BY SACNILK

Vishal Bhardwaj's latest directorial venture, O Romeo, which hit theaters on February 13, 2024, has concluded its initial theatrical run with a performance that highlights the growing disconnect between critical ambition and commercial reality. Despite the high-profile reunion of the filmmaker with Shahid Kapoor—a duo responsible for cult classics like Haider and Kaminey—the film struggled to translate its star power into a box office victory. Marketed as a gritty, modern-day romantic thriller featuring an ensemble cast including Triptii Dimri, Disha Patani, and Nana Patekar, the project was one of the most anticipated releases of the season, yet it faced an uphill battle in a volatile theatrical environment. In terms of financial performance, the latest trade data suggests that while O Romeo continues its theatrical run, it is currently trending toward being a commercial underperformer relative to its high production stakes. The film managed an India Net collection of ₹71.30 Cr, with its India Gross standing at ₹83.50 Cr. When supplemented by an overseas contribution of ₹24.75 Cr, the movie's worldwide total reached ₹108.25 Cr. Given the reported production and marketing budget estimated between ₹100 Cr and ₹130 Cr, the film fell significantly short of the recovery required to be classified as a hit. While the Valentine's Day opening provided a temporary boost, the lack of sustained momentum in the following weeks suggests that the niche treatment of the subject failed to capture the mass audience. (adsbygoogle = window.adsbygoogle || []).push({})   This underwhelming box office response has prompted a candid reflection from Vishal Bhardwaj himself. In a recent interaction with PTI, the filmmaker voiced his concerns about the current state of Indian cinema, describing it as a very strange and difficult stage of filmmaking. He highlighted a frustrating new demarcation in the industry where producers often label content-driven scripts as OTT subjects, while streaming platforms conversely refuse to acquire them unless they have a prior theatrical release to establish brand value. Bhardwaj lamented that good films are getting beaten in the process of this tug-of-war, making it nearly impossible for cinema of the heart to survive the current distribution model. Beyond the lead pair of Shahid Kapoor and Triptii Dimri, the film featured a powerhouse supporting cast including Avinash Tiwary, Tamannaah Bhatia, and Nana Patekar, which added significant weight to the narrative. While critics generally praised the technical finesse and Bhardwaj's signature atmospheric storytelling, the commercial struggle of O Romeo serves as a stark reminder of the challenges facing medium-to-high budget dramas in an era dominated by event spectacles.With its digital release expected soon, industry experts suggest the film may find better engagement on streaming platforms, which often cater more effectively to specialized, story-driven content.

BY SACNILK

Pixar Animation Studios has achieved a significant milestone with its latest original feature, Hoppers. The film launched globally with an impressive $88 million opening weekend, comfortably surpassing previous industry projections. This performance is a major breakthrough for the studio, as it marks the biggest opening weekend for an original animated film since the 2017 hit Coco. In a theatrical landscape recently dominated by franchises and sequels, Hoppers has proven that original concepts still carry significant drawing power. The global launch was led by a solid performance in the domestic market (North America), where the film collected $46 million. International territories contributed another $42 million to the opening tally, bringing the total worldwide gross to $88 million. In India, the film saw a steady start, recording a rough gross collection of approximately ₹3.50 crore over its first four days days. While modest compared to established IPs, the steady footfall suggests a positive reception among urban family audiences in the country. The success of Hoppers comes at a critical juncture for Pixar. Following the pandemic-era decision to release Soul, Luca, and Turning Red directly to Disney+, the studio faced a period of brand dilution and mixed theatrical results with titles like Lightyear and Elio. However, after Inside Out 2 became the studio's highest-grossing film of all time in 2024, Pixar CCO Pete Docter announced a shift toward clear mass appeal storytelling. Hoppers appears to be the first major beneficiary of this pivot, balancing high-concept technology with the broad, accessible humor that defines modern animation. (adsbygoogle = window.adsbygoogle || []).push({})   Directed by Daniel Chong—the creator of the hit series We Bare Bears—and produced by Nicole Paradis Grindle, the film centers on a young animal lover named Mabel. Using a groundbreaking mind-transfer technology, Mabel hops her consciousness into a realistic robotic beaver to infiltrate the animal kingdom and save them from a local threat. The voice cast features Piper Curda as Mabel, Bobby Moynihan as George the robotic beaver, and Jon Hamm as an ambitious Mayor who serves as the story's antagonist. As Pixar continues to navigate an identity crisis in a post-Spider-Verse world, the commercial success of Hoppers offers a ray of hope for the studio's future original slate. With positive audience word-of-mouth and a strong debut, the film is expected to maintain steady legs throughout the spring. Sustaining this momentum will be crucial in establishing a balance between the studio's autobiographical roots and its current focus on broad commercial viability. Hoppers (3D) Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Friday] ₹ 0.55 CrEnglish: 0.35 Cr Hindi: 0.2 Cr - Day 2 [1st Saturday] ₹ 1.1 CrEnglish: 0.8 Cr Hindi: 0.3 Cr 100.00% Day 3 [1st Sunday] ₹ 1.05 CrEnglish: 0.7 Cr Hindi: 0.35 Cr -4.55% Day 4 [1st Monday] ₹ 0.4 CrEnglish: 0.25 Cr Hindi: 0.15 Cr -61.90% Day 5 [1st Tuesday] ₹ 0.32 CrEnglish: 0.2 Cr Hindi: 0.12 Cr -20.00% Day 6 [1st Wednesday] ₹ 0.28 CrEnglish: 0.18 Cr Hindi: 0.1 Cr -12.50% Day 7 [1st Thursday] ₹ 0.27 CrEnglish: 0.18 Cr Hindi: 0.09 Cr -3.57% Week 1 Collection ₹ 3.97 CrEnglish: 2.66 Cr Hindi: 1.31 Cr - Total ₹ 3.97 CrEnglish: 2.66 Cr Hindi: 1.31 Cr (estimated) - ## Take Subscription To See Footfalls ## India Net Collection ₹ 3.97 Cr ## Worldwide Collection ₹ 4.75 Cr ## Overseas Collection ₹ 0 Cr ## India Gross Collection ₹ 4.75 Cr ##

BY SACNILK

Rani Mukerji's crime thriller Mardaani 3 has completed its fifth week at the box office, maintaining a steady trajectory. According to the latest trade figures, the film earned ₹1.45 crore in its fifth week, pushing its total India Net collection to ₹50.05 crore. This milestone marks a successful theatrical run for the third installment of the franchise, which continues to draw audiences despite being in its second month of release. The film's fifth-week performance was highlighted by a consistent weekend, with Saturday and Sunday contributing ₹0.27 crore and ₹0.28 crore, respectively. During the weekdays, the collections saw a minor dip, earning ₹0.1 crore on its fifth Thursday (Day 35). Globally, Mardaani 3 has performed well, with a Worldwide collection of ₹74 crore, supported by an overseas contribution of ₹14.5 crore and an India Gross total of ₹59.5 crore. (adsbygoogle = window.adsbygoogle || []).push({})   Mardaani 3 has officially surpassed the lifetime domestic collections of both previous installments in the franchise, marking a new box office high for the series. Directed by Abhiraj Minawala and produced by Yash Raj Films, the film continues the narrative of Shivani Shivaji Roy. Reaching the ₹50 crore net milestone in the Indian market highlights the commercial longevity of the franchise and the consistent box office performance of Rani Mukerji in the lead role. Rani Mukerji is scheduled to appear in a pivotal, extended cameo in the upcoming action thriller King, starring Shah Rukh Khan. The film is produced by Red Chillies Entertainment, founded by Gauri and Shah Rukh Khan, and Marflix Pictures, founded by Siddharth Anand and Mamta Anand. Siddharth Anand is collaborating on the production, with the film currently slated for a theatrical release on December 24, 2026.

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Sunny Deol's war drama Border 2 has completed its 42-day theatrical run, cementing its position as one of the year’s most successful releases. As of the end of its sixth week, the film has amassed a massive India Net collection of ₹328.33 crore. The film, which opened with a historic first week, has maintained a steady presence in theaters, benefiting from its strong patriotic appeal and a lack of major competition in the late-stage weeks. On the global stage, Border 2 has demonstrated significant reach, particularly in traditional markets. The film's worldwide collection now stands at ₹448.9 crore, supported by an overseas contribution of ₹57.25 crore. In the domestic market, the India Gross collection has reached ₹391.65 crore, reflecting the film's consistent performance across single screens and multiplexes alike. The film's box office trajectory followed a high-opening pattern, with a dominant first week of ₹224.25 crore. While the collections naturally tapered off, the film showed notable resilience in its second and third weeks, earning ₹70.15 crore and ₹23.35 crore respectively. By the sixth week, the film added a crucial ₹1.43 crore, taking the total net collection past the ₹328 crore milestone. (adsbygoogle = window.adsbygoogle || []).push({})   Border 2 Weekly Box Office Collection Breakdown WEEK INDIA NET COLLECTION Week 1 Collection₹ 224.25 Cr Week 2 Collection₹ 70.15 Cr Week 3 Collection₹ 23.35 Cr Week 4 Collection₹ 6.60 Cr Week 5 Collection₹ 2.55 Cr Week 6 Collection₹ 1.43 Cr Total (6 Weeks)₹ 328.33 Cr Following the successful theatrical run of Border 2, Sunny Deol has officially commenced filming for his next project, Antony. Directed by newcomer Balaji Ganesh, the film marks the return of National Award-winning actress Jyotika to Hindi cinema in a lead role, alongside Vijay Varma, who portrays the primary antagonist. The project is produced by Farhan Akhtar and Ritesh Sidwani's Excel Entertainment in collaboration with A.R. Murugadoss. Production for the action thriller began on February 27 in Mumbai and is scheduled to wrap by July 2026, with the makers targeting a theatrical release in early 2027.

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One of the most significant box office stories of 2025, the Gujarati film Laalo - Shree Krishna Sada Sahaayate, is set for its digital premiere on SonyLIV starting March 6, 2026. Emerging as a monumental hit in regional cinema, the film achieved a rare feat by grossing over ₹100 crores worldwide against a modest production budget of just ₹50 lakhs. This extraordinary performance translated into a profit margin of approximately 14,000% for the makers, cementing its status as a case study for content-driven cinema. In an exclusive interaction with Variety, director Ankit Sakhiya revealed that the film was born out of a creative drive to produce cinema despite budget constraints. After a larger project failed to take off, Sakhiya pivoted to a smaller, resource-light concept. The idea originated from a simple premise involving a rickshaw driver trapped in a farmhouse, which was then expanded into a narrative woven with spiritual themes. The production focused on using minimal resources and a small cast to maintain the lean budget that eventually led to its record-breaking ROI. Addressing the challenges of handling divine themes, Sakhiya emphasized that the film was intended as a spiritual journey rather than a medium for blind faith. Based on the teachings of the Bhagavad Gita and Lord Krishna, the director was careful to avoid superstitions, instead portraying God as a relatable presence. This grounded approach to spirituality resonated deeply with both domestic and overseas audiences, contributing significantly to its massive theatrical run. (adsbygoogle = window.adsbygoogle || []).push({})   Laalo - Shree Krishna Sada Sahaayate Final Box Office & OTT DetailsMETRICDETAILSProduction Budget₹ 50 LakhIndia Net Collection₹ 97.07 CrIndia Gross Collection₹ 114.75 CrOverseas Collection₹ 7.50 CrWorldwide Gross₹ 122.25 CrVerdictAll Time BlockbusterOTT PlatformSonyLIVDigital Premiere DateMarch 6, 2026 Regarding the possibility of remakes, Sakhiya noted that the film's universal message has already been captured through a Hindi dubbed version, likely negating the need for a separate remake in Bollywood. While the director expressed skepticism about fitting the film into a star-driven Bollywood format, he acknowledged that an actor like Pratik Gandhi could effectively capture the essence of the character-driven story. With the SonyLIV release, the film is expected to reach a global audience that missed its theatrical window. Laalo - Shree Krishna Sada Sahaayate: Frequently Asked Questions (FAQs) 1. Where to stream Laalo Shree Krishna Sada Sahaayate On OTT?: The film will premiere on SonyLIV on March 6, 2026, for a global audience. 2. What is the total box office collection?: It is an All Time Blockbuster with ₹ 122.25 Crore worldwide gross and ₹ 97.07 Crore India net. 3. What was the movie's budget?: The film was made on a shoestring budget of only ₹ 50 Lakh, yielding a historic 14,000% profit. 4. Is it available in Hindi?: Yes, the film was dubbed in Hindi and earned approx ₹ 0.75 Cr. It will be available in multiple languages on OTT. 5. Who is the director and what is the theme?: Directed by Ankit Sakhiya, the movie is a spiritual journey based on the teachings of the Bhagavad Gita.

BY SACNILK

The Tamil film industry is witnessing a significant shift in audience preferences, where content-driven storytelling is triumphing over massive production scales. Over the last few months, Kollywood has seen a Small-Budget Revolution with four back-to-back hits that have redefined profitability. Movies like Sirai, Thalaivar Thambi Thalaimaiyil (TTT), With Love, and the latest sensation Thaai Kizhavi have collectively dominated the box office, proving that rooted stories and strong performances are the primary drivers for theatrical success. The most recent addition to this list, Thaai Kizhavi, released on February 27, 2026, has turned into a massive blockbuster in record time. Starring veteran actress Radhika Sarathkumar in a powerful titular role, the film is a rural family drama directed by Sivakumar Murugesan. The plot follows the emotional and often humorous journey of an elderly woman who becomes the pillar of her village and family. Within just 6 days, the film has achieved a worldwide gross of ₹31.5 Cr, a remarkable feat given its estimated production budget of under ₹10 Cr. Prior to this, February saw the release of With Love, a youthful romantic entertainer directed by Madhan. Featuring Abishan Jeevinth and Anaswara Rajan, the film struck a chord with the college-going audience and urban youth. Its soulful music and relatable dialogue helped it reach a worldwide collection of ₹39.5 Cr. Similarly, January belonged to Jiiva's political satire Thalaivar Thambi Thalaimaiyil (TTT). Directed by a debutant Nithish Sahadev, the film used humor to critique the current socio-political landscape, earning nearly ₹30 Cr in India Net collections alone. (adsbygoogle = window.adsbygoogle || []).push({})   The trend was ignited in December by the gritty courtroom drama Sirai, starring Vikram Prabhu. Directed by Suresh Rajakumari, the film focused on legal loopholes and the struggle for justice, gaining immense traction through positive word-of-mouth. These films have collectively proven that Kollywood's Tier-2 and Tier-3 segments are currently the most profitable sectors for producers and distributors. Detailed Box Office Breakdown (India Gross & Overseas)MOVIE NAMEINDIA GROSSOVERSEASTOTAL COLLECTIONThaai Kizhavi₹ 25.30 Cr₹ 6.20 Cr₹ 31.50 CrWith Love₹ 35.15 Cr₹ 3.50 Cr₹ 39.50 CrTTT₹ 35.5 Cr₹ 4.00 Cr₹ 38.65 CrSirai₹ 28.65 Cr₹ 3.00 Cr₹ 31.65 Cr

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The Tamil rural entertainer Thaai Kizhavi continues to maintain a positive trajectory at the box office, successfully crossing the ₹25 crore milestone in worldwide gross collections following its first Monday. After a strong growth trend over its opening weekend, the film demonstrated a steady hold on its first weekday, proving that the grounded narrative and debutant director Sivakumar Murugesan's vision have resonated well with the regional audience. The film's journey began with a modest opening on Friday, but it witnessed a massive surge in footfalls on Saturday and Sunday, driven by strong word-of-mouth. On its first Monday (Day 4), the movie collected approximately ₹2.85 crore net in India. While this represents a routine weekday drop from its peak Sunday figures, the steady collection indicates a healthy theatrical run that is likely to continue throughout the week in B and C centers across Tamil Nadu. Thaai Kizhavi Day Wise India Net Collection DAY INDIA NET COLLECTION Day 1 [1st Friday] ₹ 2.65 Cr Day 2 [1st Saturday] ₹ 5.00 Cr Day 3 [1st Sunday] ₹ 6.15 Cr Day 4 [1st Monday] ₹ 2.85 Cr Total (4 Days) ₹ 16.65 Cr (adsbygoogle = window.adsbygoogle || []).push({})   On the global front, the total India gross collection stands at ₹19.65 crore. Combined with an overseas contribution of approximately ₹6 crore, the worldwide gross total for Thaai Kizhavi has reached ₹25.65 crore as of the end of Day 4. Being backed by the reputable Sivakarthikeyan Productions, the film has capitalized on its solo release window and is currently on track to become a profitable venture for its distributors and exhibitors. Thaai Kizhavi 4-Day Worldwide Total Collection TERRITORY COLLECTION (GROSS) India Gross ₹ 19.65 Cr Overseas ₹ 6.00 Cr Worldwide Total ₹ 25.65 Cr

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The latest box office reports for the Shahid Kapoor and Triptii Dimri starrer O'Romeo show a mixed performance as the film completes 17 days in theaters. Directed by Vishal Bhardwaj, the action-thriller has officially crossed the ₹100 crore milestone at the worldwide gross box office. However, despite reaching this symbolic figure globally, the film's domestic performance paints a challenging picture regarding its financial recovery and overall success rate. O'Romeo has earned a total India net collection of ₹65.15 crore as of its 17th day. The film started its journey with a decent Week 1 collection of ₹47.1 crore, but witnessed a significant drop in its second week, managing only ₹14.45 crore. This sharp decline indicates a slowing momentum at the ticket windows, as the film struggled to maintain a steady grip over the weekdays following its initial opening. (adsbygoogle = window.adsbygoogle || []).push({})   The financial viability of the project remains a concern given its high production scale. O'Romeo was mounted on a reported budget of ₹130 crore, which includes ₹30 crore dedicated to print and advertising (P&A). With the India net collection currently standing at just over half of its total cost, the film faces an uphill task in reaching a break-even point. While the overseas market contributed ₹24.1 crore and helped push the worldwide gross to ₹101 crore, the domestic theatrical share is not currently on track to categorize the film as a commercial hit. Looking ahead, the long-term prospects for the Vishal Bhardwaj directorial appear limited. While the film still holds its current screen presence, its theatrical run is expected to be severely curtailed by the impending release of Dhurandhar 2. The massive wave of anticipation for the sequel is likely to dominate the marketplace and take over a significant portion of screens, leaving little room for O'Romeo to add to its totals. Given the current collection trends and the approaching competition,it is unlikely the film will achieve the success rate needed to turn a profit during its theatrical run.

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The first six days of theatrical performance indicate that Do Deewane Seher Mein (DDSM) has found it difficult to sustain its momentum after a modest opening Friday. Despite having recognizable names like Siddhant Chaturvedi and Mrunal Thakur, the film witnessed a massive 59% crash on its first Monday and has continued to slide since then. On the other hand, Assi started lower on Day 1 but showed significant jumps over the weekend and has maintained a much better hold throughout the week. By the end of Day 6, Assi had already surpassed DDSM in terms of daily net earnings, showing better resilience in mass circuits. Looking at the cumulative figures by the end of Wednesday, Assi has officially pulled ahead of Do Deewane Seher Mein in the total first-week race. As of the completion of Day 6, Assi stands at a total India Net collection of ₹ 6.35 crore, showing a more resilient weekday hold despite starting with a lower opening day. In contrast, the Siddhant Chaturvedi and Mrunal Thakur starrer Do Deewane Seher Mein has reached a total of ₹ 5.80 crore in the same period. While the lead is only about 55 lakhs, the trajectory indicates that Assi is finding slightly better favor with mass audiences, whereas the urban romance of DDSM is struggling to convert interest into solid footfalls. Do Deewane Seher Mein vs Assi - Daily Net ComparisonDAYDO DEEWANE SEHER MEINASSI (HINDI)Day 1 [Friday]₹ 1.25 Cr₹ 1.00 CrDay 2 [Saturday]₹ 1.50 Cr₹ 1.60 CrDay 3 [Sunday]₹ 1.45 Cr₹ 1.60 CrDay 4 [Monday]₹ 0.60 Cr₹ 0.70 CrDay 5 [Tuesday]₹ 0.55 Cr₹ 0.85 CrDay 6 [Wednesday]₹ 0.45 Cr₹ 0.60 CrDay 7 [Thursday]*₹ 0.23 Cr (Live)₹ 0.31 Cr (Live) (adsbygoogle = window.adsbygoogle || []).push({})   This downward trend is a notable setback for the lead cast of Do Deewane Seher Mein. Siddhant Chaturvedi, whose previous top-grossing solo-led film was Phone Bhoot (₹12.81 Cr Net), is finding it hard to reach similar numbers with this project. Similarly, Mrunal Thakur, who has seen massive success in the past with films like Super 30 (₹147.39 Cr Net), has not seen a similar turnout for this urban romance. Director Ravi Udyawar, who previously delivered the critically acclaimed Mom (which earned an Average verdict with ₹37 Cr lifetime), is also witnessing a much tougher run with this outing as it heads toward a Flop verdict. As of today, Day 7, the live tracking shows that Assi continues to hold a slight edge over DDSM, specifically in single-screen markets. However, the overall business for both films remains on the lower side. With several new movies arriving in theaters tomorrow, both films are expected to see a sharp reduction in their screen counts and show timings. Unless there is a miraculous jump in night show collections today or an unexpected second-weekend hold, both Do Deewane Seher Mein and Assi will likely end their theatrical runs much sooner than the makers had anticipated.

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Rani Mukerji's powerhouse performance in Mardaani 3 continues to resonate with the audience as the film enters the final leg of its fourth week. On its 26th day (4th Tuesday), the film maintained a rock-steady hold at the box office, earning an estimated ₹ 0.25 Crore net in India. This performance is particularly impressive as it showed a 0% fluctuation compared to its 4th Monday, indicating that the film has reached a point of stability where it is drawing a consistent niche audience despite the arrival of newer titles. With this latest collection, Mardaani 3 has achieved a monumental milestone by officially becoming the highest-grossing film in the entire Mardaani franchise. The film's total India net collection now stands at ₹ 48.2 Crore, comfortably surpassing the lifetime earnings of both the original Mardaani and its 2019 sequel, Mardaani 2. This achievement solidifies the series as one of the most successful and consistent female-led action franchises in Indian cinema, with each installment showing growth in its box office potential. (adsbygoogle = window.adsbygoogle || []).push({})   The success of Mardaani 3 also marks a significant career high for Rani Mukerji. The film has now emerged as her second-highest-grossing film of all time in a leading role, trailing only behind the 2012 psychological thriller Talaash, which netted ₹ 93 Crore. By outperforming her other major hits, this film reaffirms Rani's status as a box office draw who can carry gritty, social-commentary-driven thrillers to commercial success on her own shoulders. On the global front, the film has crossed several key benchmarks. The worldwide collection of Mardaani 3 has reached ₹ 71.6 Crore, supported by a healthy contribution from international markets. While the India gross collection stands at ₹ 57.1 Crore, the overseas market has contributed a steady ₹ 14.5 Crore. The film's ability to find takers in the international circuit has played a crucial role in pushing its total earnings well beyond the ₹ 70 Crore mark globally. As the film concludes its 26th day, the focus now shifts to whether it can cross the ₹ 50 Crore net mark in the Indian market. Given its current trajectory and the steady hold on weekdays, the film is expected to continue its slow but sure crawl toward this milestone. For Yash Raj Films, Mardaani 3 stands as a major victory, proving that strong characters and compelling storytelling continue to be a winning formula at the box office.

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Anurag Singh's Border 2 remains a force to be reckoned with at the Indian box office. Entering its 33rd day, the film has shown remarkable hold. According to rough early estimates, the movie collected ₹ 0.34 Crore on its fifth Tuesday. This takes the total India net collection to approximately ₹ 326.88 Crore, further solidifying its status as a blockbuster in the war-drama genre. The film's financial journey is particularly impressive given its massive scale. Produced on a significant budget of ₹ 275 Crore, Border 2 faced the challenge of high recovery. However, the film successfully crossed its break-even point within the first three weeks and earned a return on investment (ROI) of over ₹ 80 Crore within just 28 days. The steady performance during the weekdays of the fourth and fifth weeks has ensured a healthy profit margin for the makers and distributors. Historically, Border 2 has become a landmark film for its actors. It now stands as the second-highest-grossing film for Sunny Deol, positioned right behind the historic Gadar 2. For Varun Dhawan and Ahan Shetty, the movie has rewritten their career records, emerging as the highest-grossing film for both actors. The film's worldwide gross has now surged past the ₹ 445 Crore mark, driven by strong performance in the domestic market and a decent contribution from overseas territories. Border 2 Box Office Collection Summary CATEGORY COLLECTION (ESTIMATED) India Net Collection ₹ 326.88 Cr India Gross Collection ₹ 389.10 Cr Overseas Collection ₹ 57.25 Cr Worldwide Total ₹ 446.69 Cr (adsbygoogle = window.adsbygoogle || []).push({})   In a fascinating comparison with Sunny Deol's previous historic blockbuster, Gadar 2, which collected ₹ 0.6 Cr on its 40th day (6th Tuesday), Border 2 is showing a similar steady trajectory. While Border 2 earned ₹ 0.34 Cr on its 33rd day, its ability to maintain such figures deep into its fifth week proves that the film still has strong legs at the box office, mirroring the legendary long-run trend of the Gadar sequel. Border 2 Recent Day-wise Collection (India Net) DAY NUMBER COLLECTION (NET) WEEK/DAY Day 29 ₹ 0.30 Cr 5th Friday Day 30 ₹ 0.55 Cr 5th Saturday Day 31 ₹ 0.70 Cr 5th Sunday Day 32 ₹ 0.30 Cr 5th Monday Day 33 ₹ 0.34 Cr* 5th Tuesday (Rough Data) Directed by Anurag Singh and produced by Bhushan Kumar and Nidhi Dutta, Border 2 serves as the long-awaited sequel to the 1997 classic. The film portrays the valor of the Indian Armed Forces and features an ensemble cast including Sunny Deol, Varun Dhawan, Ahan Shetty, and Diljit Dosanjh. Its success is a testament to the enduring legacy of the Border brand combined with modern-day high-octane action choreography.