BY CHRISTA LINCY

Patriot is struggling to gain momentum as it completes its first Tuesday at the box office. Even with the massive star power of legends like Mohanlal and Mammootty, the film only managed a net collection of 1.50 crore on day 5. This is a further decline from Monday's already low 1.70 crore, showing that the film is moving at a very slow pace during the weekdays. With the total India net collection reaching 24.85 crore after five days, it is clear that the movie is underperforming relative to the high expectations surrounding such a collaboration. The film's performance across 1,826 shows nationwide resulted in an average occupancy of 17.0 percent for the day. While the total India gross stands at 28.83 crore, a closer look at the state-wise breakdown reveals that Kerala is the primary engine behind these numbers as expected. On Tuesday alone, the film grossed 1.45 crore in Kerala, significantly outperforming other regions like Tamil Nadu at 0.11 crore and Karnataka at 0.10 crore. The rest of the country combined contributed just 0.08 crore to the daily gross, showing that interest in the film is almost entirely limited to the Kerala market. In the national cinema chains including PVR, INOX, and Cinepolis, the film recorded 6,443 tickets sold on Tuesday. PVR accounted for 3,800 tickets, while INOX and Cinepolis contributed 1,500 and 1,143 tickets respectively. These sales were spread across 620 shows in 195 venues, resulting in an occupancy of just 5.40 percent within these chains. The low turnout in these urban centers confirms that the film is currently struggling to find an audience outside of its home territory and local single screens. (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales on BookMyShow saw a drop on Tuesday, moving from 41.18k tickets on Monday to 33.1k tickets. This trend is also seen in the international markets, where the film added 1.00 crore on its fifth day. This brings the total overseas gross to 41.50 crore and the worldwide gross collection to 70.33 crore. Based on data from Venky Box Office, the film earned 18k dollars (approximately 15 lakh) on Monday in North America, taking its total in that region to 442k dollars (approximately 3.70 crore) as it approaches the half-million mark. As Patriot moves toward the end of its first week, the numbers suggest a struggle to live up to the massive expectations usually associated with a Mohanlal-Mammootty collaboration. The film is currently dependent on the Kerala market to keep the collections afloat, while interest in other regions remains minimal. Unless there is a significant jump in footfalls over the coming weekend, it will be difficult for the movie to reach a substantial total. For now, the focus is simply on whether it can at least maintain these lower levels through the remaining weekdays. Patriot Day 5 Box Office SummaryREGION/CATEGORYCOLLECTION/STATSIndia Net (Day 5)₹ 1.50 CrIndia Net (Total)₹ 24.85 CrKerala Gross (Day 5)₹ 1.45 CrIndia Gross (Total)₹ 28.83 CrOverseas Gross (Total)₹ 41.50 CrWorldwide Gross (Total)₹ 70.33 Cr

BY SUNIT JANGIR

Mumbai, May 6 - Jio Studios and Mumbai Film Company's historical action drama Raja Shivaji continues its strong run at the domestic box office, and has now crossed the 50 crores gross mark in just five days to become the fastest Marathi film of all-time to do so. A Historic Milestone For Raja Shivaji (adsbygoogle = window.adsbygoogle || []).push({}) Backed by strong word-of-mouth and a solid opening driven by record-breaking advance bookings, Raja Shivaji has managed to sustain momentum at the box office. The film's grand scale, rooted storytelling, and powerful performances have struck a chord with audiences, particularly in Maharashtra. Directed by and starring Riteish Deshmukh, Raja Shivaji grossed around 5.75 crores on its first Tuesday (5th day), which took its total gross collection to around 52.70 crores (44.40 crores net). With this, it has become only the fourth Marathi film of all-time to cross this milestone. Crossing the 50 crore mark is a significant milestone for any Marathi film, given the relatively limited market compared to mainstream Hindi cinema. This achievement underlines the film's wide acceptance and the increasing appetite for high-quality regional content. (adsbygoogle = window.adsbygoogle || []).push({}) Marathi Cinema’s Box Office Giants The success of Raja Shivaji places it among an elite list of Marathi blockbusters. Leading the charts is 2016's social romantic tragedy, Sairat, which is the biggest and the only Marathi film so far to score over 100 crores gross, with 110 crores. It was the film which unlocked the potential of Marathi cinema, but despite this, the industry is yet to see the next 100 crore grosser. Baipan Bhari Deva came close to it, but eventually fell short of around 10 crores to achieve the milestone. Raja Shivaji, however, is on its way to becoming the second 100 crores and eventually the biggest Marathi grosser of all-time. With not much competition in sight, the movie is expected to reach this mark in the second week and will look to continue its strong run beyond that. (adsbygoogle = window.adsbygoogle || []).push({}) Highest-Grossing Marathi Films S. No. Movie Worldwide Gross 1 Sairat (2016) ₹ 110 Cr 2 Baipan Bhari Deva (2023) ₹ 90.50 Cr 3 Ved (2022) ₹ 73 Cr 4 Raja Shivaji ₹ 52.70 Cr (5D) 5 Natsamrat (2016) ₹ 46 Cr* As of May 5, 2026.

BY CHRISTA LINCY

Dhurandhar 2: The Revenge is proving to be a rare case of a blockbuster that simply refuses to exit the charts, even as it nears the end of its seventh week. On its 48th day, the film collected a net of 55 lakh across India. What is interesting about this number is that it represents a clear growth from Monday's collection of 50 lakh. Seeing a spike in collections during the seventh week is quite uncommon for big-budget films, but it shows that the audience interest is still active during the mid-week screenings. This growth in collection was supported by a significant jump in both the show count and the occupancy levels. On Tuesday, the number of shows increased to 833, up from 753 shows on Monday. Even more impressive was the jump in occupancy, which climbed to 29.6 percent, nearly doubling from the 16.9 percent recorded on the previous day. While a 5 lakh increase might seem small for a film of this scale, seeing any growth on a Tuesday during the seventh week is a rare occurrence in the box office cycle. This sudden surge suggests that the film is still capturing the attention of Spy Universe Freeks and repeat audiences who are taking advantage of the wider show availability. The upward trend is also reflected in the online ticket sales on BookMyShow. For its seventh Tuesday, the film sold 14.92k tickets on the platform, which is a healthy increase from the 12.84k tickets sold on Monday. This steady rise in daily ticket sales confirms that the increase in net revenue was a direct result of higher footfalls across the country. It is a testament to the film's strong word-of-mouth that people are still actively booking tickets seven weeks into the theatrical run. (adsbygoogle = window.adsbygoogle || []).push({}) In the premium national cinema chains including PVR, INOX, and Cinepolis, the film continues to find a place on the daily charts, remarkably sitting in the Top 5 even on its 48th day. On Tuesday, these chains combined for a total of 11,375 tickets for Dhurandhar 2. PVR led the way with approximately 5,745 tickets, followed by INOX with 3,790 tickets, and Cinepolis with 1,840 tickets. These sales were spread across 488 shows in 302 venues, resulting in a solid occupancy of 14 percent. For a film this late in its run, maintaining such occupancy in urban centers is a massive achievement, especially when you consider it is outperforming several much newer releases. For instance, it sold significantly more tickets than Patriot with its 6,400 tickets and Lee Cronin's The Mummy which moved 5,250 tickets. It is also well ahead of other active titles like Ek Din and Project Hail Mary, showing that the legacy of this sequel is still stronger than many fresh options on the marquee. Looking at the bigger picture, the total India net collection has now reached a staggering 1,139.67 crore. A major part of this success comes from the Hindi version, which has earned 1,071.41 crore net so far with a consistent occupancy of 33.2 percent over its lifetime. The regional markets have also provided strong support, with the Telugu version contributing 42.95 crore and the Tamil version adding 19.69 crore. The Kannada and Malayalam versions have also added their shares, with 3.85 crore and 1.77 crore net respectively. This balanced multi-language performance has been the backbone of the film's total domestic gross, which now stands at 1,364.02 crore. On the international front, the film's run is just as noteworthy, with the total overseas gross reaching 426.15 crore. According to data shared by Venky Box Office, the film earned 6k dollars on Monday in the North American market, taking its total there to 28.56 million dollars. This global interest, combined with the massive domestic performance across 5.14 lakh shows in India, has pushed the overall worldwide gross for Dhurandhar 2 to a total of 1,790.17 crore. As the film approaches its 50th day in theaters, the focus remains on how much more it can add to its historic tally before finishing its theatrical run.

BY CHRISTA LINCY

Bhooth Bangla is proving that Akshay Kumar still has significant box office pull when the content resonates with the audience. On its 19th day, which was the third Tuesday, the film saw a jump in its collections. It earned 2.25 crore net across India, which is actually a 28.6 percent increase from the 1.75 crore it made on Monday. This kind of upward trend on a weekday so late in its run is quite rare and shows that the film is finding a second wind with the audience, maintaining a solid 20 percent occupancy across 4,397 shows. Taking a look at the performance in national cinema chains like PVR, INOX, and Cinepolis, the film is holding up remarkably well for its third week. It sold a total of approximately 22,000 tickets across these major screens on Tuesday. PVR led with 11,000 tickets, followed by INOX with 7,000 tickets, and Cinepolis with 4,000 tickets. These sales came from 1,790 shows across 354 venues. It is currently competing closely with other active releases like Michael and The Devil Wears Prada 2 within these premium circuits. With these consistent earnings, the total India net collection has reached 146.50 crore, while the gross total stands at 173.88 crore from over 1.66 lakh shows. This success has officially earned Bhooth Bangla a hit status, making it the fourth straight success for Akshay Kumar following Kesari 2, Housefull 5, and Jolly LLB 3. It seems the horror-comedy genre is currently a very effective platform for him to engage with a wide audience. Based on the current trajectory, the film is just 3.50 crore away from the 150 crore milestone. Since it earned 2.25 crore on Tuesday alone, we can expect it to cross this major mark within the next two days, likely before the third week concludes. (adsbygoogle = window.adsbygoogle || []).push({}) Take a look at the week-wise and daily breakdown of Bhooth Bangla: Week 1 Collection: ₹84.40 Crore Week 2 Collection: ₹43.75 Crore Day 15 (3rd Friday): ₹4.50 Crore Day 16 (3rd Saturday): ₹4.35 Crore Day 17 (3rd Sunday): ₹5.50 Crore Day 18 (3rd Monday): ₹1.75 Crore Day 19 (3rd Tuesday): ₹2.25 Crore The digital engagement on BookMyShow also tells a very positive story of sustained interest. The film has sold a total of 27.78 lakh tickets on the platform so far. After a massive opening week of 1.45 million tickets and a second week of 811k, the third week is showing surprising stamina. On this third Tuesday, it sold 48.73k tickets, which puts it in a respectable position alongside other major 2025 releases like Dhurandhar, Chhaava, and Raid 2. This steady demand late into the third week suggests that the film is still a preferred choice for family audiences. Internationally, the film is having an equally impressive run, marking a significant comeback for Akshay Kumar in the overseas market. According to data from Venky Boxoffice, the film grossed about 8k dollars on its third Monday in North America, bringing its total there to 2.17 million dollars. It is currently tracking for a lifetime finish of around 2.5 million dollars in that region. Total overseas gross has reached 52 crore, which pushes the overall worldwide gross collection to an impressive 225.88 crore. As Bhooth Bangla continues its theatrical journey, it has solidified itself as one of the most successful post-pandemic releases for the actor in international territories. The combination of domestic stability and strong overseas interest has ensured that the film is a profitable venture for everyone involved. With no major drops in sight as it heads toward its fourth week, the film looks set to add a significant amount more to its final tally before it concludes its run.

BY CHRISTA LINCY

Raja Shivaji is currently showing a very solid hold as it finishes its first Tuesday at the box office. The film brought in 4.90 crore net on its fifth day, which is a manageable 12.5 percent drop from the 5.60 crore it collected on Monday. When a film sees such a low drop on a working weekday, it usually indicates that the word-of-mouth is working in its favor and the audience interest is not just limited to the opening weekend. By the end of day 5, the total India net collection has reached 44.40 crore, while the total gross collections have touched 52.68 crore. This performance comes across a total of 5,485 shows nationwide, showing that the film is sustaining its momentum quite well. If we look closer at how the collections are coming in from different languages, the Marathi version is clearly the star performer for this project. On Tuesday alone, it contributed 3.35 crore to the total. What stands out here is the efficiency of the screenings; the Marathi version achieved this from 1,851 shows with a strong occupancy of 33 percent. In contrast, the Hindi version had nearly double the show count with 3,634 shows but managed a net of 1.55 crore with an occupancy of 14 percent. This tells us that while the film has a massive reach in the Hindi belt, the Marathi screenings are much more packed and are currently driving the bulk of the revenue. Raja Shivaji is currently setting new benchmarks for Tuesday collections. Even though its predecessors were released strictly in Marathi, this film's multi-language strategy has helped it take a significant lead over past blockbusters during the work week. 1. Sairat: ₹3.47 Crore 2. Raja Shivaji (Marathi Net): ₹3.35 Crore 3. Ved: ₹2.65 Crore 4. Baipan Bhari Deva: ₹1.45 Crore As the rankings show, Raja Shivaji sits comfortably at the top five first Tuesday earnings. It is important to note that while Sairat, Ved and Baipan Bhari Deva achieved these numbers purely through Marathi screenings, Raja Shivaji has the advantage of a multi-language release. Despite that difference, the jump in collections highlights a massive growth in audience turnout for the industry. Coming to the performance in national cinema chains like PVR, INOX, and Cinepolis, the film is performing steadily during the week. Raja Shivaji sold a total of 26,000 tickets across these major chains on Tuesday. Breaking this down, PVR sold 13,000 tickets, INOX contributed 9,000 tickets, and Cinepolis added another 4,000 tickets to the tally. Together, these sales resulted in a gross collection of 57 lakh from 1,800 shows across 490 venues. The overall occupancy in these premium chains was noted at 6.70 percent, which is a standard result for a mid-week afternoon and evening schedule. (adsbygoogle = window.adsbygoogle || []).push({}) The digital booking trend on BookMyShow also gives us a great look at how the daily interest is moving. Including the initial 217k tickets from pre-sales, the total ticket sales on the platform have now reached 12,47,560. The peak interest was seen on Saturday with 283.01k tickets sold, followed by 274.79k on Friday and 223.16k on Sunday. The weekday interest remains visible as well, with 137.78k tickets sold on Monday and 111.49k on Tuesday. This consistent flow of bookings suggests that the film is building a long-term run rather than fading away after the initial rush. In terms of historical rankings, Raja Shivaji is quickly moving up the ladder of Marathi cinema success. With a current net of 44.40 crore, it has already secured its place as the 4th highest-grossing Marathi film in India. It has managed to surpass several major Blockbusters like Dharmaveer which earned 29 crore in 2022 and Krantijyoti Vidyalay Marathi Madhyam which stood at 30 crore earlier this year. It has also overtaken the worldwide collection of Lai Bhaari which was at 40.00 crore and is currently breathing down the neck of Pawankhind which finished its run at 45 crore. The road ahead now puts Raja Shivaji in direct competition with the all-time top three Marathi grossers. It is currently trailing behind Sairat which leads the list with 80.98 crore, Baipan Bhari Deva at 76.28 crore, and Ved which stands at 61.20 crore. Given the current trajectory and the steady occupancy in its home market, it will be interesting to see how close it can get to these records. For now, the film is comfortably on track to cross the 50 crore mark in the coming days, making it one of the most successful releases for the industry in recent years.

BY SUNIT JANGIR

Mumbai, May 5 - The haunting world of Tumbbad is set to expand in a big way, and this time, it comes with the addition of one of Bollywood's most bankable stars. Alia Bhatt has reportedly joined the cast of Tumbbad 2, and the development has already sparked massive excitement among fans of the cult horror franchise. According to the report by Pinkvilla, Alia has already begun shooting for the film. While her schedule is reportedly limited to around 20 days, her character is said to play a crucial role and will bring a major twist in the finale. The character is said to be deeply woven into the narrative and will play a crucial part in shaping the story's progression. (adsbygoogle = window.adsbygoogle || []).push({}) The sequel to the critically acclaimed Tumbbad is expected to take the mythology forward, diving deeper into the dark and cursed universe that captivated audiences the first time around. With Sohum Shah returning to lead the project along with Nawazuddin Siddiqui, the film is being mounted on a much larger scale, both in terms of storytelling and visual ambition. Alia Bhatt's entry is particularly significant because her character is believed to be central to the film's larger arc. Rather than a brief cameo, she is said to be playing a powerful and layered role that could potentially connect the sequel to a larger cinematic vision. Reports say that her character may even set the stage for a third instalment, making her an integral part of the franchise's future. (adsbygoogle = window.adsbygoogle || []).push({}) Known for her versatility and strong screen presence, Alia brings a new dimension to the eerie and atmospheric world of Tumbbad. Her involvement also indicates that the sequel will not just rely on its cult legacy but aims to elevate the storytelling to a wider audience. Tumbbad 2 is currently in production and is slated to release in December 2027.

BY SUNIT JANGIR

Chennai, May 5 - Thalapathy Vijay has delivered a historic and blockbuster political debut, completely reshaping the landscape of Tamil Nadu politics. His party, Tamilaga Vettri Kazhagam (TVK), has emerged as the single-largest force in the 2026 Assembly elections, winning 108 seats and challenging decades of dominance by established parties. Adding to the impact, Vijay himself registered massive victories in both Perambur and Trichy East constituencies, cementing his position as a serious political leader from day one. His debut has widely been described as a blockbuster moment - an apt word for a superstar who has seamlessly transitioned from cinema to politics without any fuss. (adsbygoogle = window.adsbygoogle || []).push({}) This political triumph has now directly amplified the hype around his upcoming and last film Jana Nayagan, which is slated to release later this month. The timing couldn't be more perfect. The film's title, meaning People's Leader, now mirrors Vijay's current image in real life, turning the project into more than just a movie - it's becoming a cultural event. Trade circles believe that Vijay's sweeping electoral success has elevated Jana Nayagan into a symbolic extension of his political journey. Audiences are no longer just waiting for a film; they are anticipating a reflection of the leader he is emerging as. The overlap between his on-screen persona and real-world political rise has created unprecedented curiosity. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by H Vinoth, Jana Nayagan was supposed to be released in January this year, but it was forced to be delayed due to censorship issues. Adding to the woes, the film was leaked online recently, leaving makers worried about its business. But with a historical electoral victory for Vijay, the delay might be a blessing in disguise for Jana Nayagan amid renewed enthusiasm among the fans. As said, Jana Nayagan is Thalapathy Vijay's last film, which he had already confirmed during the music launch event of the film. The actor turned politician has now committed to fully focus on politics. While his party fell short of an absolute majority, Vijay is expected to become the next Chief Minister of Tamil Nadu with the support of other parties.

BY SUNIT JANGIR

Mumbai, May 5 - Akshay Kumar's horror-comedy Bhooth Bangla continues its impressive theatrical run, achieving a major milestone at the Indian box office. The film has now overtaken OMG 2 to become the actor's third-highest-grossing film in the post-pandemic era. (adsbygoogle = window.adsbygoogle || []).push({}) The film has grossed approximately 228 crore worldwide in 18 days, allowing it to surpass OMG 2 and claim the third position in Akshay Kumar's post-pandemic box office chart. In India, Bhooth Bangla has minted approximately 171.30 crores gross (144.25 crore net), while overseas collection stands at an estimated 56.50 crores so far. This achievement underlines the film's steady performance not just in India, but also in overseas markets where it has found a consistent audience. Akshay Kumar's box office journey in the post-pandemic era has seen its share of ups and downs, but the superstar continues to deliver notable performances at the global box office, including Bhooth Bangla, which has emerged as a strong success story. (adsbygoogle = window.adsbygoogle || []).push({}) Akshay Kumar’s Top 5 Films Post-Pandemic (Worldwide) S. No. Movie Worldwide Gross 1 Sooryavanshi ₹ 293 Cr 2 Housefull 5 ₹ 288.65 Cr 3 Bhooth Bangla ₹ 228 Cr 4 OMG 2 ₹ 221.75 Cr 5 Jolly LLB 3 ₹ 171.65 Cr As of May 4, 2026. Leading the Akshay Kumar's post-pandemic list is director Rohit Shetty's cop drama Sooryavanshi, which remains Akshay Kumar's biggest post-pandemic grosser with 293 crore worldwide. Close behind is the comedy franchise film Housefull 5, followed by Bhooth Bangla, social comedy drama Oh My God 2, and courtroom comedy drama Jolly LLB 3 among the top 5 grossers. The success of Bhooth Bangla is particularly significant as it marks a strong comeback for Akshay Kumar in the commercial space. The horror-comedy genre, combined with his signature comic timing, has resonated well with audiences, helping the film maintain a solid run at the box office.

BY CHRISTA LINCY

Patriot recorded a net collection of 1.70 crore on its first Monday in India. For a film featuring two major legends, this number is relatively low and suggests that the star power is not translating into a strong weekday hold. This takes the total India net collection to 23.35 crore, while the domestic gross stands at 27.09 crore after the first four days of release. The film operated with an average occupancy of 19 percent on Monday across a total of 1,781 shows. While this occupancy percentage might seem decent, the low daily collection reveals that the film is mostly playing in smaller centers or lower-priced screens. Across its entire run so far, the movie has been played across 9,020 shows, but the inability to cross the 2 crore mark on a Monday for a project of this scale is a point of concern. Ticket sales on BookMyShow also show a significant cooling period. The film sold 41.18K tickets on Monday, which is a sharp drop from its pre-sales and opening day figures. Since its release, the platform has recorded over 8.46 lakh tickets in total. The steady decline from a strong 250K on Friday to just 41K on Monday indicates that the initial curiosity has settled quite quickly. Here is the detailed breakdown of the ticket sales trend so far: Patriot Ticket Sales Breakdown (BookMyShow)PHASE/DAYTICKETS SOLDPre Sales333.18KFriday (Day 1)250.74KSaturday (Day 2)125.08KSunday (Day 3)95.92KMonday (Day 4)41.18KTOTAL846,100 (8.46 Lakh) (adsbygoogle = window.adsbygoogle || []).push({}) The performance in the national chains further highlights the struggle in urban markets. Across PVR, INOX, and Cinepolis, the movie managed to sell roughly 6,490 tickets on Monday from 628 shows, resulting in a gross of around 14.25 lakh. PVR was the biggest contributor with nearly 3,930 tickets from 280 shows. INOX and Cinepolis followed with approximately 1,340 tickets from 159 shows and 1,220 tickets from 189 shows, respectively. With an average occupancy of just 5.41 percent in these national chains, the film is essentially playing to very few people in high-end multiplexes, which is a disappointing trend for a big-budget release. On the international front, the film is finding better support. It added 2 crore from overseas markets on Monday, taking its total international gross to 40.50 crore. According to data from Venky Box Office, the North America market has contributed a total of approximately 2.80 crore ($334K) so far, with Saturday alone bringing in around 1.20 crore ($144K). This international revenue has been crucial in pushing the worldwide gross collection to 67.59 crore. While the global numbers look more respectable, the film needs a much stronger performance in the domestic market if it wants to improve its final standing. Looking ahead, Patriot will need to maintain a steady run over the rest of the week. With a total India net of 23.35 crore, it is clear that the movie is facing stiff competition and is not quite reaching the heights expected from its legendary cast. The coming days will show if it can hold its current levels or if the collections will continue to slide as it faces more competition in the coming weeks.

BY SUNIT JANGIR

Mumbai, May 5 - In what could turn out to be one of Bollywood's most exciting reunions, Kareena Kapoor Khan is reportedly in advanced talks to star opposite Salman Khan in an upcoming superhero film directed by Raj & DK. The film, produced by Atul Agnihotri and Mythri Movie Makers, marks Salman Khan's first full-fledged entry into the superhero genre, making it a highly anticipated project. According to Variety India's report, Kareena has emerged as the frontrunner for the female lead, with discussions at an advanced stage. This project will reunite Salman and Kareena after more than a decade. The duo was last seen together in the blockbuster Bajrangi Bhaijaan, and has previously shared screen space in films like Bodyguard, Main Aur Mrs Khanna, and Kyon Ki.... Their on-screen chemistry has always been a fan favourite, making this potential comeback even more exciting. (adsbygoogle = window.adsbygoogle || []).push({}) What We Know About The Film While the official announcement of the film is yet to be made, the yet-untitled project is being described as a high-concept superhero action entertainer, blending Raj & DK's signature storytelling style with Salman Khan's mass appeal. The project has already generated massive buzz, bringing together one of Bollywood's biggest stars with the creators of acclaimed shows like The Family Man. The film will present Salman Khan in a never-seen-before avatar as he steps into the role of an ageing superhero, who's drawn back into action by circumstances beyond his control, eventually leading him into a larger conflict. Interestingly, Kareena wasn't the initial choice for the role. Earlier, reports suggested that Samantha Ruth Prabhu was being considered, but Kareena has now taken the lead in the casting race. (adsbygoogle = window.adsbygoogle || []).push({}) Shoot Timeline Revealed As per the report, the film is expected to go on floors around October–November 2026, once Salman Khan wraps up his current commitments. The makers are reportedly eyeing a 2027 theatrical release, positioning it as a major tentpole project. A Salman–Kareena pairing has historically delivered both commercial success and strong audience recall. Bringing them together in a superhero film, combined with Raj & DK's fresh creative vision, could result in something truly unique for Hindi cinema.

BY CHRISTA LINCY

The anticipation for Christopher Nolan's next project has reached a fever pitch with the release of the latest trailer for The Odyssey. Premiering on The Late Show with Stephen Colbert, the footage was personally introduced by Nolan himself, giving fans their most detailed look yet at this massive adaptation of the classic Greek epic. Set to hit theaters and IMAX on July 17, the film appears to be another ambitious entry in the director's legendary filmography. This new trailer shifts the focus toward the emotional core of the story. Matt Damon stars as Odysseus, and we see glimpses of his long, grueling journey home to Ithaca. The stakes are deeply personal, as he fights to return to his wife Penelope, played by Anne Hathaway, and their son Telemachus, portrayed by Tom Holland. While the original myth is famous for its grand scale and mythical encounters, Nolan seems to be grounding the narrative in the human struggle of a husband and father trying to save his family from the chaos of his absence. One of the biggest highlights of this footage is the first look at the antagonists and side characters. Robert Pattinson appears as the villainous suitor Antinous, who has effectively taken over Odysseus's household, while Charlize Theron is seen as the nymph Calypso. The casting choices suggest a high-stakes drama where the internal conflicts are just as intense as the physical journey. Seeing Pattinson and Theron in these specific roles adds a layer of mystery and intrigue to an already star-studded lineup. (adsbygoogle = window.adsbygoogle || []).push({}) From a technical standpoint, the film carries all the hallmarks of a Nolan production. It was shot entirely on IMAX 70mm film, a detail that is prominently highlighted to emphasize the visual scale of the project. The collaboration between Nolan and cinematographer Hoyte van Hoytema continues to yield stunning, grand imagery, which is paired with a nerve-piercing score by Ludwig Göransson. The combination of these technical elements suggests that the film is designed to be a purely immersive experience that demands to be seen in the highest possible format. As we head toward the July 17 release, the buzz surrounding The Odyssey is expected to grow significantly. By blending a classic literary foundation with cutting-edge IMAX technology and a powerhouse cast, Nolan is positioning this as the definitive cinematic event of the summer. Whether it is the personal story of a man lost at sea or the grand scale of the ancient world, the trailer makes it clear that this project is intended for the largest screens available.

BY CHRISTA LINCY

Kara has completed its first Monday at the box office, and the numbers reflect a typical weekday shift for a mid-range regional film. On its fifth day, the movie collected 1.80 crore net across India, which marks a 64 percent drop from Sunday's 5.00 crore haul. While a drop of this magnitude is expected on the first working day, the film has managed to keep its total India net collection at a respectable 25.15 crore within its first five days of release. Looking at the state-level performance, Tamil Nadu stands as the biggest contributor for the film with a 1.15 crore gross on Monday. This revenue was driven by the Tamil version, which maintained a 16 percent occupancy across a wide footprint of 2,119 shows. In the Andhra Pradesh and Telangana market, the film grossed 0.72 crore. It is interesting to note that the Telugu version actually recorded a slightly higher occupancy of 17 percent, even though it operated with about half the number of screenings at ,107 shows. This indicates that while the show count is lower in the Telugu states, the demand per screening remains quite healthy. The film saw smaller contributions from other regions, with Karnataka adding 0.15 crore to the daily gross. Kerala and the rest of India regions provided more modest numbers, contributing 0.03 crore and 0.01 crore respectively. These figures show that the film's momentum is primarily concentrated in its core Southern markets. With a total India gross of 2.06 crore for the day, the data suggests that Kara is finding its most loyal audience in Tamil Nadu and the Telugu states, where the consistent occupancy levels are helping it sustain its theatrical run during the work week. In the national multiplex chains, Kara continues to find a place among the top-performing titles. On Monday, the film sold 9,445 tickets across PVR, INOX, and Cinepolis, generating a gross of 11.75 lakh. PVR led the way with 5,300 tickets sold, while INOX and Cinepolis contributed 3,500 and 645 tickets respectively. Although it is currently behind the massive numbers of Raja Shivaji, the film's ability to sell nearly 10,000 tickets in these premium chains on a Monday shows that it still has a firm grip on the urban audience. Additionally, the film has reached a significant milestone on BookMyShow, crossing over 5 lakh total tickets sold since its release. (adsbygoogle = window.adsbygoogle || []).push({}) Internationally, Kara is slowly approaching the 10 crore gross milestone. On Monday, it added 0.50 crore from overseas markets, bringing the total international gross to 9.65 crore. In the North America market, the film has grossed 105K dollars so far, with 37K dollars coming from Saturday alone, as per the data shared by Venky Box Office. This international contribution pushes the total worldwide gross collection to 38.70 crore. The daily overseas trend has been on a downward curve since the weekend peak, as seen in the breakdown below: Day 1: ₹2.50 Cr Day 2: ₹2.40 Cr Day 3: ₹2.75 Cr Day 4: ₹1.50 Cr Day 5: ₹0.50 Cr Looking at the overall picture, Kara has shown decent resilience. With a total India gross of 29.05 crore and a worldwide total nearing 40 crore, the film is in a stable position. The upcoming weekdays will be crucial in determining its final lifetime tally, but for now, the steady occupancy in its core markets and the strong performance in national chains indicate that the film is likely to have a healthy run for the remainder of the week.