Ritesh Chaudhari

Ritesh Chaudhari

🎬
Known For
Indian Cinema
Producer

Career Stats

Total Movies 1
Debut Year N/A
Awards Won Coming Soon
Box Office ₹2 Cr
💰

Box Office Summary

🏆
₹2 Cr
Aarpar
💎
0
1000+ Cr Movies
💎
0
500+ Cr Movies
💎
0
200+ Cr Movies
💎
0
100+ Cr Movies
💹

Top 10 Net Collection

Aarpar
Collection: ₹1.47 Cr
🎬

Recent Movies

Aarpar
Aarpar
Sep 2025

Related News & Articles

Drishyam 3 Advance Booking: Mohanlal Starrer Nears 2 Crore After Strong Start Mollywood
13.4K views

Drishyam 3 Advance Booking: Mohanlal Starrer Nears 2 Crore After Strong Start

BY SUNIT JANGIR

Kochi, May 11 - Drishyam 3 is carrying extraordinary buzz ahead of its theatrical release, with excitement surrounding the return of Mohanlal's iconic character Georgekutty reaching fever pitch among audiences. The trailer, promotional material, and the franchise's massive popularity have created strong anticipation across Kerala as well as overseas markets. Reflecting the hype, the film's advance booking has opened to an impressive response, even though the release is still around 10 days away, and full-fledged bookings in several major centres are yet to commence. As of 9 AM on May 11, the film has collected around 1.75 crore gross in Kerala booking sales and is now inching closer to the 2 crore mark. (adsbygoogle = window.adsbygoogle || []).push({}) The booking has opened on a strong note with nearly 10 days still left for release, while the full-fledged booking is yet to begin. Overseas markets are also witnessing strong momentum, with worldwide pre-sales having crossed the 5 crore mark for the opening day, including fan shows. Directed by Jeethu Joseph, the film is scheduled to release on May 21, 2026. Drishyam 3 continues the story of Georgekutty and his family after the events of the previous two blockbuster instalments. The film also stars Meena, Ansiba Hassan, and Esther Anil in key roles. (adsbygoogle = window.adsbygoogle || []).push({}) Trade analysts believe the franchise value and Mohanlal's popularity are driving the strong pre-release buzz. It will be looking to score one of the biggest openings for a Malayalam film, and if word of mouth is positive, then the sky is the limit. The Drishyam series remains one of Indian cinema's most celebrated thriller franchises, with both earlier films becoming massive critical and commercial successes across languages.

Dhurandhar 2 8th Weekend Box Office: Sunday Collections Spike Over 100% From Friday; Total India Net Touches Rs. 1,143 Crore Box Office
33.6K views

Dhurandhar 2 8th Weekend Box Office: Sunday Collections Spike Over 100% From Friday; Total India Net Touches Rs. 1,143 Crore

BY CHRISTA LINCY

Dhurandhar The Revenge has truly entered the history books, not just for its massive lifetime collection but for the sheer stamina it is showing in its eighth week.The movie is still pulling in audiences across India even after crossing the 1,143 crore mark. This past weekend proved that there is still plenty of gas left in the tank, as the film witnessed a significant jump in both footfalls and show counts. To understand the eighth weekend momentum, we should first look at the ticket sales activity. On BookMyShow alone, the film managed to sell 12.88K tickets on Friday, which grew to 19.48K on Saturday, and stayed strong with 15.98K on Sunday. This brings the three-day BookMyShow total to a solid 48.34K tickets. When we shift our focus to the major national chains, the growth is even more visible. The film started the weekend with about 2,460 tickets on Friday, but Saturday saw a massive spike as the numbers jumped to 7,190. By Sunday, the national chains recorded their best performance of the weekend with approximately 10,620 tickets. This cumulative total of over 20,270 tickets from the main chains alone shows that the urban audience is still very much interested in catching the film on the big screen. Dhurandhar 2 - 8th Weekend India Net CollectionDAY NUMBERINDIA NET COLLECTIONDay 51 (8th Friday)₹ 0.42 CrDay 52 (8th Saturday)₹ 0.90 CrDay 53 (8th Sunday)₹ 1.10 CrTotal 8th Weekend₹ 2.42 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The collection numbers reflect this steady climb. Friday began with a modest 0.42 crore, but the real story began on Saturday when the earnings more than doubled to 0.90 crore. Sunday took things a step further, crossing the 1 crore mark to finish the day at 1.10 crore. This brings the eighth-weekend total to 2.42 crore. For a film on its 53rd day, seeing a jump of over 100 percent from Friday to Saturday is quite remarkable. It suggests that word-of-mouth remains active, and family audiences are likely choosing this for their weekend outings over newer releases. The show management also gives us some interesting insights. Over the three days, the average show count was approximately 696 shows. However, looking at the daily breakdown, the exhibitors clearly reacted to the demand. On Friday, there were 645 shows available, but by Sunday, that number was pushed up to 733 shows. Similarly, the occupancy levels saw a dramatic spike. The average occupancy for the weekend stood at 26 percent, but the daily trend is what stands out. It moved from 16.4 percent on Friday to a peak of 32.7 percent on Sunday. This level of occupancy so late in the run indicates that the theaters that are still playing the movie are running nearly full during prime shows. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the language-wise breakdown for Sunday, the Hindi version continues to be the primary engine, contributing 1.06 crore from 692 shows with an impressive 33 percent occupancy. However, it is important to note the contributions from the other languages which helped push the day’s total higher. The Tamil version added 0.02 crore to the tally, maintaining a strong 31 percent occupancy across 19 shows. Both the Telugu and Kannada versions contributed 0.01 crore each, with the Telugu version showing 32 percent occupancy from 16 shows, while the Kannada version managed 10 percent occupancy from 6 shows. This widespread interest across various regions has been key in helping the film maintain its status as a true pan-India blockbuster as it nears the end of its historic theatrical run. Here is the breakdown of the total collections as the film stands after its 53-day theatrical run: Hindi Net: ₹1,074.71 Cr Telugu Net: ₹43.00 Cr Tamil Net: ₹19.76 Cr Kannada Net: ₹3.85 Cr Malayalam Net: ₹1.77 Cr Total India Net: ₹1,143.09 Cr Total India Gross: ₹1,368.10 Cr Worldwide Gross: ₹1,794.65 Cr

Dridam Box Office Collection | All Language | Day Wise | Worldwide Box Office
39.2K views

Dridam Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK TEAM

Here is the Malayalam movie Dridam box office collection, which is a crime mystery thriller film. This film is directed by Martin Joseph Tharakunnel and produced by Bedtime Stories and E4 Experiments. ## Dridam stars Shane Nigam, Mathew Varghese, Dinesh Prabhakar, and Nandan Unni in key roles. ## Dridam Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Dridam Budget: ₹ - Cr * Approx ## Dridam Verdict: Coming Soon ## Dridam Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 8th May 2026 ## For more and the latest news about Mollywood Box Office Collection, Stay tuned to us.Dridam State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Friday]₹ 0.03 Cr₹ 0 Cr₹ 0.03 Cr₹ 0.7 Cr₹ 0.01 Cr₹ 0.77 CrDay 2 [1st Saturday]₹ 0.07 Cr₹ 0.01 Cr₹ 0.05 Cr₹ 0.72 Cr₹ 0.02 Cr₹ 0.87 CrDay 3 [1st Sunday]₹ 0.04 Cr₹ 0.01 Cr₹ 0.04 Cr₹ 0.85 Cr₹ 0.02 Cr₹ 0.96 CrDay 4 [1st Monday]₹ 0.02 Cr₹ 0 Cr₹ 0.01 Cr₹ 0.4 Cr₹ 0.01 Cr₹ 0.44 CrDay 5 [1st Tuesday]₹ 0.02 Cr₹ 0 Cr₹ 0.01 Cr₹ 0.37 Cr₹ 0.01 Cr₹ 0.41 CrTotal₹ 0.18 Cr₹ 0.02 Cr₹ 0.14 Cr₹ 3.04 Cr₹ 0.07 Cr₹ 3.45 Cr ##

Godari Gattupaina Box Office Collection | All Language | Day Wise | Worldwide Box Office
28.7K views

Godari Gattupaina Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK TEAM

Here is the Telugu movie Godari Gattupaina box office collection which is a romantic comedy film. This film is directed by Subash Chandra and produced by Red Puppet Productions. ## Godari Gattupaina stars Sumanth Prabhas, Nidhi Pradeep, Jagapati Babu, Sudharshan, Rajeev Kanakala, and Harsha Vardhan in key roles. ## Godari Gattupaina Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Godari Gattupaina Budget: ₹ - Cr * Approx ## Godari Gattupaina Verdict: Coming Soon ## Godari Gattupaina Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 8th May 2026 ## For more and the latest news about Tollywood Box Office Collection, Stay tuned to us.

Daadi Ki Shaadi Box Office Collection | All Language | Day Wise | Worldwide Box Office
28.9K views

Daadi Ki Shaadi Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK TEAM

Here is the Hindi movie Daadi Ki Shaadi box office collection which is a family comedy drama film. This film is directed by Ashish R Mohan and produced by BeingU Studios, RTake Studios, and Shimla Talkies Production. ## Daadi Ki Shaadi stars Neetu Singh, Kapil Sharma, Riddhima Kapoor Sahni, and Sadia Khateeb in key roles. ## Daadi Ki Shaadi Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Daadi Ki Shaadi Budget: ₹ - Cr * Approx ## Daadi Ki Shaadi Verdict: Coming Soon ## Daadi Ki Shaadi Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 8th May 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

Thalapathy Vijay Box Office farewell: The Superstar Who Turned Film Releases Into Celebrations Kollywood
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Thalapathy Vijay Box Office farewell: The Superstar Who Turned Film Releases Into Celebrations

BY SACNILK TEAM

Thalapathy Vijay, arguably the biggest Tamil star in the 21st century, has begun his new chapter as the Chief Minister of Tamil Nadu, after his party Tamilaga Vettri Kazhagam (TVK) won a majority with alliance partner. For an entire generation of fans, Vijay has never been just a movie star. He has been routine, emotion, celebration, and memory stitched together through cinema. From imitating his walk and dialogues alone in front of mirrors, fandom has become something deeply personal. His songs have been danced to at every college function, not out of obligation, but out of devotion. However, beyond the emotional farewell lies a larger reality for Tamil cinema and the theatrical business. Vijay has confirmed his exit from films, which leaves behind a massive vacuum at the box office, particularly in Tamil Nadu. For more than two decades, he stood as one of the strongest commercial forces in Indian cinema — a star that distributors, exhibitors, and theatre owners relied upon year after year. A Vijay release was never merely about a film arriving in cinemas. It was an atmosphere that took over the state. (adsbygoogle = window.adsbygoogle || []).push({}) A Monumental Shift: The End of an Era for Thalapathy Vijay and the Tamil Box Office The cinematic landscape is witnessing a transition that feels less like a career shift and more like a historical pivot. For over two decades, the name Thalapathy Vijay has been synonymous with the pulse of Tamil cinema. To the millions who followed his journey, he was more than a favourite actor; he was a constant presence whose screen presence made the world feel electric with possibility. For the dedicated fan base, every Friday release felt like a state-wide festival. Midnight trailer drops were treated with reverence, every frame analysed and memorised, and every title card celebrated like a personal triumph. This was not merely a film cycle; it was a devotion that defined the rhythm of life for a generation. From imitating his signature walk in college corridors to performing his songs at every function, the connection between the star and the audience was built on something far deeper than simple entertainment. The Economic Pillar of Tamil Cinema Beyond the emotional devotion lies a stark reality: Vijay’s exit from the film industry creates a significant void in the theatrical ecosystem. For more than twenty years, he has been one of the primary forces sustaining the box office, particularly in Tamil Nadu. Distributors and exhibitors viewed a Vijay release as a guaranteed annual anchor. His films were not just movies; they were atmospheric events that kept the industry's heart beating. (adsbygoogle = window.adsbygoogle || []).push({}) The Power of the Opening In an era of unpredictable theatrical trends and the rise of OTT platforms, Vijay's films remained a sure bet. Advance bookings would vanish within minutes, and multiplexes relied on his opening weekends to drive massive footfalls. Single-screen theatres, the backbone of rural cinema, often survived on the sheer strength of their releases. His box office pull was unique—a rare emotional connection that turned a film release into a massive, shared public experience./p> A Legacy Beyond the Screen The transition from the screen to a larger stage marks a quiet, permanent change for the industry. The silence that follows the end of a lifelong song is now being felt across theatres. While the screen shrinks, the stage he is stepping onto grows, leaving the industry to reflect on a legacy that redefined stardom. A Vijay release did not just collect money at the box office. It collected memories, emotions, celebrations, and the energy of an entire generation. (adsbygoogle = window.adsbygoogle || []).push({}) Tamil cinema is not merely losing a superstar; the box office is losing one of its strongest pillars. His name alone possessed the power to fill theatres across cities, towns, and villages, bridging generations and sustaining a multi-billion rupee industry. As the theatre lights come up on this chapter, the impact of his career remains etched into the history of Indian cinema. A Vijay release did not just collect money at the box office. It collected memories, emotions, celebrations, and the energy of an entire generation. That is why your farewell feels bigger than cinema itself. Tamil cinema is not merely losing a superstar. The box office is losing one of its strongest pillars — a man whose name alone could fill theatres across cities, towns, and villages, year after year, generation after generation.

Thalapathy Vijay's Cinema Exit Could Be A Big Jolt To The Tamil Nadu Box Office Kollywood
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Thalapathy Vijay's Cinema Exit Could Be A Big Jolt To The Tamil Nadu Box Office

BY SUNIT JANGIR

Chennai, May 9 - The Tamil film industry is probably changing forever with Thalapathy Vijay, arguably the biggest crowd puller in modern Tamil cinema, set to become the next Chief Minister of Tamil Nadu. Vijay winning the Assembly Elections is not just a political earthquake — it could also become a massive turning point for the Tamil Nadu box office ecosystem. With the actor-turned-politician now set to take charge as the Chief Minister after Tamilaga Vettri Kazhagam crossed the majority mark with alliance support, the industry is entering completely uncharted territory. For nearly two decades, Vijay has been one of the biggest driving forces of the Tamil Nadu theatrical market. His films consistently generated record openings, massive festival revenues, and unmatched fan-driven theatrical celebrations. From single screens to multiplex chains, exhibitors heavily depended on a Vijay release to revive business during weak phases. His absence from full-time cinema after entering politics leaves a huge vacuum that may not be easy to fill immediately. (adsbygoogle = window.adsbygoogle || []).push({}) The Tamil Nadu box office has historically revolved around superstar-led event films, and Vijay was arguably the strongest theatrical force in the 21st century. His transition from actor to full-time politician means distributors, exhibitors, and producers could now lose the safest commercial bet in the state. Trade circles are already discussing how the industry will adapt without annual Vijay blockbusters dominating Pongal, Diwali, or summer windows. Superstar Rajinikanth is still active in cinema and continues to command a massive fan following and theatrical pull. However, the age factor is becoming increasingly significant, and the industry cannot realistically expect him to consistently headline multiple large-scale commercial entertainers every year for a long period. While Rajinikanth remains a gigantic force, Tamil cinema also needs younger stars to consistently deliver blockbuster numbers to maintain market stability. (adsbygoogle = window.adsbygoogle || []).push({}) Thala Ajith Kumar is another big crowd puller, but he does films every two years, which is not helping the industry to continue to flow. Kamal Haasan is another legendary name carrying Tamil cinema globally, but his films have not matched the box office dominance that Vijay and Rajinikanth films traditionally achieved in Tamil Nadu. Though Kamal continues to experiment with ambitious subjects and large-scale productions, the theatrical consistency seen with peak Vijay releases has largely been missing. The bigger concern for the Tamil industry is the lack of dependable next-generation box office giants. Actors like Suriya, Sivakarthikeyan, Dhanush, Karthi, and others certainly have strong fan bases and respectable market value, but most of them have struggled to consistently deliver 100 crore grossers in Tamil Nadu and overseas markets. Some films open well, while others collapse quickly, creating instability for distributors and exhibitors. (adsbygoogle = window.adsbygoogle || []).push({}) This inconsistency has slowly created a serious crisis within the Tamil film industry. Rising production costs, increasing actor remunerations, weak theatrical recoveries, and inconsistent success of mid-budget films have already put pressure on producers. Vijay's possible permanent exit from cinema could further intensify that situation because his films were among the few guaranteed theatrical events capable of generating massive advances and recovery across all distribution territories. However, Vijay's political success could indirectly help the industry in another way. A film star becoming Chief Minister may strengthen cinema's influence within Tamil Nadu's cultural and policy ecosystem. Issues related to ticket pricing, theatre taxation, piracy, and industry regulations may receive greater attention under a leadership that deeply understands the business side of cinema. Still, from a pure box office perspective, Vijay's electoral victory is undeniably a huge jolt for Tamil cinema. The industry is now entering an uncertain transition phase where the absence of a consistent mega-blockbuster star could expose deeper structural weaknesses within the Tamil theatrical market. Vijay's last film, Jana Nayagan, after going through multiple release delays, is set to release later this month.

Thalapathy Vijay's Jana Nayagan and Yash's Toxic Under Pressure With Lukewarm OTT Deals? Kollywood
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Thalapathy Vijay's Jana Nayagan and Yash's Toxic Under Pressure With Lukewarm OTT Deals?

BY SUNIT JANGIR

Chennai, May 9 - Two of the most-awaited South Indian films, Thalapathy Vijay's political action drama Jana Nayagan and Yash-fronted Toxic: A Fairy Tale for Grown-Ups have been in the news for various reasons, and this isn't helping their cause when it comes to locking post-theatrical digital deals. Jana Nayagan, directed by H. Vinoth, was supposed to be released in January this year, but the issues with the censor board delayed the film indefinitely. On top of that, the movie was leaked online recently, which has given a massive blow to the film's overall business prospects. While the election victory of Vijay in the Tamil Nadu election has filled the fans with enthusiasm and has created a positive atmosphere around the film's theatrical release, which is expected later this month, the same is not making much impact when it comes to OTT release. (adsbygoogle = window.adsbygoogle || []).push({}) The original OTT deal of Jana Nayagan was cancelled due to continuous delay, and now, OTT players are reluctant to secure the digital rights of the movie. Contrary to the original deal, which was reportedly acquired by Amazon Prime Video for 120 crores, the new OTT offer is said to be less than half of it. It is said that a major OTT player recently offered around 50 crores for post-theatrical digital rights of the movie, which is significantly lower than the original price. There is no clarity yet on whether the deal is locked or not. Some updates are expected in the next few days, with the theatrical release around the corner. Similarly, superstar Yash's Kannada and English bilingual film, Toxic, is also under extreme pressure due to continuous delay and reportedly fading interest among the digital platforms. The movie was scheduled to release on March 19, but was delayed to June 4 due to the war in the Gulf, since the film carries huge box office potential in this region. (adsbygoogle = window.adsbygoogle || []).push({}) When it looked like it would finally be making its debut on June 4, the makers postponed it again to a later date. In a statement, the team revealed that due to the encouraging response at the CinemaCon event, the makers are now aiming for a much wider release in international territories, and to do that, they are in the process of locking a distribution partner for the same. The frequent delay in release plans is not only testing the patience of the fans, but also making a huge blow to digital prospects. As per unconfirmed reports, the OTT platforms are not willing to offer more than 100 crores for digital rights, which is much lower than the makers' expectations of at least 200 crores. This is also said to be one of the reasons behind the release postponement. Interestingly, both films are produced by KVN Productions, with Toxic co-produced by Yash's Monster Mind Creations. With time already running out, and the buzz is fading away, the studio is now in a difficult position to balance films' financial viability against market realities.

Nandamuri Balakrishna's Film With Koratala Siva Is titled Carpenter Tollywood
12.6K views

Nandamuri Balakrishna's Film With Koratala Siva Is titled Carpenter

BY SUNIT JANGIR

Hyderabad, May 9 - Telugu veteran Nandamuri Balakrishna and director Koratala Siva are teaming up for the first time for a big Pan India action drama film, and the makers are busy finalising the rest of the cast and crew. According to the report by Gulte, the makers are considering locking the Carpenter title for this film. It is said that the production house Yuvasudha Arts has registered the title of the same name, which hints but confirms that this is going to be the official title. (adsbygoogle = window.adsbygoogle || []).push({}) Meanwhile, Anirudh Ravichander has reportedly been locked to compose music for Carpenter. This marks his maiden collaboration with Nandamuri Balakrishna. The Pooja Ceremony of the film is expected to take place on May 21, with the regular shoot kicking off in July this year. Koratala Siva's last directorial was Devara Part 1 (2024), starring superstar Jr. NTR along with Saif Ali Khan and Janhvi Kapoor. The film emerged as a box office hit with a worldwide collection of around 430 crores gross. The second part of Devara is already confirmed, and it will kick off once Siva and NTR complete their current assignments. (adsbygoogle = window.adsbygoogle || []).push({}) Balakrishna, on the other hand, was last seen in Akhanda 2: Thaandavam in December last year. The actor's immediate next is with director Gopichand Mallineni. Tentatively called NBK111, the movie is currently in production and is expected to release on Sankranthi next year.

Raja Shivaji Day 8 Box Office: Film Earns Rs. 3.20 Cr; Records A 20% Drop Compared To Thursday Box Office
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Raja Shivaji Day 8 Box Office: Film Earns Rs. 3.20 Cr; Records A 20% Drop Compared To Thursday

BY CHRISTA LINCY

Raja Shivaji has officially moved into its second week of theatrical run, and the performance on its eighth day shows a steady hold. On its second Friday, the film managed to collect ₹3.20 crore net in India. This represents a 20.0% drop compared to its Thursday collection of ₹4.00 crore. While there is a natural dip as it enters the new week, the film is maintaining a decent pace as it heads into the crucial second weekend. With these additions, the total India net collection now stands at ₹55.85 crore. The language-wise breakdown reveals that the Marathi version continues to be the primary driver for the film's success. On Friday, the Marathi version earned ₹2.50 crore, supported by a solid occupancy of 25.0% across 1,845 shows. In contrast, the Hindi version brought in ₹0.70 crore from a higher show count of 2,037, though the occupancy was lower at 10.0%. Looking at the overall totals so far, Marathi has contributed ₹38.75 crore to the net total, while Hindi has added ₹17.10 crore. The strong performance in Maharashtra is clearly keeping the film's momentum alive. In terms of theatrical reach, Raja Shivaji was playing across a total of 3,882 shows on Friday, recording an overall India occupancy of 17.1%. When we look at the performance in major national multiplex chains like PVR, INOX, and Cinepolis, the movie saw steady footfalls. Approximately 9,500 tickets were sold across these chains on Friday. PVR saw around 3,700 ticket sales, while INOX followed closely with about 3,600 tickets. Cinepolis contributed around 2,200 tickets to the total. These major chains accounted for roughly 1,170 shows of the film's daily schedule. (adsbygoogle = window.adsbygoogle || []).push({}) The engagement on booking platforms like BookMyShow also reflects a healthy trend. After selling 1.22 million tickets in its opening week, the second Friday added another 109.78K bookings. This brings the total ticket count for the film to approximately 1.55 million. The initial pre-sales of 217K tickets gave the film a great start, and it is encouraging to see that it is still pulling in over a lakh viewers even on its eighth day. A 20% drop on the second Friday is a standard trend for films of this size as they enter their second week. The film has successfully exhausted its first-week audience and is now looking to capitalize on the second-weekend crowd. With a total India gross now standing at ₹66.23 crore, the film is in a good position to see a significant jump on Saturday and Sunday. If the Marathi markets continue to show high occupancy, Raja Shivaji should be able to post a very respectable second-week total.

Peddi Trailer Date: Ram Charan's Sports Action Drama Trailer Be Launched On May 16 In Bhopal Tollywood
13.1K views

Peddi Trailer Date: Ram Charan's Sports Action Drama Trailer Be Launched On May 16 In Bhopal

BY SUNIT JANGIR

Hyderabad, May 9 - Superstar Ram Charan's Peddi is gearing up for a massive promotional campaign ahead of its theatrical release. Directed by Buchi Babu Sana, the sports action drama has already generated huge buzz among fans and trade circles, with expectations riding high after the film's posters and promotional material received a strong response online. Peddi Trailer On May 18 In Bhopal (adsbygoogle = window.adsbygoogle || []).push({}) The makers are set to unveil the trailer of the film on May 18 in Mumbai through a grand launch event. Earlier, the trailer was reportedly planned for May 16 in Bhopal, but now, the makers plan a musical event in Bhopal. The report further suggests that the event will feature Ram Charan, leading lady Janhvi Kapoor, and other members of the cast and crew. One of the biggest highlights of the event is said to be a possible live performance by Oscar-winning composer A. R. Rahman, who is composing the music for the film. If confirmed, the trailer launch could turn into one of the biggest promotional events for an Indian film this year, especially with the makers targeting audiences across multiple regions. Peddi marks the first collaboration between Ram Charan and Buchi Babu Sana. The film is said to blend sports, action, and intense emotional drama on a large scale. Apart from Janhvi Kapoor, the movie also stars Shiva Rajkumar, Jagapathi Babu, and Divyenndu in key roles. (adsbygoogle = window.adsbygoogle || []).push({}) Strong Advance Booking Momentum In North America The film has been creating strong momentum in overseas markets as well. The latest trade reports suggest that the North American premiere pre-sales crossed the $150K mark, with over 5,000 tickets already sold within hours, indicating strong anticipation among Telugu cinema audiences overseas. Peddi, which will be distributed by Jio Studios in North India, is slated for a worldwide theatrical release on June 4, 2026, with a premiere on June 3. Fans are now eagerly waiting for the trailer launch, which is expected to offer a deeper look into Ram Charan’s character and the film’s action-packed world.

Bhooth Bangla Day 22 Box Office: Horror-Comedy Earns Rs. 1.75 Cr Net; Maintains Flat Hold Compared To Thursday Box Office
15.9K views

Bhooth Bangla Day 22 Box Office: Horror-Comedy Earns Rs. 1.75 Cr Net; Maintains Flat Hold Compared To Thursday

BY CHRISTA LINCY

Bhooth Bangla has entered its fourth week of theatrical run, and the performance on Day 22 shows a high level of stability. The film collected ₹1.75 crore on its fourth Friday, which is the same as its collection from Thursday. This flat hold is a positive trend for the movie, indicating that it is maintaining a steady pace at the ticket windows as it transitions into the fourth weekend. On the all-time list of highest 22nd-day collections for Bollywood, Bhooth Bangla has secured the 29th position. With a collection of ₹1.75 crore, the film has managed to outperform the 22nd-day numbers of several big titles. This includes Bhool Bhulaiyaa 2 (₹1.56 crore), Bhool Bhulaiyaa 3 (₹1.40 crore), and even action films like War and Tiger Zinda Hai. With this steady Friday performance, the total India net collection for Bhooth Bangla now stands at ₹151.75 crore. If we include the gross collections, the domestic total reaches ₹180.06 crore. The film is also finding some traction in the international market, adding ₹0.10 crore on Day 22 to take its overseas gross to ₹52.95 crore. Combining all these figures, the worldwide gross collection has now reached ₹233.01 crore, solidifying its status as a significant commercial success. (adsbygoogle = window.adsbygoogle || []).push({}) Bhooth Bangla's collection on its 22nd day is significantly higher than what many of Akshay Kumar’s previous releases earned at the same point in their theatrical run. While this film collected ₹1.75 crore on Day 22, several of his other major post-COVID hits were trending well below this mark by their fourth Friday.Here is how some of his other notable releases performed on their 22nd day: Bhooth Bangla:₹1.75 Cr OMG 2: ₹1.10 Cr Kesari: ₹0.95 Cr Sooryavanshi: ₹0.71 Cr Jolly LLB 3: ₹0.50 Cr Housefull 5: ₹0.30 Cr Looking at the theatrical activity, the movie was playing across 3,939 shows on Friday with an overall occupancy of 10.0%. In the major national multiplex chains like PVR, INOX, and Cinepolis, the film tracked about 3,356 tickets from 1,400+ shows. PVR led these chains with 1,570 tickets sold, followed by INOX with 1,190. While the occupancy in these premium chains was lower at 1.12%, the broader performance across single screens and smaller centers seems to be providing the bulk of the stability. The ticket booking trends on BookMyShow further highlight how the film has maintained momentum over the weeks. Starting with 170K pre-sales, it sold 1.45 million tickets in its first week and 811K in the second week. Even in its third week, it managed a healthy 401K tickets. For its fourth Friday specifically, the film saw 28.38K tickets booked, bringing the total count to over 28.64 lakh tickets. These are very healthy numbers for a mid-budget film entering its fourth week of run.