BY SACNILK TEAM

Here is the Marathi movie Deool Band 2 box office collection, which is a drama film. This film is directed by Pravin Tarde and produced by Vatavruksha Entertainment. ## Deool Band 2 stars Mohan Joshi, Snehal Tarde, Mahesh Manjrekar, Pravin Tarde, and Prasad Oak in key roles. ## Deool Band 2 Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Thursday] ₹ 2.45 Cr - Day 2 [1st Friday] ₹ 2.55 Cr 4.08% Day 3 [1st Saturday] ₹ 4.85 Cr 90.20% Day 4 [1st Sunday] ₹ 5.9 Cr 21.65% Day 5 [1st Monday] ₹ 3.4 Cr -42.37% Day 6 [1st Tuesday] ₹ 3.35 Cr -1.47% Day 7 [1st Wednesday] ₹ 3.35 Cr 0.00% Day 8 [2nd Thursday] ₹ 4.35 Cr 29.85% Week 1 Collection ₹ 30.2 Cr - Day 9 [2nd Friday] ₹ 3.1 Cr -28.74% Day 10 [2nd Saturday] ₹ 5 Cr 61.29% Day 11 [2nd Sunday] ₹ 5.75 Cr 15.00% Day 12 [2nd Monday] ₹ 2.6 Cr -54.78% Day 13 [2nd Tuesday] ₹ 2.35 Cr -9.62% Day 14 [2nd Wednesday] ₹ 1.8 Cr -23.40% Day 15 [3rd Thursday] ₹ 1.8 Cr 0.00% Week 2 Collection ₹ 22.4 Cr -25.83% Day 16 [3rd Friday] ₹ 1.4 Cr -22.22% Day 17 [3rd Saturday] ₹ 2.6 Cr 85.71% Day 18 [3rd Sunday] ₹ 3.15 Cr 21.15% Day 19 [3rd Monday] ₹ 1.15 Cr -63.49% Day 20 [3rd Tuesday] ₹ 1.1 Cr -4.35% Day 21 [3rd Wednesday] ₹ 0.9 Cr -18.18% Day 22 [4th Thursday] ₹ 0.85 Cr -5.56% Week 3 Collection ₹ 11.15 Cr -50.22% Day 23 [4th Friday] ₹ 1.27 Cr 49.41% Day 24 [4th Saturday] ₹ 1.4 Cr 10.24% Day 25 [4th Sunday] ₹ 1.8 Cr 28.57% Day 26 [4th Monday] ₹ 0.5 Cr -72.22% Day 27 [4th Tuesday] ₹ 0.55 Cr 10.00% Day 28 [4th Wednesday] ₹ 0.35 Cr -36.36% Total ₹ 69.62 Cr (estimated) - ## Take Subscription To See Footfalls ## India Net Collection ₹ 69.62 Cr ## Worldwide Collection ₹ 81.78 Cr ## Overseas Collection ₹ 0 Cr ## India Gross Collection ₹ 81.78 Cr ## Deool Band 2 Budget: ₹ - Cr * Approx ## Deool Band 2 Verdict: Coming Soon ## Deool Band 2 Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 21st May 2026 ## For more and the latest news about Marathi Film Box Office Collection, Stay tuned to us.

BY CHRISTA LINCY

Lakshya and Ananya Panday's upcoming love story, Chand Mera Dil, is all set for its theatrical release this Friday. However, just hours before it hits the big screen, there is a major update regarding its duration. According to an exclusive report by Bollywood Hungama, the film has now become roughly 11 minutes longer than its original censor cut. The Central Board of Film Certification had initially cleared the movie with a runtime of 135.36 minutes on May 8. But on May 20, the producers went back to the board to include some extra footage they had voluntarily added. The CBFC has now passed an extended version that includes eight new scenes. These additions range from short clips to a significant sequence in the first half lasting nearly four minutes. This brings the final runtime of the film to 145.53 minutes, or 2 hours and 25 minutes. This Vivek Soni directorial, produced by Karan Johar and Dharma Productions, is looking to attract a wide audience with a very aggressive pricing strategy on its opening day. As previously shared by Bollywood Hungama, tickets for all shows on May 22 before 5:00 PM are priced at just 149 rupees. For evening shows starting after 5:00 PM, the price will be a flat 199 rupees. This move is clearly intended to boost the initial footfalls across the country. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the advance booking numbers for the opening day, the national chains are showing decent traction. In the three major multiplexes—PVR, INOX, and Cinepolis—the film has already sold roughly 32,270 tickets. PVR leads the way with about 15,380 tickets, followed by INOX with 10,900 and Cinepolis with 5,990 tickets. This has resulted in a gross of approximately 64.20 lakh rupees from these chains alone, with PVR contributing 31.60 lakh, INOX adding 20.85 lakh, and Cinepolis bringing in 11.75 lakh. Despite the release being just around the corner, advance bookings in several Mumbai theaters and other regions faced some minor delays. The change in runtime forced theater programmers to restructure their show schedules at the last minute to accommodate the longer version. Additionally, exhibitors have noted that the unexpected success of the Marathi film Deool Band 2 has created a bit of a scheduling challenge in certain pockets where it is performing exceptionally well. While most cinemas have now opened their bookings, the team behind Chand Mera Dil has reportedly been very flexible with exhibitors regarding the show counts. With Lakshya and Ananya Panday leading this romantic drama, the focus is now on how this extended cut will perform under these competitive conditions. Fans of the genre will be hoping that the added 11 minutes bring even more depth to this highly anticipated love story.

BY CHRISTA LINCY

The anticipation for Nitesh Tiwari's Ramayana is building up as we head toward the Diwali 2026 release. Since it is being called the most expensive Indian film ever made, it is already a massive topic in the trade circles. Variety India has exclusively reported that the discussions for the domestic distribution rights are heating up, with the country's top distribution houses now competing to secure a deal for this epic project. Variety India has revealed that major players like Dharma Productions, AA Films, and Pen Studios are currently in talks with producer Namit Malhotra. However, what has truly sent shockwaves through the industry is the staggering asking price. Reports suggest that the producers are seeking a record-breaking 450 crore rupees for the Hindi theatrical distribution rights alone. To put this into perspective, the current record for a Hindi film distribution deal belongs to Shah Rukh Khan's upcoming film King, which was recently acquired for approximately 250 crore. If Namit Malhotra secures even 300 or 400 crore, it would set a massive new benchmark that the industry has never seen before. While distributors like Anil Thadani and Jayantilal Gada are reportedly urging for a more commercially viable price, the producers seem firm on their valuation. Their confidence stems from the film's unprecedented scale and a star-studded cast featuring Ranbir Kapoor as Lord Ram, Yash as Ravana, Sai Pallavi as Goddess Sita, and Sunny Deol as Lord Hanuman. Trade experts are already projecting a historic box office run, with some estimating a domestic net collection between 1,000 and 1,500 crore, and a potential worldwide gross exceeding 2,500 crore rupees. (adsbygoogle = window.adsbygoogle || []).push({}) Aside from the theatrical side, there are several reports about how the makers plan to handle the digital and satellite rights for this epic. It is being reported that producer Namit Malhotra has already turned down a 700 crore offer from Netflix for the combined rights of both parts. Instead, the goal is said to be a landmark deal touching 1,000 crore for the digital rights alone. There is also talk of following a phased strategy, much like the team behind the recent blockbuster Dhurandhar. This would mean selling the rights for Part 1 first to see how it performs before closing a deal for the second part. The logic here seems to be that digital sales should recover about 25 percent of the massive investment, with the remaining budget being covered through theatrical, satellite, and music rights. The global ambitions for Ramayana are equally massive. Rumors suggest that in a first for an Indian production, Warner Bros. might handle the distribution in the USA and Canada, while the China Film Group could oversee the promotion in China. Allegedly, the makers are targeting a global footprint of over 42,000 screens with dubs in more than 45 languages. With a total production budget for the two-part saga estimated at a mind-boggling 4,000 crore rupees, the scale of this project is unlike anything Indian cinema has ever attempted. As the industry waits for the next promotional asset to be unveiled, the negotiations are expected to resume with even more intensity. Whether the distributors agree to the 450 crore tag remains to be seen, but one thing is certain: Ramayana is being positioned as a global event that aims to rewrite every record in the book. If these reported numbers hold true, we are looking at a high-stakes gamble that could change the economics of Indian filmmaking forever.

BY SUNIT JANGIR

Mumbai, May 21 - Director Prashanth Neel has now clarified his upcoming plans, putting an end to speculation surrounding both Salaar: Part 2 – Shouryaanga Parvam and K.G.F: Chapter 3. In a recent interview, Neel had stated that Jr. NTR-fronted Dragon would be his final film in the post-independence hyper-stylised apocalyptic mass-action genre. The statement quickly sparked assumptions online that the filmmaker had dropped plans for both Salaar 2 and KGF 3. However, Neel has now cleared the air in his latest interaction with Variety. The filmmaker confirmed that Prabhas-led Salaar 2 will indeed be his next directorial venture after he completes Dragon. (adsbygoogle = window.adsbygoogle || []).push({}) The filmmaker wants to finish and properly conclude the story established in the first Salaar film. The confirmation comes as a major relief for fans of Prabhas, whose character Deva and the world of Khansaar were set up for a much bigger conflict in the sequel. The first instalment ended on a dramatic cliffhanger, leaving several narrative threads unresolved. Speaking about KGF 3, Neel admitted that he currently does not know when he will be able to shift his focus toward the franchise again. While the future of Yash-fronted KGF remains open, the director suggested that other priorities are currently ahead in his lineup. (adsbygoogle = window.adsbygoogle || []).push({}) One of those priorities is a mythological film series that Neel has reportedly been developing for nearly two decades. The filmmaker revealed that he wants to write and direct that ambitious project before taking up anything beyond his immediate commitments. For now, Neel's roadmap appears clear — complete Dragon with Jr. NTR, move directly into Salaar 2 with Prabhas, and eventually step into the mythological genre he has long dreamed of exploring.

BY CHRISTA LINCY

Karuppu is currently rewriting the record books for Suriya on the global stage, officially emerging as the biggest international grosser from Kollywood in 2026. While the film is performing exceptionally well in India, the international markets have contributed a massive 54 crore rupees to the total worldwide gross of 175.96 crore. This means the overseas market currently accounts for nearly 31 percent of the films total business, a testament to the actors massive global pull and the strategic distribution by Phars Film. In terms of career-defining milestones, Karuppu has now officially become the biggest international grosser from Kollywood in 2026. This overseas campaign, spearheaded by Phars Film, has seen Suriya shatter his own personal records in almost every major territory. The film now stands as his biggest grosser in the Middle East, the UK, Europe, and North America, excluding the Telugu version of his earlier film 24. The dominance extends to Australia as well, where it has become his highest-grossing release in just four days. Furthermore, the movie secured his biggest-ever opening weekends in both Malaysia and Singapore. The Middle East has emerged as the strongest fortress for the film. In its opening weekend alone, Karuppu collected 1.10 million dollars, which translates to approximately 10.5 crore rupees. This is now the biggest grosser for Suriya in the region. The performance on the first day was particularly noteworthy because it managed to gross 392,000 dollars with 41,000 admits despite having no pre-sales. The momentum stayed strong throughout the weekend, with Sunday alone contributing another 251,000 dollars. In North America, the movie has achieved another major milestone by crossing 900,000 dollars in its first five days. If we set aside the Telugu version of his previous film 24, this is now officially his biggest-ever performance in the North American market. The film is currently on track to breach the 1 million dollar mark by Friday, supported by a strong hold across many locations during the long weekend. (adsbygoogle = window.adsbygoogle || []).push({}) The European market has also been demolished by this release. In the UK and Ireland, the film collected over 312,000 pounds (approx. ₹3.30 Cr) in just six days, setting a new career best for the actor. France saw a record-breaking three-day opening of 135,629 euros (approx. ₹1.23 Cr), making it his highest-grossing French release of all time. Germany followed a similar trend where it earned 81,778 euros (approx. ₹0.74 Cr) in three days, becoming his all-time highest grosser in that country as well. The story remains just as impressive in Southeast Asia and Oceania. In Malaysia, the film recorded a massive 5 million Ringgit (approx. ₹9.45 Cr) opening weekend, marking the biggest start for a Suriya starrer in the country. Singapore also recorded its biggest opening weekend for the actor. Down under in Australia and New Zealand, the film earned approximately 240,000 dollars (approx. ₹2.00 Cr). Specifically in Australia, the gross has crossed 300,000 AUD (approx. ₹1.66 Cr) and continues to count, showing a record-breaking weekday hold that is rarely seen for a Tamil film. Ultimately, Karuppu has successfully set new benchmarks across every major international territory. Whether it is the record opening in the Middle East or the career-best figures in Europe and North America, the film has proven to be a true global blockbuster. As the second weekend approaches, the films ability to maintain these high levels of occupancy suggests that the final overseas total will be a massive number for the Tamil film industry.

BY SUNIT JANGIR

Chennai, May 21 - Superstar Rajinikanth is gearing up for another massive theatrical event with Jailer 2, the highly anticipated sequel to Nelson Dilipkumar's 2023 blockbuster. Ever since the film was officially announced, excitement around the project has remained sky-high among fans and trade circles. With production progressing steadily, the sequel is already being seen as one of the biggest Tamil releases of 2026. The film has been in production since last year, and it was recently reported that the makers were looking to release the film during the same window as Jailer was released, in August 2026. However, according to the latest reliable reports, Jailer has now reportedly been locked for either September 10 or 11. (adsbygoogle = window.adsbygoogle || []).push({}) While the date is yet to be officially confirmed, the report states that the team is considering the Ganesh Chaturthi festive weekend to maximise the film's box office potential across markets. Directed by Nelson Dilipkumar and backed by Sun Pictures, Jailer 2 will reportedly continue the story of Tiger Muthuvel Pandian, the iconic character played by Rajinikanth in the first instalment. (adsbygoogle = window.adsbygoogle || []).push({}) Industry reports suggest that the sequel is being mounted on a much bigger scale, featuring larger action set pieces and an expanded ensemble cast. As per the report, actors Mithun Chakraborty, Vidya Balan, S. J. Suryah, and Suraj Venjaramoodu are expected to play key roles in the film. Mohanlal and Shiva Rajkumar are also likely to reprise their memorable appearances from the original movie, which became one of the biggest highlights of Jailer. The first Jailer emerged as a sensational blockbuster upon release, grossing more than 600 crore worldwide and reaffirming Rajinikanth's unmatched box office pull. With expectations even higher for the sequel, trade experts are already predicting a record-breaking opening whenever the film hits theatres.

BY CHRISTA LINCY

Raja Shivaji has completed its 20th day at the box office, and the film continues to show the kind of resilience that has made it a major success this year. As it nears the end of its third week, the movie is holding its ground exceptionally well, particularly in its core markets. With a total India Net collection now standing at 88.10 crore, the film is steadily marching toward the 90-crore milestone. On its third Wednesday, the film collected 1.10 crore rupees across India. When we look at the trend from Tuesday, where it earned 1.30 crore, this represents a very normal mid-week dip of about 15.4 percent. For a film that has already been in theaters for nearly three weeks, staying above the 1-crore mark on a weekday is a clear sign that the audience is still very much interested in this historical epic. The movie operated across 2,204 shows today, maintaining a high level of visibility. The performance in the national chains today contributed significantly to the daily total. INOX led the way with approximately 2,100 tickets, followed by PVR with 1,800 and Cinepolis with 1,100 tickets. This brings the total ticket sales across these three major chains to roughly 5,000 for the day. These numbers show that the film is still a reliable choice for multiplex audiences in the major cities. (adsbygoogle = window.adsbygoogle || []).push({}) The Marathi version remains the primary engine of the film's success, contributing 0.95 crore to the day's total with an overall occupancy of 17 percent. Pune and Mumbai continue to be the strongest regions, with Pune recording 18 percent occupancy and Mumbai staying steady at 14.5 percent. The Hindi version added another 15 lakh rupees today, with regions like Ahmedabad and Surat seeing about 8 percent occupancy. This language-wise breakdown brings the total Marathi Net to 64.05 crore and the Hindi Net to 24.05 crore. Digital engagement on BookMyShow has been another highlight of this journey. So far, over 2.4 million tickets have been booked through the platform. This week alone has seen consistent interest, with 38K tickets sold on Monday, 45K on Tuesday, and 26K today. This high volume of digital bookings has been a major factor in the film's ability to maintain its screen count for three consecutive weeks. Looking at the broader financial picture, Raja Shivaji has now crossed a major milestone with its total India Gross reaching 104.19 crore. When you add the overseas contribution, which added 5 lakh today for a total of 4.15 crore, the worldwide gross collection now stands at 108.34 crore. It is a significant achievement for the project to comfortably sit in the 100-crore global gross club. As the film moves toward its fourth weekend, it is clear that the momentum is still very much alive. The story of Raja Shivaji has resonated deeply with the viewers, and with no massive competition immediately ahead, it is well-positioned to continue its successful run. All eyes will now be on how much further it can push its domestic net total before the end of its theatrical window.

BY CHRISTA LINCY

The wait for one of the most anticipated films of 2026 is finally over. Georgekutty has returned to the big screen with Drishyam 3, and as expected, the movie is off to a record-breaking start at the box office. While fans flocked to theaters thinking this would be the grand finale of the much-loved franchise, it turns out there is a massive surprise waiting for them at the end of the film. For months, it was widely believed that this third part would conclude the story of the Salgaonkar family. However, we have some exciting news for those who want more. According to a report by Bollywood Hungama, Drishyam 3 does not end the saga. Instead, it finishes at a very decisive point that directly sets the stage for a fourth installment. The report suggests that the way the events unfold in the climax, we can expect Drishyam 4 to be even more thrilling and sinister than anything we have seen before. This revelation has added an entirely new layer of excitement for the audience. The franchise, which started in 2013, has a history of keeping viewers on the edge of their seats. The first part became the highest-grossing Malayalam film of its time, and the second part received massive acclaim during its digital release in 2021. Now, with director Jeethu Joseph and Mohanlal back together, the expectation was already through the roof, and the promise of a sequel only makes it bigger. (adsbygoogle = window.adsbygoogle || []).push({}) The scale of this release is also something worth talking about. Bollywood Hungama previously shared that the movie has taken over nearly 1,200 cinemas across Kerala and the rest of the country. But the impact is even larger on the global stage. Overseas, the film has secured more than 1,500 screens across 66 countries. This brings the total worldwide screen count to roughly 2,700, making it a massive theatrical event for Malayalam cinema. The film features the original core cast including Meena, Ansiba Hassan, Esther Anil, and Asha Sharath. With the combined power of Antony Perumbavoor's production and the writing of Jeethu Joseph, the franchise continues to show why it is considered a gold standard in the suspense thriller genre. For those who thought they were going to say goodbye to Georgekutty today, it seems he still has a few more secrets up his sleeve for the future. As the day progresses and more people experience the sinister ending of this chapter, the buzz for Part 4 is likely to reach fever pitch. It is clear that the legacy of Drishyam is far from over, and the box office numbers are only going to reflect this growing madness in the days to come.

BY SUNIT JANGIR

Mumbai, May 21 - The first Dhurandhar is not done yet. After the record-breaking box office run and setting viewership records on Netflix, the extended and uncensored version of Aditya Dhar's directorial is set to stream on both Netflix and JioHotstar. On Thursday, both platforms announced that the Dhurandhar: Raw & Undekha version will start streaming on May 22 in Hindi, Telugu, and Tamil. The announcement quickly grabbed attention on social media, with fans expressing excitement over the alternate version. Many viewers had previously claimed that the earlier OTT release featured trimmed sequences and toned-down dialogues compared to the theatrical cut. The newly announced Raw & Undekha edition is expected to restore several of those moments while presenting the film in a grittier format. (adsbygoogle = window.adsbygoogle || []).push({}) Soon after the streaming date was revealed, confusion spread online as some users assumed the announcement was related to Dhurandhar: The Revenge. However, reports later clarified that the upcoming release is an alternate cut of the original Dhurandhar and not the sequel, which will begin streaming on JioHotstar on June 4, followed by Netflix on June 19. The film, headlined by Ranveer Singh, emerged as one of the biggest action entertainers of the year and performed exceptionally across theatrical markets. With the extended version now arriving on OTT, viewers who wanted a more uncensored experience are expected to revisit the film once again. The dual-platform release on Netflix and JioHotstar is also likely to boost the film's digital reach significantly.

BY CHRISTA LINCY

The box office has a new heavy-hitter as Karuppu officially crossed the prestigious 100 crore net mark in India today. It has been a whirlwind six-day journey for this actioner, and reaching this milestone within the first week itself speaks volumes about its massive ground-level pull. As of its first Wednesday, the film has cemented its status as a major blockbuster of 2026. On its sixth day, Karuppu collected 10.30 crore rupees across all languages in India. When we compare this to Tuesday's collection of 12.75 crore, we see a logical 19.2 percent drop. For a mid-week performance, staying in double digits is a fantastic sign of stability. The film operated across 6,194 shows today, maintaining a strong presence even as it moves toward the end of its first week. One of the most remarkable aspects of this run is the digital footprint on BookMyShow. On its first Wednesday alone, the film sold 210K tickets, which is an incredible figure. To put this into context, it has outpaced the Wednesday sales of major hits like Leo (203K) and Amaran (185K), trailing only behind Jailer (324K). With a total of over 27.35 lakh tickets sold on the platform so far, Karuppu has now become the 6th best-selling Tamil film on BookMyShow, surpassing the final lifetime sales of both Vettaiyan and GBU. (adsbygoogle = window.adsbygoogle || []).push({}) If we look at the performance in the major national chains, the contribution remains solid. PVR recorded approximately 29,890 tickets, while INOX and Cinepolis saw around 9,300 and 2,540 tickets respectively. This brings the total ticket sales in these three major chains to roughly 41,730 for the day. These urban centers, especially in the south, are continuing to drive the bulk of the revenue. In terms of regional occupancy, the Tamil version is leading the charge with a 35 percent overall rate. Chennai remains the strongest fortress for the film with nearly 60 percent occupancy across 718 shows, followed closely by Coimbatore at 53 percent. The Telugu version is also holding its own, particularly in Vizag where occupancy hit 23 percent today. These consistent numbers across different regions have pushed the total India net collection to 105.35 crore rupees. The global picture is equally impressive. With a domestic gross of 121.96 crore and an overseas contribution of 54 crore, the total worldwide gross now stands at 175.96 crore rupees. The film is currently enjoying a great run in the international markets, adding another 3 crore to its tally today. (adsbygoogle = window.adsbygoogle || []).push({}) As the film finishes its first six days, it has already secured a spot among the elite openers of Kollywood. Here is how its Day 6 Tamil Net collection compares with the all-time highest performers in the industry: Top 10 Kollywood Day 6 Highest Collection (Tamil Net)RANKMOVIE NAMEDAY 6 NET (TAMIL)1Jailer₹ 26.70 Cr2Leo₹ 24.50 Cr3Ponniyin Selvan - Part 1₹ 18.15 Cr4Varisu₹ 12.20 Cr5Thunivu₹ 10.60 Cr6Sarkar₹ 10.50 Cr7The Greatest Of All Time₹ 9.50 Cr8Vikram₹ 9.40 Cr9Master₹ 8.58 Cr10Karuppu₹ 8.55 Cr With its entry into the 100 crore club and a top 10 spot on the all-time day 6 list, Karuppu is proving to be a force to be reckoned with. The film is currently on track for a massive first-week finish, and with no major competition in sight, the second weekend is expected to see another significant jump in numbers.

BY SUNIT JANGIR

Kochi, May 21 - The anticipation surrounding Drishyam 3 has reached extraordinary levels as the superstar Mohanlal-starrer closed its final advance booking with a massive 35 crore gross worldwide for opening day alone. The phenomenal pre-sales performance has now placed the film firmly on course for a potential 50 crore-plus worldwide opening day gross. Directed by Jeethu Joseph, the third instalment of the iconic thriller franchise is witnessing historic demand across both domestic and overseas markets. The film has generated exceptional momentum in Kerala while also recording sensational advances internationally, particularly in the Gulf region, North America, the UK, and Australia. (adsbygoogle = window.adsbygoogle || []).push({}) Worldwide First-Day Advance Booking of Drishyam 3 Kerala – 8.50 crore Rest of India – 4.50 crore Overseas – $2.3 million (22.15 crore) Total Day 1 Worldwide Pre-sales: 35.15 crore gross The overseas market alone has contributed over 22 crore, highlighting the massive global appeal of the franchise and Mohanlal's strong fanbase outside India. Kerala remains the biggest domestic contributor as expected, with 8.50 crore in pre-sales, which is among the strongest booking performances ever for a film in the state. (adsbygoogle = window.adsbygoogle || []).push({}) Opening Weekend Advance Booking Finished At 48 Crore Apart from its record-setting first-day sales, the film has also posted huge numbers for its opening weekend. In Kerala, the weekend pre-sales for the stand finished at 13.50 crore, while the rest of India sales closed at 5 crore. Overseas bookings have been sensational at $3+ million (29.50 crore) with the total worldwide advance sales for the weekend clocking 48 crores, which is massive. The extraordinary weekend figures indicate that audience interest is extending far beyond just the opening day. Industry observers believe the thriller is set for packed occupancy throughout the weekend, especially if word-of-mouth remains positive after the first shows. (adsbygoogle = window.adsbygoogle || []).push({}) 50 Crore Worldwide Opening Looks Likely With advance sales already crossing 35 crore globally for day one, the film is now expected to challenge the 50 crore worldwide opening milestone through spot bookings and walk-in ticket sales. It was already locked to score the second biggest start for a Malayalam film after the initial response in pre-sales, and was looking to take the opening in the range of 40 crores, but now, it is eyeing much bigger numbers. The film carries enormous expectations due to the popularity of the previous two instalments, both of which became landmark successes (the second film was a direct OTT release) and earned cult status among audiences. The return of Georgekutty has particularly fueled fan excitement, with social media already flooded with discussions, fan celebrations, and early reactions from premiere screenings.

BY CHRISTA LINCY

The fifth-week journey of Bhooth Bangla is proving to be a masterclass in theatrical endurance. As we move past the 34-day mark, the film is still managing to pull in audiences despite several new releases entering the fray. On its fifth Wednesday, the movie added another 80 lakh rupees to its domestic net total, showing that it still has enough gas in the tank to keep the momentum alive. When we look at the numbers analytically, today's collection of 0.80 crore represents a very logical 11.1 percent drop from Tuesday's performance of 0.90 crore. For a film in its fifth week, staying near the 1-crore mark on a weekday is a clear sign of healthy occupancy. The movie operated across 2,457 shows nationwide today, which is a significant count considering the length of its run. To give you a better picture of the cumulative success, Bhooth Bangla has now reached a total India net collection of 170.75 crore rupees. If we look at the gross figures, the domestic total stands at 202.39 crore. The international markets have also played their part, contributing roughly 3 lakh rupees today to take the overseas total to 53.63 crore. This brings the grand worldwide gross to a staggering 256.02 crore rupees. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the historical numbers, this collection puts the film in a very strong position. At 80 lakhs, it is now tied for the 9th highest Day 34 collection, right alongside Jawan. Being on the same level as some of the biggest releases shows that the film has a lot of staying power and is continuing to find an audience even late into its run. Dhurandhar: 4.25 Cr Stree 2: 2.50 Cr Chhaava: 2.35 Cr Dhurandhar 2: The Revenge: 2.00 Cr URI: The Surgical Strike: 1.60 Cr Mahavatar Narsimha: 1.40 Cr Drishyam 2: 0.82 Cr Jawan: 0.80 Cr Bhooth Bangla: 0.80 Cr Badhaai Ho:0.80 Cr Looking at the national chains, the film saw consistent ticket movement throughout the day. PVR led the way with approximately 1,470 tickets sold, while INOX and Cinepolis followed with 1,080 and 630 tickets respectively. This brings the total ticket sales across these major three chains to about 3,180 for the day. These contributions have helped the film maintain its presence in urban centers even after a month of release. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of regional performance, the National Capital Region remained the most active with 305 shows and an overall occupancy of 10 percent. Mumbai followed with 94 shows and a higher occupancy rate of 11.5 percent, with afternoon shows peaking at 19 percent. Ahmedabad also showed decent interest with 159 shows and an evening occupancy of 14 percent. This spread indicates that the film is still effectively catering to its core Hindi-speaking audience in the major metros. The broader stats for this project are quite massive. Over its 34-day journey, Bhooth Bangla has been screened across 219,081 shows. The total ticket sales on BookMyShow have now crossed the 31.85 lakh mark, with the current week showing steady figures of 15K on Monday, 21K on Tuesday, and 12K on Wednesday. This consistency is exactly what helped the film sail past the 250-crore worldwide gross milestone earlier this week.