🏆 Bollywood Box Office Records

Movies that crossed major collection milestones

Hindi Box Office Records Summary

Movies Above 100 Cr

145

Highest Collection

1,080.76 Cr

Average Collection

205.65 Cr

Current Milestone

100 Cr+

Please Note

The Box Office Data are compiled from various sources and by our own research. These data can be approximate or may have huge difference from producer figure and Sacnilk™ does not make any claims about the authenticity of the data. This is box office collection data report new data.

Collection Milestones

Dhurandhar 2: The Revenge Poster

Dhurandhar 2: The Revenge

Gross:₹1,375.39Cr
Overseas:₹438.00Cr
WW:₹1,813.39Cr
Dhurandhar Poster

Dhurandhar

Gross:₹1,007.85Cr
Overseas:₹299.50Cr
WW:₹1,307.35Cr
Pushpa: The Rule - Part 2 Poster

Pushpa: The Rule - Part 2

Gross:₹1,471.10Cr
Overseas:₹271.00Cr
WW:₹1,742.10Cr
Stree 2 Poster

Stree 2

Gross:₹713.15Cr
Overseas:₹144.00Cr
WW:₹857.15Cr
Chhaava Poster

Chhaava

Gross:₹716.91Cr
Overseas:₹91.00Cr
WW:₹807.91Cr
Jawan Poster

Jawan

Gross:₹760.00Cr
Overseas:₹400.00Cr
WW:₹1,160.00Cr
Gadar 2 Poster

Gadar 2

Gross:₹620.50Cr
Overseas:₹65.50Cr
WW:₹686.00Cr
Pathaan Poster

Pathaan

Gross:₹657.50Cr
Overseas:₹397.50Cr
WW:₹1,055.00Cr
Baahubali 2  The Conclusion Poster

Baahubali 2 The Conclusion

Gross:₹1,416.90Cr
Overseas:₹371.16Cr
WW:₹1,788.06Cr
Animal Poster

Animal

Gross:₹660.00Cr
Overseas:₹255.00Cr
WW:₹915.00Cr
KGF Chapter 2 Poster

KGF Chapter 2

Gross:₹1,000.85Cr
Overseas:₹214.15Cr
WW:₹1,215.00Cr
Dangal Poster

Dangal

Gross:₹535.00Cr
Overseas:₹1,535.30Cr
WW:₹2,070.30Cr
Sanju Poster

Sanju

Gross:₹438.50Cr
Overseas:₹150.00Cr
WW:₹588.50Cr
PK Poster

PK

Gross:₹489.00Cr
Overseas:₹303.00Cr
WW:₹792.00Cr
Tiger Zinda Hai Poster

Tiger Zinda Hai

Gross:₹433.77Cr
Overseas:₹124.23Cr
WW:₹558.00Cr
Saiyaara Poster

Saiyaara

Gross:₹398.83Cr
Overseas:₹171.50Cr
WW:₹570.33Cr
Border 2 Poster

Border 2

Gross:₹392.94Cr
Overseas:₹57.25Cr
WW:₹450.19Cr
Bajrangi Bhaijaan Poster

Bajrangi Bhaijaan

Gross:₹432.46Cr
Overseas:₹489.47Cr
WW:₹921.93Cr
War Poster

War

Gross:₹375.00Cr
Overseas:₹96.00Cr
WW:₹471.00Cr
Padmaavat Poster

Padmaavat

Gross:₹400.00Cr
Overseas:₹185.00Cr
WW:₹585.00Cr

Trending News

Superstar Rajinikanth's Jailer 2 Reportedly Locks Biggest Post-Theatrical OTT Deal For Tamil Cinema With Amazon Prime Video Kollywood
83 views

Superstar Rajinikanth's Jailer 2 Reportedly Locks Biggest Post-Theatrical OTT Deal For Tamil Cinema With Amazon Prime Video

BY SUNIT JANGIR

Chennai, August 13 - Superstar Rajinikanth's much-awaited Jailer 2 has reportedly achieved a massive milestone even before its theatrical release, with the film reportedly locked in the biggest post-theatrical OTT deal in Tamil cinema. The Nelson Dilipkumar directorial, one of the most anticipated Tamil films, has reportedly been acquired by Amazon Prime Video for a staggering 160 crore. If the reported figure is accurate, the Rajinikanth starrer has established a new record for a Tamil film's post-theatrical streaming rights, underlining the enormous value attached to the superstar and the Jailer franchise. Amazon Prime Video is also not new to the franchise, having acquired the digital rights to the first Jailer, which became a major blockbuster following its theatrical release in 2023. (adsbygoogle = window.adsbygoogle || []).push({}) The sequel is expected to take the franchise on a much bigger scale, with Rajinikanth returning as Muthuvel Pandian and Nelson once again handling the direction. The reported OTT deal comes at a crucial stage for Jailer 2, which has already completed its shoot, with the makers already conforming October 15 release date. Produced by Sun Pictures, Jailer 2 also stars Ramya Krishnan, Yogi Babu, Mirnaa, and Rithvik, reprising their roles from the predecessor, with S. J. Suryah, Mithun Chakraborty, Vidya Balan, Suraj Venjaramoodu, Anna Rajan and Jatin Sarna joining the cast in key roles, while Bollywood star Hrithik Roshan plays a crucial cameo.

Sunny Deol and Rajkumar Santoshi Revive Batwara 1947 After a Sixteen Year Battle Against Industry Skepticism Bollywood
12.1K views

Sunny Deol and Rajkumar Santoshi Revive Batwara 1947 After a Sixteen Year Battle Against Industry Skepticism

BY CHRISTA LINCY

Batwara 1947 is scheduled to arrive in theaters on August 14, 2026, ending a professional hiatus between Sunny Deol and Rajkumar Santoshi that dates back to the mid-nineties. While the duo was once the most formidable force in Hindi cinema with classics like Ghayal and Damini, the journey of this specific project has been a difficult one, spanning roughly 16 years of development hell and industry skepticism. The 16-year timeline began around 2010 when the duo first attempted to pitch Batwara 1947 to major studios. At that time, both the actor and the director were navigating a difficult phase in their careers, marked by several box-office disappointments. This led to a harsh industry perception where the pairing was labeled as not saleable. Financiers were hesitant to back a veteran team that had not delivered a major commercial success in years, and the project was effectively shelved as no big banner was willing to take the risk. (adsbygoogle = window.adsbygoogle || []).push({}) A significant hurdle was the nature of the script itself. While producers were pressuring Sunny Deol to stick to loud, mass-market action films, Batwara 1947 was envisioned as a realistic period drama based on a celebrated play about the emotional trauma of the Partition. Studios viewed a serious, art-house leaning narrative as a massive financial risk, especially when the lead star was struggling with his theatrical pull. For over a decade, the project remained stagnant because the market demanded a version of Sunny Deol that didn't align with the director's grounded vision. The actor's filmography during this 16-year period reflected this struggle. Projects like Singh Saab the Great and his own directorial effort Ghayal Once Again underperformed at the box office. Later films like Poster Boys and Blank were also commercially disappointing, further fueling the narrative that his era as a bankable lead was fading. Without a major hit to his name, the ambitious Batwara 1947 appeared to be a lost cause, existing only in trade discussions rather than active production. (adsbygoogle = window.adsbygoogle || []).push({}) The trajectory shifted entirely with the massive success of Gadar 2, which proved there was still a huge, loyal audience for the veteran actor. This turnaround was further solidified earlier this year with the release of Border 2, which also performed exceptionally well at the box office. These consecutive hits restored his position as a bankable superstar, providing the necessary commercial momentum to revive Batwara 1947 after years of stagnation. Recognizing this renewed market demand, Aamir Khan stepped in under his banner to finance the project, finally allowing the director the creative independence to pursue a realistic and serious tone without the pressure of typical commercial tropes. Batwara 1947 faces a direct clash with Awarapan 2, which is currently leading the race in terms of advance bookings. While the competitor has secured a stronger start with initial ticket sales, the Sunny Deol starrer is positioned as a grounded, realistic drama that might take a bit longer to find its full momentum. Since the film avoids the loud tropes of a typical commercial entertainer, it will be solely dependent on positive word of mouth to prove its worth and draw in the larger family audience over the holiday weekend. (adsbygoogle = window.adsbygoogle || []).push({}) With Aamir Khan backing the project, the production scale was elevated without compromising the artistic integrity of the story. This allowed for a realistic recreation of the 1947 landscape and a cast that prioritized performance over mass appeal, including the return of Preity Zinta. The film is now a reality because a historic box-office turnaround revived a script that had been rejected for over a decade.

Vijay Sethupathi and Balaji Tharaneetharan reunite for Baththa set for a worldwide release on October 1 Kollywood
11.2K views

Vijay Sethupathi and Balaji Tharaneetharan reunite for Baththa set for a worldwide release on October 1

BY CHRISTA LINCY

Vijay Sethupathi is teaming up with director Balaji Tharaneetharan for their third film together, titled Baththa. This official announcement confirms the reunion of the pair responsible for Naduvula Konjam Pakkatha Kaanom and Seethakaathi. Since the news broke today, the project has been widely discussed across social media, as it brings back a partnership known for a very specific style of storytelling in Tamil cinema. This collaboration is particularly significant because it brings back the team responsible for the cult classic Naduvula Konjam Pakkatha Kaanom and the experimental Seethakaathi. Given their history of working on unique scripts, the expectation is that Baththa will follow a similar path of creative storytelling. Adding to the film's appeal is the presence of Lijomol Jose as the female lead, an actor known for her powerful performances in critically acclaimed projects. (adsbygoogle = window.adsbygoogle || []).push({}) The project is presented by filmmaker Atlee and produced by Priya Atlee. Notably, this film marks the entry of prominent Bollywood production houses like Star Studio and Cine1 Studios into the Tamil industry. This collaboration showcases a strategic effort to bring a larger production scale to Tamil cinema by bridging regional and national production units. On the technical side, the film features a fresh and talented crew. The music is being composed by Sai Abhyankkar, while the cinematography is handled by Selva Kumar SK. R Kalaivanan has been brought on board as the editor to round out the core team. These names suggest a focus on technical excellence to match the creative depth usually found in a Balaji Tharaneetharan directorial. With a worldwide release already scheduled for October 1, the team is moving swiftly to bring this story to the audience. Baththa looks like a promising addition to Vijay Sethupathi's diverse filmography, especially since it reunites him with a director who understands his range so well. As we head toward the October release, the anticipation remains centered on how this duo will manage to surprise the viewers for the third time.

Dulquer Salmaan's  40th Film I'm Game Postponed From Its Scheduled Onam Release Mollywood
11.4K views

Dulquer Salmaan's 40th Film I'm Game Postponed From Its Scheduled Onam Release

BY CHRISTA LINCY

The highly anticipated Onam box office showdown has taken an unexpected turn with the latest update regarding Dulquer Salmaan's milestone project, I'm Game. Originally scheduled for a grand worldwide theatrical release on August 20, 2026, the film has now been postponed. According to recent reports from industry insiders, the delay is due to the incompletion of post-production work. While fans were eagerly counting down the days to see the superstar in his 40th film, it appears the makers are prioritizing the final quality of this high-budget mega-project over meeting the initial deadline. The scale of I'm Game justifies the extra time being taken in the editing room. Produced under Dulquer's own banner, Wayfarer Films, the production has spanned over 100 diverse locations to capture the international flavor of the story. Directed by Nahas Hidhayath, who recently delivered the massive hit RDX, the film is expected to be a high-octane action thriller. To ensure the action sequences are world-class, the team brought in the acclaimed stunt duo Anbariv, known for their work in major blockbusters like KGF and Vikram. This combination of a hit-making director and elite stunt coordinators has made the film one of the most talked-about projects in the Malayalam industry. (adsbygoogle = window.adsbygoogle || []).push({}) In this film, Dulquer Salmaan steps into a role that is being described as sleek, modern, and entirely fearless. He portrays a charismatic gambler who famously lives by the philosophy of trusting luck more than life itself. However, the plot suggests that his high-stakes lifestyle is thrown into absolute chaos by a series of unexpected events. This shift drags his character away from the luxury of the casino and into the middle of ruthless international gang wars and a desperate struggle for survival. The first-look posters, which show the actor surrounded by cash and casino chips, have already set a stylish tone for what is being called a landmark performance in his career. The supporting cast is equally powerhouse, featuring a blend of talent from across industries. The film stars Antony Varghese, popularly known as Pepe, along with Mysskin, Kathir, Samyuktha Viswanathan, and Kayadu Lohar. This ensemble suggests that the narrative will have multiple layers and intense character dynamics. On the musical front, the film has already started making waves. The romantic track Mazhavillaye, composed by Jakes Bejoy and sung by Armaan Malik, recently dropped and instantly crossed the 2 million views mark. (adsbygoogle = window.adsbygoogle || []).push({}) Before the postponement was announced, I'm Game was set for a massive Onam box office clash. It was positioned to go head-to-head with other heavyweights like Prithviraj's Khalifa and Nivin Pauly's Bethlehem Kudumba Unit. This three-way battle between the top stars of Mollywood was the highlight of the festive season's calendar. With Dulquer's film now moving out of the August 20 slot, the box office dynamics for Onam 2026 will shift significantly.

Suriya's Vishwanth And Sons Clocks 200+ Crore Pre-Release Business; Details Revealed Kollywood
11.6K views

Suriya's Vishwanth And Sons Clocks 200+ Crore Pre-Release Business; Details Revealed

BY SUNIT JANGIR

Chennai, August 12 - Tamil superstar Suriya's Vishwanath And Sons has reportedly registered strong pre-release business ahead of its theatrical release, with the film reportedly fetching 200+ crore across theatrical and non-theatrical avenues. The strong valuation comes on the back of Suriya's improved market following the success of Karuppu, while the upcoming film is expected to target a wider family audience with its emotional drama. (adsbygoogle = window.adsbygoogle || []).push({}) The 200+ crore pre-release business is divided across multiple territories and rights. Tamil Nadu rights have reportedly been sold for 45 crore, while the Telugu states have fetched around 20 crore. Karnataka stands at 5 crore, with the rest of India contributing another 5 crore. The overseas theatrical business is valued at around 15 crore, taking the total theatrical business to 90 crore. The biggest contribution comes from the non-theatrical rights, at 125 crore across OTT, satellite, and music. Despite the impressive 215 crore pre-release valuation, the film still has a significant theatrical target to achieve. Vishwanath And Sons needs to gross around 175 crore worldwide for the theatrical side to emerge as a clean hit. This means the film will need a strong run across India, particularly in Tamil Nadu and the Telugu states, while also maintaining a healthy overseas performance. (adsbygoogle = window.adsbygoogle || []).push({}) The target looks achievable on paper given Suriya's improved current market standing and the holiday advantage around the film's release. However, the real test will be the audience response, as the movie is expected to rely more heavily on family audiences and word of mouth than the action-driven appeal of Karuppu. If the film connects strongly with its target audience, the 175 crore worldwide mark could be within reach. The movie is scheduled to release on August 14.

Shraddha Kapoor's Eetha Gets Blockbuster December First-Week Release, Locking Clash With Prabhas' Fauzi Bollywood
12.5K views

Shraddha Kapoor's Eetha Gets Blockbuster December First-Week Release, Locking Clash With Prabhas' Fauzi

BY SUNIT JANGIR

Mumbai, August 11 - Shraddha Kapoor's much-awaited Eetha has locked a new theatrical release date, and the decision could prove to be a major box-office advantage. The Laxman Utekar directorial, produced by Dinesh Vijan, Laxman Utekar and Karishma Sharma, will now arrive in cinemas on December 4, 2026, after originally being scheduled for August 28. The makers officially announced the new date on Tuesday, bringing an end to weeks of speculation surrounding the film's theatrical release. (adsbygoogle = window.adsbygoogle || []).push({}) The December 4 weekend looks particularly interesting because the release landscape around the date is already undergoing significant changes. Ajay Devgn and Sanjay Dutt's Ranger, which was previously expected to be one of the major releases in the first week of December, has reportedly been pushed to 2027. This has opened up the window considerably, although Prabhas' Fauzi and Akshay Kumar's untitled film with Anees Bazmee have been linked to the same period. However, the chatter in the trade is that the first week of December could eventually become much clearer for Eetha. With multiple films eyeing the same period and the date offering a strong theatrical window, further postponements cannot be ruled out. The December 4 slot could therefore turn into a relatively open corridor for Eetha, allowing the Shraddha Kapoor starrer to command a significant share of the audience and screens if the competing films move away. (adsbygoogle = window.adsbygoogle || []).push({}) Eetha also arrives with considerable curiosity after its teaser generated a strong response. The film is based on the life of legendary Maharashtrian Tamasha and Lavani performer Vithabai Narayangaonkar, with Shraddha portraying the central character. Randeep Hooda and Mohammed Zeeshan Ayyub also feature in pivotal roles, while Ajay-Atul are composing the music. For Shraddha, the December release comes after the phenomenal success of Stree 2, making Eetha her first major theatrical outing since that blockbuster. A clean first week, strong word of mouth and the absence of a major competing release could give the film the kind of extended run that a performance-driven subject needs. If the other December 4 contenders eventually shift their dates, Eetha could find itself with one of the most favourable release windows for a Hindi film in the final month of 2026.

Recent News

Superstar Rajinikanth's Jailer 2 Reportedly Locks Biggest Post-Theatrical OTT Deal For Tamil Cinema With Amazon Prime Video Kollywood
79 views

Superstar Rajinikanth's Jailer 2 Reportedly Locks Biggest Post-Theatrical OTT Deal For Tamil Cinema With Amazon Prime Video

BY SUNIT JANGIR

Chennai, August 13 - Superstar Rajinikanth's much-awaited Jailer 2 has reportedly achieved a massive milestone even before its theatrical release, with the film reportedly locked in the biggest post-theatrical OTT deal in Tamil cinema. The Nelson Dilipkumar directorial, one of the most anticipated Tamil films, has reportedly been acquired by Amazon Prime Video for a staggering 160 crore. If the reported figure is accurate, the Rajinikanth starrer has established a new record for a Tamil film's post-theatrical streaming rights, underlining the enormous value attached to the superstar and the Jailer franchise. Amazon Prime Video is also not new to the franchise, having acquired the digital rights to the first Jailer, which became a major blockbuster following its theatrical release in 2023. (adsbygoogle = window.adsbygoogle || []).push({}) The sequel is expected to take the franchise on a much bigger scale, with Rajinikanth returning as Muthuvel Pandian and Nelson once again handling the direction. The reported OTT deal comes at a crucial stage for Jailer 2, which has already completed its shoot, with the makers already conforming October 15 release date. Produced by Sun Pictures, Jailer 2 also stars Ramya Krishnan, Yogi Babu, Mirnaa, and Rithvik, reprising their roles from the predecessor, with S. J. Suryah, Mithun Chakraborty, Vidya Balan, Suraj Venjaramoodu, Anna Rajan and Jatin Sarna joining the cast in key roles, while Bollywood star Hrithik Roshan plays a crucial cameo.

10 WWE Superstars Who Were Never Truly Pushed — And Could Have Been Megastars Wrestling
11.4K views

10 WWE Superstars Who Were Never Truly Pushed — And Could Have Been Megastars

BY JITU JANGIR

WWE has had no shortage of talented Superstars who had the charisma, athletic ability and in-ring skills to become major names, only for their careers to stall before reaching the main-event level. From Mr. Kennedy and Shelton Benjamin to Carlito and Paul London, these wrestlers showed flashes of genuine star potential but never received the sustained push needed to turn them into household names. This list looks back at 10 WWE Superstars whose careers had the ingredients for something much bigger. We will examine when they arrived in WWE, how they were introduced, the opportunities they received, the moments when they appeared destined for a major breakthrough, and why they ultimately failed to become consistent main-event stars. 10. D’Lo Brown D’Lo Brown entered WWE during the Attitude Era and initially became part of the Nation of Domination. He made his televised WWF debut in 1997 and quickly became one of the more recognizable members of the group. Brown eventually developed a character of his own, complete with his trademark head shake, chest protector and energetic wrestling style. He also became a two-time European Champion, with WWE’s own title history showing multiple reigns between 1998 and 1999. His athleticism was particularly impressive for his size, and he could work with both high-flyers and larger opponents. He was also involved in some of the most important factions and storylines of the Attitude Era. The problem was that WWE never consistently treated Brown as a potential top-level singles star. He remained an important supporting player rather than someone positioned alongside The Rock, Stone Cold Steve Austin, Triple H or The Undertaker. 9. Paul London Paul London was one of WWE's most naturally gifted high-flyers of the 2000s. He signed with WWE in 2003 and made his television debut on SmackDown against Brock Lesnar. London quickly established himself as an exciting performer in the Cruiserweight division before moving into the tag-team scene. He won the WWE Tag Team Championship with Billy Kidman in 2004 and later formed a highly successful partnership with Brian Kendrick. London and Kendrick defeated MNM at Judgment Day 2006 to win the WWE Tag Team Championship. Their reign eventually lasted 333 days, which WWE's title history records as the longest reign in the championship's history at that time. Despite that success, London was rarely presented as a potential singles main-eventer. WWE had an opportunity to turn him into a major high-flying babyface, but that opportunity never fully materialized. 8. Chris Masters Chris Masters arrived in WWE in early 2005 with almost everything WWE traditionally looked for in a potential star: an imposing physique, a memorable nickname, a simple character and a devastating finishing move. WWE's own profile notes that the 6-foot-4, 265-pound "Masterpiece" quickly attracted attention after debuting on Raw and became famous for his Master Lock Challenge. Masters even entered the Elimination Chamber for the WWE Championship during his first year with the company, demonstrating just how highly WWE initially viewed him. The Master Lock Challenge was one of the strongest concepts WWE had for a mid-2000s heel. Masters could walk into an arena, challenge anyone to escape his hold and immediately create a reason for fans to care. But the momentum didn't last. Instead of becoming a dominant monster heel who could eventually challenge for a world championship, Masters gradually became another name on the roster. 7. Shelton Benjamin Shelton Benjamin arrived in WWE as part of the highly respected duo with Charlie Haas. The pair won tag-team gold and quickly established themselves as one of the company's best young athletic teams. WWE's title history records their multiple World Tag Team Championship reigns beginning in 2003. Benjamin's singles career eventually produced some spectacular moments. His athletic ability was obvious, particularly in his famous matches against Shawn Michaels and other top stars. He also became a two-time Intercontinental Champion. The problem was that WWE often presented Benjamin as an excellent wrestler rather than as a potential superstar. 6. Carlito Carlito may have one of the strongest cases on this list because WWE initially appeared to have enormous confidence in him. He made his SmackDown debut in 2004 and immediately defeated John Cena for the United States Championship. He later won the Intercontinental Championship on his Raw debut against Shelton Benjamin. Carlito also had something many technically gifted wrestlers lacked: natural charisma. His "I spit in the face of people who don't want to be cool" character was simple, memorable and easy for fans to understand. He won multiple championships during his original WWE run, including the United States, Intercontinental and Tag Team Championships. He eventually left WWE in 2010 and returned to the company in 2023, although his later run was largely used in a supporting/comedic role. The frustrating part is that Carlito looked like someone who could have occupied the upper-middle card for years and potentially moved into the world-title picture. Instead, the company never made the long-term commitment necessary to turn him into a true main-event attraction. 5. John Morrison John Morrison had perhaps one of the most complete packages of any wrestler on this list. He originally entered WWE after winning Tough Enough in 2002 and eventually became Johnny Nitro. His partnership with Joey Mercury and Melina created the successful MNM act before Morrison developed into a singles performer. After becoming John Morrison, he captured the ECW Championship and later became a major part of WWE programming alongside The Miz. WWE itself documented the beginning of his "Morrison era" after he reinvented his character. His parkour-inspired movement, athletic entrances and spectacular offense made him one of WWE's most visually impressive wrestlers. Yet despite winning the Intercontinental and Tag Team Championships and becoming ECW Champion, Morrison never won WWE's top world championship during his original run. 4. MVP MVP arrived in WWE with a character that immediately stood out. He made his first SmackDown appearance on August 4, 2006, portraying the arrogant, flashy "Ballin'" superstar. WWE's own biography notes that the company gave him a major contract and positioned him as one of the brand's most intriguing new arrivals. MVP backed up the talk in the ring. Within less than a year, he became United States Champion, and he later won the WWE Tag Team Championship with Matt Hardy. WWE even presented him as someone with the potential to become a future World Champion. His feud and partnership with Matt Hardy were among the highlights of SmackDown during that period. MVP had charisma, a distinctive character, excellent mic skills and enough in-ring ability to work with top stars. Yet WWE never fully pulled the trigger on him as a world-title-level performer. Considering how over his character became, MVP is one of the clearest examples of a wrestler who appeared destined for a much bigger role but never quite received it. 3. Ricochet Ricochet built his reputation on the independent circuit and in New Japan Pro-Wrestling as one of the most innovative high-flyers in the world before signing with WWE and debuting on NXT in 2018, later moving to the main roster in 2019. His arrival came with genuine buzz — WWE even teased a mystery "One" storyline to build anticipation before his reveal. Once on the main roster, however, Ricochet was largely kept in the midcard, frequently used to elevate other performers rather than being elevated himself. His athleticism remained undeniable, but a sustained run at the top of a WWE card never came his way. 2. Zack Ryder Zack Ryder is one of the rare cases of a WWE Superstar who essentially pushed himself. After joining the main roster in the mid-2000s, Ryder found himself stuck in lower-card roles for years until he launched his own YouTube series, "Z! True Long Island Story," around 2011 — building a grassroots fanbase almost entirely outside of WWE's own programming. That fan-driven momentum eventually forced WWE's hand, leading to an Internet Championship run and a surprise Intercontinental Championship win at WrestleMania 32 in 2016. But each time Ryder gained traction, WWE pulled back shortly after, treating his pushes as brief experiments rather than long-term investments — leaving one of wrestling's most fan-beloved underdogs without the sustained spotlight his popularity suggested he'd earned. 1. Mr. Kennedy If there is one wrestler who arguably came closest to becoming a major WWE superstar before his momentum disappeared, it is Mr. Kennedy. Kennedy debuted in WWE in 2005 and quickly developed one of the most recognizable characters on the roster. His microphone work, entrance and "Kennedy... Kennedy!" catchphrase immediately separated him from the rest of the pack. WWE gave him major opportunities early in his career, including a Money in the Bank victory at WrestleMania 23. He was planning to hold the contract until WrestleMania 24 and challenge for the WWE Championship. That alone shows how seriously WWE was considering him. But his planned rise was derailed when he lost the Money in the Bank contract to Edge after defending it on Raw. WWE's own history notes that Kennedy remains the only Money in the Bank contract holder who never successfully cashed in. He also suffered injuries and experienced repeated changes in direction. Instead of becoming a consistent main-event heel, Kennedy's WWE run faded and he departed the company in 2009. For a wrestler with his character, microphone ability and natural presence, his WWE career ended far below the level many fans expected.

Sunny Deol and Rajkumar Santoshi Revive Batwara 1947 After a Sixteen Year Battle Against Industry Skepticism Bollywood
12.1K views

Sunny Deol and Rajkumar Santoshi Revive Batwara 1947 After a Sixteen Year Battle Against Industry Skepticism

BY CHRISTA LINCY

Batwara 1947 is scheduled to arrive in theaters on August 14, 2026, ending a professional hiatus between Sunny Deol and Rajkumar Santoshi that dates back to the mid-nineties. While the duo was once the most formidable force in Hindi cinema with classics like Ghayal and Damini, the journey of this specific project has been a difficult one, spanning roughly 16 years of development hell and industry skepticism. The 16-year timeline began around 2010 when the duo first attempted to pitch Batwara 1947 to major studios. At that time, both the actor and the director were navigating a difficult phase in their careers, marked by several box-office disappointments. This led to a harsh industry perception where the pairing was labeled as not saleable. Financiers were hesitant to back a veteran team that had not delivered a major commercial success in years, and the project was effectively shelved as no big banner was willing to take the risk. (adsbygoogle = window.adsbygoogle || []).push({}) A significant hurdle was the nature of the script itself. While producers were pressuring Sunny Deol to stick to loud, mass-market action films, Batwara 1947 was envisioned as a realistic period drama based on a celebrated play about the emotional trauma of the Partition. Studios viewed a serious, art-house leaning narrative as a massive financial risk, especially when the lead star was struggling with his theatrical pull. For over a decade, the project remained stagnant because the market demanded a version of Sunny Deol that didn't align with the director's grounded vision. The actor's filmography during this 16-year period reflected this struggle. Projects like Singh Saab the Great and his own directorial effort Ghayal Once Again underperformed at the box office. Later films like Poster Boys and Blank were also commercially disappointing, further fueling the narrative that his era as a bankable lead was fading. Without a major hit to his name, the ambitious Batwara 1947 appeared to be a lost cause, existing only in trade discussions rather than active production. (adsbygoogle = window.adsbygoogle || []).push({}) The trajectory shifted entirely with the massive success of Gadar 2, which proved there was still a huge, loyal audience for the veteran actor. This turnaround was further solidified earlier this year with the release of Border 2, which also performed exceptionally well at the box office. These consecutive hits restored his position as a bankable superstar, providing the necessary commercial momentum to revive Batwara 1947 after years of stagnation. Recognizing this renewed market demand, Aamir Khan stepped in under his banner to finance the project, finally allowing the director the creative independence to pursue a realistic and serious tone without the pressure of typical commercial tropes. Batwara 1947 faces a direct clash with Awarapan 2, which is currently leading the race in terms of advance bookings. While the competitor has secured a stronger start with initial ticket sales, the Sunny Deol starrer is positioned as a grounded, realistic drama that might take a bit longer to find its full momentum. Since the film avoids the loud tropes of a typical commercial entertainer, it will be solely dependent on positive word of mouth to prove its worth and draw in the larger family audience over the holiday weekend. (adsbygoogle = window.adsbygoogle || []).push({}) With Aamir Khan backing the project, the production scale was elevated without compromising the artistic integrity of the story. This allowed for a realistic recreation of the 1947 landscape and a cast that prioritized performance over mass appeal, including the return of Preity Zinta. The film is now a reality because a historic box-office turnaround revived a script that had been rejected for over a decade.

WWE SmackDown Aug. 7 Viewership Climbs to 1.47 Million As Post-SummerSlam Fallout Grabs Fans Wrestling
10.2K views

WWE SmackDown Aug. 7 Viewership Climbs to 1.47 Million As Post-SummerSlam Fallout Grabs Fans

BY JITU JANGIR

WWE SmackDown's August 7 episode on USA Network drew 1.470 million viewers, up from 1.379 million the previous week, with the 18-49 demo rating also rising to 0.35 from 0.31, per Wrestlenomics. The bump lines up with a stacked post-SummerSlam show from the Xfinity Mobile Arena in Philadelphia. The episode opened with a tribute to Dory Funk Jr. following his passing, before Cody Rhodes called out Randy Orton, only to be interrupted by CM Punk, who said he didn't know about Orton's return. Kevin Owens confronted Undisputed WWE Champion CM Punk, setting up tension for the title picture, while Owens and Sami Zayn also had a heated backstage argument after Zayn expressed frustration that Owens' return had cost him a title opportunity. In the ring, Baron Corbin retained the United States Championship against Trick Williams in a SummerSlam rematch, and Fallon Henley and Lainey Reid of Fatal Influence retained the Women's Tag Team Championship in a champions-vs-champions match against Chelsea Green and Tiffany Stratton. The night's biggest surprise came in the main event, where returning star Alexa Bliss and debuting Tatum Paxley showed up to help Charlotte Flair defeat Jade Cargill. Backstage, Carmelo Hayes attacked Baron Corbin and challenged him for the U.S. Title next week. That mix of returns, title defenses, and championship-picture drama appears to have helped push the show's numbers up week-over-week.

WWE Legend Says He Nearly Fought Vince McMahon After Brutal 'Man Up' Comment Wrestling
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WWE Legend Says He Nearly Fought Vince McMahon After Brutal 'Man Up' Comment

BY JITU JANGIR

The Undertaker has revealed that he nearly got into a physical fight with Vince McMahon after the former WWE Chairman told him to “man up” during a difficult period in his personal life. Speaking on his Six Feet Under podcast, The Undertaker recalled visiting McMahon's office toward the end of his WWE career. He was only working a few times a year at the time and had been dealing with several issues outside of wrestling. The Undertaker said he went to McMahon simply to say hello and began opening up about what he was going through. However, McMahon responded with some blunt advice. “He looks at me, and it was as straight a face as it could be, he goes, ‘You know what, Mark? I really think you need to quit feeling sorry for yourself.’” The Undertaker said McMahon then added, “Yeah, you're feeling sorry for yourself. Man up.” The comment immediately angered The Undertaker, who felt he was speaking to McMahon as a friend rather than as his boss. “There was a sense of rage that come over me at that moment, like, man I thought me and you are friends,” The Undertaker recalled. The WWE Hall of Famer then warned McMahon that the conversation could have turned physical. “I did tell him, I was like, ‘You know, if you were anybody else, anybody else, we'd probably be fighting right now. No one talks to me like that. You don't talk to me like that.’” McMahon, however, refused to back down. “Well, damn it, somebody needs to,” McMahon replied. The Undertaker eventually walked away from the conversation, but after calming down, he realized McMahon had actually given him the reality check he needed. “It kind of dawns on me after I calmed down, like, you know what? Get your shit together, handle your business,” he said. The two eventually laughed about the incident, with The Undertaker later admitting to McMahon that he still wished he had fought him but agreed that McMahon had been right. Looking back, The Undertaker said McMahon knew when he needed tough love and when he needed support. “He knew when I needed a foot in the ass, or, you know, whether I needed a hug,” The Undertaker said. “He was always pretty much right on all of that stuff.”

WWE Legend Reveals Vince McMahon Once Admitted He Was Wrong About Major Punjabi Prison Match Spot Wrestling
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WWE Legend Reveals Vince McMahon Once Admitted He Was Wrong About Major Punjabi Prison Match Spot

BY JITU JANGIR

The Undertaker has revealed that Vince McMahon once admitted he was wrong about a major creative decision involving the first-ever Punjabi Prison Match. The Punjabi Prison Match made its WWE debut at The Great American Bash 2006, where The Undertaker was originally scheduled to face The Great Khali. However, Big Show replaced Khali in the match after an angle involving the two giants led to WWE changing the bout. Undertaker ultimately defeated Big Show after escaping the massive bamboo structure. Twenty years after the match, The Undertaker recalled the creative disagreement he had with McMahon while discussing the bout on his Six Feet Under podcast. According to the WWE Hall of Famer, McMahon had a specific idea for how Undertaker would escape the structure, while he believed there was a much better option. “It was originally supposed to be with Khali. Khali had something going on and they had to put Big Show in the match,” Undertaker explained. He then detailed the disagreement over the finish. “Vince had this idea about, he wanted us to go through the gate or something while we were fighting, and that's how I would get out of the cage,” Undertaker said. The Deadman had another idea in mind. Rather than escaping through one of the doors, he wanted to create a spectacular visual by jumping from the inner structure to the outer cage. “I had the idea that I wanted to jump from the inner cage to the outer cage and get out that way. I thought, man, that'll be such a cool visual. I said, ‘They won't expect it. It'll look amazing.’” However, McMahon ultimately rejected Undertaker's idea and insisted that the match be performed according to his original plan. Undertaker admitted that he eventually stopped arguing with McMahon, although he made his feelings about the decision very clear. “I don't want to hear anything else about it. This is the way we're gonna do it,” McMahon told him, according to Undertaker. “Fine. It's gonna suck, and when it sucks, it's gonna be on you,” Undertaker recalled telling McMahon. After the match took place, Undertaker felt the finish had failed to deliver the impact he had envisioned. He said the moment was essentially “whomp, whomp, whomp, whomp,” describing how flat he believed the spot had come across. But Undertaker didn't need to remind McMahon that he had disagreed with the decision. According to Undertaker, McMahon eventually acknowledged it himself. “I go back and I just looked at him. I didn't have to say a word,” Undertaker recalled. “He knew and he goes, almost under his breath, he goes, ‘Eh, yeah, I think you were right on that cage spot.’” Undertaker said McMahon immediately walked away after making the admission. For the WWE legend, the moment was particularly significant because of how rarely McMahon acknowledged being wrong. “But that was such a victory for me to actually have him admit that he was wrong on something. Didn't happen very often,” Undertaker said. The Undertaker also explained that the story was not an isolated example of creative disagreements between the two. Despite working together for roughly three decades, he said their visions for WWE's product and business were sometimes “polar opposites.” The Punjabi Prison Match itself became one of WWE's most unusual match concepts. The original structure featured two bamboo enclosures, with competitors required to escape both structures to win. The Undertaker ultimately became the first winner of the stipulation at The Great American Bash 2006. The match was later used twice more in WWE, with Batista facing The Great Khali in 2007 and Randy Orton facing Jinder Mahal in 2017. However, for Undertaker, the lasting memory of the original Punjabi Prison Match appears to be less about the unusual stipulation itself and more about the rare occasion when he finally heard Vince McMahon admit that his creative idea had been the better one.