major change in its production strategy. Originally planned as a single film, the makers have decided to expand the story into a two-part theatrical saga. This expansion is not just about the length of the story but also the sheer scale of the production. Variety India has revealed that the film is being mounted on a massive budget of over ₹500 crore. This puts it among the most expensive historical dramas ever produced in Indian cinema. The vision behind splitting the film into two chapters is to capture the vast legacy and defining moments of Chhatrapati Shivaji Maharaj with the detail they deserve. The current plan is to release the first chapter in 2028, with the second chapter following closely in 2029. (adsbygoogle = window.adsbygoogle || []).push({}) Director Sandeep Singh is aiming for a high level of authenticity, with a significant portion of the filming expected to take place across Maharashtra. This is where the Maratha kingdom was established, and the team wants to bring those historical sites to life on the big screen. However, fans will have to wait a bit longer for cameras to start rolling. Rishab Shetty is first expected to complete his work on Jai Hanuman, directed by Prashanth Varma, which is slated for a 2027 release. Once his commitments for that film are over, he will fully transition into the role of the legendary Maratha ruler. The scale of this project marks a significant moment for Hindi-language cinema as well, as it is being positioned as one of the most ambitious interpretations of Shivaji Maharaj's life. While the Maratha ruler has been the subject of many films over the years, the ₹500 crore budget and the two-part structure suggest that this version will be on a different level entirely. The first look of Rishab Shetty in this role has already created a lot of conversation online, and the official confirmation of this revised release strategy has only added to the anticipation. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the budget and the scale, there has also been a lot of discussion regarding a potential box office clash that has now been averted. Earlier reports suggested that the film might go head-to-head with Sanjay Leela Bhansali's highly anticipated Love and War. However, by moving the release of the first chapter to 2028, the makers have effectively avoided a massive confrontation. This shift is being seen as a calculated strategic move to ensure that both projects have enough breathing room at the box office. By choosing a solo window, the production team aims to maximize screen counts and audience reach, preventing two of Indian cinema’s biggest titles from eating into each other’s revenue. As of now, the technical crew and the rest of the supporting cast are yet to be officially announced. With Jai Hanuman in 2027 and the two parts of the Shivaji saga in 2028 and 2029, Rishab Shetty's schedule for the next few years is officially packed with some of the biggest films in the country.

Hollywood

4 days ago

312 views

Christopher Nolan in Mumbai? The Odyssey Set for its First-Ever India Premiere with Major Hollywood Stars

BY SACNILK

Christopher Nolan is scheduled to visit Mumbai this July for the premiere of his upcoming epic, The Odyssey. This event marks a shift in how major Hollywood productions are rolled out, as it is the first time a Nolan project will hold an official premiere in India. Universal Pictures has positioned Mumbai as a key stop on the film's global tour, alongside cities like London, Paris, and New York. Nolan will be joined by lead actors Matt Damon and Tom Holland, as well as producer Emma Thomas, ahead of the worldwide release on July 17. Joining Nolan for this historic visit will be two of the film's lead stars, Matt Damon and Tom Holland, along with Academy Award-winning producer Emma Thomas. The choice of venue is just as significant as the guests, with the premiere scheduled at the PVR Icon IMAX at Phoenix Palladium. Given Nolan's well-known preference for the format, this location serves as the perfect backdrop for a film that is breaking new ground in technical filmmaking. (adsbygoogle = window.adsbygoogle || []).push({}) Speaking of technology, The Odyssey is not just another big-budget release. It is being billed as the first feature film ever to be shot entirely using IMAX cameras. Nolan has always pushed the boundaries of film stock, but by using brand new IMAX technology for the entire runtime, he is offering an experience that literally cannot be replicated on standard screens. This technical milestone is a major reason why the global anticipation for the July 17 release has reached such a fever pitch. The story itself is a reimagining of Homer's foundational saga, focusing on the decade-long voyage of Odysseus following the fall of Troy. To bring this massive tale to life, Nolan has assembled an incredible ensemble cast. Beyond Damon and Holland, the film features Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Zendaya, and Charlize Theron. For a single production to boast this many A-list names is rare, and it explains why Universal Pictures is treating the marketing tour as such a high-profile event. Watch The Trailer Here (adsbygoogle = window.adsbygoogle || []).push({}) From a business perspective, the buzz in India is already translating into record-breaking numbers. Advance tickets for IMAX screenings went on sale on June 8, and the pricing has become a major talking point. In cities like Mumbai and Pune, premium seats are being listed for as high as 3,000 to 3,300 rupees. While these are among the most expensive tickets ever sold in the country, the demand remains remarkably high, with many late-night shows selling out almost instantly. It shows a clear trend where the Indian audience is willing to pay a premium for a unique, event-style theatrical experience. Ultimately, this visit signals a shift in how Hollywood perceives the Indian market. By bringing the director and the lead stars for a full-scale premiere ahead of the July 17 worldwide launch, the studio is acknowledging the massive and growing loyal fan base Nolan has built here. It is no longer just about the box office collections; it is about establishing a direct connection with one of the most passionate movie-going audiences in the world.

Kollywood

5 days ago

298 views

Ken Karunas' Youth Becomes More Than A Box Office Success As GV Prakash's Music Strategy Makes Headlines

BY SACNILK

Sometimes, the biggest success stories at the box office are not only about opening numbers or star power. They are about taking the right risks at the right time. Ken Karunas' Youth has now become one such example, with the film emerging as a strong performer despite being made on a limited budget.The Tamil coming-of-age comedy-drama, directed by and starring Ken Karunas, was reportedly made on a budget of around ₹6 crore. The film has gone on to deliver a strong theatrical run, collecting a reported ₹71.73 crore worldwide, making it a major overperformer compared to its production scale. Adding another interesting chapter to Youth’s success story is GV Prakash Kumar's involvement with the film's music. As per reports, GV Prakash composed the entire soundtrack without taking any remuneration, supporting the project after director Ken Karunas approached him to bring more visibility to the film. The decision came as a gesture of goodwill, with Prakash reportedly believing in the film despite its limited scale. The film's music journey also reportedly had its share of challenges. Major audio companies were said to have shown limited interest initially, citing the absence of a major lead actor and doubts over the album's commercial potential. Instead of settling for a low-value deal, GV Prakash reportedly chose to release the songs through his own independent music label. The strategy gained momentum after the single Mutta Kalakki became a viral success, turning the album into an important part of Youth's overall success story. (adsbygoogle = window.adsbygoogle || []).push({}) As per the box office figures, Youth has earned ₹60.33 crore gross from India, with the overseas market contributing ₹11.40 crore. The film's India net collection stands at ₹52.62 crore, showing that the audience response has remained strong throughout its run.But beyond the theatrical numbers, another interesting success story connected with Youth is GV Prakash Kumar's approach towards the film's music album. As per reports, music labels initially offered around ₹50 lakh for the album. However, GV Prakash reportedly believed in the potential of the music and decided to release the album under his own label instead of accepting the initial offer.Following the album's positive response, reports suggest that music labels later offered around ₹5 crore. The album has reportedly already generated around ₹2.5 crore for GV Prakash, with expectations of reaching around ₹7 crore revenue in the long run. This becomes an interesting comparison when you look at the overall scale of Youth. A film made on a reported ₹6 crore budget has not only crossed ₹70 crore worldwide but has also created additional value through its music. The journey of Youth also highlights a growing trend in Tamil cinema. Films with controlled budgets are increasingly finding success when the content connects with audiences. Instead of depending only on huge investments, these films are proving that smart decisions, strong word of mouth, and confidence in the product can create bigger-than-expected results.With a reported worldwide gross of ₹71.73 crore against a ₹6 crore budget, Youth is now being reported as a super-hit/blockbuster success and stands as one of the notable surprise winners of 2026.

Tollywood

6 days ago

6.4K views

Peddi Box Office: Ram Charan Starrer Beats Mana ShankaraVaraprasad Garu To Become Highest-Grossing Telugu Movie of 2026

BY SACNILK

Hyderabad, June 14 - Superstar Ram Charan's Peddi has scripted a major milestone at the box office by overtaking Mana ShankaraVaraprasad Garu to become the highest-grossing Telugu film of 2026 worldwide. The sports action drama has enjoyed a good theatrical run since its release and has now surpassed the lifetime worldwide gross of Chiranjeevi's blockbuster entertainer, taking the top spot among Telugu releases this year. (adsbygoogle = window.adsbygoogle || []).push({}) Buchi Babu Sana's directorial crossed the crucial milestone after moving past the 301.50 crore worldwide gross collected by Mana ShankaraVaraprasad Garu during its theatrical run on its 11th day, at the time of writing this piece. With strong collections from the Telugu states and decent performance in the rest of the markets, Peddi has managed to edge ahead to become the biggest Telugu grosser of the year. The film took an excellent opening at the worldwide box office and followed it up with a good opening weekend. Driven by massive anticipation and solid audience interest in the Telugu states, Peddi quickly emerged as one of the biggest openers of the year. Its impressive start laid the foundation for a successful theatrical run and helped it race past several major milestones within its first two weeks. (adsbygoogle = window.adsbygoogle || []).push({}) However, the film's trajectory has not been uniform across all markets. While Peddi has continued to collect decent numbers in Andhra Pradesh and Telangana during the weekdays, its performance in the rest of India and overseas territories has been comparatively underwhelming. The Telugu version remains the primary driver of the film's business, with other language markets contributing only modestly to the overall total. Despite crossing 300 crore worldwide and emerging as the year's biggest Telugu grosser, the film is still some distance away from achieving full commercial success. According to trade estimates, Peddi carries a break-even target of nearly 500 crore worldwide, meaning the film remains well short of the mark required to recover its overall costs through theatrical revenues alone. (adsbygoogle = window.adsbygoogle || []).push({}) Nevertheless, becoming the highest-grossing Telugu film of 2026 is a major achievement for Ram Charan and director Buchi Babu Sana. The film has managed to set a new benchmark for Telugu cinema this year, even as it continues its box office journey with the aim of reducing the gap towards its ambitious break-even target.

Bollywood

9 days ago

1.6K views

Haunted 3D Leads Bollywood's 4-Way Clash; Advance Gross 17% Higher Than Imtiaz Ali's Main Vaapas Aaunga

BY SACNILK

Bollywood is gearing up for a massive four-way clash this Friday, June 12, with a diverse range of films hitting the big screens. From psychological horror and period romances to financial thrillers and rescue dramas, there is plenty on the plate for moviegoers. The advance booking trends for these films are now coming in, and the ticket sales give us a fair idea of how they might perform on their opening day. Let's take a closer look at the numbers these films have managed to rake in so far. Leading the pack in terms of both revenue and volume is Haunted 3D: Echoes of the Past, directed by Vikram Bhatt. Serving as a sequel to the 2011 cult classic, the film brings back Mimoh Chakraborty in an atmospheric horror story. The movie has sold approximately 40,000 tickets across the country, resulting in an advance gross of roughly ₹71.4 Lakhs. Looking at the major national chains, PVR has contributed around ₹5.7 Lakhs, while INOX and Cinepolis have added roughly ₹4 Lakhs and ₹3.8 Lakhs respectively. The multi-format release in 2D and 3D seems to be a major pull for horror fans. (adsbygoogle = window.adsbygoogle || []).push({}) Following is Imtiaz Ali's highly anticipated period drama, Main Vaapas Aaunga. With music by A.R. Rahman, the film explores a cross-generational love story heavily rooted in the nostalgia of the 1947 Partition. Produced on a budget of about ₹70 Crore, the film has sold roughly 21,000 tickets so far, bringing its advance gross to approximately ₹61 Lakhs. The multiplex performance looks solid, with PVR bringing in around ₹22.6 Lakhs and INOX adding about ₹12.1 Lakhs. Trade expectations suggest the film needs a strong opening day in the range of ₹5 to ₹7 Crore to maintain a healthy theatrical value. Next up is Governor: The Silent Saviour, a biographical political drama directed by Chinmay D. Mandlekar. The plot revisits the 1990 Indian economic crisis, focusing on the events that saved the nation from bankruptcy. The makers utilized a distinct marketing strategy by offering the first 25,000 tickets at a retro rate of ₹50, which has certainly helped drive interest. So far, the film has sold about 22,000 tickets, resulting in an advance gross of roughly ₹56.3 Lakhs. In the national chains, PVR is leading with roughly ₹21 Lakhs, followed by INOX at approximately ₹9.9 Lakhs and Cinepolis at around ₹4.5 Lakhs. (adsbygoogle = window.adsbygoogle || []).push({}) Rounding off the clash is Bharat Bhhagya Viddhaata, a rescue thriller directed by Manoj Tapadia. The film features Kangana Ranaut as a brave nurse and uncovers untold chapters of the 26/11 Mumbai terror attacks. Ahead of its release, the film has managed to sell approximately 22,000 tickets, bringing its advance gross to about ₹54.3 Lakhs. The breakdown for major chains shows PVR at around ₹16.2 Lakhs, INOX at roughly ₹8.7 Lakhs, and Cinepolis adding about ₹4.1 Lakhs. As a film honoring unsung heroes, it adds a patriotic flavor to this weekend's competitive lineup. With four mid-to-high budget films releasing on the same day, the audience's attention is clearly divided. While the horror genre is currently leading in terms of ticket volume, the directorial brands and star power across the other releases are expected to drive significant walk-in footfalls on Friday. It will be interesting to see which of these stories manages to capture the audience's heart and survive this major box office battle.

Bollywood

10 days ago

428 views

Dhamaal 4 Trailer Launch: Ajay Devgn & Team to Unveil a Massive 60-ft Poster at Imagicaa's Grand Waterfall

BY SACNILK

This week is turning out to be a treat for Bollywood fans with back-to-back grand trailer launches. While the industry is currently buzzing with the jungle-themed launch of Welcome To The Jungle, the makers of Dhamaal 4 are ready to take things to a whole new level of adventure. In an exclusive report by Bollywood Hungama, it has been revealed that the trailer for Dhamaal 4 will be unveiled tomorrow, June 12, at the popular Imagicaa amusement park near Mumbai. The Dhamaal franchise has always been about madness and over-the-top comedy, and the team wants the trailer launch to reflect that exact energy. According to sources, the event is designed to be much more than a traditional press conference. Media persons attending the event will be treated to an immersive, adventure-led experience that mirrors the treasure-hunt narrative of the upcoming film. It is clear that director Indra Kumar and the producers want to create a massive talking point right from the start. The biggest highlight of this grand event will be the poster reveal. The makers have planned to unveil a massive 60-ft poster that will cascade down a grand waterfall at the park. This spectacular reveal will happen in the presence of the entire star cast, making it a visually stunning moment. By choosing an amusement park as the venue, the makers are signaling that Dhamaal 4 is going to be a pure family entertainer filled with thrills and spills. (adsbygoogle = window.adsbygoogle || []).push({}) Dhamaal 4 brings back the iconic core cast that fans have loved for years. The film features Ajay Devgn, Riteish Deshmukh, Arshad Warsi, Sanjay Mishra, and Jaaved Jaaferi. This group has a unique comic timing that has made the previous installments major hits at the box office. Adding more flavor to the mix, the ensemble also includes Esha Gupta, Sanjeeda Shaikh, Anjali Anand, Upendra Limaye, Vijay Patkar, and Ravi Kishan. With such a diverse cast, the madness is expected to be multifold. The franchise has a strong track record, with the previous film, Total Dhamaal, being a huge success in 2019. Fans have been waiting to see the original gang back on a treasure hunt, and the buzz for the fourth part is already sky-high. Dhamaal 4 is presented by Gulshan Kumar and T-Series in association with Devgn Films. It is produced by a heavyweight team including Bhushan Kumar, Ajay Devgn, Kumar Mangat Pathak, and Indra Kumar himself. With the trailer dropping tomorrow, the countdown for this laughter riot has officially begun.

Tollywood

10 days ago

3.2K views

Peddi Day 7 Box Office: Worldwide gross hits over Rs. 271 Cr and is now over 23 Cr away from crossing They Call Him OG globally

BY SACNILK

Peddi generated strong pre-release buzz thanks to Ram Charan's star power . Since its release, the actor's performance has received widespread appreciation and remains one of the key talking points among audiences. Although the film is not living up to the massive expectations that accompanied a project of this scale, it is still reaching significant milestones and setting new benchmarks in several areas. On its seventh day, which was a Wednesday, the film managed to earn a net collection of 7.55 Cr across India. This represents a 22.2% drop compared to Tuesday’s net of 9.70 Cr. While mid-week dips are a standard occurrence, the film is maintaining a steady presence with 7,535 shows currently running across the country. This brings the total India net collection to a respectable 187.25 Cr so far. On Day 7, Peddi recorded an India gross of 8.89 Cr. If we look at the state-wise breakdown, the Andhra Pradesh and Telangana markets remain the heart of the movie's success, contributing 6.50 Cr gross for the day. Karnataka followed with 0.60 Cr, while Tamil Nadu and Kerala added 0.25 Cr and 0.05 Cr respectively. The Rest of India markets contributed another 1.49 Cr, pushing the total India gross to 222.53 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) The language-wise performance shows that the Telugu version is doing most of the heavy lifting, bringing in 6.10 Cr net on Wednesday with an overall occupancy of 24.0%. Interestingly, Vizag-Visakhapatnam recorded a very high occupancy of nearly 40%, while Hyderabad remained steady at 20.5% across 640 shows. The Hindi version also showed some grit by adding 1.25 Cr net, while the Tamil, Kannada, and Malayalam versions saw smaller contributions during the mid-week period. In the national theater chains, the film saw a consistent turnout for a working Wednesday. Looking at the figures for PVR, INOX, and Cinepolis, these chains collectively grossed 33 Lakhs. To be more specific, PVR brought in 15 Lakhs, INOX added 12 Lakhs, and Cinepolis contributed 6 Lakhs. It is clear that while the mass-market single screens are driving the volume, the urban multiplex audience is still providing a reliable secondary stream of revenue. Digital booking trends are another indicator of the movie's reach. On BookMyShow, Peddi recorded 84.86K ticket sales on Wednesday alone, which is a very healthy number for a seventh day. This has helped the film cross a massive milestone on the platform, with total tickets sold now exceeding 31 Lakhs since its release. On the global front, the film added 0.80 Cr (Early estimates) from overseas markets on Day 7, taking its international gross to 48.80 Cr. When you combine the domestic and international numbers, Peddi has hit a worldwide gross total of 271.33 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) As the extended first week draws to a close, it is fascinating to see where Peddi stands among the all-time greats of Telugu cinema. While it has some way to climb to reach the very top, it has already secured its place among the notable global earners of Tollywood. Here is a look at the top Telugu movies based on their worldwide gross collections: Baahubali 2: The Conclusion - 1788.06 Cr Pushpa 2: The Rule - 1742.10 Cr RRR - 1230.00 Cr Kalki 2898 AD - 1042.25 Cr Baahubali: The Beginning - 650.00 Cr Salaar: Part 1 – Ceasefire - 617.75 Cr Saaho - 451.00 Cr Devara: Part 1 - 428.00 Cr Adipurush - 393.00 Cr Pushpa: The Rise - 350.10 Cr Mana Shankara Vara Prasad Garu - 301.49 Cr Hanuman - 295.29 Cr They Call Him OG - 295.22 Cr Peddi - 271.33 Cr Ala Vaikunthapurramuloo- 269.35 Cr With its first week coming to an end today, the film has already crossed several significant milestones. If it maintains this momentum, the ₹300 Cr mark is well within reach, and the current trend suggests it could continue climbing higher on the list.

Hollywood

12 days ago

671 views

The Odyssey Advance Booking: Christopher Nolan's Epic Doubles Oppenheimer Records As Ticket Prices Soar

BY SACNILK

Christopher Nolan is back with his most ambitious project yet, titled The Odyssey. After the massive success of Oppenheimer, expectations were already sky-high, but the early buzz suggests we are looking at something even bigger. The film is being hailed as a grand-scale epic, and notably, it marks a significant milestone in cinema history as the first feature film shot entirely using IMAX cameras. This technical feat has piqued the interest of cinephiles worldwide, promising a visual experience that has never been attempted on this scale before. The story follows Odysseus, played by Matt Damon, on a grueling ten-year journey home after the Trojan War. He must navigate mythical trials involving figures like the cyclops Polyphemus and the sorceress Calypso, played by Charlize Theron, while his crew faces constant danger. The focus on survival and legendary scale, captured entirely on IMAX, is clearly the main driver behind the current ticket frenzy. The early presale response for The Odyssey has been exceptional in North America. According to industry tracking reports, the film has already sold around 150,000 tickets for its domestic opening weekend through its initial premium-format presales. For comparison, Christopher Nolan's Oppenheimer had sold approximately 65,000 tickets at a similar stage of its booking cycle in 2023. While these figures represent early premium-screening sales rather than full theatrical bookings, the comparison highlights the tremendous demand for Nolan's latest epic and underscores the strong anticipation surrounding its release. (adsbygoogle = window.adsbygoogle || []).push({}) In India, the craze has reached a level that defies standard market trends. Bookings opened on June 8 for the IMAX version, and the demand was instantaneous. While average ticket prices across most Indian IMAX screens are hovering between 700 and 1,200 rupees depending on the timing, certain premium locations are pushing boundaries. For instance, a screen in Pune is reporting tickets for the evening show at a staggering 3,000 rupees. Despite these steep rates, shows are selling out within minutes, proving that the premium audience is willing to pay a high price for the best possible viewing experience. The ticket pricing across major cities reflects a strategic range based on theater location and luxury levels. In Mumbai, Inox Malad provides some of the most affordable entry points with morning shows starting at 450 rupees. However, premium locations like Cinepolis Seawoods are operating at the higher end, with evening tickets priced up to 2,000 rupees. This variation shows how theaters are balancing accessibility with the high demand for a premium experience. (adsbygoogle = window.adsbygoogle || []).push({}) The Delhi-NCR market follows a similar pattern of tiered pricing. While PVR Priya offers standard seats starting at 450 rupees, the cost for recliner seating at the same venue climbs to 1,400 rupees. For those seeking the lowest possible rates, Inox Paras is currently the most economical choice in the capital region, offering early morning slots for as low as 370 rupees. These figures indicate that while the film is a major event, there are still options available for different budget segments across the country. It is interesting to observe the price disparity across different regions due to local regulations. In Chennai, the Tamil Nadu government cap keeps IMAX tickets at a relatively modest 508 rupees. This makes the southern market incredibly competitive, with tickets disappearing almost as soon as they go live. Meanwhile, in cities like Mumbai, we are seeing tickets for recliner rows listed as high as 3,200 rupees. The trend shows that for a technical spectacle like this, the Indian audience is increasingly prioritizing the format and the quality of the theater over the cost of the ticket. This momentum is not limited to India. In the United States, AMC has reported its biggest first-day ticket sales for a studio release since 2022. Achieving this more than a month before the actual release is a rare feat in the current box office climate. It suggests that The Odyssey is positioned to be a cultural moment similar to Interstellar or Inception. By sticking to an IMAX-exclusive strategy for the initial booking phase, the makers have successfully created a sense of urgency and exclusivity that is driving these record-breaking numbers across the globe.

Tollywood

16 days ago

3.8K views

Peddi Becomes India's Third-Highest Premiere Grosser, Surpasses Hari Hara Veera Mallu and Pushpa 2

BY SACNILK

Directed by Buchi Babu Sana, Peddi is a sports-action drama headlined by Ram Charan in the titular role. The film features Janhvi Kapoor as the female lead, while Shiva Rajkumar, Divyendu Sharma and Jagapathi Babu play key supporting roles. Backed by Mythri Movie Makers in association with Vriddhi Cinemas and Sukumar Writings, the film arrived in theatres carrying substantial expectations following its promotional campaign, teaser launch and strong advance bookings. Set against a rural backdrop, Peddi revolves around an underdog whose journey is intertwined with sport, ambition and personal challenges, with the narrative blending action, emotion and mass-commercial elements. The strong pre-release buzz surrounding the film translated into exceptional demand for premiere shows, helping Peddi collect ₹21.83 crore and secure the third spot among the highest premiere grossers in Indian cinema history. Ram Charan's Peddi has started its theatrical run on a strong note. After recording one of the biggest premiere performances in Indian cinema history, the film followed it up with an estimated ₹51 crore net collection on its opening day, taking its total India net collection to ₹69.50 crore within just two days of release. The film's impressive start was powered by a ₹21.83 crore premiere gross, which helped Peddi secure the third spot among the highest premiere grossers in Indian cinema. The feat places the film behind only Dhurandhar 2: The Revenge and They Call Him OG on the all-time list. (adsbygoogle = window.adsbygoogle || []).push({}) Top Premiere Grossers in IndiaRANKMOVIE NAMEPREMIERE GROSS1Dhurandhar 2: The Revenge₹51.60 Cr2They Call Him OG₹24.78 Cr3Peddi₹21.83 Cr4Hari Hara Veera Mallu₹15.05 Cr5Pushpa 2: The Rule₹12.57 Cr While Dhurandhar 2: The Revenge remains comfortably ahead with a ₹51.60 crore premiere gross, Peddi's entry into the top three is significant given the competition. The film surpassed Hari Hara Veera Mallu's ₹15.05 crore premiere gross by nearly ₹7 crore and outperformed Pushpa 2: The Rule's ₹12.57 crore premiere figure by over ₹9 crore. Peddi also came within ₹3 crore of They Call Him OG, which currently occupies the second position on the all-time list. The latest ranking highlights how premiere shows have evolved into a major box office event in India. In recent years, films such as Pushpa 2: The Rule, Hari Hara Veera Mallu, They Call Him OG and now Peddi have generated substantial revenue even before the commencement of regular shows, reflecting the growing influence of advance bookings and fan-driven demand. (adsbygoogle = window.adsbygoogle || []).push({}) Among the five films on the list, four belong to the Telugu film industry, underlining the strength of the market when it comes to premiere and special-show business. Peddi's ₹21.83 crore premiere gross is the third-highest ever recorded by an Indian film, trailing only Dhurandhar 2: The Revenge and They Call Him OG. According to early estimates, the momentum generated by Peddi's record-breaking premiere run carried into its opening day as well. The film is estimated to have collected around ₹51 crore net on Day 1, reflecting a growth of approximately 176% over its premiere-day net collection. If these estimates hold, the film's cumulative India gross collection would stand at around ₹82.49 crore, while its worldwide gross could cross ₹112 crore, including roughly ₹30 crore from overseas markets. For Ram Charan, the latest milestone adds another notable achievement to his box office record. While the film now stands among the top premiere performers in Indian cinema, its opening-day numbers suggest that the strong premiere response was not merely fan-driven frontloading but translated into substantial theatrical business as well. With Peddi already crossing ₹100 crore worldwide gross within its first two days, all eyes are now on its weekend trajectory and whether it can maintain the momentum generated by its record-setting premiere and opening-day performance.

Tollywood

16 days ago

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Peddi Overseas Breakeven: Ram Charan Hits $1.57 Million Premieres, Second Best After RRR, Eyes High Breakeven Targets

BY SACNILK

Ram Charan is back on the big screen with Peddi, and the buzz surrounding this release has been nothing short of electric. Following the global impact of RRR, there is a natural curiosity to see how his solo films perform, especially on the international stage. Directed by Buchi Babu Sana and featuring Janhvi Kapoor as the leading lady, the movie has the benefit of a high-profile crew, including a musical score by AR Rahman. While the domestic response is always key, the real conversation this time is about the film's massive footprint in the overseas markets and the significant targets it needs to hit. Peddi started its journey with a strong financial base, having already crossed 275 crore in non-theatrical revenue. This includes the digital rights sold to Netflix for 115 to 130 crore, which could see an additional 20 crore bonus. Music rights brought in 35 crore via T-Series, while satellite deals are expected to range between 50 and 70 crore. The overseas theatrical rights were sold for 40 crore, which sets a high bar for the international market. Including the costs for print and advertising publicity and theater shares, the film needs to reach a cumulative international gross of 9 million dollars to hit the breakeven mark. Within that total international goal, the North American region alone accounts for a 6.5 million dollar breakeven target. Achieving this will require a very consistent performance across the United States and Canada over the coming weeks. The initial reports from Venky Box Office are encouraging, as the North American premiere shows brought in 1.57 million dollars. This figure is particularly notable because it stands as Ram Charans highest solo premiere number to date and his second-best overall, trailing only the massive opening of RRR. (adsbygoogle = window.adsbygoogle || []).push({}) The premiere performance has successfully placed Peddi among the top Telugu openings ever recorded in the United States. Looking at how these numbers compare to previous major releases helps show where the film stands in the current market. Here is how the rankings for the highest North American premieres currently look: 1. Kalki 2898 AD - $3.9M 2. RRR - $3.5M 3. Pushpa 2: The Rule - $3.34M 4. They Call Him OG - $3.14M 5. Devara - $2.85M 6. Salaar - $2.6M 7. Baahubali 2 - $2.45M 8. Peddi - $1.57M 9. Agnathavaasi - $1.52M 10. Guntur Kaaram - $1.42M While landing at the eighth spot on this all-time list is impressive, the road to profitability requires sustained momentum. A key comparison point often discussed is the Rangasthalam benchmark. Ram Charan's previous solo career-best in North America was the masterpiece Rangasthalam, which finished its lifetime run at 3.51 million dollars. For Peddi to hit its 6.5 million dollar breakeven goal, it must gross roughly 85 percent more than what Rangasthalam achieved. This shows just how much the market and the costs have expanded in recent years. With advance sales for the first weekend in North America already hitting 1.37 million dollars, the film is moving in the right direction, but the weekdays will be the ultimate decider. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the broader overseas picture, the early estimates for the opening day, which includes both premieres and Day 1, are looking very healthy. Early figures suggest a collection in the range of 2.85 million to 2.9 million dollars, which is approximately 27.5 crore in Indian currency. This marks the second-biggest overseas opening for Ram Charan, trailing only RRR, which opened at 3.5 million dollars. The total advance sales for the overseas opening day had already set a high bar at 1.65 million dollars, proving that the actor's brand value has grown significantly across different global territories. In summary, Peddi has successfully converted the pre-release hype into a massive opening. The film has the advantage of a strong non-theatrical cushion, but the focus remains on reaching the 9 million dollar target for a successful run. The start is historic, the numbers are record-breaking for a solo film of its kind, and the trend looks positive. However, achieving the status of a clean hit will require the film to hold its ground firmly through its second week.