BY SACNILK

The Dhamaal franchise has returned to the big screen with its fourth installment, and the 2026 box office is feeling the heat. Directed by Indra Kumar and featuring the beloved ensemble of Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey, the film has successfully leveraged its brand value to draw massive crowds. The buzz translates directly into the numbers, as the movie has already crossed the significant ₹50 Crore net milestone within its opening weekend, finishing its first three days with a net collection of ₹65 Crore in India. One of the most impressive aspects of this run is the sheer volume of ticket sales on digital platforms. In the context of 2026 releases, Dhamaal 4 has secured the third position for the highest ticket sales on BookMyShow during an opening weekend. The film managed to sell approximately 1.25 million tickets, effectively moving ahead of other major comedy entertainers like Welcome to the Jungle and Bhooth Bangla. This highlights a strong interest from the general audience who have been waiting for a high-energy comedy to hit the screens. (adsbygoogle = window.adsbygoogle || []).push({}) Here is how the top films of 2026 rank based on their opening weekend ticket sales on BookMyShow: Dhurandhar 2: 8.26 Million | 4 Days Border 2: 2.59 Million Dhamaal 4: 1.25 Million Welcome To The Jungle: 1.19 Million Bhooth Bangla: 1.16 Million When looking specifically at the national multiplex chains including PVR, INOX, and Cinepolis, the film shows a slightly different but equally strong standing. In these premium circuits, Dhamaal 4 is currently the fourth-highest selling movie of 2026. While Bhooth Bangla maintains a stronger grip on the third spot in multiplexes with around 293,000 tickets, Dhamaal 4 is not far behind with approximately 236,000 tickets sold. It successfully remains ahead of Welcome to the Jungle in these chains as well, proving its appeal across both mass markets and urban centers. Here is the 2026 leaderboard for tickets sold specifically within National Multiplex Chains: (adsbygoogle = window.adsbygoogle || []).push({}) Dhurandhar 2: 2.75 Million Border 2: 535,000 Bhooth Bangla: 293,000 Dhamaal 4: 236,000 Welcome To The Jungle: 207,000 The global footprint of the film adds another layer to its success story. With a worldwide gross collection currently standing at ₹92 Crore, the movie is just ₹8 Crore shy of reaching the prestigious ₹100 Crore gross mark. Given the momentum from the weekend and the high volume of tickets already sold, it is expected to achieve this milestone within the first half of the weekdays. The steady growth seen from Friday to Sunday suggests that the film has been well-received by the target audience, making it one of the standout performers of the year so far. (adsbygoogle = window.adsbygoogle || []).push({}) In conclusion, Dhamaal 4 has used its comedic heritage to dominate the 2026 charts. By surpassing its immediate competitors in ticket sales and maintaining a strong hold across diverse theater chains, the film is well on its way to a long and successful run. For the trade, the focus now shifts to how it sustains during the week, but the record-breaking start has already established it as a major winner for the season.

BY SACNILK

The Dhamaal franchise has officially returned to the big screen with its fourth installment, and the opening weekend numbers suggest that the audience was more than ready for another round of laughter. Directed by Indra Kumar and featuring the signature comedic energy of the ensemble cast including Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey, the film has successfully leveraged its legacy to draw massive crowds. Dhamaal 4 has completed its first three days on a very strong note, showing a consistent growth trajectory that highlights its broad appeal across different age groups. By finding its rhythm so quickly on Saturday and Sunday, the movie has already cleared a significant hurdle, officially crossing the ₹50 Crore net milestone within its opening weekend itself. To understand the magnitude of this opening, we have to look back at how the previous films in this series performed. This franchise has grown significantly over the years, with each installment setting a higher bar than the last. Dhamaal 4 has now officially become the biggest opener in the history of this series, surpassing the record previously held by Total Dhamaal in 2019. Here is a comparison of the opening weekend net collections for each film in the franchise over the years: Dhamaal (2007): ₹7.08 Crore Double Dhamaal (2011): ₹21.75 Crore Total Dhamaal (2019): ₹62.40 Crore Dhamaal 4 (2026): ₹65.00 Crore (adsbygoogle = window.adsbygoogle || []).push({}) Let's break down the India collections for the current film. The movie opened on Friday with a net collection of ₹14.00 Crore. While this was a solid start, the real momentum kicked in on Saturday. Day 2 saw a massive jump of 60.7 percent, bringing in ₹22.50 Crore. The upward trend continued on Sunday, which is typically the biggest day for family comedies. On its third day, the film collected ₹28.50 Crore, representing another 26.7 percent growth from Saturday. This steady climb pushed the total India net collection to the ₹65.00 Crore mark in just three days. Dhamaal 4 - India Box Office BreakdownDayGross CollectionNet CollectionShowsOccupancyDay 1 (Friday)₹16.80 Cr₹14.00 Cr10,66924.0%Day 2 (Saturday)₹27.00 Cr₹22.50 Cr10,95435.0%Day 3 (Sunday)₹34.20 Cr₹28.50 Cr11,48144.0%Total Weekend₹78.00 Cr₹65.00 Cr33,104- (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales data provides even more context regarding the film's popularity. On the popular booking platform BookMyShow, the film sold a total of 12.53 Lakh tickets over the weekend. This includes 92,000 tickets from pre-sales, followed by 2.70 Lakh on Friday, 4.55 Lakh on Saturday, and 4.35 Lakh on Sunday. It is interesting to note that while Saturday had a slightly higher number of tickets booked via the app, the overall occupancy and collections were higher on Sunday due to better walk-in crowds at the counters. The performance in national chains, which includes PVR, INOX, and Cinepolis, was particularly impressive. For Sunday alone, Dhamaal 4 sold approximately 1.19 Lakh tickets across 3,700 shows in these major chains. This resulted in a gross collection of roughly ₹4.40 Crore from these venues. If we look at the weekend as a whole, over 2.36 Lakh tickets were sold at these national chains, showing that the movie found a lot of takers in urban centers and multiplexes. The overall occupancy in these chains stood at around 14.7 percent on Sunday, with PVR leading the pack at 17.6 percent occupancy. (adsbygoogle = window.adsbygoogle || []).push({}) A closer look at the regional breakdown for Sunday reveals how the film performed across different major markets with varying show counts. In the National Capital Region (NCR), the movie ran across 1,041 shows with an overall occupancy of 45.0 percent, peaking at 65.0 percent during the evening slots. Mumbai recorded the highest engagement among major cities with a 55.5 percent overall occupancy across 868 shows, where evening screenings saw a massive 80.0 percent turnout. Ahmedabad followed closely with 55.0 percent occupancy over 718 shows, hitting a high of 78.0 percent in the evening. In other regions, Surat maintained a 43.8 percent occupancy across 388 shows, while Pune and Bengaluru saw steady numbers of 47.8 percent and 46.3 percent across 372 and 273 shows respectively. On a consolidated level for the Hindi 2D version, the day started with 22.31 percent occupancy in the morning and climbed to 56.31 percent in the afternoon, eventually reaching a peak of 71.62 percent in the evening before concluding the night at 47.62 percent, bringing the total Sunday occupancy to 49.46 percent. In the North American territory, the film is maintaining a steady pace and attracting the diaspora audience. Based on figures shared by Venky Box Office, the Saturday gross stood at 182,000 dollars (approximately ₹1.53 Crore). This brings the cumulative total in the region to 322,000 dollars (approximately ₹2.70 Crore), further strengthening the movie's overall performance in the international market during its first weekend. (adsbygoogle = window.adsbygoogle || []).push({}) The film is also making its mark globally with a strong performance across international markets. On its opening day, the movie collected ₹5.00 Crore overseas, bringing the first-day worldwide gross to ₹21.80 Crore. This momentum continued into Saturday, where it added another ₹5.00 Crore from international circuits, taking the two-day worldwide gross to ₹53.80 Crore. Based on early estimates for Sunday, the overseas market contributed approximately ₹4.00 Crore, pushing the total overseas gross to ₹14.00 Crore. When combined with the India gross of ₹78.00 Crore, the total worldwide gross collection stands at ₹92.00 Crore at the end of its first weekend. With the movie just ₹8 Crore shy of the ₹100 Crore milestone, it is well-positioned to cross that mark during the early part of the week.

BY SACNILK

The Dhamaal series has seen a steady transformation since the original film released in 2007. What started as a light-hearted road comedy focused on a treasure hunt has now grown into one of Bollywood’s most reliable comedy brands. Each sequel has attempted to scale up the stakes, moving from simple chases to the large-scale spectacle seen in Total Dhamaal. With Dhamaal 4, the narrative takes a new direction by incorporating sea pirates and supernatural themes into the mix. By bringing back core cast members like Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, the makers are sticking to the established chemistry that fans expect, while trying to give the franchise a fresh look for its latest theatrical run. Dhamaal 4 has concluded its first day with a net collection of ₹ 14 crore in India. Running across 10,669 shows, the film reached an India gross of ₹ 16.80 crore. When we look at the international market, early estimates suggest a gross of ₹ 5.00 crore, bringing the total worldwide opening day gross collection to ₹ 21.80 crore. (adsbygoogle = window.adsbygoogle || []).push({}) A notable aspect of this release is the 4DX format, making Dhamaal 4 the first movie in 2026 to receive a 4DX theatrical release. While this immersive format is rare for Indian cinema, it has been used for major titles in the past like Pathaan, Jawan, Tiger 3, and more recently for Kalki 2898 AD, Pushpa 2: The Rule, Thamma, and Bade Miyan Chote Miyan. The response for Dhamaal 4 has been quite encouraging, with an overall occupancy of 42.30 per cent for 4DX shows, which is significantly higher than the standard format. In Mumbai, the 4DX occupancy was as high as 50 per cent, while National Capital Region shows stood at 40.8 per cent. The night shows in this format reached 46.69 per cent, showing that a section of the audience is seeking a premium theatrical experience. If we analyze the performance of the franchise, this fourth installment has shown growth over the earlier parts but missed the high bar set by the previous film. The original Dhamaal opened with ₹ 2.38 crore in 2007, and Double Dhamaal grew to ₹ 7.6 crore in 2011. While Total Dhamaal had set a franchise record with ₹ 16.5 crore, Dhamaal 4 fell slightly short of that mark. However, with the current trend, a positive response from the audience could drive a significant weekend surge. (adsbygoogle = window.adsbygoogle || []).push({}) In the list of major openers for the year 2026, Dhamaal 4 has secured a spot in the top five. It currently ranks as the fourth-highest opener of the year so far, just ahead of Cocktail 2. You can see how the top performers compare in the following table: Top 5 Movie Openers of 2026 - India Net CollectionMOVIE NAMEINDIA NET COLLECTIONDhurandhar 2: The Revenge₹ 99.10 CrBorder 2₹ 30.00 CrWelcome To The Jungle₹ 15.25 CrDhamaal 4₹ 14 CrCocktail 2₹ 13.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Looking at ticket sales on BookMyShow, the movie sold 270,190 tickets on its opening Friday. Combined with pre-sales of 92,810 tickets, the total count on the platform stands at 363,000 tickets. Interestingly, the film narrowly missed a spot in the top 10 ticket sellers of the 2025-26 cycle, landing at the 12th position. It was only about 1,000 tickets behind Sikandar and 8,000 tickets behind Raid 2. This suggests that while it is attracting a large crowd, it is operating in a very competitive environment. The national chains, which include PVR, INOX, and Cinepolis, contributed a total of roughly 45,000 tickets for the opening day. This amounted to a gross of ₹ 1.65 crore. PVR led the chains with approximately 23.4k tickets and a gross of ₹ 92 lakh at an occupancy of 7.71 per cent. INOX followed with about 15.4k tickets, earning ₹ 53 lakh with 5.45 per cent occupancy. Cinepolis recorded nearly 6.2k tickets, collecting around ₹ 21 lakh with a 3.90 per cent occupancy rate. (adsbygoogle = window.adsbygoogle || []).push({}) The overall occupancy for the standard Hindi 2D version was 24.54 per cent for the day. The film saw a clear upward trend as the day progressed. It started with 8.38 per cent in the morning and grew to 19.15 per cent in the afternoon. By the evening, occupancy reached 24.85 per cent, finally peaking at 42.00 per cent for the night shows. This pattern indicates that families and office-goers are opting for late shows, which is a good sign for Saturday and Sunday growth. Regionally, Mumbai and the National Capital Region were the strongest performers for the 2D version. Mumbai recorded 24 per cent occupancy across 820 shows, with night shows hitting 43 per cent. NCR followed closely with 22.8 per cent occupancy across 969 shows, peaking at 37 per cent at night. Other regions like Ahmedabad, Bengaluru, and Hyderabad also maintained steady levels around 22 to 23 per cent. Cities like Surat and Kolkata were on the lower side, staying under 15 per cent overall. (adsbygoogle = window.adsbygoogle || []).push({}) For those opting for the 4DX experience, the occupancy levels were notably higher than the standard format, with an overall average of 42.30 per cent. This premium version saw a slow start in the morning at 6.08 per cent, but it gained significant traction as the day progressed. By the afternoon, occupancy rose to 17.23 per cent, and while there was a slight dip in the evening to 11.15 per cent, the night shows recorded a very strong 46.69 per cent. In terms of regions, Mumbai saw the highest demand for 4DX with a 50 per cent overall occupancy across its 5 shows, peaking at 51 per cent in the evening. The National Capital Region, which had a larger volume of 15 shows, maintained a steady 40.8 per cent occupancy, starting particularly well in the morning at 44 per cent. Bengaluru recorded an overall occupancy of 28.7 per cent for its 11 shows, though its night shows stood out with a high of 54 per cent. These numbers suggest that while the show count for 4DX is limited, the audience interest for this specific immersive experience is quite high compared to regular screenings. While the opening numbers are stable, the film's long-term success will depend on how it holds up over the weekend. The fact that it is a clean family entertainer and is available in multiple formats like 4DX should help in sustaining the momentum if the word of mouth remains positive.

BY SACNILK

Dhamaal 4 released in theatres yesterday, July 10, 2026, and has instantly struck a chord with the family audience. On its opening day, the film recorded a solid performance, collecting a net of ₹14 Cr across 10,669 tracked shows in India. This brings the total India gross collections to ₹16.80 Cr. Early estimates for the overseas market suggest a gross of approximately ₹5.00 Cr, pushing the worldwide opening day total to a massive ₹21.80 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) With this opening, Dhamaal 4 has officially surpassed the Day 1 collections of Bol Bachchan (₹12.10 Cr) to become one of the Top 3 comedy openers of Ajay Devgn's career, trailing only behind Golmaal Again and Total Dhamaal. The film brings back the beloved trio of Ajay Devgn, Riteish Deshmukh, and Arshad Warsi, while adding fresh energy with Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta. Critics have praised the fast-paced madness and the clean, kid-friendly humor that has been missing from the big screen lately. LIVE BLOG: DAY 2 UPDATES 04:15 PM (IST) 11 JUL 2026 Live Update: Saturday Afternoon Explosion; Dhamaal 4 Crosses 500K Ticket Milestone on BMS Dhamaal 4 is on a rampage this Saturday, showing a massive jump in footfalls across the country. As of 4:15 PM, the film has already minted ₹7.02 crore net live today across 6,236 tracked shows. This brings the total India net collection to ₹21.02 crore, with the total gross reaching ₹25.08 crore within just 40 hours of its release. The momentum on BookMyShow (BMS) is unprecedented for a comedy entertainer this year. Between 3 PM and 4 PM alone, the film sold 22,850 tickets, recording a significant surge compared to the 15,850 tickets sold during the same window yesterday. The cumulative sales since 7 AM this morning have now touched 1,59,170 tickets—nearly doubling yesterday's performance of 90,320 in the same period. The most significant milestone of the day comes from the platform itself, as Dhamaal 4 has officially crossed 500,000 (500K) total tickets sold on BookMyShow. The occupancy levels for the Hindi 2D version are reflecting a massive Saturday surge. While the morning shows started steadily at 12.77 per cent, the afternoon shows witnessed an explosive jump, recording 33.92 per cent occupancy across the country. Currently, the overall average for the day stands at 23.35 per cent. 01:45 PM (IST) 11 JUL 2026 Live Update: Saturday Momentum Skyrockets; Day 2 Live Net Crosses ₹2 Crore Dhamaal 4 is maintaining an extraordinary pace as it enters the Saturday afternoon shows. As of 1:45 PM, the film has already collected a net of ₹2.31 crore live today across 4,087 tracked shows. This takes the total India net collection to ₹16.31 crore, with the gross collection now standing at ₹19.53 crore so far. The ticket sales on BookMyShow are nearly doubling compared to the opening day. Between 12 PM and 1 PM today, the film sold 21,430 tickets, showing a massive jump from the 12,510 tickets sold during the same window yesterday. The total tickets booked since 7 AM this morning have reached a staggering 89,770, compared to 45,770 in the same period on Friday. 12:45 PM (IST) 11 JUL 2026 Live Update: Dhamaal 4 Crosses ₹15 Cr Net; Morning Occupancy Jumps by 50% Dhamaal 4 is witnessing a terrific surge on its first Saturday, with audience interest scaling new heights. As of 12:45 PM, the film has already minted ₹1.44 crore net live today across 3,575 tracked shows. This pushes the total India net collection to ₹15.19 crore (₹18.20 crore gross) so far. The ticket sales on BookMyShow have hit an explosive pace. Between 11 AM and 12 PM today, the film sold 24,510 tickets, which is more than double the 11,330 tickets sold during the same hour yesterday. The cumulative sales since 7 AM this morning have reached 68,340 tickets, compared to 33,260 yesterday. Occupancy trends are equally impressive. The morning shows recorded an overall occupancy of 12.77%, a significant leap from Friday's 8.38% morning start. Regionally, Mumbai and Pune are leading the charge with 18% occupancy each, followed by NCR and Bengaluru at 15% and 13% respectively. The Dhamaal wave has significantly altered the trending charts; while Alia Bhatt's Alpha has stopped trending on BMS , Welcome To The Jungle has started to emerge in the trending list during the 11 AM-12 PM window. With matinee and evening shows expected to see heavy walk-ins, the film is firmly on track for a huge Saturday finish. 10:15 AM (IST) 11 JUL 2026 Live Update: 2x Surge on Saturday Morning; Weekend Projections Eye ₹60 Crore Mark The momentum for Dhamaal 4 has witnessed a massive jump on Saturday morning. Between 9 AM and 10 AM today, the film sold 13,870 tickets on BookMyShow, which is more than double the 6,770 tickets sold in the same window yesterday. The total sales since 7 AM this morning have reached 24,330, compared to 12,660 yesterday morning. With an 8.9/10 rating on BMS from over 4,200 votes, the positive audience feedback is clearly driving a strong weekend surge. Based on current ticket sales and occupancy trends, the film is now gearing up to collect over ₹20 crore on both Saturday and Sunday, with a strong chance of hitting ₹25 crore tomorrow. If this pace continues, Dhamaal 4 is looking at a ₹60 crore plus opening weekend, comfortably surpassing initial trade expectations. 09:15 AM (IST) 11 JUL 2026 Live Update: Day 2 Morning Sales Explode; 77% Jump Over Friday Dhamaal 4 is showing signs of a massive weekend surge. As of 9:15 AM on Day 2, the film is running across 1,488 shows and has already collected a live net of ₹0.19 Cr today. This brings the cumulative India net to ₹13.94 Cr (₹16.72 Cr Gross) within the first few hours of Saturday. The momentum on BookMyShow (BMS) is staggering. Between 8 AM and 9 AM today, the film sold 7,320 tickets, compared to 4,230 tickets during the same window yesterday. The total sales since 7 AM today have reached 10,460 tickets, nearly doubling yesterday's 5,890. In the National Chains (PIC), the advance booking for today stands at a robust 71.8K tickets, generating a gross of approximately ₹2.74 Cr with a 9.3% occupancy. This is a significant jump compared to yesterday's 44K tickets at the same time. Leading the charge is PVR with 35.8K tickets (₹1.45 Cr), followed by INOX with 24.5K tickets (₹89 Lakh) and Cinepolis with 11.5K tickets (₹40 Lakh). The strong Word of Mouth is clearly translating into heavy spot bookings for the weekend. (adsbygoogle = window.adsbygoogle || []).push({}) @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; }

BY SACNILK

Raja Shivaji continues to maintain a steady presence in theaters as it moves through its fifth week of release. For a historical biopic that has already secured its position as a major commercial success, the fact that it is still drawing audiences after a month speaks to the long-term interest in the subject matter. The film offers a grounded portrayal of the iconic ruler, and the Marathi audience has consistently supported the project across both urban and rural centers. While the initial frenzy has naturally slowed down, the current numbers indicate a stable run during the weekends. The performance over the fifth weekend showed a healthy growth trend from Friday to Sunday. On Friday, or Day 29, the movie collected a gross of 0.32 Cr with an overall occupancy of 14 percent across 536 shows. Saturday saw a significant jump in audience turnout, with the gross reaching 0.58 Cr and occupancy rising to 20.4 percent. Sunday recorded the highest collection of the week at 0.68 Cr gross from 527 shows, with occupancy peaking at 24.8 percent. This brought the fifth weekend total gross to approximately 1.58 Cr, which is a respectable figure for a film at this stage of its theatrical life. Ticketing activity on digital platforms remains active, with BookMyShow recording 7.54K tickets on Friday, 11.91K on Saturday, and 10.48K on Sunday. This brings the cumulative tickets sold on the platform to over 25.91 Lakh. In national chains like PVR, INOX, and Cinepolis, the film managed to sell over 2,300 tickets during the weekend. These steady sales numbers across 90,279 lifetime shows indicate that the film is effectively utilizing its limited show count to maintain a consistent revenue stream. (adsbygoogle = window.adsbygoogle || []).push({}) The cumulative collections highlight how well the film has performed across different markets. Marathi remains the leading contributor with a total gross of 82.66 Cr and a net of 70.02 Cr. The Hindi version has also found its own audience, contributing 29.71 Cr gross and 25.15 Cr net. Having already established itself as the highest-grossing Marathi film some time ago, these additional collections further strengthen its record-breaking status. The overseas market has contributed 4.27 Cr gross, which, when added to the domestic total, brings the worldwide gross collection to a significant milestone. Raja Shivaji - 5th Weekend India Gross CollectionDAYINDIA GROSS COLLECTIONDay 29 (5th Friday)₹ 0.32 CrDay 30 (5th Saturday)₹ 0.58 CrDay 31 (5th Sunday)₹ 0.68 CrTotal 5th Weekend₹ 1.58 Cr Language-wise Breakdown (Cumulative): Marathi Net: 70.02 Cr (Gross: 82.66 Cr) Hindi Net: 25.15 Cr (Gross: 29.71 Cr) Overall Collection Totals: Total India Net Collection: 95.17 Cr Total India Gross Collection: 112.38 Cr Total Worldwide Gross Collection: 116.65 Cr

BY SACNILK

Raja Shivaji has officially etched its name in the history books of Marathi cinema. On its fourth Friday, the film has achieved a monumental milestone by surpassing the lifetime collections of Sairat, effectively becoming the number one Marathi movie of all time. This historical epic is not just holding its ground but is continuing to rake in significant moolah even after a month in theatres, driven by a powerful narrative and strong emotional connect with the audience. The fourth weekend performance highlights the film's incredible resilience. After starting the weekend on Friday (Day 22) with 0.60 crore, the movie witnessed a massive 91.7 percent surge on Saturday (Day 23) to collect 1.15 crore. The momentum continued on Sunday (Day 24) with a collection of 1.30 crore, representing a 13 percent growth from the previous day. This brings the total India net collections to a staggering 92.07 crore, while the India gross stands at 108.78 crore. Including the overseas kitty of 4.22 crore, the worldwide gross has reached the 113.00 crore mark. Raja Shivaji 4th Weekend India Net CollectionDAYCOLLECTION (NET)SHOWS4th Friday (Day 22)₹ 0.60 Cr9094th Saturday (Day 23)₹ 1.22 Cr9424th Sunday (Day 24)₹ 1.30 Cr950Weekend Total₹ 3.12 Cr2,801 (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales data further reflects this dominance. Over the fourth weekend alone, Raja Shivaji sold approximately 80,000 tickets on the BookMyShow platform, pushing its total sales on the app past the 2.5 million mark—a historic feat for a regional film. National chains have also been a major contributor to this success. On Friday, the three major chains (PVR, INOX, and Cinepolis) sold roughly 2,240 tickets. This number surged to 4,670 tickets on Saturday and peaked at 6,750 tickets on Sunday, showcasing a clear weekend uptick despite the film being in its fourth week. Regionally, the Marathi heartland continues to lead the charge. On Sunday, Mumbai recorded an overall occupancy of 46.5 percent across 125 shows, while Pune saw a brilliant 62 percent occupancy across 111 shows. The Marathi version alone contributed 1.10 crore on Day 24 with a 39 percent occupancy rate, while the Hindi version added 0.20 crore. To date, the Marathi version has collected 67.42 crore net, while the Hindi version has added a healthy 24.65 crore to the overall total across a cumulative 85,426 shows worldwide. Looking at the cumulative language-wise breakdown, the Marathi version has clearly been the primary driver of this success, contributing ₹67.42 crore in net collections (₹79.64 crore gross) from 38,130 shows with a solid average occupancy of 33.8 percent. On the other hand, the Hindi version has played a significant supporting role, adding ₹24.65 crore to the net total (₹29.14 crore gross) across a wider spread of 47,296 shows, maintaining an average occupancy of 13.4 percent throughout its run. While the film is slowly nearing the end of its theatrical run, its performance in urban pockets like Surat and Ahmedabad—where it saw 21 percent and 25 percent occupancy respectively—indicates that the appeal transcends beyond just Maharashtra. By becoming the highest-grossing Marathi film in history, Raja Shivaji has set a new benchmark for regional cinema, proving that high-quality storytelling combined with a grand scale can result in massive theatrical success. The trade is now watching to see if it can push past the 100 crore net mark before its digital premiere.

BY SACNILK

Raja Shivaji has maintained a steady presence at the box office as it enters its third week of release. While the initial momentum has naturally slowed down, the film is now approaching a significant historical milestone in Marathi cinema. On its 18th day, which was the third Monday, the movie collected a net of 1.15 crore across India. This represents a 66.7 percent drop from the previous day's collection of 3.45 crore, a trend that is expected for a weekday following a weekend. The language-wise breakdown for Day 18 shows that the Marathi version remains the primary driver of revenue, contributing 1.00 crore from 1,401 shows with an overall occupancy of 17 percent. The Hindi version added 0.15 crore from 764 shows, operating at an 8 percent occupancy level. These numbers bring the total India net collection to 85.70 crore, with the Marathi version accounting for 62.00 crore and the Hindi version contributing 23.70 crore so far. The total India gross has now reached 101.42 crore. Regional occupancy data for the Marathi version highlights strong interest in key cities like Pune and Mumbai. In Pune, the film saw an overall occupancy of 19.8 percent across 270 shows, with night screenings peaking at 23 percent. Mumbai followed with 337 shows and an overall occupancy of 15.3 percent. On the Hindi front, the film saw a 7.8 percent occupancy in both Ahmedabad and Surat, while the National Capital Region recorded 6 percent occupancy across 45 shows. This suggests that while the Marathi version holds strong in its home state, the Hindi version is finding its audience primarily in specific urban pockets. (adsbygoogle = window.adsbygoogle || []).push({}) The film's performance in national chains on Monday saw a total of approximately 3,540 tickets sold. Breaking this down, PVR contributed 1,310 tickets, INOX followed with 1,240, and Cinepolis added around 990 tickets. On the BookMyShow platform, the movie sold 38.92 thousand tickets on its third Monday, bringing the total ticket sales on the site to over 23.32 lakh. These figures indicate that the movie still has a functional level of demand despite the length of its theatrical run. Looking at the broader financial picture, the film added 0.10 crore from overseas markets on Day 18, taking the total overseas gross to 4.00 crore. This brings the total worldwide gross collection to 105.42 crore. In North America, however, the film has struggled to find significant footing, closing its recent gross at 202 thousand dollars, which is categorized as a flop in that specific territory. Domestically, the film had a strong start with a Week 1 collection of 52.65 crore, followed by 24.30 crore in its second week. The most important story for Raja Shivaji right now is its pursuit of the all-time Marathi box office record. The film is currently just 5 crore away from surpassing Sairat to become the number one Marathi movie of all time. If it continues at this pace, it is projected to reach a worldwide total of 110 crore by the end of its third week. Achieving this would cement its legacy as a historic success and a new benchmark for Marathi cinema on the global stage.

BY SACNILK

Raja Shivaji is showing solid staying power as it moves into its third week of release. While many films face a sharp decline after the initial two-week period, this historical drama has managed to keep a steady pace, continuing to be a reliable earner for the Marathi film industry. The film’s ability to maintain a consistent audience suggests that the subject matter is resonating well, allowing it to navigate the arrival of new titles without losing its core momentum at the ticket windows. On its 15th day, which was its third Friday, the film brought in a net collection of 1.45 crore. While this is a 23.7 percent drop from the previous day's 1.90 crore, it is a very resilient performance considering the arrival of new competition. This takes the total India net collection to 78.40 crore, while the India gross has climbed to 92.81 crore. The film operated across 2,142 shows nationwide, showing that exhibitors still have immense faith in its ability to bring in the moolah. The language-wise breakdown clearly shows where the film's primary strength lies. The Marathi version remains the heavy lifter, contributing 1.25 crore on Friday with a healthy 20 percent occupancy across 1,327 shows. The Hindi version added another 0.20 crore to the kitty from 815 shows. Even in its third week, the film is finding enough oxygen in the Hindi markets to keep the numbers ticking, though the Marathi heartland continues to be the driving force. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the performance in national multiplex chains, the film recorded approximately 5,350 tickets sold on Friday. Across the big three—PVR, INOX, and Cinepolis—it generated a gross of roughly 13 lakh. INOX led the segment with around 2,400 tickets, followed by PVR with 2,000 tickets and Cinepolis adding another 900. These numbers indicate a steady flow of urban audiences who are still catching up with the epic on the big screen. Digital engagement remains explosive as well, with BookMyShow recording 50.78K tickets for the day, pushing the lifetime total on the platform to a massive 21,30,390 tickets. Regional occupancy remains strongest in Maharashtra's core centers. In Mumbai, the Marathi version saw an overall occupancy of 18.5 percent across 333 shows, with night shows peaking at 25 percent. Pune performed even better, recording a 22.5 percent occupancy across 254 shows, with night screenings hitting the 30 percent mark. In the Hindi circuits, the film saw 9.8 percent occupancy in Ahmedabad and around 7.3 percent in both Surat and the National Capital Region (NCR). With its current total of 78.40 crore net, Raja Shivaji has already cemented its place in history by surpassing the lifetime collections of blockbusters like Ved and Baipan Bhari Deva. It now sits firmly in the second position of all-time Marathi grossers. The only target left to conquer is the legendary Sairat, which holds the top spot with a lifetime collection of 110 crore. With a steady trend and a lack of major competition in the regional market, the focus remains on whether this epic can bridge the gap and eventually claim the top spot as the highest-grossing Marathi film of all time.

BY SACNILK

Raja Shivaji has reached a significant turning point in its theatrical journey, officially claiming the top spot as the highest-grossing film of 2026. On its 12th day, the biographical epic showed an impressive level of resilience, netting 2.50 crore across the country. What makes this figure noteworthy is the 4.2 percent growth seen on Tuesday compared to Monday’s 2.40 crore. It is quite unusual for a film to see an upward trend on a second Tuesday, suggesting that word-of-mouth is acting as a strong theatrical anchor for the project. The regional bedrock of this success remains the Marathi market, which continues to outperform the Hindi version by a wide margin. On Tuesday, the Marathi version alone contributed 1.85 crore with a very healthy 30 percent occupancy rate across 1,920 shows. Meanwhile, the Hindi version added 0.65 crore from 1,938 shows at a 14 percent occupancy. When looking at the cumulative totals, the Marathi market has generated 51.75 crore net so far, while the Hindi version has brought in 21.40 crore, highlighting how deeply the film has resonated with its primary audience. Looking at the national multiplex chains, the film is maintaining a very competitive footprint. On day 12, it recorded the second-highest ticket sales across major chains, trailing only behind the new release Krishnavataram. To give you an idea of the volume, PVR accounted for approximately 9.8 thousand tickets, while INOX saw about 10 thousand bookings. Cinepolis contributed another 5.7 thousand, bringing the combined total from these three giants over 25 thousand tickets for the day. This steady participation from premium urban venues has been a key factor in the film's financial stability. (adsbygoogle = window.adsbygoogle || []).push({}) The digital engagement on platforms like BookMyShow also paints a picture of long-term theatrical stamina. The total number of tickets booked via the platform is now approaching the 2 million mark. Following a strong first week that saw 1.22 million tickets sold, the second week has remained surprisingly consistent. After a busy weekend, Monday and Tuesday have stabilized with roughly 75 thousand tickets each, ensuring that the daily run-rate remains high enough to keep the project at the top of the charts. From a broader perspective, the financial health of the film is record-breaking for the current year. The total India net collection has reached 73.15 crore, which translates to a domestic gross of 86.65 crore. By crossing these figures, Raja Shivaji has now surpassed every other release in 2026 to become the number one movie of the year in terms of collection. This achievement is a testament to the film's ability to balance regional appeal with a broader national presence. Ultimately, the logic behind these numbers suggests that the film has successfully navigated the difficult second-week hurdle. Over its 12-day run, the project has spanned a total of 60,155 shows, resulting in a domestic net collection of 73.15 crore. As there has been no contribution from overseas markets yet, the worldwide gross matches the India gross at 86.65 crore. With 3,858 shows still active nationwide, the film is effectively maximizing its reach during the weekdays. As these cumulative totals continue to climb, the focus now shifts to where the final lifetime benchmark will land, especially as the film remains the primary choice for audiences across its key markets.

BY SACNILK

The opening weekend numbers for movies released on May 1 show Raja Shivaji leading the domestic market with a 33.90 crore net collection. While the Marathi biopic found strong footing in India, Patriot focused its success overseas, grossing 38.50 crore internationally despite a downward trend in domestic shows. Along with The Devil Wears Prada 2, which held steady in premium multiplexes, the weekend data highlights a concentrated audience interest in big-ticket regional and international content over smaller releases like Ek Din and Jetlee. May 1 New Releases: Opening Weekend (3-Day) Box Office SnapshotMOVIE NAMEINDIA NET COLLECTIONWORLDWIDE GROSSTOTAL SHOWSRaja Shivaji₹ 33.90 Cr₹ 40.34 Cr18,238Patriot₹ 21.65 Cr₹ 63.61 Cr7,239The Devil Wears Prada 2₹ 13.35 Cr₹ 2,215.00 Cr5,592Ek Din₹ 3.85 Cr₹ 3.65 Cr5,216Jetlee₹ 2.45 Cr₹ 3.69 Cr2,661 Raja Shivaji has undeniably stolen the show domestically, recording the highest opening weekend among the new releases. With an India net of 33.90 crore, it benefited from massive show counts and strong regional loyalty. Looking at the BookMyShow data, the film sold nearly 1 million tickets in its opening weekend, with a total of 998,290 bookings. The national multiplex chains (PVR, INOX, and Cinepolis) played a significant role, contributing 222,406 tickets across the three days. Interestingly, Sunday saw a strong recovery in these chains with 82,028 tickets sold, surpassing the opening Friday numbers of 81,866, indicating healthy word-of-mouth in urban centers. (adsbygoogle = window.adsbygoogle || []).push({}) In contrast, the Malayalam release Patriot tells a story of two different markets. In India, the film started with a promising 10 crore on Friday but struggled to sustain that momentum, dropping to 5.50 crore by Sunday. This 10.6 percent dip from Saturday suggests that the initial buzz was driven by fan excitement rather than general audience growth. However, its overseas performance is where the film truly shines. It grossed 38.50 crore internationally in just three days, which is significantly higher than its total India gross of 25.11 crore. In North America specifically, it delivered a total weekend gross of 334 thousand dollars, making it the third-biggest opening for a Malayalam film in that region. The Hollywood entrant, The Devil Wears Prada 2, maintained a very steady profile throughout the weekend. After an opening day net of 3.80 crore (including pre-sales bringing the first day total to 5.50 crore), it saw a 5.3 percent growth on Saturday with 4.00 crore. While Sunday saw a minor 3.7 percent dip to 3.85 crore, the film's national chain presence remained robust. It sold over 150,000 tickets across PVR, INOX, and Cinepolis over the three days, proving that urban multiplex audiences were consistently interested. On BookMyShow alone, it trended with over 36,180 tickets booked in a single 24-hour period on Sunday. Ek Din followed a volatile path during its opening weekend, struggling to find a consistent audience despite a late-weekend surge. The film opened on Friday with a net collection of 1.15 crore across 1,961 shows, supported by 9,559 ticket sales in national chains like PVR, INOX, and Cinepolis. Saturday saw a 13 percent drop as collections dipped to 1.00 crore, while ticket sales in these premium chains fell significantly to 6,339. However, the film managed a notable recovery on Sunday, netting 1.70 crore across 1,490 shows with a recorded occupancy of 14.4 percent. While the Sunday performance provided a much-needed bounce-back, the national chain ticket sales only rose slightly to 7,240, indicating that the bulk of the Sunday growth came from single screens or non-national multiplexes. With a total India net collection of 3.85 crore and a modest overseas gross of 0.25 crore, the film's worldwide gross stands at 3.65 crore, suggesting it may struggle to maintain its screen count in the coming week. (adsbygoogle = window.adsbygoogle || []).push({}) Jetlee faced a challenging opening weekend, beginning its run with a net collection of 1.10 crore on Friday. Despite operating across 893 shows, the film struggled to build momentum in the premium national chains, selling only 4,151 tickets on the first day. This downward trend intensified on Saturday, where collections dropped by 27.3 percent to reach 0.80 crore. By Sunday, the film saw another significant decline of 31.3 percent, netting just 0.55 crore. Interestingly, while digital platforms recorded a surge of over 58,000 tickets for Sunday, the actual theatrical turnout in national chains was at its lowest, with only 1,599 tickets sold across PVR, INOX, and Cinepolis. This disconnect between digital bookings and ground-level footfalls resulted in a domestic weekend total of 2.45 crore net. When combined with an overseas gross of 0.85 crore, Jetlee ends its first three days with a worldwide gross collection of 3.69 crore, a figure that places it at the bottom of the weekend major releases. National Chain Ticket Sales : Raja Shivaji: 222,406 Total Tickets | Friday: 81,866 | Saturday: 58,512 | Sunday: 82,028 The Devil Wears Prada 2: 154,878 Total Tickets | Friday: 49,328 | Saturday: 53,127 | Sunday: 52,423 Patriot: 126,107 Total Tickets | Friday: 54,814 | Saturday: 38,980 | Sunday: 32,313 Ek Din: 23,138 Total Tickets | Friday: 9,559 | Saturday: 6,339 | Sunday: 7,240 Jetlee: 7,907 Total Tickets | Friday: 4,151 | Saturday: 2,157 | Sunday: 1,599 Raja Shivaji has undeniably stolen the show domestically... Overall, Raja Shivaji is setting new benchmarks for Marathi cinema, while Patriot highlights the growing power of the Malayalam diaspora in global box office tallies. The Devil Wears Prada 2 remains a reliable option for urban viewers, but for Ek Din and Jetlee, the road ahead looks difficult as show counts are likely to be redistributed to the better-performing regional titles in the coming week.

BY SACNILK

The historical genre in Indian cinema has recently seen two major projects based on the Maratha legacy take very different paths at the box office. While Chhaava was released as a purely Hindi production, the upcoming Raja Shivaji is taking a dual-language approach by releasing in both Marathi and Hindi. Although it is clear from the data that Raja Shivaji is playing on a different commercial level, comparing the two provides a fascinating look at how a multi-lingual regional film stands against a massive Bollywood production. To understand the scale of this competition, we have to look at the benchmark set by Chhaava for its opening day. Even as a Hindi-only release, the film managed to generate immense momentum, particularly within Maharashtra. Its final advance booking for day one stood at approximately 4.88 lakh tickets sold across India, translating to a gross of nearly 17.89 crore including block seats. This volume was driven by a heavy presence in national chains, where it sold over 2.14 lakh tickets, setting a high bar for any historical drama aiming for a massive start. On the other hand, Raja Shivaji is leaning into a strategy that combines regional loyalty with a wide national footprint. Backed by Jio Studios, the film is aiming for a massive showing of around 5,700 shows nationwide across its two versions. However, the internal breakdown of these shows tells a very interesting story about where the demand actually lies. Despite having a massive push in Hindi with nearly 3,900 shows, that version has sold only about 34,000 tickets so far. In sharp contrast, the Marathi version is completely dominating the pre-sales, selling over 1.67 lakh tickets from just 1,786 shows. This clear preference for the native language version is what has pushed the total opening day advance to approximately 2.02 lakh tickets, resulting in a gross of 6.54 crore with block seats. (adsbygoogle = window.adsbygoogle || []).push({}) Day 1 Advance Booking: Chhaava vs. Raja ShivajiMETRICCHHAAVA (HINDI ONLY)RAJA SHIVAJI (MAR + HIN)Total Tickets Sold4.88 Lakh2.02 LakhTotal Advance Gross (With Block)₹ 17.89 Cr₹ 6.54 CrBMS Final Pre-Sales776.6K Tickets217.3K TicketsNational Chain Sales2.14 Lakh81,866 Tickets The regional data is where the story gets even more detailed. Even though Chhaava was purely in Hindi, its subject matter ensured that it dominated Maharashtra. It recorded a massive opening with nearly 4.50 crore in advance sales from the state alone, with Pune and Mumbai showing occupancy peaks of 62.5 percent and nearly 80 percent. Coming to Raja Shivaji, the response is heavily concentrated in its native language. The Marathi 2D version has sold over 1.67 lakh tickets, with Mumbai and Pune showing real occupancy levels of 44 percent and 55 percent respectively. However, the Hindi version is seeing a slower start, with territories like NCR currently at a 2 percent occupancy across 433 shows. Regional Comparison: Raja Shivaji vs Chhaava (Day 1)REGION & METRICRAJA SHIVAJI (MAR/HIN)CHHAAVA (HINDI)Mumbai Shows6151,230Mumbai Occupancy44%36%Mumbai Gross (With Block)₹ 2.08 Cr₹ 4.06 CrPune Shows350654Pune Occupancy55%48%Pune Gross (With Block)₹ 1.38 Cr₹ 2.81 CrNCR Shows4331,249NCR Occupancy2%8%NCR Gross (With Block)₹ 19.98 Lac₹ 1.11 Cr Ultimately, Raja Shivaji is operating on a different scale compared to the massive Hindi-only production of Chhaava. While Chhaava set a high benchmark with its 33.50 crore opening day net, Raja Shivaji is testing how far a film can go when it prioritizes its regional roots while still competing for a national footprint. Even if it does not reach the same opening day totals as a major Bollywood actioner, the current pre-sales and the sheer scale of its release are already setting a historic new benchmark for the Marathi film industry.

BY SACNILK

The final week of April and the beginning of May 2026 are shaping up to be one of the most significant periods for the Indian box office this year. With the Maharashtra Day and May Day holidays providing a lucrative window, several high-profile films across Kannada, Tamil, Malayalam, Marathi, and Hindi are slated for release. The lineup features a mix of massive superstar reunions, highly anticipated debuts, and historical magnums opuses that have already begun showing decent momentum in pre-sales and audience interest. Leading the charge in terms of sheer scale and nostalgia is the Malayalam spy thriller Patriot, which brings together legends Mammootty and Mohanlal. Simultaneously, the Tamil and Kannada markets are bracing for intense action dramas like Kara and KD: The Devil. In the North and Maharashtra circuits, the focus remains on the historical scale of Raja Shivaji and the debut of Junaid Khan in Ek Din. This multi-lingual explosion ensures that every major film circuit will have a high-stakes release to drive footfalls over the long weekend. Below is the detailed breakdown of the major releases scheduled for this week: Movie Name: KD: The Devil Release Date: April 30, 2026 Language: Kannada, Hindi, Telugu, Tamil, Malayalam Director: Prem Set in 1970s Bangalore and based on real-life underworld events, this period actioner marks a grand return for Dhruva Sarja. The production scale is heavily bolstered by the presence of Sanjay Dutt as the antagonist Dhak Deva and Shilpa Shetty's return to Kannada cinema. The film has already recorded 13.12K tickets sold on BookMyShow within a 24-hour window, benefiting from its wide multi-lingual release and a star-studded ensemble that includes Nora Fatehi making her Kannada debut. Movie Name: Kara Release Date: April 30, 2026 Language: Tamil, Telugu Director: Vignesh Raja This gritty thriller is set in 1991 Ramanathapuram, unfolding over 16 days against the backdrop of the Gulf War fuel crisis. Dhanush plays Karasamy, a man returning to protect his ancestral land, supported by Mamitha Baiju and Suraj Venjaramoodu. With a meaty runtime of 2 hours 41 minutes and a UA 16+ certificate, the film has seen 5.41K tickets sold on BookMyShow in 24 hours, with Netflix already bagging the digital rights for a significant price. (adsbygoogle = window.adsbygoogle || []).push({}) Movie Name: Raja Shivaji Release Date: May 1, 2026 Language: Marathi, Hindi Director: Riteish Deshmukh Mounted as the most expensive Marathi film to date with a budget of ₹100–200 crore, this is a decade-long dream project for Riteish Deshmukh. Featuring the technical pedigree of cinematographer Santosh Sivan and the music duo Ajay-Atul, the film is witnessing high ground-level excitement. Early trends show 22.41K tickets sold in a 24-hour period, with an additional 5,000 new users marking their interest daily on BookMyShow as it heads into a major Maharashtra Day release. Movie Name: Ek Din Release Date: May 1, 2026 Language: Hindi, Tamil, Telugu Director: Sunil Pandey This Aamir Khan production marks the official Bollywood debut of Junaid Khan and South star Sai Pallavi. An official remake of the Thai film One Day, the narrative follows a socially awkward man who gets to live his dream with his colleague for just one day in Sapporo, Japan. The film is generating steady interest through its emotional soundtrack by Ram Sampath and strong early praise from Aamir Khan regarding the lead pair's performances. (adsbygoogle = window.adsbygoogle || []).push({}) Movie Name: Patriot Release Date: May 1, 2026 Language: Malayalam Director: Mahesh Narayanan This high-stakes spy thriller is breaking pre-sale records by reuniting industry titans Mammootty and Mohanlal after 13 years. Shot on a massive ₹140 crore budget across international locations, the film recorded an unprecedented 10.62K tickets booked in just one hour. Despite overseas pre-sales crossing $200,000, Mammootty has explicitly stated that the project is designed to set a new standard for Malayali cinema rather than simply chasing pan-India trends. Movie Name:Nooru Saamy Release Date: May 1, 2026 Language: Tamil Director: Sasi Reuniting actor-producer Vijay Antony with director Sasi nearly a decade after their hit Pichaikkaran, this film is described as a family biopic based on true events. The story explores a mother's unfulfilled desires and the bond with her son, aiming to capture the emotional audience segment. While the title draws inspiration from their previous collaboration, the director has clarified that this is a standalone story focused on grounded realism. Movie Name: Varavu Release Date: May 1, 2026 Language: Malayalam Director: Shaji Kailas This action-survival thriller marks the first collaboration between veteran director Shaji Kailas and Joju George. Set in the rugged hilly regions of Kerala, Joju plays a man on a quest for revenge against a power-ruled town. The film has gathered strong momentum online, with over 39,000 users marking themselves as interested on BookMyShow, signaling strong potential for a mass opening in the Kerala circuit.