BY SACNILK

Mumbai, July 20 - The first trailer of Nitesh Tiwari's Ramayana: Part 1 may not have been released online yet, but it has already generated tremendous buzz following exclusive screenings for filmmakers, members of the media, and industry insiders. Those who attended the special preview have taken to social media to share overwhelmingly positive reactions, describing the film as one of the most ambitious cinematic spectacles ever attempted in Indian cinema. The early response has been particularly glowing for Ranbir Kapoor's portrayal of Lord Ram, with many praising his composed and graceful screen presence. Yash's Ravana has also emerged as one of the biggest talking points, with viewers describing his look and intensity as menacing and impactful. The film's grand scale, production design, and cinematography have received widespread appreciation, while the background score by A.R. Rahman and Hans Zimmer has been hailed as one of the trailer's standout elements. (adsbygoogle = window.adsbygoogle || []).push({}) Several filmmakers and industry personalities have also shared their admiration for the trailer. Director Atlee praised the visuals and performances, calling Yash "unbelievably lethal" as Ravana and Ranbir Kapoor "stunning" as Lord Ram. Many members of the media who attended the screening echoed similar sentiments, describing the trailer as "goosebumps-inducing," "divine," and a visual spectacle that sets a new benchmark for Indian filmmaking. While the response has been overwhelmingly positive, a few attendees pointed out that certain visual effects shots could benefit from additional refinement before the film's release. However, these observations have largely been overshadowed by the praise for the film's scale, performances, and technical excellence. With the online trailer yet to make its official debut, the enthusiastic word-of-mouth from the industry's first screening has significantly heightened anticipation, making Ramayana: Part 1 one of the most eagerly awaited Indian films in recent memory. (adsbygoogle = window.adsbygoogle || []).push({}) #JaiShriRam... Watched the trailer of #Ramayana in 3D, and there's just one word to describe it: SPECTACULAR.This 4-minute trailer – called #PrathamSankalp – leaves you absolutely mesmerised... The presentation, scale, visuals, VFX, and the background score are simply… pic.twitter.com/2tLQPp8PUq— taran adarsh (@taran_adarsh) July 20, 2026 Absolutely blown away by the #Ramayana trailer! What a vision by @NamitMalhotra sir and what incredible craft from @niteshtiwari22 sir.@TheNameIsYash bro looks unbelievably lethal, Ranbir Kapoor bro is stunning, and @Sai_Pallavi92 is ethereal. Every frame feels grand, fresh,…— atlee (@Atlee_dir) July 20, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) WAIT FOR ITWATCH IT TO BELIEVE ITWORTH THE WAIT 3 DAYS TO GO - 🔥🔥🔥🔥🔥🔥🔥💥💥💥💥💥💥🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🧿🧿🧿🧿🧿🧿 #Ramayana— Himesh (@HimeshMankad) July 20, 2026 A lot to talk about #Ramayana trailer but can't share details until July 24 because it's on embargo! But I can tell you one thing that it definitely raises the bar of Indian cinema by several notches. Visuals are like a dream on big screen. All of us who have grown up…— Filmy Gautam (@filmygautam) July 20, 2026

BY SACNILK

With only a few days remaining before the Ramayana trailer release, new details have emerged regarding its official launch at the San Diego Comic-Con. On July 15, the Central Board of Film Certification (CBFC) cleared a 4-minute-15-second-long trailer for the film with a U certificate. This sets the stage for a major international presentation, where director Nitesh Tiwari and the core team are expected to unveil the first look of the epic to a global audience. One of the most significant updates involves the official trailer, which was cleared by the Central Board of Film Certification on July 15 with a U certificate. The makers have reportedly prepared two distinct versions for the launch. One cut, titled Trailer - Ramayana 3D, features a runtime of 4 minutes and 15 seconds, while a second version, intended for theatrical use, runs for exactly 4 minutes. This unusually long duration indicates that the team is ready to offer an extensive and detailed look into the mythological world they have built over the last few years. (adsbygoogle = window.adsbygoogle || []).push({}) The trailer launch is not just a digital release but a grand physical event in San Diego. The panel will be held in Ballroom 20, which is the second-largest venue at the convention center, capable of accommodating nearly 4,800 attendees. It is a prestigious slot, occurring between 3:15 pm and 4:15 pm PDT on July 23, which translates to 3:45 am to 4:45 am IST for viewers in India on Friday, July 24. The official Comic-Con website has listed producer Namit Malhotra and director Nitesh Tiwari alongside lead actors Ranbir Kapoor and Yash, referring to them as international superstars. The panel description promises much more than a simple screening. Attendees can expect never-before-seen footage, exclusive reveals, live performances, and special giveaways. This move puts Ramayana in the same league as global franchises like the Marvel Cinematic Universe, whose president Kevin Feige is scheduled for a major presentation in the larger Hall H on the following day to reveal the future of the MCU and likely the trailer for Avengers: Doomsday. By securing a spot in Ballroom 20, the makers are positioning the film as a global cinematic spectacle, backed by the visual effects expertise of DNEG and Prime Focus Studios. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the international buzz, the team has also launched a massive ground-level campaign in India titled Hamara Satya, Hamara Itihaas. This school outreach initiative, which began on July 9, aims to connect with over five lakh students across 400 schools in 18 different cities. Through quizzes, drawing competitions, and interactive sessions, the campaign focuses on the core values of the epic, engaging the next generation before the film’s theatrical release. It is a dual strategy that balances local cultural roots with global promotional ambitions. The scale of the production is further highlighted by its cast and crew. While Ranbir Kapoor leads as Rama and Yash takes on the role of Ravana, the film also features Sai Pallavi as Sita, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. Veterans like Arun Govil and Lara Dutta are also part of the ensemble as Dashrath and Kaikeyi. The musical score is a collaboration between Academy Award winners Hans Zimmer and A.R. Rahman, adding another layer of international appeal. With the first part scheduled for a Diwali 2026 release and the second in Diwali 2027, the San Diego Comic-Con showcase marks the beginning of what the creators call the largest cinematic undertaking in Indian film history.

BY SACNILK

Hyderabad, July 11 - Telugu and Tamil cinema are gearing up for an exciting showdown, with two ambitious films based on Lord Murugan currently in development. While Indian cinema has produced several epics over the years, it is rare for two major industries to simultaneously back large-scale films inspired by the same Hindu deity. (adsbygoogle = window.adsbygoogle || []).push({}) On the Telugu front, filmmaker Trivikram Srinivas is developing a magnum opus on Lord Murugan with Jr NTR in the lead. The project has generated significant buzz since its announcement, with the makers reportedly planning a grand visual spectacle that combines history, emotion, and cutting-edge visual effects. The film is expected to begin production after Jr NTR wraps up his ongoing commitments. Tamil cinema, meanwhile, has announced Thamizh Murugan, starring Dhanush in the lead role. The ambitious project will be directed by acclaimed filmmaker Vetrimaaran and is expected to present a distinct cinematic interpretation of Lord Murugan. The announcement has already created considerable excitement, given the combination of Dhanush and Vetrimaaran, who have previously delivered acclaimed films together. (adsbygoogle = window.adsbygoogle || []).push({}) With both projects still in the early stages and release dates yet to be announced, the parallel development of these two films has become a major talking point among fans. If the films arrive within a similar timeframe, audiences could witness an intriguing comparison between Telugu and Tamil cinema's unique storytelling styles and their respective visions of one of Hinduism's most revered deities. About Lord Murugan Lord Murugan, also known as Kartikeya, Skanda, Subrahmanya, Shanmukha, and Kumara, is one of the most revered deities in Hinduism. He is especially worshipped in South India, particularly in Tamil Nadu, as the God of War, Courage, Victory, and Wisdom. Lord Murugan is the son of Lord Shiva and Goddess Parvati and the younger brother of Lord Ganesha. He is believed to have been born to defeat the powerful demon Tarakasura, who could only be slain by Shiva's son.

BY SACNILK

As we previously reported during the early production stages of this magnum opus, the scale of Nitesh Tiwari's adaptation of the Ramayana has been a subject of intense discussion within the film industry. The project has now reached a significant milestone with the official announcement of its trailer premiere. The makers have confirmed that the first look at this cinematic epic will be unveiled to the world on July 24, 2026. The San Diego Comic-Con Premiere marks a strategic shift in how the film is being positioned globally. The producers, Prime Focus Studios, officially shifted from a domestic-only rollout to a massive international platform. The trailer will debut at San Diego Comic-Con 2026 on July 23, which translates to July 24 IST, in the prestigious Ballroom 20. Producer Namit Malhotra, director Nitesh Tiwari, and the main cast will present the panel, making it one of the most high-profile international debuts for an Indian film to date. (adsbygoogle = window.adsbygoogle || []).push({}) This decision to launch at SDCC underlines the ambition of the makers to present the Ramayana not just as a regional film, but as a global civilizational epic. The project features Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, and Yash as Ravana. Reports suggest that the cast has undergone extensive preparation to do justice to these iconic roles, with Ranbir Kapoor reportedly spending months on physical and dialect training to capture the essence of his character. Technically, the film is aiming for a standard that competes with international big-budget franchises. The visual effects are being handled by DNEG, a studio with multiple Academy Awards to its name. Perhaps the most intriguing collaboration is on the musical front, where Hans Zimmer and A.R. Rahman are teaming up to create the score. This fusion of Western orchestral expertise and Indian soul is intended to give the film a unique auditory identity that resonates across borders. (adsbygoogle = window.adsbygoogle || []).push({}) The choice of Ballroom 20 at Comic-Con is a calculated move. Historically, this venue has hosted the biggest television and film reveals from major Hollywood studios. By securing this space, Prime Focus Studios is ensuring that the first visual representation of their ₹ 800 crore plus investment reaches the core global audience of fantasy and epic enthusiasts. It signals a move towards a worldwide distribution strategy similar to major superhero or adventure film releases. From Bharat to the world, the Ramayana trailer premieres worldwide on 24th July, 2026. 🏹 pic.twitter.com/rphSFR99OE— The World Of Ramayana (@WorldOfRamayana) July 11, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) Following the international debut, the trailer is expected to be screened across thousands of theaters in India in multiple languages, including 3D and IMAX formats. The film is currently scheduled for a grand release during Diwali 2026. This trailer launch will serve as the first real test of the visual and emotional depth Nitesh Tiwari has brought to this ancient story, and it remains one of the most anticipated events in the 2026 film calendar.

BY SACNILK

The landscape of Indian cinema is preparing for what could be its most monumental theatrical event yet. Nitesh Tiwari's mythological epic, Ramayana, has remained a constant subject of fascination since its announcement. In a significant development for the film's domestic prospects, Variety India has exclusively reported that Karan Johar's Dharma Productions has officially secured the Indian distribution rights for this ambitious project. The deal comes after a rigorous selection process by producer Namit Malhotra, the CEO of DNEG and Founder of Prime Focus. To find the right partner for a project of this scale, Malhotra reportedly showcased an edited 30-minute footage of the film to several major studios. The visual spectacle and craftsmanship shown in this sneak peek reportedly left Dharma Productions impressed, leading to deep negotiations. While initial discussions for the distribution rights were said to have started at a staggering ₹500 crore, the deal was eventually finalized at ₹250 crore. This partnership ensures that the film will benefit from Dharma’s extensive reach and marketing expertise across the Indian market. (adsbygoogle = window.adsbygoogle || []).push({}) While Dharma Productions handles the domestic front, the film's global footprint is equally impressive. Warner Bros. Pictures has been brought on board to distribute the first installment overseas, marking a rare collaboration between a major Hollywood studio and an Indian mythological epic for a Diwali release. This dual distribution strategy highlights the producer's vision to position Ramayana not just as a national event, but as a global cinematic milestone. The project boasts one of the most high-profile pan-India ensembles ever assembled. Ranbir Kapoor leads the cast as Lord Rama, with Sai Pallavi portraying Goddess Sita and Yash taking on the role of the formidable Ravana. The supporting cast is equally star-studded, featuring Sunny Deol as Lord Hanuman and Ravie Dubey as Lakshman. The wider cast includes industry veterans and popular stars like Lara Dutta as Kaikeyi, Rakul Preet Singh as Surpanakha, and Arun Govil—who famously played Rama in the original television series—now appearing as King Dashrath. The scale of the production is further elevated by its musical score, which is a historic collaboration between Hollywood maestro Hans Zimmer and the legendary AR Rahman. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, known for his work on Dangal and Chhichhore, the film is set to be released in two parts. By focusing on a character-driven narrative supported by world-class visual effects from DNEG, the production aims to bring a fresh yet faithful perspective to the timeless epic. With the distribution partners now locked in both locally and internationally, the path is clear for Ramayana to dominate the theatrical space when it arrives this Diwali.

BY SACNILK

Main Vaapas Aaunga has officially completed its three-week run at the box office, emerging as a certified sleeper hit. Directed by Imtiaz Ali, this poetic romantic drama explores the heavy themes of multi-generational trauma and longing connected to the 1947 Partition. What makes this journey remarkable is its unconventional collection trend. Unlike typical big-budget releases that peak in their first weekend, this film saw its earnings grow significantly in its second and third weeks, proving that strong word-of-mouth and Diljit Dosanjh's star power are resonating deeply with the audience. The financial strategy behind the film has also played a major role in its success story. Produced on a reported budget of 70 crore rupees including all promotional and advertising costs, the makers ensured that a significant portion of the investment was recovered before the movie even hit the big screen. A lucrative OTT streaming deal with Netflix for 30 crore rupees, combined with the sale of satellite and music rights, heavily mitigated the initial risk for the producers. Consequently, with the domestic net collection now surpassing 52 crore, the ongoing theatrical run is driving the project toward clean profitability, making it a well-rounded commercial success. (adsbygoogle = window.adsbygoogle || []).push({}) By the end of its 21st day, the movie has amassed a total India net collection of 52.25 crore rupees. When we look at the week-wise progression, the trend is quite clear. The film opened with a modest 12.25 crore in its first week. However, the second week saw a massive surge to 22.55 crore, and the third week remained strong with 17.45 crore. This means both the second and third weeks out-earned the opening week, a rare feat in the current theatrical landscape that highlights the film’s steady grip on its niche market. Main Vaapas Aaunga - Week 3 India Net CollectionsDAYINDIA NET COLLECTIONOCCUPANCYDay 15 (Friday)₹ 2.75 Cr30.0%Day 16 (Saturday)₹ 4.25 Cr42.0%Day 17 (Sunday)₹ 4.50 Cr44.0%Day 18 (Monday)₹ 1.50 Cr18.0%Day 19 (Tuesday)₹ 1.75 Cr35.0%Day 20 (Wednesday)₹ 1.40 Cr16.0%Day 21 (Thursday)₹ 1.30 Cr16.0%Total Week 3₹ 17.45 Cr28.7% (Avg) (adsbygoogle = window.adsbygoogle || []).push({}) The film's performance in national theater chains has been a key pillar of its success. Over the third week, national chains sold approximately 150,000 tickets. Even in its third week, the movie consistently held the second position in these major circuits, trailing only behind the comedy blockbuster Welcome To The Jungle. For a film of this genre to maintain such high visibility against massive commercial entertainers is quite significant. On digital platforms, the momentum is equally impressive, with BookMyShow recording over 1.11 million total ticket sales by the end of three weeks, with 25,000 tickets sold in the last 24 hours alone. The international market has also provided a steady stream of revenue, contributing 17.50 crore rupees to the global gross. The emotional weight of the Partition narrative combined with A.R. Rahman’s acclaimed soundtrack has made it a preferred choice in circuits like the UK and Australia. According to data from Venky Box Office, the film has performed exceptionally well in North America, crossing the 1.25 million dollar mark (approximately 10.45 crore rupees). On its 20th day (Wednesday), it added another 43,000 dollars (roughly 36 lakh rupees) to its North American tally, showcasing its consistent appeal to the South Asian diaspora. (adsbygoogle = window.adsbygoogle || []).push({}) Overall, Main Vaapas Aaunga has achieved a worldwide gross collection of 79.74 crore rupees, with the domestic gross standing at 62.24 crore. The film has utilized 44,223 shows across its 21-day run to maintain an average occupancy that rarely dipped below sustainable levels. While it faces new competition today, its established audience base suggests that it will continue to add to its totals over the coming weekend. For Imtiaz Ali and the team, this performance reinforces that character-driven stories with deep emotional roots can still find a substantial and loyal audience at the box office.

BY SACNILK

Mani Ratnam's next project, officially titled Production No. 23, is moving forward with significant momentum. This film is a milestone for Madras Talkies, marking their 23rd feature production. Interestingly, the script for this romantic drama was reportedly written specifically with Vijay Sethupathi's grounded and realistic acting style in mind. When approached with the script, Sethupathi is said to have accepted the role immediately, expressing his excitement to collaborate with the director for a second time following their work together in the 2018 film, Chekka Chivantha Vaanam. One of the most anticipated aspects of the film is the fresh onscreen pairing of Vijay Sethupathi and Sai Pallavi. This marks the first time these two actors will share the screen, a combination that the production team has reportedly guarded very carefully. The team was so committed to this specific dynamic that they bypassed other casting suggestions entirely to ensure Sethupathi and Sai Pallavi remained the definitive leads for the story. (adsbygoogle = window.adsbygoogle || []).push({}) The project is being described as a mature romantic drama, drawing comparisons to the classic style of Alaipayuthey. On the business front, the film has reportedly already secured a solid pre-release business of approximately 43 crores before even hitting the floors. This total includes 20 crores for digital rights acquired by Netflix, 15 crores for audio rights, and 8 crores for overseas distribution. While the 20-crore OTT valuation reflects a more cautious trend in the 2026 market compared to massive spectacles like Thug Life, locking in these deals early is a savvy move that puts the project in the green before production begins. Filming is set to go on floors this week with a compact 40-day schedule planned across Pondicherry and Chennai, alongside segments in Europe. This also marks a major milestone as Sai Pallavi’s very first collaboration with the director. (adsbygoogle = window.adsbygoogle || []).push({}) The film's reach will extend internationally through Home Screen Entertainment, which has acquired the overseas theatrical distribution rights. The music department is also making rapid progress. Despite early rumors suggesting a change in the technical team, A.R. Rahman is firmly on board as the composer and has reportedly already finished composing two songs for the soundtrack, ensuring that his long-standing collaboration with the director continues. Production No. 23 is being mounted as a major collaborative effort between Madras Talkies, Lyca Productions, and India Talkies. By bringing together a strong production team and securing key digital and distribution partners early, the film is well-positioned as it heads into its primary shooting schedule. The combination of a tailor-made script and a never-before-seen lead pair makes it one of the most interesting projects to watch as it heads toward a release.

BY SACNILK

Mumbai, June 30 - The anticipation surrounding Ramayana: Part 1 has reached a new high as the Ranbir Kapoor-led magnum opus has become IMDb's most anticipated Indian movie of the remainder of 2026. The ambitious epic has topped IMDb's popularity charts, underlining the massive excitement among audiences worldwide ahead of its release. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, Ramayana features an ensemble cast including Ranbir Kapoor as Lord Rama, Sai Pallavi as Goddess Sita, Yash as Lankesh, Sunny Deol as Hanuman, and Ravi Dubey and Laxman. The film is envisioned as a large-scale cinematic adaptation of the ancient Indian epic and is being mounted as a two-part saga with world-class visual effects and production scale. According to Variety India, the 20 most anticipated Indian films ranking was compiled from page views logged by IMDb's more than 250 million monthly visitors between January 1 and June 28, covering Indian films with confirmed theatrical or streaming releases in the second half of the year. The list also includes YRF's Alpha (number 2), Yash's Toxic (number 3), Shah Rukh Khan's King (at 4), and Dhamaal 4 (at 5). (adsbygoogle = window.adsbygoogle || []).push({}) The buzz around Ramayana Part 1 intensified after the makers unveiled the first glimpse earlier this year, with audiences praising the grandeur, visuals, and Ranbir Kapoor's striking transformation as Lord Rama. Since then, fans have been eagerly waiting for a full-fledged trailer announcement. Adding to the excitement, reports revealed that the makers are planning to unveil the official first trailer of the epic at a massive event in Los Angeles on July 14. The film has already garnered significant international attention, especially due to the collaboration between Oscar-winning composers Hans Zimmer and A. R. Rahman, who are jointly working on the film's music and background score. The combination of Indian epic with global cinematic storytelling has made the project one of the most talked-about Indian films in recent years. The film is scheduled to release this Diwali, with the second part coming on Diwali 2027. (adsbygoogle = window.adsbygoogle || []).push({}) IMDb’s Most Anticipated Indian Movies of 2026 Rank Movie Language Release Date 1 Ramayana: Part 1 Hindi Diwali 2026 2 Alpha Hindi July 3 3 Toxic Kannada/English August 26 4 King Hindi Dec. 24, 2026 5 Dhamaal 4 Hindi July 10 6 Drishyam 3 Hindi October 2 7 Vishwanath & Sons Tamil August 14 8 Mirzapur: The Movie Hindi September 4 9 Haiwaan Hindi September 11 10 Eetha Hindi August 28

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Mumbai, June 25 - Director Imtiaz Ali's period romantic drama Main Vaapas Aaunga has crossed the 50 crore mark worldwide, continuing its impressive upward trajectory at the box office after a slow opening week. The film, starring Diljit Dosanjh, Sharvari, Vedang Raina, and Naseeruddin Shah, has emerged as one of the biggest word-of-mouth success stories of the year. (adsbygoogle = window.adsbygoogle || []).push({}) According to estimates, Main Vaapas Aaunga collected approximately 52 crore globally within 13 days of release. The film's India net collection currently stands at around 32.50 crore (38.65 crore gross), while overseas markets have contributed an estimated 13.25 crores to its growing total. The period love story, set against the backdrop of Partition, witnessed remarkable growth during its second weekend. After earning almost 2 crore net on its second Friday, the film jumped to 4.35 crore on Saturday and 5.75 crore on Sunday, indicating strong audience acceptance and positive word-of-mouth. (adsbygoogle = window.adsbygoogle || []).push({}) Despite opening to modest numbers, Main Vaapas Aaunga steadily built momentum through glowing audience reactions and strong appreciation for its emotional storytelling, music, and performances. Social media chatter around the film has also played a key role in boosting occupancy, especially in metro circuits like Delhi-NCR. Fans and critics alike have praised the film's emotional depth, with many calling it one of Imtiaz Ali's most heartfelt works in recent years. The film's soundtrack has also received widespread acclaim, with audiences particularly appreciating the music composed by A. R. Rahman.

BY SACNILK

Mumbai, June 19 - Director Imtiaz Ali's period romance drama Main Vaapas Aaunga is promising a major rebound after the modest opening day at the domestic box office with a big mid-week surge. Headlined by Diljit Dosanjh, Sharvari, Vedang Raina, and Naseeruddin Shah, the film has started gaining momentum through positive word-of-mouth and steady weekday occupancy in multiplexes. (adsbygoogle = window.adsbygoogle || []).push({}) Set during the Partition era and the current time, the emotional drama opened to modest numbers on Day 1 with 1.15 crores net collection, but collections improved over the weekend as audiences connected with the film's storytelling and performances. The positive word of mouth started showing its effect at the weekend itself, but the real surprise came during the weekdays. After the opening weekend collection of 5.50 crores net, one of the biggest positives for Main Vaapas Aaunga has been its mid-week surge. On its first Monday, the film scored similarly to its opening day figure, but from there, it witnessed a huge jump of 91% on Thursday. It also scored a fantastic jump on Tuesday, followed by another jump on Wednesday, while its Thursday collection (2.20 crore net) was bigger than Saturday's figure (1.85 crore net). (adsbygoogle = window.adsbygoogle || []).push({}) Unlike front-loaded commercial entertainers, the film appears to be following a slow-burn trajectory, with evening shows and metro cities contributing a major chunk of its overall domestic collection. Naseeruddin Shah's performance and A.R. Rahman's music have emerged as major talking points among audiences. At the end of the first week, the film has crossed 12.25 crore net and around 22 crores worldwide, a respectable figure considering its niche genre and restrained opening. However, the midweek surge hints that the film is set to put up good numbers despite the new release of Cocktail 2. If the current trend continues into the second weekend, Main Vaapas Aaunga could turn into a much-needed theatrical rebound for Imtiaz Ali and another example of strong word-of-mouth driving box office growth.

BY SACNILK

The music for Peddi, composed by A. R. Rahman, has carved out a significant presence on the regional streaming charts, particularly in Hyderabad. According to the latest data from Spotify, multiple tracks from the film are currently occupying top spots, showing a clear divide between the viral commercial hits and the narrative-driven background songs. While the entire album is seeing engagement, it is primarily two specific singles that are driving the bulk of the digital volume. Chikiri Chikiri is undeniably the leader of the pack. With around 284 million plays across various audio and video platforms, it has secured a position within the Top 5 on the Spotify Local Pulse Hyderabad chart. This track has transitioned from a movie song to a public staple, appearing frequently in local transport and social media reels. Being featured on major curation hubs like Trending Now Telugu has given it a level of visibility that most regional tracks struggle to maintain after the initial week. Then we have Hellallallo, which is performing as a strong promotional asset. Currently sitting in the Top 15 on Spotify, this song gained massive traction through its video campaign, which featured names like Ram Charan, Shruti Haasan, and Janhvi Kapoor. The initial blitz saw it pull in 18 million views in just 11 hours, and its total audio plays now hover around 57 million. While it doesn't quite match the sheer volume of Chikiri Chikiri, its energetic choreography has kept it viral among the younger audience. (adsbygoogle = window.adsbygoogle || []).push({}) Rai Rai Raa Raa presents an interesting case of post-release growth. As a track that supports the movie's primary sports-action sequences, it has seen a sharp increase in listener volume since audiences experienced the film in theaters. It is currently placed in the Top 30 on the charts with 94 million plays. This resurgence suggests that the cinematic experience is directly influencing streaming habits, as fans return to the music to relive high-energy moments from the film. On the quieter side of the album, Massa Massa is maintaining a steadier but lower profile. It is currently in the Top 50 on the local charts with 11 million plays. This song serves more as a narrative-heavy background piece rather than a commercial single designed for the charts. While it doesn't have the explosive numbers of the dance tracks, its presence in the Top 50 shows that the dramatic portion of Rahman's score is still finding an audience. Looking at the broader picture, these tracks are currently competing for apex space with major hits like Kissik and Sooseki from Pushpa 2: The Rule. It is clear that Chikiri Chikiri and Hellallallo are doing the heavy lifting for the album on the Hyderabad regional charts. While some songs are narrative-driven and others are commercial juggernauts, the soundtrack is managing to hold its ground in a very competitive regional market.

BY SACNILK

Bollywood is gearing up for a massive four-way clash this Friday, June 12, with a diverse range of films hitting the big screens. From psychological horror and period romances to financial thrillers and rescue dramas, there is plenty on the plate for moviegoers. The advance booking trends for these films are now coming in, and the ticket sales give us a fair idea of how they might perform on their opening day. Let's take a closer look at the numbers these films have managed to rake in so far. Leading the pack in terms of both revenue and volume is Haunted 3D: Echoes of the Past, directed by Vikram Bhatt. Serving as a sequel to the 2011 cult classic, the film brings back Mimoh Chakraborty in an atmospheric horror story. The movie has sold approximately 40,000 tickets across the country, resulting in an advance gross of roughly ₹71.4 Lakhs. Looking at the major national chains, PVR has contributed around ₹5.7 Lakhs, while INOX and Cinepolis have added roughly ₹4 Lakhs and ₹3.8 Lakhs respectively. The multi-format release in 2D and 3D seems to be a major pull for horror fans. (adsbygoogle = window.adsbygoogle || []).push({}) Following is Imtiaz Ali's highly anticipated period drama, Main Vaapas Aaunga. With music by A.R. Rahman, the film explores a cross-generational love story heavily rooted in the nostalgia of the 1947 Partition. Produced on a budget of about ₹70 Crore, the film has sold roughly 21,000 tickets so far, bringing its advance gross to approximately ₹61 Lakhs. The multiplex performance looks solid, with PVR bringing in around ₹22.6 Lakhs and INOX adding about ₹12.1 Lakhs. Trade expectations suggest the film needs a strong opening day in the range of ₹5 to ₹7 Crore to maintain a healthy theatrical value. Next up is Governor: The Silent Saviour, a biographical political drama directed by Chinmay D. Mandlekar. The plot revisits the 1990 Indian economic crisis, focusing on the events that saved the nation from bankruptcy. The makers utilized a distinct marketing strategy by offering the first 25,000 tickets at a retro rate of ₹50, which has certainly helped drive interest. So far, the film has sold about 22,000 tickets, resulting in an advance gross of roughly ₹56.3 Lakhs. In the national chains, PVR is leading with roughly ₹21 Lakhs, followed by INOX at approximately ₹9.9 Lakhs and Cinepolis at around ₹4.5 Lakhs. (adsbygoogle = window.adsbygoogle || []).push({}) Rounding off the clash is Bharat Bhhagya Viddhaata, a rescue thriller directed by Manoj Tapadia. The film features Kangana Ranaut as a brave nurse and uncovers untold chapters of the 26/11 Mumbai terror attacks. Ahead of its release, the film has managed to sell approximately 22,000 tickets, bringing its advance gross to about ₹54.3 Lakhs. The breakdown for major chains shows PVR at around ₹16.2 Lakhs, INOX at roughly ₹8.7 Lakhs, and Cinepolis adding about ₹4.1 Lakhs. As a film honoring unsung heroes, it adds a patriotic flavor to this weekend's competitive lineup. With four mid-to-high budget films releasing on the same day, the audience's attention is clearly divided. While the horror genre is currently leading in terms of ticket volume, the directorial brands and star power across the other releases are expected to drive significant walk-in footfalls on Friday. It will be interesting to see which of these stories manages to capture the audience's heart and survive this major box office battle.