BY SUNIT JANGIR

Mumbai, August 7 - The crossover no one knew they needed has officially become the biggest streaming phenomenon of the year. Sony Pictures Animation and Netflix’s Oscar-winning animated musical fantasy, KPop Demon Hunters, has not only dominated the global Top 10 charts across 93 countries, but it has also officially solidified its status as one of the most-watched original movies in Netflix history. Directed by Maggie Kang and Chris Appelhans, the film is a vibrant "love letter" to K-pop culture and Korean heritage. The plot follows HUNTR/X, a world-renowned K-pop girl group consisting of members Rumi (Arden Cho), Mira (May Hong), and Zoey (Ji-young Yoo). When they aren't selling out massive stadiums, the trio uses their musical abilities and secret identities as badass demon hunters to protect their fans from supernatural threats. (adsbygoogle = window.adsbygoogle || []).push({}) The stakes skyrocket when a rival boy band, the Saja Boys (led by Ahn Hyo-seop's character, Jinu), is revealed to be high-ranking demons in disguise planning a massive supernatural uprising. Why the Internet is Obsessed The Soundtrack - The film's explosive viral footprint is fueled by a massive, highly dedicated fandom. The film's flagship single, "Golden," made history by becoming the first-ever K-pop song to win a Grammy for Best Song Written for Visual Media, alongside taking home an Academy Award. Lore and Relationships - Viewers are flooding search engines with hyper-specific questions regarding character dynamics. The unresolved tension and viral query "Why didn't Rumi and Jinu kiss?" has sparked endless debate, fan fiction, and deep-dive TikTok analyses. The Aesthetic - Heavily influenced by live concert lighting, modern music videos, and Korean dramas, the film's neon-infused, highly stylised animation serves as a masterclass in visual storytelling. (adsbygoogle = window.adsbygoogle || []).push({}) What’s Next: Short Films and Sequel Details Because of the unprecedented viewership, Netflix and Sony have quickly locked down the future of the franchise. A K-Pop Demon Hunter Story, a 10-minute prequel exploring how the members of HUNTR/X first met and discovered their powers. KPop Demon Hunters 2, the sequel, has been planned for a 2029 debut, expanding the universe's mythology and diving heavily into the backstories of Mira and Zoey.

BY CHRISTA LINCY

DC is generating significant interest because it marks the acting debut of director Lokesh Kanagaraj. Moving from behind the camera to a lead role is a major shift, but early reports suggest he has handled the transition effectively. Playing the character of Das, Lokesh delivers a convincing performance that fits naturally into the raw and rustic setting created by director Arun Matheswaran. The story follows a familiar revenge template, centering on a fearless gangster fighting an unjust system alongside a woman whose faith in society has been shattered. While the plot might feel generic to some, the treatment is what sets it apart. Several reviewers have compared the intensity and grit of DC to acclaimed films like Visaranai and Vada Chennai. It is important to note that this is a clean 18+ rated film, featuring high-octane action and a significant amount of violence. For cinephiles who appreciate a trippy, violent ride with technical brilliance, the consensus is that the film is a worth-watch experience despite its heavy tone. (adsbygoogle = window.adsbygoogle || []).push({}) However, the unanimous winner across all reviews is Anirudh Ravichander. Multiple critics have labeled his background score as the biggest backbone of the film, with some even calling it his career-best work. His music elevates the drama, especially during major highlights like the interval block and the marriage hall fight scene. On the acting front, Wamiqa Gabbi has also received significant praise for a powerful and impactful performance, providing the emotional depth needed to balance the intense action sequences. The technical departments, including the cinematography and sound design, have been described as top-notch, giving the film a world-class feel. On the flip side, the film is not without its flaws. One recurring critique is the pacing, particularly in the first half which takes its time to establish the world and characters. Some reviewers mentioned that while the pre-interval and interval blocks are absolute freak shows, the second-half writing feels a bit convenient and repetitive in certain sections. There is a sentiment that the backstories and motives of the supporting gang could have been etched out more clearly. Because of its slow-burn narrative and intense gore, it might not be a traditional family entertainer, but rather a film intended for a section of the audience that enjoys gritty storytelling. (adsbygoogle = window.adsbygoogle || []).push({}) In summary, if you are planning to watch DC, expect a technically brilliant action drama that leans heavily on its atmospheric treatment and a god-mode score from Anirudh. Most ratings are currently hovering between 2.75 and 4 stars, suggesting that while the writing has some shortcomings, the theatrical experience remains strong. It is a bold experiment that pays off largely due to Lokesh Kanagaraj's screen presence and the directorial vision of Arun Matheswaran. If you are a fan of intense movie-making, this is one debut that is worth giving a try. #DC Decent Action Drama Despite Its Writing Flaws!Raw and grounded with a fairly engaging first half despite a regular, generic storyline. Film does feel slow in places, and the second half starts to get repetitive after a while. However, 4-5 blocks work really well across the…— Venky Reviews (@venkyreviews) August 7, 2026 #DC - A perfect film for cinephiles and intense movie lovers 👍Every frame in this movie speaks emotions with depth..!This is filmmaking at its finest from Arun Matheswaran and Lokesh Kanagaraj, we don't know that you are such a brilliant actor. Kudos 🫡Despite film facing…— Cinematica (@letsxCinematica) August 7, 2026 #DC - 4/5. One Of The Most Satisfying Films Of This Year. From Start To End, Film Is Completely Engaging. Good Debut By Lokesh. Award-Winning Performance By Wamiqa. Loved The Scenes Between Sanjana & Lokesh And Wamiqa & Lokesh.Easily Anirudh's Career Best Background Score.… pic.twitter.com/rpRobTLerY— Trendswood (@Trendswoodcom) August 7, 2026 #DC has been watched. This is @anirudhofficial at his best. It would be very very tough to top this work. Very tough. Really great music that wonderfully shoulders this compelling retelling of the Devadas lore.@ArunMatheswaran's most accessible, engaging, and entertaining… pic.twitter.com/nQHJUikXQl— Avinash Ramachandran (@Avinash_R13) August 7, 2026 #DC - 4 stars. Tamil cinema has its best film of the year. Hands down, @ArunMatheswaran’s best work and one that cements his position strongly as one of the most exciting and original filmmakers of our times. A moving, bloody violent story of revenge and redemption. A perfect fit…— Haricharan Pudipeddi (@pudiharicharan) August 7, 2026 #DC REVIEW – A Treat for Action Movie Fans.This one is an engaging action drama with several well executed moments. While the film starts at a slow pace, the pre-interval block and a few major action sequences are handled very well and leave a strong impression.The second…— Rangasthalam (@RangasthalamIN) August 7, 2026 . #DC Review :Solid Blockbuster Filled with Lokesh Delivers a Good performance 💥Anirudh BGM Peaks ❤️‍🔥🥁Wamica looks stunning 😍Action scenes and emotional sequences 🔥Overall a Blockbuster 👌🤞 https://t.co/BbRdHpA8qO pic.twitter.com/kvYlXCXZF6— Power OG2 🔥 (@attitudeboy200) August 7, 2026

BY CHRISTA LINCY

Maharashtra Chief Minister Devendra Fadnavis recently inaugurated Phase 1 of Prime Focus Studio at Dadasaheb Phalke Chitranagari in Mumbai, marking a major step in the state's journey toward becoming a global hub for creative technology. This launch is the result of an agreement signed a year ago at the WAVES Summit 2025, aimed at building a world-class media and entertainment ecosystem. During the visit, Fadnavis explored the facility's advancements in AI, VFX, and virtual production, which are designed to empower young talent and attract global investment into the Indian film industry. The visit became a major talking point when the minister was given a glimpse of the highly anticipated film Ramayana. After witnessing the cutting-edge technology being used for the project, Fadnavis shared a significant statement regarding its potential. He mentioned that he would be disappointed if a film of this scale, featuring Ranbir Kapoor, did not go on to win an Oscar. This remark reflects the high expectations surrounding the production's technical quality and its ability to represent Indian cultural heritage on a global stage. (adsbygoogle = window.adsbygoogle || []).push({}) Fadnavis emphasized that India's rich storytelling traditions, when paired with world-class tools, provide the perfect foundation for the nation to emerge as a powerhouse in the creative economy. The presence of Namit Malhotra, Global CEO of DNEG and Founder of Prime Focus, underscored the international standards being applied to the film. By leveraging these immersive technologies in Mumbai, the team is aiming to deliver a cinematic experience that meets the highest global benchmarks. Ramayana is the most ambitious project of Nitesh Tiwari. The film is being made in two parts. The first part – Ramayana: The Introduction – Part One will release on November 6, 2026, in Hindi, Tamil, Telugu, Malayalam, Kannada and English worldwide. The shooting of Ramayana 2 is yet to be completed by the makers. Ramayana has Ranbir Kapoor as Lord Rama, Yash as Ravana, Sai Pallavi as Sita, Sunny Deol as Hanuman and Ravi Dubey as Lakshman. The Nitesh Tiwari-directed film also has a powerful star cast like Arun Govil, Indira Krishnan, Lara Dutta, Kajal Aggarwal, Rakul Preet Singh, Vivek Oberoi, Shobana, Saurabh Sachdeva, Adinath Kothare and others in key roles.

BY CHRISTA LINCY

Christopher Nolan's latest epic, The Odyssey, is currently reaching milestones that place it among the most successful films in US box office history. In just 20 days, the movie has reached a domestic total of 422.5 million dollars. This performance has already pushed it past the lifetime runs of massive titles like Star Wars: Revenge of the Sith, Toy Story 3, and Jurassic World: Fallen Kingdom, making it the 44th highest-grossing film of all time in the United States. The mid-week numbers are particularly revealing about the film's long-term potential. On its third Wednesday, it earned 8.4 million dollars, representing a very slim 38.3 percent drop. To put this into perspective, Top Gun: Maverick, which was famous for its steady holds, saw a steeper 47 percent drop during the same period. This level of retention suggests that the movie is benefiting from significant word-of-mouth and repeat viewings, even while facing direct competition from the massive opening of Spider-Man: Brand New Day. (adsbygoogle = window.adsbygoogle || []).push({}) For R-rated cinema, these results are unprecedented. This Wednesday was the highest ever recorded for an R-rated film, comfortably beating the previous records held by Deadpool & Wolverine and Nolan's own Oppenheimer. It also stands as the best third Wednesday of Nolan's career, outperforming the mid-week holds of The Dark Knight and Inception. On the all-time charts for this specific day, it now ranks as the fifth-biggest third Wednesday overall, and the single biggest for any non-holiday release. The film is expected to break into the all-time domestic Top 40 by tonight, likely surpassing the lifetime totals of Captain Marvel and Zootopia 2. With 550 million dollars now considered a certainty for its North American run, the final domestic total is projected to land between 580 million and 600 million dollars. This would make it the third highest-grossing film of 2026 so far, proving that high-budget, adult-oriented dramas can still compete with the largest superhero franchises when handled by a filmmaker of Nolan's caliber. (adsbygoogle = window.adsbygoogle || []).push({}) Globally, the outlook remains just as strong. Having already surpassed the lifetime gross of Oppenheimer and reached the 1 billion dollar mark, the film is preparing for major upcoming openings in China and Japan. If the film maintains the steady holds seen in European markets like Italy, its final worldwide tally is expected to settle between 1.4 billion and 1.5 billion dollars. This performance confirms that The Odyssey is not just a hit, but a rare cinematic event that is sustaining its momentum well into its first month of release.

BY CHRISTA LINCY

Christopher Nolan has once again demonstrated his massive pull at the global box office as The Odyssey continues its record-breaking run. According to the latest tracking data, the film has officially surpassed the 975.8 million dollar run of Oppenheimer, making it the third-highest-grossing film in Nolan's illustrious career. With a current worldwide gross of ₹9,600.00 Cr, the epic is now the third-highest-grossing R-rated film of all time and is on the verge of joining the elite 1 Billion dollar club. This milestone is expected to be crossed within the next twenty-four hours as the movie expands further into major Asian markets like China and Japan. The international performance is particularly strong in Europe, specifically Italy, where the film is showing remarkable resilience. Despite the heavy competition from Spider-Man: Brand New Day, The Odyssey saw only a minor 20 percent drop in its fourth week in the Italian market. It is currently poised to surpass the 49.3 million dollar local run of Avatar: The Way of Water to become the fourth-highest-grossing Hollywood film in Italy in dollar terms. In North America, data from Venky Box Office indicates a total domestic cume of 414.5 million dollars, with a strong 9 million dollar Tuesday showing that the film still has plenty of legs in the US market. (adsbygoogle = window.adsbygoogle || []).push({}) In India, the film has maintained a very consistent trajectory, especially among the premium urban audience. The total India gross now stands at ₹189.21 Cr, with a net collection of ₹158.75 Cr across more than one lakh shows. The third week saw a total gross collection of approximately ₹27.78 Cr, driven largely by the English-speaking audience. The occupancy levels remained healthy throughout the week, starting at 46 percent on the third Friday and peaking at nearly 70 percent on Sunday before stabilizing around the 40 percent mark during the weekdays. The Odyssey - Week 3 Daily India Gross CollectionDayIndia Gross CollectionOccupancy (%)Day 15 (3rd Friday)₹ 3.72 Cr46.2%Day 16 (3rd Saturday)₹ 6.85 Cr67.4%Day 17 (3rd Sunday)₹ 6.67 Cr69.3%Day 18 (3rd Monday)₹ 2.36 Cr41.1%Day 19 (3rd Tuesday)₹ 2.87 Cr47.6%Day 20 (3rd Wednesday)₹ 2.77 Cr41.4%Day 21 (3rd Thursday)₹ 2.54 Cr40.9%Week 3 Total₹ 27.78 Cr50.6% (Avg) (adsbygoogle = window.adsbygoogle || []).push({}) Week 3 Language-wise Gross Breakdown in India: • English: ₹ 26.12 Cr • Hindi: ₹ 1.33 Cr • Tamil: ₹ 0.22 Cr • Telugu: ₹ 0.09 Cr Looking at the cumulative language performance, the English version remains the primary engine for the film's success in India, contributing over ₹170 Cr of the total gross. The Hindi version follows with a steady contribution of around ₹15 Cr, while the South Indian dubbed versions have provided a combined total of nearly ₹4 Cr. This distribution highlights that the film's core target audience continues to favor the original language version for a more authentic cinematic experience. (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales data further solidifies its position as the preferred alternative to major superhero releases. In national chains like PVR, INOX, and Cinepolis, the film sold over 2,80,000 tickets during its third week. On the most recent Thursday alone, these chains accounted for approximately 23,000 tickets, resulting in a gross of roughly ₹1.50 Cr. The average occupancy in these multiplexes remained impressive at around 13 percent, significantly higher than most other mid-run films. On BookMyShow, the film has now surpassed 2.77 million total ticket sales, with about 3.63 lakh tickets sold in the third week alone. As it enters its fourth week, The Odyssey is clearly on its way to cementing its status as one of the most successful R-rated dramas ever released in the Indian market.

BY SUNIT JANGIR

Mumbai, August 7 - Marvel Studios and Sony Pictures have another all-time blockbuster on their hands as Spider-Man: Brand New Day continues its sensational theatrical run. The Tom Holland-fronted superhero epic has officially registered the biggest first-week collection in North American box office history, surpassing the record previously held by Avengers: Endgame. After opening to unprecedented numbers, the film has maintained remarkable momentum through the weekdays, proving that audience demand remains exceptionally strong. (adsbygoogle = window.adsbygoogle || []).push({}) Following its record-breaking debut weekend with $360 million, Brand New Day showed extraordinary staying power by delivering historic weekday collections. The film crossed the $500 million mark in North America within its first seven days, becoming the fastest movie ever to achieve the milestone. In doing so, it eclipsed Avengers: Endgame, which reached the same benchmark in eight days. The success extends well beyond North America. The latest Spider-Man instalment has already generated more than $1.20 billion worldwide, making it the highest-grossing movie of 2026 worldwide already. International markets have contributed significantly to the film's historic run, while India has emerged as one of its strongest territories, where it has delivered the biggest first week for a non-Indian film with 400 crores gross. (adsbygoogle = window.adsbygoogle || []).push({}) With another weekend approaching, industry experts expect the film to continue its dominant run and remain the undisputed choice among moviegoers. Given its exceptional word-of-mouth and minimal weekday drops, Spider-Man: Brand New Day is expected to challenge several additional domestic and worldwide box office records over the coming weeks. If the current trend continues, the film is on course to finish its theatrical run among the biggest global hits in cinema history.

BY CHRISTA LINCY

Jana Nayagan has completed its second week at the box office, and the numbers tell a story of a strong regional performance coupled with significant challenges in the overseas market. As of the end of its fifteenth day, the film has achieved a worldwide gross collection of ₹308.67 Cr. The domestic market has been the primary driver, contributing an India gross of ₹215.87 Cr, while the overseas markets added ₹92.80 Cr to the tally. In terms of net earnings, the film has managed to pocket ₹185.15 Cr across a total of 114,846 shows tracked so far. The second week displayed a characteristic fluctuation in gross collections. Following a quieter second Friday with ₹4.12 Cr, the film saw a significant surge on Saturday, bringing in ₹9.05 Cr. This upward trend peaked on the second Sunday, which recorded a strong gross of ₹12.42 Cr. However, the typical weekday trend followed, with the second Monday seeing a drop to ₹4.43 Cr gross. By its fifteenth day, the daily gross settled at ₹1.84 Cr. Despite these mid-week variations, the film successfully crossed the ₹300 Cr worldwide gross milestone on its twelfth day, indicating a steady interest in the domestic market. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan Week 2 State-wise Gross Totals: • Tamil Nadu: ₹ 29.58 Cr • Karnataka: ₹ 2.02 Cr • Rest of India: ₹ 2.84 Cr • Kerala: ₹ 1.66 Cr • APTG: ₹ 0.44 Cr Looking at the cumulative totals, Tamil Nadu remains the standout performer with a total gross of ₹134.83 Cr, followed by Karnataka at ₹29.67 Cr. With additional contributions from the Rest of India and Kerala, the overall India gross for Jana Nayagan now stands at a solid ₹215.87 Cr. Jana Nayagan - Week 2 Daily India Gross CollectionDayIndia Gross CollectionDay 9 (2nd Friday)₹ 4.12 CrDay 10 (2nd Saturday)₹ 9.05 CrDay 11 (2nd Sunday)₹ 12.40 CrDay 12 (2nd Monday)₹ 4.45 CrDay 13 (2nd Tuesday)₹ 2.39 CrDay 14 (2nd Wednesday)₹ 2.29 CrDay 15 (3rd Thursday)₹ 1.84 CrWeek 2 Total₹ 36.54 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The format and language breakdown for the second week highlights the film's strong reliance on its home base. The Tamil 2D version saw a substantial volume of viewers, recording 1,976,779 tracked footfalls. When we look at the numbers without block seats, the figure stands at 1,308,542, indicating a high level of genuine individual interest even in its second week. In comparison, the Hindi 2D version had a much lighter footprint with 199,268 total footfalls and 127,024 without block seats. This disparity confirms that while the film has a loyal following in the North, the heavy lifting is being done by the Tamil-speaking audience. A closer look at the regional and language breakdown reveals that Tamil Nadu remains the absolute stronghold for the film. In the second week alone, the Tamil version contributed a gross of ₹33.21 Cr. In contrast, the Hindi and Telugu versions had a much smaller footprint, with Hindi grossing ₹2.98 Cr and Telugu managing just ₹0.35 Cr during the same period. State-wise data confirms this trend, with Tamil Nadu providing a massive ₹134.83 Cr of the total India gross, followed by Karnataka at ₹29.67 Cr and the Rest of India at ₹21.89 Cr. In terms of audience engagement, BookMyShow data shows that Jana Nayagan has sold approximately 4.20 million tickets by the end of its second week. This impressive performance secures the film the fifth spot on the list of all-time highest ticket sales on the platform (trailing behind Jailer [8.13M], Leo [6.89M], Coolie [5.95M], and The Goat [4.23M]). The interest was particularly high during the second weekend, which saw a total of 446,580 tickets sold between Friday and Sunday, with the peak coming on Saturday with 180,670 bookings. (adsbygoogle = window.adsbygoogle || []).push({}) The performance in national multiplex chains like PVR, INOX, and Cinepolis also remained steady, with more than 125,000 tickets sold across these chains throughout the week. On its fifteenth day, the movie recorded approximately 6,650 tickets sold in these chains, which translates to a gross of 8.75 Lakhs. Despite a higher show count for other major releases, Jana Nayagan maintained a healthy occupancy rate of about 9 percent across 300+ shows, showing that the core audience in regional markets is still turning up as the film enters its third week. While the domestic numbers are respectable, the overseas performance has been a different story. According to reporting from Venky Box Office, the film is heading for a disaster status in the North American market. The total gross in that region stands at just $1.56M, with a very low Tuesday collection of $8,000. For a film of this scale, the inability to crack the $2M mark in North America is a significant setback. Overall, the overseas gross has reached ₹92.80 Cr, showing that while the film has an audience abroad, it hasn't quite reached the heights expected of a top-tier South Indian production.

BY CHRISTA LINCY

Spider-Man: Brand New Day has arrived with the kind of momentum that defines a cinematic event. The buzz surrounding the film was evident long before the first show, and the actual numbers now confirm that it is connecting with audiences on a massive scale. This latest entry in the franchise is not just another blockbuster; it is currently the primary driver for theater occupancy across the country, showing a level of interest that has essentially taken over the box office landscape for the year 2026. The performance in India has been particularly robust, characterized by a very strong opening and steady hold. The film started its journey with a Day 1 net collection of ₹60.60 Cr, immediately setting the tone for the week. It saw a healthy growth over the first weekend, with Sunday hitting a peak net of ₹77.75 Cr. Even with a standard Monday drop, the film remained consistent throughout the weekdays, officially crossing the ₹300 Cr net milestone on its sixth day of release. By the end of its first eight days, the total India net collection stands at ₹334.70 Cr, while the gross collection has reached ₹400.21 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) Spider-Man: Brand New Day - India Day-wise PerformanceDayIndia Gross CollectionIndia Net CollectionMilestone StatusDay 1₹ 72.44 Cr₹ 60.60 CrCrossed 50Cr NetDay 2₹ 59.03 Cr₹ 49.35 CrCrossed 100Cr NetDay 3₹ 84.01 Cr₹ 70.25 CrCrossed 150Cr NetDay 4₹ 92.98 Cr₹ 77.75 CrCrossed 200Cr NetDay 5₹ 28.44 Cr₹ 23.80 CrMonday StabilityDay 6₹ 26.01 Cr₹ 21.75 CrCrossed 300Cr NetDay 7₹ 20.33 Cr₹ 17.00 CrSteady WeekdayDay 8₹ 16.98 Cr₹ 14.20 CrWeek 1 India Gross: ₹400.21 Cr A closer look at the format-wise breakdown shows that Indian fans have a massive preference for the immersive 3D experience. For the English version, 3D tracked footfalls reached 4,365,977 with 2,562,617 of those being without block seats. This is significantly higher than the English 2D version, which saw 909,693 footfalls and 536,701 without block seats. A similar trend was visible for the Hindi version, where 3D pulled in 3,087,284 fans with 2,147,296 without block seats, compared to 1,210,472 total and 819,909 without block seats for 2D. This data clearly indicates that audiences are willing to pay a premium for the 3D spectacle. (adsbygoogle = window.adsbygoogle || []).push({}) The overall ticket sales reflect this high demand across all platforms. BookMyShow has recorded nearly 7 million ticket sales so far, starting with a 2 million pre-sale cushion. National chains like PVR, INOX, and Cinepolis have been instrumental, accounting for over 3,150,000 tickets during the extended opening week. On Day 8, these chains sold approximately 93,000 tickets, resulting in a gross of ₹4 Cr from nearly 7,900 shows. While the occupancy has settled at around 6 percent on the second Thursday, the volume remains high enough to keep the film at the top of the charts. The global story is even more significant as the film continues to rewrite all-time records across every major territory. With an overseas gross of ₹7,600 Cr, the total worldwide collection has reached a staggering ₹12,500 Cr within its first week alone. In the race to the 1 Billion dollar mark, Spider-Man: Brand New Day achieved the feat in just 6 days. While it missed the top spot held by Avengers: Endgame, which reached the milestone in 5 days, it is now officially the second-fastest film in history to hit that global benchmark. (adsbygoogle = window.adsbygoogle || []).push({}) However, according to Venky Box Office, this new Spider-Man entry managed to beat Endgame in several key domestic categories in North America. It became the fastest film ever to gross 500 million dollars domestically, hitting that milestone in just 7 days compared to the 8 days it took for Endgame. Furthermore, it has officially claimed the title for the highest domestic opening weekend of all time, bringing in 360 million dollars and narrowly surpassing the 357.1 million dollar record previously held by the Avengers. These figures confirm that the film is operating on a scale that is rarely seen in the global film industry.

BY SACNILK TEAM

Here is the Malayalam movie Thudakkam box office collection which is a Adventure Thriller film. This film is directed by Jude Anthany Joseph and produced by . ## Thudakkam stars , Vismaya Mohanlal, Aashish Joe Antony, Mohanlal, Sai Kumar, Bobby Kurien, Jaffer Idukki, K. B. Ganesh Kumar, Ramesh Kottayam in key roles. ## Thudakkam Review ## Thudakkam Review: What Public Has To Say About This Movie ## Thudakkam Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Thudakkam Budget: ₹ 1 Cr * Approx ## Thudakkam Verdict: Coming Soon ## Thudakkam Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 7th August 2026 ## For more and the latest news about Mollywood Box Office Collection, Stay tuned to us.Thudakkam State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Friday]₹ 0.15 Cr₹ 0.03 Cr₹ 0.05 Cr₹ 2.5 Cr₹ 0.05 Cr₹ 2.78 CrTotal₹ 0.15 Cr₹ 0.03 Cr₹ 0.05 Cr₹ 2.5 Cr₹ 0.05 Cr₹ 2.78 Cr ##

BY SACNILK TEAM

Here is the Hindi movie Ohh My Dog box office collection which is a Adventure Drama film. This film is directed by Amit Rai and produced by . ## Ohh My Dog stars , Pankaj Tripathi, Shreedhar Dubey, Rajesh Kumar, Geeta Agrawal Sharma, Jitendra Joshi in key roles. ## Ohh My Dog Review ## Ohh My Dog Review: What Public Has To Say About This Movie ## Ohh My Dog Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Ohh My Dog Budget: ₹ 1 Cr * Approx ## Ohh My Dog Verdict: Coming Soon ## Ohh My Dog Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 7th August 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

BY SACNILK TEAM

Here is the Telugu movie Korean Kanakaraju box office collection which is a Comedy Horror film. This film is directed by Merlapaka Gandhi and produced by . ## Korean Kanakaraju stars , Varun Tej, Ritika Nayak, Satya Akkala in key roles. ## Korean Kanakaraju Review ## Korean Kanakaraju Review: What Public Has To Say About This Movie ## Korean Kanakaraju Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Korean Kanakaraju Budget: ₹ 1 Cr * Approx ## Korean Kanakaraju Verdict: Coming Soon ## Korean Kanakaraju Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 7th August 2026 ## For more and the latest news about Tollywood Box Office Collection, Stay tuned to us.Korean Kanakaraju State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Friday]₹ 0.43 Cr₹ 4 Cr₹ 0.05 Cr₹ 0 Cr₹ 0.02 Cr₹ 4.5 CrTotal₹ 0.43 Cr₹ 4 Cr₹ 0.05 Cr₹ 0 Cr₹ 0.02 Cr₹ 4.5 Cr ##

BY JITU JANGIR

There's said to be strong internal interest in eventually growing the Rumble into a full multi-night destination weekend, following the template WWE has already used successfully with WrestleMania and, more recently, SummerSlam. According to WrestleVotes Radio on Fightful Select, WWE gave serious consideration to expanding Royal Rumble 2027 into a two-night format. As things stand, though, the expectation within the company is that the show will remain a one-night event — though possibly for the final time, with significant interest internally in eventually turning the Royal Rumble into a multi-night destination event. WWE's multi-night experiment didn't begin by choice. The first two-night WrestleMania came in 2020, when the COVID-19 pandemic forced the company to pre-tape the show behind closed doors at the WWE Performance Center in Orlando, splitting the card across two broadcasts to help manage the workload with no live crowd involved. What started as a pandemic workaround became a permanent fixture once fans returned. WrestleMania 37 in Tampa kept the two-night format in 2021, and WrestleMania 38 the following year became the first two-night edition with a full live crowd both nights. From that point on, WrestleMania has stayed a two-night event every year. SummerSlam was the next show to get the treatment, going two nights for the first time in 2025 at MetLife Stadium in New Jersey. Triple H explained at the time that the goal was to replicate what had already worked for WrestleMania — turning the show into a destination weekend that fans could plan trips and vacations around, rather than just a single night on the calendar. The results for WWE have generally been strong on the business side. The two-night SummerSlam produced strong revenue and attendance figures, and internal reporting following the show pointed to real appetite within WWE/TKO for expanding the multi-night model to more events going forward. Fan reaction, however, has been more split. Supporters of the format point to shorter, more digestible nightly runtimes compared to the marathon single-night shows of the past — WrestleMania 35, for example, drew praise for its matches but criticism for a bloated seven-and-a-half-hour runtime that left both the crowd and viewers at home exhausted. Splitting events across two nights has generally solved that specific problem. On the other hand, a recurring criticism from fans is that spreading a card across two nights can dilute the sense of occasion, with some nights feeling front-loaded and others feeling like filler, and ticket prices for two-night stadium weekends adding up quickly for fans traveling in. There's also been debate over whether every show needs the format, or whether it risks making multi-night events feel less special the more frequently WWE uses it. Given that framework, a two-night Royal Rumble would be a significant step for WWE, potentially applying the format to one of the promotion's traditionally leanest, most efficient shows — built almost entirely around the 30-man and 30-woman Rumble matches themselves rather than a full card of title bouts. For now, it sounds like the company isn't ready to make that leap for 2027, but the door is clearly open for it to happen down the line as WWE continues to lean into the destination-weekend model that's paid off with its two biggest shows of the year.