BY CHRISTA LINCY

The historical genre in Indian cinema has recently seen two major projects based on the Maratha legacy take very different paths at the box office. While Chhaava was released as a purely Hindi production, the upcoming Raja Shivaji is taking a dual-language approach by releasing in both Marathi and Hindi. Although it is clear from the data that Raja Shivaji is playing on a different commercial level, comparing the two provides a fascinating look at how a multi-lingual regional film stands against a massive Bollywood production. To understand the scale of this competition, we have to look at the benchmark set by Chhaava for its opening day. Even as a Hindi-only release, the film managed to generate immense momentum, particularly within Maharashtra. Its final advance booking for day one stood at approximately 4.88 lakh tickets sold across India, translating to a gross of nearly 17.89 crore including block seats. This volume was driven by a heavy presence in national chains, where it sold over 2.14 lakh tickets, setting a high bar for any historical drama aiming for a massive start. On the other hand, Raja Shivaji is leaning into a strategy that combines regional loyalty with a wide national footprint. Backed by Jio Studios, the film is aiming for a massive showing of around 5,700 shows nationwide across its two versions. However, the internal breakdown of these shows tells a very interesting story about where the demand actually lies. Despite having a massive push in Hindi with nearly 3,900 shows, that version has sold only about 34,000 tickets so far. In sharp contrast, the Marathi version is completely dominating the pre-sales, selling over 1.67 lakh tickets from just 1,786 shows. This clear preference for the native language version is what has pushed the total opening day advance to approximately 2.02 lakh tickets, resulting in a gross of 6.54 crore with block seats. (adsbygoogle = window.adsbygoogle || []).push({}) Day 1 Advance Booking: Chhaava vs. Raja ShivajiMETRICCHHAAVA (HINDI ONLY)RAJA SHIVAJI (MAR + HIN)Total Tickets Sold4.88 Lakh2.02 LakhTotal Advance Gross (With Block)₹ 17.89 Cr₹ 6.54 CrBMS Final Pre-Sales776.6K Tickets217.3K TicketsNational Chain Sales2.14 Lakh81,866 Tickets The regional data is where the story gets even more detailed. Even though Chhaava was purely in Hindi, its subject matter ensured that it dominated Maharashtra. It recorded a massive opening with nearly 4.50 crore in advance sales from the state alone, with Pune and Mumbai showing occupancy peaks of 62.5 percent and nearly 80 percent. Coming to Raja Shivaji, the response is heavily concentrated in its native language. The Marathi 2D version has sold over 1.67 lakh tickets, with Mumbai and Pune showing real occupancy levels of 44 percent and 55 percent respectively. However, the Hindi version is seeing a slower start, with territories like NCR currently at a 2 percent occupancy across 433 shows. Regional Comparison: Raja Shivaji vs Chhaava (Day 1)REGION & METRICRAJA SHIVAJI (MAR/HIN)CHHAAVA (HINDI)Mumbai Shows6151,230Mumbai Occupancy44%36%Mumbai Gross (With Block)₹ 2.08 Cr₹ 4.06 CrPune Shows350654Pune Occupancy55%48%Pune Gross (With Block)₹ 1.38 Cr₹ 2.81 CrNCR Shows4331,249NCR Occupancy2%8%NCR Gross (With Block)₹ 19.98 Lac₹ 1.11 Cr Ultimately, Raja Shivaji is operating on a different scale compared to the massive Hindi-only production of Chhaava. While Chhaava set a high benchmark with its 33.50 crore opening day net, Raja Shivaji is testing how far a film can go when it prioritizes its regional roots while still competing for a national footprint. Even if it does not reach the same opening day totals as a major Bollywood actioner, the current pre-sales and the sheer scale of its release are already setting a historic new benchmark for the Marathi film industry.

BY CHRISTA LINCY

The much-awaited Malayalam actioner Patriot is off to a scorching start at the box office. Featuring the powerhouse trio of Mammootty, Mohanlal, and Fahadh Faasil, the film is officially the most expensive Malayalam production ever, with a massive budget estimated between 125 and 140 crores. This scale is evident on screen, with the story of a retired JAG officer and a colonel fighting a national security conspiracy shot across global locations like London, Azerbaijan, and Thailand. Even before the first show began, the pre-sales figures made it clear that we are looking at a historic opener. Starting with its home turf, Kerala, the film has managed a final pre-sale figure of around 5.45 crores. This is a huge achievement as it becomes only the tenth film in history to cross the 4 crore mark in Kerala advance bookings, joining big names like Odiyan and Leo. The ticket velocity was particularly wild during the initial hours; over 32,000 tickets were sold in the very first hour, which jumped to 85,000 by 1 PM on the first day. This record-breaking pace has pushed it to become the second-best advance for a Malayalam film in the state. To give you some perspective, here is how the top leaderboard for Kerala pre-sales looks now: Empuraan: 11.75 Crores Coolie: 8.05 Crores Leo: 7.60 Crores Patriot: 5.45 Crores Coming to the performance in national multiplex chains, the trend has been quite interesting. While the activity was almost non-existent on April 30 with less than a hundred tickets sold, it saw a massive spike as May 1 approached. On the opening day, the film sold over 54,000 tickets across major chains, bringing in a gross of nearly 1.75 crores. The momentum is staying strong for the rest of the weekend too, with bookings for May 2 already crossing the 20,000 mark. Occupancy levels are also looking healthy, with chains like PVR and Cinepolis showing nearly 50 percent occupancy for day one shows. (adsbygoogle = window.adsbygoogle || []).push({}) Moving to the digital side of things, the response on BookMyShow has been equally dominant. Patriot wrapped up its pre-sales on the platform with 333,000 tickets. The final 24 hours before release saw a huge surge, with 145,000 tickets booked in that window alone. In the context of Malayalam films released since 2024, this puts it at the number two spot, ahead of major hits like The GOAT Life at 309,000 and Aadu 3 at 235,000. While the 1.3 million record set by Empuraan is still far off, Patriot has created a significant gap between itself and other recent releases. The international market has provided another massive boost to these numbers. Overseas pre-sales have touched the 14 crore mark, with the GCC region alone contributing a solid 7.11 crores. When you add the 1.70 crores from the rest of India and the strong Kerala numbers, the total worldwide pre-sales stand at a staggering 21.15 crores. This makes it the second-biggest global advance in the history of Malayalam cinema, trailing only behind the record-breaking figures of Empuraan. Overall, with a combined three-day weekend advance of roughly 28 crores, the film is perfectly positioned for a historic run. Since today is a May 1st holiday, the movie is expected to gain huge traction from walk-in audiences, putting it on a clear path to potentially breach the 100 crore gross mark globally over the long weekend. Given the massive 130 crore plus investment, the trade will be watching the weekday holds closely, but if the initial word of mouth stays positive, Patriot is set to completely redefine the commercial potential of the industry.

BY SUNIT JANGIR

Mumbai, April 30 - Jio Studios is having a dream run at the box office. After the two back-to-back monstrous blockbusters in the form of Dhurandhar and Dhurandhar 2, the studio's Marathi film Raja Shivaji is heading towards a blockbuster start at the domestic box office. The buzz around Riteish Deshmukh-led historical action drama is clearly translating into impressive advance booking numbers. The Marathi version of the film has already crossed 3 crore gross (with block seats) for Day 1 pre-sales, and there is still half a day left before release, indicating that the final advance figures could climb even higher. A Double-Digit Indicator, But Market Limitation Is Real (adsbygoogle = window.adsbygoogle || []).push({}) By the look of it, the pre-sales numbers are extremely promising for the Marathi film. In fact, if this level of booking was recorded for a mainstream Bollywood release, a double-digit opening would almost be guaranteed. Strong pre-sales at this scale typically point toward robust occupancy across major centres and a healthy opening day total. However, Raja Shivaji operates in a different space. While the film is also releasing in Hindi, the bookings for the same are underwhelming, hinting at the opening in the range of 2 crore net. Despite the bilingual strategy, Raja Shivaji remains a Marathi-language driven film, with its core business coming from a single dominant state - Maharashtra. Unlike Bollywood films, which benefit from a wider national reach, this restricts Raja Shivaji's ability to fully capitalise on its impressive pre-sales, even though the movie is releasing on Maharashtra day (May 1). This geographical limitation plays a crucial role in determining how far the opening day number can stretch. Record Opening Locked For Raja Shivaji (adsbygoogle = window.adsbygoogle || []).push({}) For Raja Shivaji to secure a double-digit opening at the domestic box office, the Hindi version must perform above trade expectations and then rely on the original Marathi version to push the total past double digit net. In terms of gross collection, the film still has a chance to achieve it, with 8-10 crores gross being well within reach. Irrespective of whether the film can deliver 10+ crore net opening, it is certain to score the biggest start for a Marathi film. Currently, Sairat and Timepass 2 are the biggest openers with around 3.60 crores net each, and looking at the pre-sales, Raja Shivaji will easily cross this figure to script a new chapter for Marathi cinema.

BY CHRISTA LINCY

Salman Khan is prepared to enter the superhero genre through a collaboration with the director duo Raj and DK. As per a report by Pinkvilla, the project is scheduled to begin filming in October 2026. This high-concept action entertainer will be produced by Atul Agnihotri, with the makers currently in discussions with Mythri Movie Makers to join as the studio partner. The film is presently in the pre-production stage, with the creative team focusing on the technical scale and the specific look of the superhero world. Sources indicate that the project is being designed to cater to a global audience, necessitating an extensive preparation period for pre-visualization and technical planning. This explains the timeline for the shoot, which is set to commence late next year once all the ground work is completed. There has been considerable speculation regarding the films female lead, particularly following rumors of Samantha Ruth Prabhu being cast. However, it has been clarified that these reports are inaccurate and Samantha is not part of the project. The production team is expected to finalize the casting for the leading lady in the coming months as they move through the different stages of pre-production. (adsbygoogle = window.adsbygoogle || []).push({}) This collaboration marks a significant move for Salman Khan as it is his first venture into a full-fledged superhero space. Before moving to the Raj and DK project, the actor is currently focusing on an untitled action film directed by Vamshi Paidipally. That film, which features Nayanthara as the female lead and is produced by Dil Raju under Sri Venkateswara Creations, is already locked for a grand release during the Eid 2027 weekend. With these two major action-oriented projects lined up, the actors schedule for the next couple of years is becoming increasingly defined.There is significant interest in how this project will take shape, given Raj and DK's history with high-concept storytelling and detailed world-building. Official details regarding the title and the rest of the ensemble cast are expected to be shared as the project approaches its October 2026 filming schedule.

BY SUNIT JANGIR

Mumbai, April 30 - Bollywood's upcoming slate continues to get bigger and more ambitious, with two major projects starring Ranveer Singh and Vicky Kaushal making headlines for their scale, timelines, genre diversity, and other reasons. Pralay Begins In August 2026 After the historic success of Dhurandhar films, Ranveer Singh is set to headline the post-apocalyptic thriller Pralay, directed by Jai Mehta. Over the last few days, there have been rumours that Pralay has had a creative difference and might be pushed back indefinitely. But according to the latest report by Variety India, there is no truth in such rumours, and the project is on. (adsbygoogle = window.adsbygoogle || []).push({}) With a reported budget of three hundred crore rupees, Pralay is scheduled to go on floors by August this year. The production plans to merge physical sets with cutting-edge AI-driven visuals to create a dystopian atmosphere unlike anything seen in Indian cinema. South Indian actress Kalyani Priyadarshan has been finalised to make her Hindi film debut alongside Singh, marking a fresh pairing for this survival drama. Vicky Kaushal Blocks 18 Months For Mahavatar In a simultaneous move toward grand-scale storytelling, Vicky Kaushal has dedicated an eighteen-month window to the epic Mahavatar. Starting in June 2026, the actor will undergo a rigorous six-month preparation phase involving physical transformation and workshops to inhabit the role of the immortal sage-warrior Parashurama. (adsbygoogle = window.adsbygoogle || []).push({}) Once filming begins in January 2027, Kaushal intends to stay focused exclusively on this project until its completion in December. This level of commitment means he will not take on any other films during this period, ensuring total immersion in the character. This decision highlights a growing trend among top-tier actors to prioritise singular, high-impact performances over multiple concurrent shoots. Vicky Kaushal is expected to wrap his work on Sanjay Leela Bhansali's Love and War just in time to begin his intense prep for Mahavatar. Meanwhile, Ranveer Singh has reportedly moved away from the Don franchise to explore new genres, leaving a vacancy in that iconic series. As these stars lock in their schedules, the industry is clearly pivoting toward long-term investments in world-building and myth-making that seek to captivate global audiences.

BY CHRISTA LINCY

Lee Cronins The Mummy is witnessing a significant slowdown as it nears the end of its second week. For the first time since its release, the daily collection has dropped below the 1 crore mark on its 13th day. This sharp decline suggests that the film is nearing the end of its theatrical run in the Indian market as it faces competition from new releases. On its second Wednesday, the film earned 0.90 crore net in India. The gross collection for the day stood at 1.05+ crore with an overall occupancy of 11.0 per cent across 534 shows. This brings the total India net collection to 23.75 crore after 13 days. The film had managed to stay above the 1 crore threshold for twelve consecutive days before this latest drop. In the national multiplex chains, the film recorded 5,100 ticket sales for the day. PVR led the contributions with 2,300 tickets, while INOX and Cinepolis followed with 1,770 and 1,000 tickets, respectively. The combined gross from these three major chains was 9.50 lakh, reflecting the general trend of exhaustion across major urban centres on a mid-week day. The total India gross collection currently stands at 28.24 crore. With a cumulative show count of 10,211 since its opening day, the film has maintained a decent presence, though the current trajectory indicates it will likely struggle to add significantly more to its total in the coming days. (adsbygoogle = window.adsbygoogle || []).push({}) On the global stage, the film has seen a stronger response in international territories compared to its domestic performance in the US. According to data from Box Office Mojo, Lee Cronin's The Mummy has earned approximately $44.60 million from international markets, which accounts for nearly 65 per cent of its total business. When combined with its domestic US/Canada collection of $24.43 million, the films worldwide box office total stands at $69.03 million. The day-wise net collection breakdown for the film is as follows: Day 1: 1.70 Cr Day 2: 2.50 Cr Day 3: 3.35 Cr Day 4: 1.65 Cr Day 5: 1.95 Cr Day 6: 1.75 Cr Day 7: 1.30 Cr Day 8: 1.45 Cr Day 9: 2.50 Cr Day 10: 2.70 Cr Day 11: 1.00 Cr Day 12: 1.00 Cr Day 13: 0.90 Cr With a week 1 collection of 14.20 crore, the film saw some growth during its second weekend, but the weekday holds have been on the lower side. As it stands, Lee Cronins The Mummy is looking at a final India net total in the range of 24 to 25 crore, depending on the remaining shows it manages to retain through the third weekend. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of its performance within the Indian market, Lee Cronins The Mummy has secured a position among the top Hollywood earners of 2026. With an India gross of ₹28.24 crore, it currently ranks as the third-highest-grossing Hollywood film of the year so far. As several films on this list are still active in theatres, these figures remain subject to change as their respective theatrical runs continue. Below is the list of the top Hollywood grossers in India for 2026: Top 5 Hollywood Releases in India (2026) - Gross CollectionMOVIE NAMEINDIA GROSS COLLECTIONProject Hail Mary₹ 83.36 CrMichael₹ 28.07 Cr Lee Cronins The Mummy₹ 28.24 CrHoppers₹ 13.77 CrThe Super Mario Galaxy Movie₹ 10.26 Cr

BY CHRISTA LINCY

Dhurandhar 2: The Revenge continues its steady run at the box office, completing its 42nd day in theatres. On its sixth Wednesday, the film earned ₹1.00 crore net across all languages in India. This represents a 23.1 per cent decline compared to the previous day, when it collected ₹1.30 crore. The film operated with a total of 2,871 shows across the country on Day 42. The bulk of the collections on Wednesday came from the Hindi version, which contributed ₹0.95 crore net. The regional versions added minor amounts, with the Telugu version earning ₹0.03 crore, followed by Tamil and Kannada versions at ₹0.01 crore each. With these additions, the total India net collection for the film now stands at ₹1,133.94 crore, while the total India gross has reached ₹1,357.20 crore. In the national multiplex chains, the film registered approximately 6,200 ticket sales on its sixth Wednesday. PVR accounted for nearly 2,900 of these bookings, while INOX and Cinepolis followed with 1,900 and 1,400 tickets respectively. The total gross from these three major chains amounted to nearly ₹17 lakh for the day, with an average occupancy of around 2.6 per cent across 1,370 shows. On the global front, the film added ₹0.20 crore from overseas markets on its 42nd day. This brings the total overseas gross to ₹424.95 crore. Combining the domestic and international figures, the worldwide gross collection of Dhurandhar 2 now stands at approximately ₹1,782.15 crore. The film maintains a healthy trajectory despite being in its sixth week of release. (adsbygoogle = window.adsbygoogle || []).push({}) Ticketing platforms also showed consistent activity for a mid-week performance. On BookMyShow, the film recorded 18.85K tickets sold on its sixth Wednesday. This level of interest late into its theatrical run highlights the sustained demand for the sequel across major circuits. In terms of historical benchmarks, the films Hindi performance on Day 42 has placed it among the top collectors for a Bollywood movie on this specific day. By netting ₹0.95 crore in Hindi, it currently ranks as the fifth-highest 42nd-day collection, following Dhurandhar, Chhaava, Stree 2, and Pathaan. Highest 42nd Day Hindi Collections - BollywoodMOVIE NAMEDAY 42 NET (HINDI)TOTAL NET (HINDI)Dhurandhar₹ 3.00 Cr₹ 840.20 CrChhaava₹ 1.35 Cr₹ 585.70 CrStree 2₹ 1.25 Cr₹ 597.99 CrPathaan₹ 1.25 Cr₹ 524.53 CrDhurandhar 2: The Revenge₹ 0.95 Cr₹ 1,065.94 Cr The film is now approaching the end of its sixth week. Its performance in the coming days will determine how close it can get to the next major worldwide milestones.

BY SACNILK TEAM

Here is the English movie The Devil Wears Prada 2 box office collection, which is a comedy-drama film. This film is directed by David Frankel and produced by Wendy Finerman Productions and 20th Century Studios. ## The Devil Wears Prada 2 stars Meryl Streep, Anne Hathaway, Emily Blunt, Stanley Tucci, and Simone Ashley in key roles. ## The Devil Wears Prada 2 Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## The Devil Wears Prada 2 Budget: ₹ - Cr * Approx ## The Devil Wears Prada 2 Verdict: Coming Soon ## The Devil Wears Prada 2 Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 1st May 2026 ## For more and the latest news about Hollywood Box Office Collection, Stay tuned to us.

BY CHRISTA LINCY

Kara has commenced its theatrical journey with a worldwide advance booking gross of over ₹4.00 crore. The film saw over 250,000 tickets sold across 5,450 shows in India before the first screening began. On its opening day, the advance occupancy stood at approximately 12 per cent on an all-India basis, though specific pockets like Chennai performed much stronger with 28 per cent occupancy. This sets a decent foundation for the Dhanush starrer as it enters the competitive weekend cycle. Early social media feedback for the film has been largely positive, with the narrative being described as a rooted and realistic heist thriller. Initial reactions highlight a slow-burn first half that prioritizes character-driven emotions before shifting into an intense heist zone. The pre-interval block and the overall technical presentation are being noted as major strengths, particularly the background score which helps maintain tension throughout the circumstantial plot developments. The general consensus points toward a confident cinematic outing that effectively balances its emotional core with engaging thriller elements. The narrative is being described as a slow-burn heist thriller that focuses on emotional depth before transitioning into an intense thriller zone. Reports from early shows suggest the first 15 minutes and the pre-interval block are the highlights, with GV Prakash’s background score acting as a major backbone for the film. Performances by Dhanush, KS Ravikumar, and Karunaas have been noted as standout elements, helping the film sustain interest despite a steady, slow-paced first half. From a box office perspective, the focus now remains on how the film converts the positive word-of-mouth into spot bookings. For a film of this genre, a jump in evening and night shows is essential to secure a strong Day 1 total. The current trend in Chennai suggests a solid urban hold, but the films final outcome will depend on its ability to draw audiences in the B and C centers over the next two days. If Kara manages to sustain these levels, it will be well on its way to a successful weekend run. (adsbygoogle = window.adsbygoogle || []).push({}) Check out the early reviews and social media reactions for Kara below. #Kara Interval : BANGER PRESENTATION 🔥Simple, Going Good 😊 What an insane presentation by director Vignesh Raja.Terrific with the way film handles the tension with the circumstantial happenings around the strongly built emotions 👍DHANUSH 🫡GV PRAKASH 🙌Well set &…— Venkatramanan (@VenkatRamanan_) April 30, 2026 இப்போது தான் “கர” பார்த்து முடித்தேன். சரியான சொற்களில் சொல்ல வேண்டுமென்றால் மிக சிறந்த திரை அனுபவத்தை, திரை சிலிர்ப்பை, திரை நெகிழ்வை , திரை சிந்தனையை, திரை விறுவிறுப்பை எனக்குள் தூண்டிவிட்ட ஒரு நம்பிக்கையான படமாக இருந்தது. நேற்று பார்த்து உலுக்கிய ஒடிசாவின் ஜித்து முண்டாவின்… pic.twitter.com/J0GiGkSvlG— Mari Selvaraj (@mari_selvaraj) April 29, 2026 #Kara 1st Half : Fantastic first half! An emotional slow burn heist thriller..@dhanushkraja at his acting best 🔥 #KSRavikumar best acting..@gvprakash fab work..Starts with a bang.. 1st Half ends with a thrilling episode..Both content + Mass! 👍A thrilling 2nd half…— Ramesh Bala (@rameshlaus) April 30, 2026 #Kara Interval: Rooted and realistic thriller from Vignesh Raja that starts off on a very good note, moves into an emotional space and then fires up for a superb interval block. The film takes up the heist angle as a core element and rations it with the intent of the lead… pic.twitter.com/y85lig2ddK— Siddarth Srinivas (@sidhuwrites) April 30, 2026 #KARA First Half Review 🍿 - An Intense Rural Heist Thriller with Superb Heist Portions (Intro & Interval)- Terrific Performance from #Dhanush..💥 Good Support by KSRavikumar and Karunaas..⭐- #GvPrakash elevates the emotional scenes well..🤝- Visuals were Really Good..👌-… pic.twitter.com/AnhWmvN2Tv— Laxmi Kanth (@iammoviebuff007) April 30, 2026 #Kara first half has more emotional scenes between #KsRaviKumar & @dhanushkraja combo, who have given excellent performances as usual. Then the story takes a U-turn to heist and ends up wirh an engaging interval sequence. Expecting an engaging thriller in the second half as…— Sathish Kumar M (@sathishmsk) April 30, 2026 #Kara FIRST HALF - starts slow, but picks up big after a major demise. The heist sequences are brilliant particularly the pre-interval block is where #VigneshRaja pulls you to the edge of your seat with grounded, believable twists. 🔥@gvprakash background backbone of the first… pic.twitter.com/F3nhuw8hIz— VJ Santhosh (@VJSanthosh02) April 30, 2026 #Kara 1st Half: Good 👍 Slow and steady with a strong emotional connect 👍#Dhanush performance 👏 Karunas x D Combo 😂😅First 15 mins 💥 Intermission block peaked 🔥 BGM vera level 💯Kanamma song 👌#GVPrakash BGM and songs are the soul ♥️— Sugumar Srinivasan (@Sugumar_Tweetz) April 30, 2026

BY SACNILK TEAM

Here is the Kannada movie KD - The Devil box office collection which is an action drama thriller film. This film is directed by Prem and produced by KVN Productions. ## KD - The Devil stars Dhruva Sarja, Sanjay Dutt, Shilpa Shetty, Reeshma Nanaiah, Jisshu Sengupta, and Ramesh Aravind in key roles. ## KD - The Devil Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Thursday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## KD - The Devil Budget: ₹ - Cr * Approx ## KD - The Devil Verdict: Coming Soon ## KD - The Devil Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 30th April 2026 ## For more and the latest news about Sandalwood Box Office Collection, Stay tuned to us.

BY SUNIT JANGIR

Mumbai, April 29 - The Malayalam film industry is on the verge of witnessing a major opening as megastars Mammootty and Mohanlal-fronted Patriot gears up for its theatrical release this Friday. The film, which marks the rare on-screen reunion of two of Malayalam cinema's biggest icons, has generated huge buzz in the days leading up to its release. (adsbygoogle = window.adsbygoogle || []).push({}) Advance Booking Signals Blockbuster Opening The film has recorded impressive booking numbers, especially in Kerala, and in the Gulf region, where fan frenzy is at its peak. Several shows across major centres are already nearing capacity, indicating a bumper opening day. In Kerala, the film has so far grossed around 4+ crores pre-sales, while all India booking has crossed the 4.50+ crore mark for the opening day. Overseas advance sales are equally solid. In the Gulf region, Patriot has crossed the 5 crore mark, while overseas international pre-sales are around 9 crores. The worldwide booking of Patriot currently stands at 13.50+ crores gross, heading towards the 15 crores mark, with less than a day still left for the release. This makes it one of the biggest pre-sales for a Malayalam title, hinting at a big opening. (adsbygoogle = window.adsbygoogle || []).push({}) Patriot Day 1 Box Office Prediction Based on current trends and trade estimates, Patriot is expected to open with impressive numbers worldwide. At the domestic box office, the opening of the film is expected to be in the range of 10-12+ crores gross, while overseas markets are heading towards 15+ crores start, depending on how the sales proceed on the last day before release. With a worldwide opening projected in the range of 25+ crores, this will be the second biggest start for a Malayalam film if these projections hold. Mohanlal's Empuraan is currently the biggest Mollywood opener with an earth-shattering start of around 70 crores gross. What's Fueling the Hype? (adsbygoogle = window.adsbygoogle || []).push({}) Historic On-Screen Reunion - The biggest driving force behind the film's hype is the reunion of Mammootty and Mohanlal. Both actors command massive fan bases, and their collaboration has turned Patriot into a must-watch cinematic event. Visionary Direction - Helmed by Mahesh Narayanan, the film promises a gripping narrative combined with high production values. Known for his intense storytelling, the director adds further credibility to the project. Such a powerful performance would not only make Patriot one of the biggest Malayalam openers but also set the tone for a potentially blockbuster theatrical run. The real test, however, will lie in audience reception. If the film manages to secure positive word-of-mouth, Patriot could go on to dominate the box office in the days to come and emerge as one of the biggest successes of the year.

BY SUNIT JANGIR

Mumbai, April 30 - Bollywood superstar Akshay Kumar-fronted horror-comedy entertainer Bhooth Bangla has achieved a significant milestone at the box office by crossing the 200 crore mark worldwide. With this achievement, the film has become Akshay Kumar's 12th movie to enter the 200 crore global club, further strengthening his reputation as one of the most consistent performers in commercial cinema. After opening to a solid response, Bhooth Bangla maintained a steady hold during the weekdays before seeing a jump over the second weekend. The movie grossed approximately 199.50 crores worldwide in 13 days, and at the time of writing this piece, it has topped 200 crores worldwide and has become the third Bollywood film of the year to do so after Dhurandhar 2 and Border 2. (adsbygoogle = window.adsbygoogle || []).push({}) Strong Domestic and Worldwide Performance Priyadarshan's directorial had a very good opening weekend collection of around 96 crores worldwide, including 69.50 crores gross domestically. It topped the 100 crores worldwide gross mark on its fourth day and eventually ended the first week after a good hold during weekdays with 136 crores worldwide, which included 100+ crores gross in India alone. Bhooth Bangla remained the first choice of moviegoers in the second weekend in India with around 34.50 crores gross, while worldwide the weekend grossed in the range of 47 crores. With 183 crores globally at the end of the second weekend (10th day), it eventually topped the double century on its 14th day, emerging as a certified box office winner. It has performed superbly in overseas territories with 13 days gross around 51.50 crores. The film benefited from strong word of mouth among family audiences, which helped it sustain collections beyond the initial weekend rush. Its blend of horror and comedy proved to be a winning formula once again, drawing repeat viewers and ensuring a healthy run in both domestic and overseas markets. (adsbygoogle = window.adsbygoogle || []).push({}) 12th Film of Akshay Kumar To Hit 200 Crores Worldwide The success of Bhooth Bangla, which is Akshay Kumar's 12th film in the 200 crores club, also reflects the actor's enduring appeal in the comedy genre, especially when combined with elements of mass entertainment. Over the years, he has delivered several successful films across genres, and this latest entry adds another feather to his cap. Notable films in his 200 crore worldwide club include 2.0, Good Newwz, Mission Mangal, Sooryavanshi, and Housefull 4, all of which contributed to his strong box office track record. In addition to its theatrical performance, the film's success highlights the continued popularity of the horror-comedy genre in India, which has consistently delivered strong numbers in recent years. The accessible storytelling, combined with humour and light thrills, has made such films appealing to a wide section of the audience. With Bhooth Bangla crossing the 200 crore milestone, Akshay Kumar once again proves his box office reliability. The film is expected to continue its run for some time. While growth may now slow down, it has already secured its position as a successful venture and an important addition to the actor's impressive filmography. (adsbygoogle = window.adsbygoogle || []).push({}) Akshay Kumar ₹200 Crore Worldwide Grossers S. No. Movie Release Year Worldwide Gross 1 2.0 2018 ₹ 691 Cr 2 Toilet: Ek Prem Katha 2017 ₹ 316.60 Cr 3 Good Newwz 2019 ₹ 316 Cr 4 Housefull 4 2019 ₹ 296 Cr 5 Sooryavanshi 2021 ₹ 293 Cr 6 Mission Mangal 2019 ₹ 290 Cr 7 Housefull 5 2025 ₹ 288.65 Cr 8 Airlift 2016 ₹ 228 Cr 9 OMG 2 2023 ₹ 221.75 Cr 10 Rustom 2016 ₹ 216.35 Cr 11 Kesari 2019 ₹ 208.80 Cr 12 Bhooth Bangla 2026 ₹ 200+ Cr