BY SUNIT JANGIR

Mumbai, July 27 - Marvel Studios and Sony Pictures' Spider-Man: Brand New Day is shaping up to be one of the biggest Hollywood releases ever in India. With exceptional advance bookings, massive demand for premium formats, and strong trade projections, Tom Holland's superhero film is in contention to rewrite the Indian box office record books. Here are the five biggest milestones it is chasing: (adsbygoogle = window.adsbygoogle || []).push({}) 1. Biggest Opening Day For A Non-Indian Film The first target is the biggest opening day ever for a non-Indian film in India. The record is currently held by Avengers: Endgame with around 65 crores gross, but Spider-Man: Brand New Day is expected to challenge this massive record. The movie is currently tracking to open in the 50-60 crores gross range, which keeps it in the race to become the biggest non-Indian opener. 2. Biggest Opening Weekend For A Non-Indian Film If the film manages to score a positive reception, it has a realistic chance of delivering the biggest opening weekend for any Hollywood release in India. Currently, Endgame has the biggest weekend with around 200 crores gross, and Brand New Day should easily beat this, given the positive reception. It will have a 4-day weekend, which is expected to be around 225 crores gross or more. (adsbygoogle = window.adsbygoogle || []).push({}) 3. Biggest Opening Week For A Non-Indian Film The film is also eyeing the record for the highest first-week collection by a non-Indian film. With its family-friendly content, premium screen occupancy, and Spider-Man's massive popularity, the opening week could end up setting a new benchmark, beating Endgame's 315 crores gross week record. 4. Highest-Grossing Non-Indian Film In India Beyond the opening week, Spider-Man: Brand New Day has the potential to become the highest-grossing non-Indian film ever released in India. If audience reception remains strong and collections hold well over the following weeks, it could surpass the lifetime earnings of Avatar: The Way of Water's 477.50 crores gross record. (adsbygoogle = window.adsbygoogle || []).push({}) 5. First 500 Crore Grosser Among Non-Indian Films The biggest milestone of them all is becoming the first non-Indian film to cross ₹500 crore at the Indian box office. While Way of Water and Endgame came closest to this milestone, no Hollywood film has ever been able to unlock this prestigious club. If Spider-Man: Brand New Day enjoys a long theatrical run and maintains strong momentum, it could become the first international release to achieve this historic feat in India. With all five records within very much reach, Spider-Man: Brand New Day isn't just aiming for a blockbuster opening - it has the opportunity to redefine what a Hollywood film can achieve at the Indian box office. The film is scheduled to release on July 30 in English, Hindi, Telugu, and Tamil.

BY CHRISTA LINCY

Anirudh Ravichander recently took to social media to share a heartfelt note regarding his decade-long collaboration with Actor Vijay. Following the release of Jana Nayagan, the composer reflected on a journey that began in 2014, expressing gratitude for the unlimited trust placed in him across five major projects. This partnership has consistently redefined the landscape of Tamil film music, setting streaming benchmarks that have proven difficult to surpass. The journey started with the 2014 film Kaththi, a project that effectively launched this musical duo. At a time when internet penetration in South India was still in its developing stages, the song Selfie Pulla achieved what was then an unprecedented feat by crossing 1 million views in less than 24 hours. This success was not just professional but personal; as it was Vijay's first film to officially cross the 100 Crore mark, the actor gifted Anirudh a piano that the composer still uses today. Anirudh has often noted that he performs a specific ritual called the Director's Test on this instrument, where he plays new tunes for directors without any production to see if the core melody stands on its own before proceeding with the arrangement.This initial success established a template for their future collaborations, where every album became a calculated attempt to break existing digital records. (adsbygoogle = window.adsbygoogle || []).push({}) By the time Master was released in 2021, the scale of their reach had expanded globally. The track Kutti Story recorded 9 million views and 1 million likes within its first day, making it the third most-viewed video on YouTube worldwide for that date. The album also produced Vaathi Coming, which has since safely crossed the 400 million views milestone, becoming a staple in the dance-pop genre. This era signaled a shift where their music was no longer just local hits but international trending topics. (adsbygoogle = window.adsbygoogle || []).push({}) The momentum continued with Beast in 2022, which saw the release of Arabic Kuthu. This track remains a significant industry benchmark, hitting 100 million views in just 12 days. On its first day alone, it peaked at 23.7 million views on YouTube. This was followed by Leo in 2023, where Naa Ready became a streaming titan. The song registered over 16.5 million views locally in 24 hours and maintained a dominant presence on audio platforms like Spotify, demonstrating a long-term listening trend beyond the initial viral surge. The final chapter, Jana Nayagan, served as a high-stakes finale that broke both financial and musical records. The audio rights for the film were acquired by T-Series for a reported 35 crore, currently the highest ever for a Tamil film album. Musically, the album bridged traditional elements with global trends by collaborating with hip-hop sensation Hanumankind, who recently gained international fame with the hit Big Dawgs. While the tribute track Thalapathy Kacheri gained rapid traction with 10 million real-time views, the second single, Oru Pere Varalaaru, set a new career peak for the duo by accumulating 26 million views in its first 24 hours. (adsbygoogle = window.adsbygoogle || []).push({}) The emotional weight of this farewell was most visible during the Malaysia audio launch, titled Thalapathy Thiruvizha. The event drew a record-breaking crowd of over 100,000 attendees, earning a spot in The Malaysia Book of Records for the highest attendance at an event in the country. The night featured a rare, emotional surprise performance by Vijay's mother, Shobha Chandrasekhar, who sang the hit Kodambakkam Area, bringing a familial touch to the superstar's final musical outing. This transition from digital records to physical ground-level engagement highlights the scale of influence this duo maintained over their decade-long run. As the partnership concludes, Anirudh's standing in the music industry is at an all-time high. By July 2026, he has surged past 14.9 billion streams on Spotify, solidifying his rank as India's third most-streamed artist, trailing only Arijit Singh and Pritam. He currently holds a global artist ranking of 198, a position largely bolstered by this era-defining collaboration with Actor Vijay. (adsbygoogle = window.adsbygoogle || []).push({}) It has been a thoroughly amazing and emotional journey with you through JanaNayagan, Leo, Beast, Master and Kaththi 📈Thank you @actorvijay sir for the unlimited trust and memories that I will cherish forever 🤗The music lives on ❤️ pic.twitter.com/kt9On6Ms1L— Anirudh Ravichander (@anirudhofficial) July 27, 2026

BY CHRISTA LINCY

The Dhamaal franchise has always been a crowd-pleaser, and the fourth installment is proving that the brand still has plenty of legs at the box office. After seventeen days in theaters, Dhamaal 4 has officially crossed the significant ₹200 Crore milestone in worldwide gross collections. Despite being in its third week, the film managed to find a second wind over the weekend, showing that family audiences are still turning up in good numbers for a light-hearted cinematic experience. This momentum is likely to continue as there is no major competition in the market right now, and with no notable releases scheduled for the coming week, the film has a clear runway to keep adding to its total. The third weekend started with a quiet but steady Friday, where the film collected a net of ₹2.25 Cr across 5,995 shows. However, the real story began on Saturday, as the film witnessed a massive 100 percent growth, doubling its collections to reach ₹4.50 Cr. This momentum carried forward into Sunday, which saw a further 36.7 percent climb to ₹6.15 Cr. This strong weekend performance has pushed the total India net collection to ₹149.55 Cr, bringing it just inches away from the ₹150 Crore domestic net benchmark. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the occupancy trends, Sunday (Day 17) recorded a healthy overall occupancy of 34.52 percent. The afternoon and evening shows were the busiest, recording 43.77 percent and 44.46 percent respectively. When we break this down by region, Mumbai led the way with 28 percent overall occupancy, peaking at 45 percent during evening shows. The National Capital Region followed closely at 25.8 percent. Interestingly, while the morning shows started slow across all major hubs, the jump during the later half of the day was consistent, especially in Ahmedabad where afternoon and evening slots hovered around the 31 to 38 percent mark. The performance across the three major national cinema chains—PVR, INOX, and Cinepolis—mirrored the broader growth trend and served as a crucial driver for the urban audience. Starting on Friday with a combined gross of 1.35 Cr, the chains saw a massive leap on Saturday, jumping over 100 percent to reach 2.71 Cr. The momentum reached its peak on Sunday with a total of 3.29 Cr collected across these chains. Specifically, PVR grew from 65 L on Friday to 1.45 Cr on Sunday, with occupancy rates climbing from 14.12 percent to a healthy 31.86 percent. INOX followed a similar pattern, ending Sunday with 1.30 Cr at 30.43 percent occupancy. Even Cinepolis witnessed its occupancy triple from 10.13 percent on Friday to 30.45 percent by Sunday, showcasing a strong resurgence in urban interest. (adsbygoogle = window.adsbygoogle || []).push({}) This steady climb was also visible in the digital bookings on BookMyShow, where ticket sales jumped from 37,660 on Friday to 88,780 on Sunday. In total, the third weekend alone contributed over 206K ticket sales to the platform, bringing the cumulative total to 2,589,600 tickets booked so far. These national chains and digital platforms have effectively been the backbone of the urban run, contributing significantly to the total India gross of 177.93 Cr and ensuring the film remains a preferred choice for family audiences even in its third week. On the international front, the film has managed to add steady numbers even in its third week. Overseas collections stood at ₹0.35 Cr on Sunday, taking the total overseas gross to ₹23.85 Cr. When combined with the domestic gross, Dhamaal 4 stands at a worldwide total of ₹201.78 Cr. Here is the detailed day-wise breakdown for the third weekend: Day 15 (Friday): ₹2.25 Cr India Net | 11.0% Occupancy Day 16 (Saturday): ₹4.50 Cr India Net | 19.0% Occupancy Day 17 (Sunday): ₹6.15 Cr India Net | 27.0% Occupancy Total Overseas Gross: ₹23.85 Cr | Total Worldwide Gross: ₹201.78 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Dhamaal 4 - 3rd Weekend Box Office Breakdown (India)DAYINDIA NET COLLECTIONSHOW COUNTDay 15 (Friday)₹ 2.25 Cr5,995Day 16 (Saturday)₹ 4.50 Cr5,195Day 17 (Sunday)₹ 6.15 Cr5,184CUMULATIVE TOTAL₹ 149.55 Cr156,195 As the film moves into its third week, the focus remains on whether it can dethrone Total Dhamaal, which currently stands as the highest-grossing film in the franchise. With a domestic gross of 177.93 Cr and an impressive 6,787,165 footfalls so far, Dhamaal 4 only needs another 5.75 Cr to surpass the 183.68 Cr lifetime domestic gross of its predecessor. However, the global crown might be harder to reach; Total Dhamaal had a massive overseas presence with 48.50 Cr in collections, which is significantly higher than the 23.85 Cr Dhamaal 4 has managed so far. Surpassing that 232.18 Cr worldwide mark remains a big question. That said, with no major competition currently and a clear runway through the weekdays, Dhamaal 4 has a strong chance to at least claim the title of the domestic leader for the franchise.

BY SUNIT JANGIR

Chennai, July 27 - Tamil star Dhanush has addressed the criticism surrounding Raayan's National Award win, responding with humility after the film's victory sparked a heated debate on social media. Following the announcement of the 72nd National Film Awards, many cinephiles questioned the jury's decision to honour Raayan as the Best Tamil Film, arguing that critically acclaimed releases such as Meiyazhagan and Maharaja were more deserving of the recognition. Rather than dismissing the criticism, the actor-filmmaker acknowledged the differing opinions and offered a measured response. (adsbygoogle = window.adsbygoogle || []).push({}) Speaking at a recent public event, Dhanush admitted that there were "definitely better films" released in Tamil cinema during the eligibility period. He said he understood why fans of other films were disappointed and respected their views. However, he also pointed out that awards are often unpredictable and do not always go to the films or performances that audiences expect. According to Dhanush, every artist experiences both victories and disappointments, and he believes that recognition comes at the right time. The actor reflected on several of his own acclaimed films that many fans believed deserved National Awards but ultimately missed out. He mentioned titles including Pudhupettai, Mayakkam Enna, Maryan, Vada Chennai, Karnan, 3, and Raanjhanaa, saying that despite widespread appreciation, they did not receive the honour. Dhanush noted that he accepted those outcomes without resentment and viewed the awards as part of a larger journey rather than the ultimate measure of a film's quality. (adsbygoogle = window.adsbygoogle || []).push({}) Dhanush also urged audiences to celebrate the achievement instead of focusing solely on the controversy. He emphasised that Raayan was made with sincerity and hard work, and that every member of the team had given their best. He added that while criticism is inevitable, it should not overshadow the efforts of the filmmakers and technicians who contributed to the project. His comments were widely appreciated for their honesty and humility, with many social media users praising the actor for acknowledging the criticism instead of reacting defensively. Released in 2024, Raayan marked Dhanush's second directorial venture and emerged as one of the year's biggest Tamil commercial successes. The film was praised for its intense action, emotional storytelling, and strong performances, eventually earning recognition at the National Film Awards. Although the debate over the winners may continue, Dhanush's graceful response has been widely seen as a reminder that awards can be celebrated without diminishing the accomplishments of other deserving films.

BY CHRISTA LINCY

The much-anticipated Jana Nayagan has wrapped up its opening four-day weekend, and the numbers tell a story of a film that is riding high on the emotional wave of being a final cinematic outing for a superstar. Often referred to as Thalapathy 69, the buzz surrounding this project was electric, with fans eager to catch that one last vibe on the big screen. According to data shared by Venky Box Office, the film has managed to carve out a significant space for itself in the record books, even as it navigated the typical ups and downs of a mid-week release. The journey began on Thursday with a massive opening, where Jana Nayagan collected a net of ₹42.70 Cr in India across 13,067 shows. With an initial occupancy of 41.6 percent, the film proved its domestic pull immediately. However, as is often seen with big Thursday releases, the film faced a significant 50.5 percent drop on its first Friday, bringing in ₹21.15 Cr. While the drop might look steep on paper, it is a logical trend for a working day following a fan-driven opening. The real strength of the film was visible on Saturday and Sunday, where it staged a strong recovery. Saturday saw a 36.6 percent growth with ₹28.90 Cr, followed by a Sunday surge of 10.7 percent, collecting ₹32.00 Cr. This brought the total India net collection to ₹124.75 Cr by the end of the weekend. (adsbygoogle = window.adsbygoogle || []).push({}) When we look at the ticket sales on BookMyShow, Jana Nayagan has performed admirably, though it remains a step behind some of the all-time benchmarks. The film sold approximately 3.15 million tickets over its opening weekend, contributing to a massive total of 4,818,252 footfalls nationwide during this four-day window. For context, this puts it ahead of The GOAT (2.88M) but places it behind massive openers like Leo (4.86M) and Jailer (4.85M). It is a solid performance that highlights the film's wide reach across the country. The occupancy levels also told a positive story, climbing from a low of 29.5 percent on Friday to a weekend high of 44.7 percent on Sunday, indicating that the general audience started filling the theaters after the initial fan rush. The performance across the three major national cinema chains—PVR, INOX, and Cinepolis—served as a primary engine for the film's success, contributing a combined gross of ₹20.57 Cr over the four-day opening weekend. PVR led the charge with a total of ₹11.80 Cr, while INOX and Cinepolis followed with ₹6.15 Cr and ₹2.62 Cr respectively. The weekend started on a high note on Thursday, with the chains recording a massive combined gross of ₹7.45 Cr. However, mirroring the broader market trend, Friday saw a significant 52.9 percent drop in revenue, with collections across these chains coming in at ₹3.51 Cr. This dip is fairly typical for mid-week openers as the initial fan frenzy makes way for a brief lull before the weekend crowd arrives. (adsbygoogle = window.adsbygoogle || []).push({}) The momentum shifted back in the film's favor on Saturday, which witnessed a healthy 43.6 percent surge in collections, bringing in ₹5.04 Cr. This day marked the peak for occupancy levels across all chains, with PVR reaching 65.12 percent and INOX hitting 55.65 percent. Sunday maintained this steady interest, contributing ₹4.57 Cr to the total. Although the Sunday gross was about 9.3 percent lower than Saturday—largely due to a slight reduction in the number of shows and a dip in late-night occupancy—the overall performance remained robust. PVR continued to dominate the Sunday charts with 62.3 percent occupancy. Across nearly 5,000 shows in these national chains, the consistent footfalls suggest that the film has effectively resonated with the urban multiplex audience during its critical opening window. Geographically, the film's heart remains in Tamil Nadu, but its reach is truly pan-Indian. Here is the state-wise gross collection breakdown for the opening weekend: Tamil Nadu: ₹84.00 Cr Karnataka: ₹23.93 Cr Rest of India: ₹14.80 Cr Kerala: ₹12.85 Cr AP-TG: ₹10.40 Cr (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, Jana Nayagan has demonstrated a massive global footprint, proving that the superstar appeal remains unparalleled in the overseas market. One of the most impressive highlights comes from Singapore, where the film debuted at the No. 2 spot in the Shaw Theatres Top 10 across the multiplex cinema chain. This is a remarkable feat as it managed to outperform several high-profile Hollywood releases, sitting just behind the digital and IMAX release of The Odyssey. This strong reception in key Asian markets provided a solid cushion for the film worldwide totals right from the opening day. In the North American market, the film journey began with a significant 611K dollars from premieres and Day 1 across 411 locations. After the primary rush on Thursday, the film maintained a steady pace through the weekend, earning 250K dollars on Friday and showing a slight upward trend on Saturday with 270K dollars. By Sunday evening, early tracking from 324 locations showed another 150K dollars coming in, pushing the total North American haul toward the 1.3 million dollar mark. When we look at the total international picture, the film has amassed a cumulative 71.50 Cr in overseas gross. Combined with the strong domestic performance, Jana Nayagan has officially stormed past the 200 Crore worldwide milestone, finishing its four-day opening weekend with an impressive 217.48 Cr gross. Here is how the overseas and North American numbers break down day-wise: (adsbygoogle = window.adsbygoogle || []).push({}) Day 1 (Thursday): ₹27.50 Cr Overseas Gross | $611K (₹5.90 Cr) North America (Premieres + Day 1) Day 2 (Friday): ₹16.00 Cr Overseas Gross | $250K (₹2.41 Cr) North America Day 3 (Saturday): ₹18.00 Cr Overseas Gross | $270K (₹2.61 Cr) North America Day 4 (Sunday - Early Est): ₹10.00 Cr Overseas Gross | $150K (₹1.45 Cr) North America (Sunday Hourly at 7pm PST) The global trend suggests that while the opening day contributed nearly 38 percent of the total overseas weekend gross, the steady collections on Saturday and Sunday helped the film maintain a high rank in international charts. Reaching a worldwide gross of 217.48 Cr in just four days puts Jana Nayagan in an elite bracket of Tamil cinema. In terms of domestic milestones for the Tamil version, while films like Leo and Coolie achieved the 100 Crore mark in just 3 days, Jana Nayagan reached this milestone in 4 days, following a similar trajectory to hits like Jailer and The Greatest of All Time. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan Day-Wise Box Office Collection (India)DAYINDIA NET COLLECTIONINDIA GROSS COLLECTIONDay 1 (Thursday)₹ 42.70 Cr₹ 50.28 CrDay 2 (Friday)₹ 21.15 Cr₹ 24.72 CrDay 3 (Saturday)₹ 28.90 Cr₹ 33.81 CrDay 4 (Sunday)₹ 32.00 Cr₹ 37.17 CrTOTAL WEEKEND₹ 124.75 Cr₹ 145.98 Cr Looking at the language-wise breakdown, the Tamil version remains the primary contributor with ₹108.25 Cr net, while the Hindi and Telugu versions contributed ₹9.65 Cr and ₹6.85 Cr respectively. The high occupancy in Tamil Nadu (57.6 percent) compared to the Hindi markets (14.1 percent) suggests that while the film has a national presence, it is the core fans who are driving the massive numbers. As the film enters the crucial Monday test, it has already done the heavy lifting by securing a massive opening weekend total.

BY SUNIT JANGIR

Highest-Grossing $1 Billion Movies Worldwide Rank Movie Release Year Worldwide Gross 1Avatar2009$2.923 Billion 2Avengers: Endgame2019$2.799 Billion 3Avatar: The Way of Water2022$2.334 Billion 4Titanic1997$2.264 Billion 5Ne Zha 22025$2.260 Billion 6Star Wars: Episode VII – The Force Awakens2015$2.071 Billion 7Avengers: Infinity War2018$2.052 Billion 8Spider-Man: No Way Home2021$1.921 Billion 9Zootopia 22025$1.866 Billion 10Inside Out 22024$1.698 Billion 11Jurassic World2015$1.671 Billion 12The Lion King (2019 Remake)2019$1.662 Billion 13The Avengers2012$1.520 Billion 14Furious 72015$1.515 Billion 15Top Gun: Maverick2022$1.503 Billion 16Avatar: Fire and Ash2025$1.480 Billion 17Frozen II2019$1.453 Billion 18Barbie2023$1.445 Billion 19The Super Mario Bros. Movie2023$1.361 Billion 20Black Panther2018$1.349 Billion 21Harry Potter and the Deathly Hallows – Part 22011$1.342 Billion 22Star Wars: Episode VIII – The Last Jedi2017$1.334 Billion 23Jurassic World: Fallen Kingdom2018$1.310 Billion 24Deadpool & Wolverine2024$1.300 Billion 25Frozen2013$1.285 Billion 26Beauty and the Beast (Live Action)2017$1.266 Billion 27Incredibles 22018$1.243 Billion 28The Fate of the Furious2017$1.236 Billion 29Iron Man 32013$1.214 Billion 30Minions2015$1.159 Billion 31Captain America: Civil War2016$1.155 Billion 32Aquaman2018$1.152 Billion 33Moana 22025$1.150+ Billion 34The Lord of the Rings: The Return of the King2003$1.147 Billion 35Spider-Man: Far From Home2019$1.131 Billion 36Captain Marvel2019$1.131 Billion 37Transformers: Dark of the Moon2011$1.123 Billion 38Skyfall2012$1.108 Billion 39Transformers: Age of Extinction2014$1.104 Billion 40Jurassic Park1993$1.104 Billion 41The Dark Knight Rises2012$1.084 Billion 42Star Wars: Episode IX – The Rise of Skywalker2019$1.077 Billion 43Joker2019$1.074 Billion 44Toy Story 42019$1.073 Billion 45Pirates of the Caribbean: Dead Man's Chest2006$1.066 Billion 46Toy Story 32010$1.066 Billion 47Rogue One: A Star Wars Story2016$1.058 Billion 48Aladdin (Live Action)2019$1.054 Billion 49Pirates of the Caribbean: On Stranger Tides2011$1.046 Billion 50Despicable Me 32017$1.034 Billion 51The Lion King: Mufasa2025$1.050+ Billion 52Finding Dory2016$1.028 Billion 53Star Wars: Episode I – The Phantom Menace1999$1.027 Billion 54Alice in Wonderland (Live Action)2010$1.025 Billion 55Zootopia2016$1.025 Billion 56The Hobbit: An Unexpected Journey2012$1.017 Billion 57The Dark Knight2008$1.006 Billion 58Jurassic World Dominion2022$1.001 Billion 59Harry Potter and the Sorcerer's Stone2001$1.001 Billion 60Lilo & Stitch (Live Action)2025$1.001 Billion 61The Super Mario Galaxy Movie2026$1.009 Billion 62Michael2026$1.01 Billion 63Toy Story 52026$1.02 Billion Data as of July 26, 2026 (Data courtesy - Deadline and Box Office Mojo)

BY SUNIT JANGIR

Mumbai, July 26 - Marvel Studios has officially expanded its post-Avengers: Secret Wars theatrical lineup, with Black Panther 3 and Ghost Rider emerging as two of the biggest announcements from the studio's latest slate. Black Panther 3 is scheduled to release on December 15, 2028, with Ryan Coogler returning to direct the third instalment of the acclaimed franchise. (adsbygoogle = window.adsbygoogle || []).push({}) The film will introduce David Jonsson as the adult T'Challa II (Toussaint), while Letitia Wright reprises her role as Shuri and Winston Duke returns as M'Baku. Academy Award winner Denzel Washington has also joined the cast in a mystery role that Coogler reportedly wrote specifically for him. Alongside Black Panther 3, Marvel Studios officially announced a standalone Ghost Rider film for 2028. The project will feature Ryan Gosling as Johnny Blaze/Ghost Rider, marking the actor's debut in the Marvel Cinematic Universe. Shawn Levy, fresh off the success of Deadpool & Wolverine, has been tapped to direct the supernatural superhero film. While Marvel has yet to reveal an exact release date or supporting cast, the announcement finally brings one of the most requested Marvel characters into the MCU. (adsbygoogle = window.adsbygoogle || []).push({}) Before those films arrive, Marvel's theatrical slate begins with Spider-Man: Brand New Day, releasing on July 31, 2026. The studio will then bring Avengers: Endgame back to theatres with a special re-release on September 25, 2026, ahead of the launch of the next Avengers saga. Avengers: Doomsday follows on December 18, 2026, with Avengers: Secret Wars set for December 17, 2027, serving as the conclusion to the Multiverse Saga. Beyond these projects, Marvel Studios is also developing an X-Men reboot, although the film has yet to receive an official release date. With a new Black Panther, Ghost Rider's long-awaited MCU debut, two Avengers blockbusters, and the arrival of the X-Men on the horizon, Marvel has laid out an ambitious roadmap that extends well into 2028. (adsbygoogle = window.adsbygoogle || []).push({}) Frequently Asked Questions Q1. Who stars in Black Panther 3? A: The film stars David Jonsson as the adult T'Challa II, alongside returning cast members Letitia Wright and Winston Duke. Denzel Washington has also joined the cast in an undisclosed role. Q2. Who is playing Ghost Rider in the MCU? A: Ryan Gosling has been announced as Johnny Blaze/Ghost Rider, with Shawn Levy directing the film. Q3. What are Marvel's next Avengers movies? A: Avengers: Doomsday is scheduled for December 18, 2026, followed by Avengers: Secret Wars on December 17, 2027.

BY SUNIT JANGIR

Chennai, July 25 - Thalapathy Vijay's Jana Nayagan has managed to stay on course for a good opening weekend at the worldwide box office despite facing multiple setbacks. The H. Vinoth directorial opened to largely negative reviews from critics and mixed-to-negative audience reactions, while also battling a delayed release and an online leak ahead of its theatrical debut. Although the initial response has been far from ideal, Vijay's immense star power has kept the film in the race for a solid opening weekend total. The film opened with around 78 crore worldwide gross on its first day. While that is an underwhelming start by Thalapathy Vijay's standards, the circumstances surrounding the release make it a respectable opening. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan then recorded a good hold on Day 2, collecting over 40 crore worldwide, taking its two-day global total to approximately 118 crore gross. Trade estimates suggest the film is heading for a 50 crore-plus worldwide gross on Saturday, putting it firmly on track to cross the 200 crore worldwide milestone by the end of its extended 4-day opening weekend. What makes the performance noteworthy is that the film has continued to attract audiences despite largely negative word of mouth and its adult rating. Social media has been dominated by criticism of the screenplay, pacing, and overall execution, with many viewers expressing disappointment. Under normal circumstances, such reception often results in steep day-to-day drops. (adsbygoogle = window.adsbygoogle || []).push({}) However, Jana Nayagan has managed to hold reasonably well, reflecting Vijay's loyal fan base and the anticipation surrounding what is expected to be the final film of his career due to his political stint. The crucial test, however, begins on Monday. If the negative word of mouth translates into significant weekday declines, the film could struggle to sustain its theatrical run. Nevertheless, a 200 crore-plus worldwide opening weekend despite the delayed release, piracy concerns, and overwhelmingly negative reception would still be a notable achievement and another reminder of Thalapathy Vijay's remarkable box office pull. (adsbygoogle = window.adsbygoogle || []).push({}) Frequently Asked Questions (FAQs) Q1. What is the opening weekend box office prediction for Jana Nayagan? A. 200+ crore worldwide Q2. How much has Jana Nayagan collected at the worldwide box office so far? A. 170+ crore worldwide (3 days) Q3. In how many languages is Jana Nayagan released? A. 3 (Tamil, Telugu, Hindi)

BY CHRISTA LINCY

Following the historic momentum of its first two days, Jana Nayagan enters its crucial first Saturday, officially transitioning from a box office juggernaut into a cultural phenomenon. As the One Last Vibe for millions, the film's performance is being tracked with unprecedented intensity, marking the final cinematic appearance of Thalapathy Vijay, the sitting Chief Minister of Tamil Nadu. The scale of this release is reflected in its massive footprint on BookMyShow, where it has already sold a staggering 2,307,070 tickets to date—comprising 1.18 million pre-sales, 631.73K tickets on Thursday, and a solid 492.97K on Friday. (adsbygoogle = window.adsbygoogle || []).push({}) Building on its monumental opening, early estimates for Day 2 (Friday) indicate that Jana Nayagan has entered the elite ₹100 crore club worldwide in record time. Despite being a working Friday, the film maintained a powerful grip, collecting a domestic net of ₹21.15 crore across a massive 12,190 shows. While this represents a natural 50.5% dip from the historic Day 1 opening (₹42.70 crore net), the sheer volume of shows and high evening occupancy have pushed the total India Gross to a staggering ₹75.00 crore in just two days.  The film has officially stormed past the ₹50 crore net mark in India, with its cumulative net collection standing at ₹63.85 crore. Internationally, the One Last Vibe sentiment is driving significant numbers, with Day 2 adding ₹10.00 crore to the overseas tally. This brings the total Overseas Gross to ₹37.50 crore. DAY 2 LIVE BLOG 08:30 PM (IST) 25 JUL 2026 Live Update: Jana Nayagan Knocks on the ₹100 Crore India Gross Door; Saturday Evening Shows Peak at 67% Occupancy Jana Nayagan is having a sensational first Saturday, with collections surging as it heads into the night shows. As of 08:30 PM, the film has minted a massive ₹21.01 crore net for Day 3 across 10,564 tracked shows. This brings the cumulative total India Net collection to ₹84.86 crore. More importantly, the total India Gross collection has reached ₹99.79 crore—it is now just inches away from the historic ₹100 crore domestic gross milestone. The Tamil version continues to be the primary engine of this rampage, contributing ₹18.65 crore net today with a stellar 54% overall occupancy. The evening shows for the Tamil (2D) version saw a significant spike, hitting an occupancy of 67.00%, up from the morning's 42.92%. Meanwhile, the Hindi version has added ₹1.62 crore and the Telugu version has contributed ₹0.74 crore to the daily tally. On the digital front, BookMyShow is reflecting a clear Saturday Surge. While the 7 PM to 8 PM window saw 26,260 tickets sold (slightly lower than yesterday's holiday-eve peak of 29,900), the cumulative daily volume has surpassed Friday. Since 6 AM this morning, the platform has recorded 2,80,100 tickets sold, outpacing yesterday’s 2,73,350 at the same hour. With night shows trending towards near-capacity in Chennai and Coimbatore, Jana Nayagan is set to post its highest single-day numbers tonight. 02:10 PM (IST) 25 JUL 2026 Live Update: Jana Nayagan Rampage Intensifies; Day 3 Net Hits ₹6 Crore as Chennai & Coimbatore Go Housefull Jana Nayagan is experiencing an explosive Saturday, with the weekend effect kicking in across all major territories. As of 02:10 PM, the film has collected a live net of ₹6.03 crore for Day 3 alone across 5,967 tracked shows. This surge has pushed the total cumulative India Net Collection to ₹69.88 crore, while the India Gross has officially sailed past the ₹80 crore mark, currently standing at ₹82.11 crore. The ticket sales on BookMyShow (BMS) continue to outpace Friday’s performance, signaling strong family audience turnout. In the 1 PM to 2 PM window today, the film sold 23,330 tickets, compared to 21,270 tickets during the same hour yesterday. Since 6 AM this morning, the platform has recorded 1,46,530 tickets sold, significantly higher than yesterday's count of 1,34,510 at this time. The occupancy data for the Tamil (2D) version is particularly staggering in the home state. The overall occupancy has jumped to 42.92%, led by a phenomenal performance in key cities. Chennai is leading the charge with a massive 72% occupancy across 1,038 shows, followed by Coimbatore at 61% and Salem at 50%. Even in Madurai, the film is holding strong with 41% occupancy. In other states, Bengaluru is seeing 22% occupancy across 705 shows, while Kochi and Mumbai are reporting 20% and 15% respectively. 12:30 PM (IST) 25 JUL 2026 Live Update: Jana Nayagan Australia Growth Explodes; US Friday Collections Record Strong Uptick As the Day 3 morning shows conclude in India, the international reports for Friday (Day 2) are reflecting a massive surge in key territories. In Australia, the film is witnessing an extraordinary growth trend; after an opening of A$158K, Day 2 collections jumped to A$223K, bringing the two-day total to A$381K. Early reports for Day 3 in Australia suggest that Saturday is already tracking better than the opening day, indicating powerful word-of-mouth. According to Venky Box Office, in North America, the film is making up for a measured start. As of 7 PM PST on Friday, the film has recorded $224K from 361 locations. With night show reports still trickling in from the West Coast, the Friday numbers are expected to finish much higher than the initial Thursday morning levels. The One Last Vibe sentiment appears to be fueling a massive weekend wave across the diaspora, with theaters in Melbourne, Sydney, and Toronto reporting high occupancies for the Saturday prime-time shows. 12:20 PM (IST) 25 JUL 2026 Live Update: Jana Nayagan Saturday Surge; Day 3 Net Reaches ₹4.46 Cr as BMS Sales Outpace Friday Morning Trends Jana Nayagan is witnessing a massive Saturday surge as family audiences flock to theaters for the weekend. As of 12:20 PM, the film has collected a live net of ₹4.46 crore for Day 3 across an expanded 4,038 tracked shows. This brings the cumulative total India Net to ₹68.31 crore, while the total India Gross has climbed to ₹80.26 crore. The momentum on BookMyShow (BMS) is officially trending higher than yesterday, a rare and highly positive sign for a big-budget release. In the 11 AM to 12 PM window today, the film sold 25,370 tickets, comfortably surpassing yesterday's 21,960 tickets during the same hour. The film is also on the verge of hitting a major daily milestone, with 99,840 tickets sold since 6 AM this morning alone—outperforming yesterday's morning tally of 91,610. 09:30 AM (IST) 25 JUL 2026 Live Update: Jana Nayagan Day 3 Morning Starts Strong; India Net Crosses ₹64 Crore Milestone Jana Nayagan has kicked off its first Saturday with impressive morning momentum. As of 09:30 AM, the film is running across 1,105 tracked shows and has already collected a live net of ₹0.79 crore for Day 3. This push has propelled the cumulative total India Net collection to ₹64.64 crore, while the total India Gross has reached ₹75.93 crore. The early morning ticket sales on BookMyShow (BMS) indicate a healthy weekend trend. In the 6 AM to 7 AM window today, the film sold 2,740 tickets. While this is a slight dip compared to yesterday's 3,590 tickets during the same hour, the retention remains high at nearly 76%, signaling strong demand for early morning "Special Shows" in B and C centers. With the total ticket count on BMS now standing at 2.3 million, all eyes are on the matinee and evening shows, which are already showing high Filling Fast indicators across Tamil Nadu and Karnataka. Frequently Asked Questions: Jana Nayagan Box Office & Milestones Jana Nayagan has officially transformed from a highly anticipated release into a global box office juggernaut. As Thalapathy Vijay’s farewell film, the "One Last Vibe" is rewriting history across domestic and international circuits. Here are the most searched questions regarding its record-breaking run. What is the total India Gross collection of Jana Nayagan after Day 2? As of the end of Day 2, Jana Nayagan has amassed a massive India Gross collection of ₹75.00 crore. The film officially crossed the prestigious ₹50 crore net milestone on its second day, bringing its total India Net collection to ₹63.85 crore. How much has Jana Nayagan collected worldwide so far? The film has entered the elite club in record time. With an India Gross of ₹75 crore and an Overseas Gross of ₹37.50 crore, the total Jana Nayagan Worldwide Gross collection stands at ₹112.50 crore after just two days of release. How many tickets has Jana Nayagan sold on BookMyShow? The digital demand for the film has been historic. To date, Jana Nayagan has sold a total of 2,307,070 tickets on BookMyShow. This includes 1.18 million tickets from pre-sales, 631.73K on opening Thursday, and 492.97K on its first Friday. What was the box office hold for Jana Nayagan on Day 2? On its first working Friday, the film collected a net of ₹21.15 crore across 12,190 tracked shows. This represents a 50.5% drop from its record-shattering Day 1 net of ₹42.70 crore—a strong hold that signals excellent "repeat value" heading into the weekend. Why is Jana Nayagan considered a historic release in Tamil Cinema? Jana Nayagan marks the final cinematic appearance of Thalapathy Vijay, who currently serves as the Hon'ble Chief Minister of Tamil Nadu. It is the first time since M.G. Ramachandran that a sitting CM has had a film release, making it a once-in-a-generation cultural phenomenon.

BY CHRISTA LINCY

The Odyssey is currently dominating the global landscape with a performance that outpaces some of the biggest cinematic achievements in recent years. According to data shared by Venky Box Office, the domestic first-week total reached 199.3 million dollars, with a significant portion of that revenue coming from premium formats. The breakdown shows 86.5 million dollars from standard screens, 50 million from PLF and Standard 70MM, 44.5 million from Standard IMAX, 9.5 million from IMAX 70MM, and 8.5 million from Dolby Cinema. This intense demand for the high-end theatrical experience explains why the film saw a sharp 11.4 percent growth on its second Friday in India, collecting 6.85 crore net as word-of-mouth regarding its technical scale continues to draw audiences back to the theaters. The Odyssey - Week 1 India Net CollectionDAYNET COLLECTIONDay 1 (1st Friday)₹17.40 CrDay 2 (1st Saturday)₹22.00 CrDay 3 (1st Sunday)₹21.90 CrDay 4 (1st Monday)₹8.00 CrDay 5 (1st Tuesday)₹8.35 CrDay 6 (1st Wednesday)₹6.50 CrDay 7 (1st Thursday)₹6.15 CrTotal Week 1₹90.30 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The film started strong with an opening day of 17.40 crore net and peaked on its first Saturday with 22.00 crore. By the end of the first seven days, the total India net stood at 90.30 crore. What is particularly interesting is the language breakdown. The English version has been the primary driver, contributing 71.55 crore net, while the Hindi, Telugu, and Tamil versions follow with 11.10 crore, 4.80 crore, and 2.85 crore respectively. This indicates that the film is finding its strongest audience in urban English-speaking markets. When we dive into the day 8 chain-wise performance, the numbers show that premium multiplexes are doing most of the heavy lifting. PVR led the charts on Friday with a gross of 3.60 crore from 1,030 shows, maintaining a 27 percent occupancy rate. INOX followed with a 2 crore gross across 823 shows at 20.1 percent occupancy, while Cinepolis added 97 lakh from 450 shows. Across the country, the film was running on a total of 5,383 shows on its second Friday. This brings the cumulative India gross to 115.92 crore and the total India net to 97.15 crore, meaning it is just inches away from the 100 crore net milestone domestically. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the occupancy data for the English 2D version on day 8, there is a clear trend of audiences preferring evening and night shows. The overall occupancy was 20.47 percent, but while the morning shows started slow at 9.89 percent, the night shows jumped to 30.33 percent. Geographically, Bengaluru and Hyderabad remain the strongholds for the English version, recording 26.8 percent and 22.8 percent occupancy respectively. In Bengaluru, the night shows were particularly impressive at 43 percent. On the other hand, major northern regions like NCR and Mumbai saw more modest overall occupancy rates of 10.8 percent and 12.5 percent. The Hindi 2D version is seeing a tougher run compared to the English version. On day 8, the overall occupancy for the Hindi shows was 8.28 percent. Much like the English version, the night shows performed best at 10.75 percent, but the morning shows struggled at 4.42 percent. Regionally, NCR saw 9 percent occupancy, but markets in Gujarat like Ahmedabad and Surat were quite low, recording 5.8 percent and 3.5 percent occupancy respectively. It appears that while the urban centers are engaged, the film is yet to fully penetrate the mass Hindi circuits. (adsbygoogle = window.adsbygoogle || []).push({}) On the digital front, the ticket sales data from BookMyShow tells a story of consistent interest. After a strong first week where 1.36 million tickets were sold, the second Friday saw an additional 126.02K tickets booked. When you add the 340K plus tickets from pre-sales, the total ticket count on the platform stands at approximately 1.83 million. This volume of ticket sales is a good indicator that the film has a broad enough appeal to sustain its run through the second week. Looking at the global footprint, The Odyssey is operating at a scale that confirms its status as a massive Hollywood powerhouse. The film has already hit a monumental worldwide gross milestone of 4,000.00 crore. While the India gross has reached 115.92 crore, the international circuits have contributed 1,850.00 crore to the total tally. (adsbygoogle = window.adsbygoogle || []).push({}) Frequently Asked Questions: The Odyssey Box Office Records and Trends The Odyssey has officially cemented itself as a global cinematic force, shattering multiple records in its first eight days of release. From outperforming recent Oscar-winning blockbusters to dominating the premium theater formats in India, the film is redefining the scale of a Hollywood release in 2026. Here are the most searched questions regarding its phenomenal box office run. How does The Odyssey Week 1 collection compare to Oppenheimer? In a massive show of strength, The Odyssey has officially outperformed the opening week records of Christopher Nolan’s Oppenheimer. While Oppenheimer earned 230 million dollars in its first week, The Odyssey amassed a staggering 346 million dollars worldwide in the same period. This record-breaking performance highlights the immense global demand for this epic production. What is the India Net collection for The Odyssey after Day 8? As of its second Friday, the total India Net collection for The Odyssey stands at ₹97.15 crore. The film witnessed a surprising 11.4 percent growth on its eighth day, earning ₹6.85 crore net compared to ₹6.15 crore on Thursday. With this steady momentum, the film is expected to cross the prestigious ₹100 crore net milestone in India by the second Saturday afternoon. Which theater formats are driving the box office for The Odyssey? Data from trade experts like Venky Box Office shows that premium formats are the primary revenue drivers. In its domestic first week, the film earned 199.3 million dollars, with a massive chunk coming from Standard IMAX (44.5M), PLF/Standard 70MM (50M), and IMAX 70MM (9.5M). This trend is mirrored in India, where PVR and INOX led the second Friday performance with a combined gross of over ₹5.60 crore. What is the total worldwide gross of The Odyssey so far? The film has reached a monumental worldwide gross of ₹4,000.00 crore. This global total is supported by a significant overseas gross of ₹1,850.00 crore and a domestic India gross of ₹115.92 crore. The balance between international and domestic markets remains remarkably even, with the overseas share currently sitting at 46.25 percent. How many tickets has the film sold on BookMyShow in India? The audience interest in India remains exceptionally high, with a total of 1.83 million tickets sold on BookMyShow to date. This includes over 1.36 million tickets from the first week and an additional 126.02K tickets booked on the second Friday alone. The consistent digital booking trends suggest that the film will continue to have a long and successful run in the coming weeks.

BY SUNIT JANGIR

Mumbai, July 25 - Marvel Studios' Avengers: Doomsday has made a thunderous start online, becoming the second most-viewed movie trailer of all time in its first 24 hours. The highly anticipated MCU event film amassed a staggering 503 million views across all platforms within a day of its launch, underscoring the immense global excitement surrounding the film. (adsbygoogle = window.adsbygoogle || []).push({}) While the trailer fell short of the all-time record, it comfortably surpassed several previous benchmarks to secure the number 2 spot. The only movie trailer ahead of Avengers: Doomsday is Spider-Man: Brand New Day, which rewrote history earlier this year by collecting an unprecedented 718.6 million views in its first 24 hours. Before these two Marvel giants, Deadpool & Wolverine held the record with 365 million views, followed by Spider-Man: No Way Home with 355.5 million views. Avengers: Endgame, which once dominated online conversations, now rounds out the top five with 289 million views. (adsbygoogle = window.adsbygoogle || []).push({}) Five Most Viewed Movie Trailers Of All Time In The First 24 Hours S. No. Movie Studio Release Year 24-Hour Views 1 Spider-Man: Brand New Day Marvel Studios / Sony Pictures 2026 718.6 Million 2 Avengers: Doomsday Marvel Studios 2026 503 Million 3 Deadpool & Wolverine Marvel Studios 2024 365 Million 4 Spider-Man: No Way Home Marvel Studios / Sony Pictures 2021 355.5 Million 5 Avengers: Endgame Marvel Studios 2019 289 Million Avengers: Doomsday is one of Marvel Studios' most ambitious projects to date. Directed by Anthony and Joe Russo, the film features a massive ensemble cast that brings together the Avengers, Fantastic Four, Thunderbolts, Wakandans, and the X-Men. The cast includes Robert Downey Jr. as the iconic villain Doctor Doom, alongside Chris Hemsworth, Chris Evans, Anthony Mackie, Pedro Pascal, Vanessa Kirby, Paul Rudd, Florence Pugh, Sebastian Stan, Tom Hiddleston, Patrick Stewart, Ian McKellen, James Marsden, Simu Liu, along with others. The film is scheduled to hit theatres worldwide on December 18, 2026. Interestingly, if trailers from all forms of entertainment are taken into account, Rockstar Games' GTA VI Trailer sits between Avengers: Doomsday and Deadpool & Wolverine with an incredible 475 million views in its first 24 hours. Although it is a video game trailer rather than a film, its launch remains one of the biggest digital entertainment events ever. (adsbygoogle = window.adsbygoogle || []).push({}) Most Viewed Entertainment Trailers In The First 24 Hours (Including Video Games) S. No. Title Category Release Year 24-Hour Views 1 Spider-Man: Brand New Day Movie 2026 718.6 Million 2 Avengers: Doomsday Movie 2026 503 Million 3 Grand Theft Auto VI Trailer Video Game 2025 475 Million 4 Deadpool & Wolverine Movie 2024 365 Million 5 Spider-Man: No Way Home Movie 2021 355.5 Million

BY SUNIT JANGIR

Mumbai, July 25 - Salman Khan appears to have responded to the wave of trolling he faced on social media with a cryptic yet confident new post. The actor shared a couple of pictures from the gym on Saturday and captioned them, "Salman Khan darrrrr Gaya…. Hmmmm Joe darr gaya vo mar gaya." Fans are widely interpreting the post as a direct reply to those who accused him of being afraid after his recent comments on the NEET paper leak protests. The controversy began on July 22, when Salman Khan expressed support for students protesting against the government over the NEET paper leak. However, a day later, the superstar urged the students to end their protest and return home to their parents, saying they should have faith in the government and that strict action would be taken against those responsible. (adsbygoogle = window.adsbygoogle || []).push({}) While some appreciated his appeal, another section of social media users criticised the actor, claiming he had changed his stance out of fear of the government. The criticism quickly gained traction online, with many trolls questioning Salman's change in tone between the two posts. His latest gym post, however, appears to dismiss those claims. By writing, "Salman Khan darrrrr Gaya…. Hmmmm Joe darr gaya vo mar gaya," the actor seemingly mocked the narrative that he was scared, while projecting confidence through his workout photos. Although Salman Khan did not directly mention the controversy or the trolls, his latest post has already sparked fresh discussions across social media. (adsbygoogle = window.adsbygoogle || []).push({}) Salman Khan darrrrr Gaya…. Hmmmm Joe darr gaya vo mar gaya.. pic.twitter.com/CPTQpxWRsP— Salman Khan (@BeingSalmanKhan) July 24, 2026