Box Office

8 hrs ago

11.7K views

Raja Shivaji Day 1 Box Office: 11.35 Cr Net Total as Riteish Deshmukh Triples His Previous Opening Record

BY SACNILK

Raja Shivaji has started its box office journey with a strong performance, earning a net collection of 11.35 crore on its first day. The film was released across 6,192 shows, resulting in a total India gross of 13.51 crore. This opening is particularly interesting because it shows how a Marathi-led project is now finding a significant audience in the Hindi belt as well, with the Hindi version contributing 3.35 crore to the total net. Looking at the language-wise split, the Marathi version dominated the charts with a net collection of 8 crore. The Hindi version also contributed a solid 3.35 crore, showing that the subject matter has a broad appeal beyond Maharashtra. The film held a strong presence in theaters with 6,192 shows across the country, leading to a total India gross collection of 13.51 crore on its opening Friday. Raja Shivaji Day 1 Box Office SummaryCATEGORYCOLLECTION / DATAIndia Net Collection₹ 11.35 CrIndia Gross Collection₹ 13.51 CrMarathi Net₹ 8.00 CrHindi Net₹ 3.35 CrTotal Shows6,192 (adsbygoogle = window.adsbygoogle || []).push({}) The buzz surrounding the film was evident long before the first show started. The pre-sales data was highly encouraging, with 217.33K tickets sold before the release. On Friday alone, an additional 274.79K tickets were booked via BookMyShow, bringing the total to approximately 492.12K tickets for the opening day. In national chains like PVR, INOX, and Cinepolis, the film performed exceptionally well, grossing roughly 2.51 crore from around 81,866 tickets sold in these major multiplexes. Riteish Deshmukh has consistently raised the bar for Marathi cinema, but his latest outing with Raja Shivaji has taken things to a completely different level. When you look at his past track record, films like Mauli and Lai Bhaari were considered massive with opening day collections of 3.25 crore and 3.10 crore respectively. Even his 2022 hit, Ved, began its theatrical run with 2.25 crore. However, with Raja Shivaji raking in 8.00 crore in the Marathi version alone, it has comfortably emerged as the highest-ever opening for a Riteish Deshmukh film in this language. It is fascinating to see how the actor has managed to triple his previous best, proving that the scale of this historical epic has resonated deeply with the audience. Top 5 Marathi Movies - Day 1 Net CollectionMOVIE NAMEDAY 1 NET COLLECTIONRaja Shivaji (2026)₹ 8.00 CrVed (2022)₹ 2.25 CrNaach Ga Ghuma (2024)₹ 2.00 CrHar Har Mahadev (2022)₹ 2.00 CrDharmaveer (2022)₹ 2.00 Cr Overall, the data indicates a very healthy trend for the film. The combination of strong ticket sales in national chains and a massive lead in the Marathi home market has given Raja Shivaji the platform it needs to become a major success. The distribution of shows across 6,192 screens has ensured that the film is accessible to both regional and national audiences, which is reflected in the 11.35 crore total net.

Box Office

9 hrs ago

11.7K views

Dhurandhar 2 Day 44 Box Office: Total Net Hits 1,136 Cr as Historic South India Milestone Now Seems Impossible to Reach

BY SACNILK

Dhurandhar 2: The Revenge is now moving at a slower pace than usual as it continues its extended run at the box office. On its 44th day, the film collected a net of 1.05 crore in India. This is a minor 8.7 percent drop from the 1.15 crore it earned on the previous day, showing that even in its seventh week, there is still some residual interest among the audience despite the massive volume of new releases. A major factor impacting the numbers now is the significant reduction in screen space. For the first time in its run, the show count for Dhurandhar 2 has slipped below the 1,000 mark, with only 851 shows recorded on Friday. This crunch is driven by a massive influx of new releases like Raja Shivaji, Patriot, and KD The Devil 2. Additionally, existing holdovers like Bhooth Bangla and Michael are also competing for the same multiplex slots. By today, which is day 45, the situation is even tighter with show counts expected to drop below 500, a logical progression given the crowded market landscape. Despite the shrinking footprint, the film has reached some massive milestones in specific territories. It is currently inching closer to the 100 crore gross mark in the Telugu states, currently sitting at 99.50 crore. Its performance in Karnataka has been even more dominant, with the film grossing 150 crore in the state. Total India gross collections have reached a massive 1,359.83 crore, cementing its status as one of the biggest earners in history. Perhaps the most interesting data point is the performance in South India, where the total gross has now crossed 297 crore. This leaves the film just 3 crore away from the 300 crore milestone, a record that no other non-south movie has ever achieved in Indian cinema history. However, with show counts dropping so rapidly and the intense pressure from new releases, reaching that final 3 crore target now appears nearly impossible. Given the current market trajectory and the massive reduction in screen space, it seems the film will fall just short of securing this specific piece of box office history. (adsbygoogle = window.adsbygoogle || []).push({}) Take a look at the language-wise net collection breakdown across India: Hindi: ₹ 1,068.04 Cr Telugu: ₹ 42.89 Cr Tamil: ₹ 19.63 Cr Kannada: ₹ 3.81 Cr Malayalam: ₹ 1.77 Cr In the national multiplex chains, the seventh-week performance remains quite steady given the circumstances. On its 44th day, Dhurandhar 2: The Revenge managed to gross around 26 lakh from about 7,900 tickets sold across PVR, INOX, and Cinepolis. PVR led the chains with a gross of 15 lakh from 4,418 tickets, while INOX and Cinepolis contributed approximately 8 lakh and 3 lakh respectively. With an occupancy rate of 13 percent across 400 shows in these chains, the movie is still finding a niche audience even as the focus of major theaters shifts toward newer tentpole releases. On the digital front, BookMyShow recorded 27.09K ticket sales for this seventh Friday. The international market added another 0.25 crore on day 44, bringing the total overseas gross to 425.40 crore. When you combine the domestic and international figures, the worldwide total gross stands at 1,785.23 crore. It is a massive total for any Indian film, especially considering how the Hindi version alone accounts for over 1,068 crore of the total net collection. Dhurandhar 2: The Revenge Box Office SummaryCATEGORYCOLLECTION DATAIndia Net (Day 44)₹ 1.05 CrTotal India Net₹ 1,136.14 CrTotal India Gross₹ 1,359.83 CrWorldwide Gross Total₹ 1,785.23 CrOverseas Gross₹ 425.40 Cr

Box Office

10 hrs ago

5.9K views

Bhooth Bangla Day 15 Box Office: India Net Hits 132.65 Cr as it Surpasses the 3rd Friday Collection Records of URI and Kalki 2898 AD

BY SACNILK

Bhooth Bangla has shown a positive trend as it enters its third week at the box office. On day 15, which was its third Friday, the film collected a net of 4.50 crore. This represents a solid 28.6 percent growth compared to the 3.50 crore it earned on Thursday. This kind of upward movement on a Friday suggests that the film still has enough legs to draw in the weekend crowd even after two weeks in theaters. What makes these numbers even more impressive is the current state of the box office. With the major release of films like Raja Shivaji, Patriot, and The Devil Wears Prada 2 yesterday, the competition for screen space has become intense. This crowded market led to a sharp reduction in shows for Bhooth Bangla, which dropped from roughly 8,000 shows on Thursday to 4,807 shows on Friday.Managing a 28.6 percent growth while operating on nearly half the number of shows is a strong indicator of the film's resilience. It suggests that while total capacity decreased, the occupancy per show spiked as audiences continued to favor this two-week-old release despite the arrival other competitions. The total India net collection has now reached 132.65 crore. When you consider the reported budget of 120 crore, the film has officially moved past the recovery stage and is now comfortably in the profit zone. The total India gross collection stands at 157.55 crore so far, reflecting a very healthy run in the domestic market across its 4,807 shows on day 15. It is interesting to see where the film stands in historical terms. With its day 15 performance, Bhooth Bangla has secured the 18th spot on the list of highest third-Friday collections for Hindi movies. By achieving this, it has surpassed the third-Friday numbers of major blockbusters like Kalki 2898 AD, Bajrangi Bhaijaan, and URI: The Surgical Strike. This ranking is a clear indicator of the film's consistent holding power at the box office. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket sales on BookMyShow continue to stay active, with 89,070 tickets sold on the third Friday alone. This brings the total tickets sold on the platform to a massive 25.24 lakh. In the national multiplex chains, the movie saw steady footfalls, selling approximately 19,100 tickets and grossing about 60 lakh on day 15. While these are not opening-day levels, they are very respectable figures for a third-week run. The overseas performance has also been a key part of the film's success story. On day 15, it added 1.25 crore from international markets, taking the total overseas gross to 53.50 crore. The Gulf region has emerged as a standout territory, with the UAE alone contributing 1.07 million dollars (roughly 9 crore) over the 15-day period. Given that the UAE usually drives the bulk of the region’s business, the total GCC contribution is trending in the $1.5 million to $1.7 million range. This performance has played a major role in pushing the worldwide gross past the 211.05 crore mark. Looking at the trajectory, we can expect a significant jump over the rest of the third weekend. Saturday and Sunday are likely to see even better occupancy, which could potentially push the third-weekend net total toward the 16 to 18 crore range. If this trend continues, Bhooth Bangla is well on its way to finishing its third weekend with a net total near 140-145 crore, further increasing its profitability for the makers.

Hollywood

1 day ago

2.6K views

The Devil Wears Prada 2 Box Office: The Comedy Drama Matches Michael With 2 Crore Paid Previews In India

BY SACNILK

Mumbai, May 1 - The much-awaited sequel The Devil Wears Prada 2 has kicked off its India run on a promising note, delivering solid numbers from paid previews and signalling strong urban traction. According to estimates, the film has collected around 1.90-2 crore gross from paid previews across India. This puts it right on par with Michael, which had clocked around 2 crore gross in paid previews last week. The collections are heavily driven by metro cities like Mumbai, Delhi-NCR, and Bengaluru, with premium chains such as PVR INOX contributing a significant chunk of the business. (adsbygoogle = window.adsbygoogle || []).push({}) This trend highlights the film's appeal among urban audiences, typical for a stylish, dialogue-heavy comedy-drama rather than a mass-market spectacle. With positive momentum from previews, the film is now eyeing an opening day of 7-8 crore (including previews) in India. Hollywood films have been enjoying a good run in India in 2026, and The Devil Wears Prada 2 is well-positioned to continue that streak. The nostalgic value of the 2006 original, combined with the returning star cast led by Meryl Streep, Anne Hathaway, and Emily Blunt, is clearly working in its favour. If the film shows good growth over the weekend and maintains steady weekday holds, it could comfortably join the list of successful Hollywood releases in India this year.

Box Office

2 days ago

10.5K views

The Devil Wears Prada 2 Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK

Here is the English movie The Devil Wears Prada 2 box office collection, which is a comedy-drama film. This film is directed by David Frankel and produced by Wendy Finerman Productions and 20th Century Studios. ## The Devil Wears Prada 2 stars Meryl Streep, Anne Hathaway, Emily Blunt, Stanley Tucci, and Simone Ashley in key roles. ## The Devil Wears Prada 2 Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## The Devil Wears Prada 2 Budget: ₹ - Cr * Approx ## The Devil Wears Prada 2 Verdict: Coming Soon ## The Devil Wears Prada 2 Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 1st May 2026 ## For more and the latest news about Hollywood Box Office Collection, Stay tuned to us.

Kollywood

2 days ago

615 views

Kara Box Office: Dhanush Starrer Records Over 2.5 Lakh Advance Ticket Sales; Check Early Reviews

BY SACNILK

Kara has commenced its theatrical journey with a worldwide advance booking gross of over ₹4.00 crore. The film saw over 250,000 tickets sold across 5,450 shows in India before the first screening began. On its opening day, the advance occupancy stood at approximately 12 per cent on an all-India basis, though specific pockets like Chennai performed much stronger with 28 per cent occupancy. This sets a decent foundation for the Dhanush starrer as it enters the competitive weekend cycle. Early social media feedback for the film has been largely positive, with the narrative being described as a rooted and realistic heist thriller. Initial reactions highlight a slow-burn first half that prioritizes character-driven emotions before shifting into an intense heist zone. The pre-interval block and the overall technical presentation are being noted as major strengths, particularly the background score which helps maintain tension throughout the circumstantial plot developments. The general consensus points toward a confident cinematic outing that effectively balances its emotional core with engaging thriller elements. The narrative is being described as a slow-burn heist thriller that focuses on emotional depth before transitioning into an intense thriller zone. Reports from early shows suggest the first 15 minutes and the pre-interval block are the highlights, with GV Prakash’s background score acting as a major backbone for the film. Performances by Dhanush, KS Ravikumar, and Karunaas have been noted as standout elements, helping the film sustain interest despite a steady, slow-paced first half. From a box office perspective, the focus now remains on how the film converts the positive word-of-mouth into spot bookings. For a film of this genre, a jump in evening and night shows is essential to secure a strong Day 1 total. The current trend in Chennai suggests a solid urban hold, but the films final outcome will depend on its ability to draw audiences in the B and C centers over the next two days. If Kara manages to sustain these levels, it will be well on its way to a successful weekend run. (adsbygoogle = window.adsbygoogle || []).push({}) Check out the early reviews and social media reactions for Kara below. #Kara Interval : BANGER PRESENTATION 🔥Simple, Going Good 😊 What an insane presentation by director Vignesh Raja.Terrific with the way film handles the tension with the circumstantial happenings around the strongly built emotions 👍DHANUSH 🫡GV PRAKASH 🙌Well set &…— Venkatramanan (@VenkatRamanan_) April 30, 2026 இப்போது தான் “கர” பார்த்து முடித்தேன். சரியான சொற்களில் சொல்ல வேண்டுமென்றால் மிக சிறந்த திரை அனுபவத்தை, திரை சிலிர்ப்பை, திரை நெகிழ்வை , திரை சிந்தனையை, திரை விறுவிறுப்பை எனக்குள் தூண்டிவிட்ட ஒரு நம்பிக்கையான படமாக இருந்தது. நேற்று பார்த்து உலுக்கிய ஒடிசாவின் ஜித்து முண்டாவின்… pic.twitter.com/J0GiGkSvlG— Mari Selvaraj (@mari_selvaraj) April 29, 2026 #Kara 1st Half : Fantastic first half! An emotional slow burn heist thriller..@dhanushkraja at his acting best 🔥 #KSRavikumar best acting..@gvprakash fab work..Starts with a bang.. 1st Half ends with a thrilling episode..Both content + Mass! 👍A thrilling 2nd half…— Ramesh Bala (@rameshlaus) April 30, 2026 #Kara Interval: Rooted and realistic thriller from Vignesh Raja that starts off on a very good note, moves into an emotional space and then fires up for a superb interval block. The film takes up the heist angle as a core element and rations it with the intent of the lead… pic.twitter.com/y85lig2ddK— Siddarth Srinivas (@sidhuwrites) April 30, 2026 #KARA First Half Review 🍿 - An Intense Rural Heist Thriller with Superb Heist Portions (Intro & Interval)- Terrific Performance from #Dhanush..💥 Good Support by KSRavikumar and Karunaas..⭐- #GvPrakash elevates the emotional scenes well..🤝- Visuals were Really Good..👌-… pic.twitter.com/AnhWmvN2Tv— Laxmi Kanth (@iammoviebuff007) April 30, 2026 #Kara first half has more emotional scenes between #KsRaviKumar & @dhanushkraja combo, who have given excellent performances as usual. Then the story takes a U-turn to heist and ends up wirh an engaging interval sequence. Expecting an engaging thriller in the second half as…— Sathish Kumar M (@sathishmsk) April 30, 2026 #Kara FIRST HALF - starts slow, but picks up big after a major demise. The heist sequences are brilliant particularly the pre-interval block is where #VigneshRaja pulls you to the edge of your seat with grounded, believable twists. 🔥@gvprakash background backbone of the first… pic.twitter.com/F3nhuw8hIz— VJ Santhosh (@VJSanthosh02) April 30, 2026 #Kara 1st Half: Good 👍 Slow and steady with a strong emotional connect 👍#Dhanush performance 👏 Karunas x D Combo 😂😅First 15 mins 💥 Intermission block peaked 🔥 BGM vera level 💯Kanamma song 👌#GVPrakash BGM and songs are the soul ♥️— Sugumar Srinivasan (@Sugumar_Tweetz) April 30, 2026

Box Office

2 days ago

15.7K views

KD - The Devil Box Office Collection | All Language | Day Wise | Worldwide

BY SACNILK

Here is the Kannada movie KD - The Devil box office collection which is an action drama thriller film. This film is directed by Prem and produced by KVN Productions. ## KD - The Devil stars Dhruva Sarja, Sanjay Dutt, Shilpa Shetty, Reeshma Nanaiah, Jisshu Sengupta, and Ramesh Aravind in key roles. ## KD - The Devil Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Thursday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## KD - The Devil Budget: ₹ - Cr * Approx ## KD - The Devil Verdict: Coming Soon ## KD - The Devil Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 30th April 2026 ## For more and the latest news about Sandalwood Box Office Collection, Stay tuned to us.

Bollywood

2 days ago

847 views

Bookings For May 1 Still Closed? Here Is The Real Reason Behind The Massive Screen Sharing War

BY SACNILK

The cinema exhibition sector in India is currently facing a significant programming hurdle as bookings for the May 1 holiday weekend remain largely closed in several key locations. According to a report by Bollywood Hungama, exhibitors are finding it difficult to manage show-sharing arrangements due to a high volume of new releases and existing holdover films. This situation has led to a delay in opening advance ticket sales, even as the industry moves within the final 24-hour window before the scheduled releases. The impact is particularly visible in Mumbai, where several prominent theatres had not opened plans for May 1 as of April 30 morning. This list includes Regal, MovieTime Suburbia, PVR Le Reve, Roxy, Eros IMAX, Kasturba, and Nazrana. Notably, even Sterling, a three-screen multiplex, had yet to finalize its schedule. Other properties such as Devgn CineX in Mulund and Thane, Topiwala, MovieTime Malad, Tilak, and Rajhans Ghatkopar are also yet to open bookings in a full-fledged manner. The primary reason for this deadlock is the sheer number of titles across different languages. Exhibitors are currently tasked with allocating shows for Raja Shivaji (Hindi and Marathi), Ek Din (Hindi), The Devil Wears Prada 2 (English), Patriot (Malayalam), Kara (Tamil), Dhabkaaro (Gujarati), and KD - The Devil (Kannada). Sources within the exhibition sector describe the current scenario as an agni pariksha, as programming teams must balance the demands of multiple distributors in a diverse market like Mumbai while also maintaining shows for holdover hits Michael and Bhooth Bangla. The screen requirements for the weeks biggest release, Raja Shivaji, have added another layer of complexity. Its distributor, Jio Studios, has reportedly sought a wide release with specific demands. For single-screen cinemas, the studio has requested all shows. In multiplexes, the requirement includes 7 shows for 2-screen properties, 10 shows for 3-screen properties, and 14 shows for 4-screen halls. In cinemas with 5 screens or more, the demand stands at 16 shows daily, covering both Hindi and Marathi versions. Furthermore, there is a push to play the film in premium formats such as 4DX and EPIQ. (adsbygoogle = window.adsbygoogle || []).push({}) In addition to these demands, Patriot and KD - The Devil are also scheduled for Hindi dubbed releases. However, bookings for these versions have faced delays across the country, likely due to the ongoing negotiations over screen space. While the logistical issues persist, the overall outlook for the weekend remains positive from a commercial standpoint. The Devil Wears Prada 2 is showing better-than-expected advance interest, and films like Patriot and Kara are expected to perform well in their respective regional markets. Raja Shivaji is also anticipated to draw significant numbers in the Maharashtra belt once the scheduling issues are resolved. The challenge for programmers is not limited to new releases as holdover films like Michael and Bhooth Bangla are still maintaining a steady pace at the box office. These films continue to draw audiences, making it difficult for exhibitors to reduce their show counts to make room for the incoming titles. Since both movies have demonstrated consistent footfalls, theatre owners are reluctant to cut their screenings entirely, which further complicates the negotiations with distributors of the upcoming films. According to sources mentioned by Bollywood Hungama, the need to accommodate these performing holdovers alongside a crowded slate of new releases is a major reason why many cinemas have reached a standstill in their programming schedules.

Box Office

3 days ago

4.3K views

Dhurandhar Heading To Japan! Can Ranveer Singh's 1,300 Cr Blockbuster Push The Franchise To Unimaginable Global Limits?

BY SACNILK

The global trajectory of Aditya Dhar's Dhurandhar franchise is reaching a fever pitch. After a remarkable and record-shattering run at the global box office, it has been officially confirmed that the first part, Dhurandhar—which currently occupies the 5th spot on the all-time global charts with a lifetime collection of 1,307.35 crore—will release in Japan on July 10, 2026. While the second installment, Dhurandhar 2: The Revenge, has already cemented its status as the 3rd highest-grossing Indian film of all time with a worldwide total of 1,780.76 crore, this strategic move for the original chapter is designed to build a solid foundation in the territory, allowing the film to maximize its lifetime potential as it heads toward a massive new milestone. This development has sent the box office community into a frenzy as the franchise now holds two distinct spots in the top five highest-grossing Indian films of all time. Currently, Dhurandhar: The Revenge is on the verge of overtaking Baahubali 2: The Conclusion to officially claim the number two spot globally, a milestone it is expected to reach within a matter of days. Meanwhile, the first part of the saga occupies the 5th position with its current lifetime total of 1,307.35 crore. The upcoming Japan release for the first chapter opens a strategic window for it to climb even higher in the rankings. While Aamir Khan’s Dangal remains the ultimate target at the top with 2,070.30 crore, the massive potential of the Japanese market suggests that Dhurandhar could witness a significant late-career surge in its global journey. Top 10 Highest Grossing Indian Films in JapanRANKMOVIE NAMEJAPAN COLLECTION (YEN)1RRR¥ 2.42 Billion2Muthu¥ 405 Million3Baahubali 2: The Conclusion¥ 305 Million43 Idiots¥ 170 Million5English Vinglish¥ 160 Million6The Lunchbox¥ 150 Million7Saaho¥ 131 Million8Magadheera¥ 130.1 Million9Enthiran (Robot)¥ 109.6 Million10Pushpa 2: The Rule¥ 105 Million* (2 Weeks) (adsbygoogle = window.adsbygoogle || []).push({}) It’s time for Japan to experience the Dhurandhar energy! ⚔️🔥Arriving in theatres across Japan on 10.7.2026.@RanveerOfficial #AkshayeKhanna @duttsanjay @ActorMadhavan @rampalarjun #SaraArjun @bolbedibol @AdityaDharFilms #JyotiDeshpande @LokeshDharB62 @jiostudios @B62Studios… pic.twitter.com/Hju88Qoi5m— Jio Studios (@jiostudios) April 29, 2026 The historical performance of Indian films in Japan reveals a diverse palate. While SS Rajamouli's films like Magadheera capitalized on the later Baahubali fever to prove that his brand is a bankable genre, Prabhas himself established a loyal following with Saaho, which held the record for the biggest opening day before RRR. Even sci-fi entries like Enthiran were specifically edited to be more fast-paced for the Japanese audience, focusing heavily on the action and Rajinikanth's iconic robotic mannerisms. This level of customization shows the effort producers put into capturing this unique market, and Dhurandhar is expected to receive similar localized attention. The Japanese market has a history of turning Indian blockbusters into legends. RRR remains the absolute benchmark, being the only Indian film to breach the ¥2 billion milestone. Its success proved that when the Japanese audience connects with the spectacle and emotion of an Indian film, the theatrical run can last for over 500 days. Even recent releases like Pushpa 2: The Rule have shown record-breaking speed, entering the all-time Top 10 in just 14 days. For the Dhurandhar franchise, the strategy is calculated: release Part 1 to introduce the characters and world-building, and then strike while the iron is hot to capitalize on the built-up hype. (adsbygoogle = window.adsbygoogle || []).push({}) The cultural appetite in Japan for larger-than-life Indian cinema has evolved significantly. From the Rajinikanth-mania sparked by Muthu in the 90s to the vocal screenings popularized by Baahubali 2, the audience there treats these films as a celebration. Content-driven successes like 3 Idiots and English Vinglish have also proven that emotional depth resonates just as much as high-octane action. Other notable films that have enjoyed cult status in Japan include: Bajrangi Bhaijaan (2015) Padman (2018) Dhoom 3 (2013) Rangasthalam (2018) KGF: Chapter 1 & 2 Secret Superstar (2017) Hindi Medium (2017) PK (2014) Om Shanti Om (2007) Ra.One (2011) The potential collection from Japan for the first part of Dhurandhar is set to be a strategic addition to its already storied global run. While the gap to the next tier of all-time blockbusters is substantial, the additional gross from this release allows Part 1 to effectively consolidate its individual lifetime total and maximize its reach in an elite market. More than just a chase for individual rankings, this international expansion serves to strengthen the collective weight of the entire franchise. By adding another layer of revenue to the first installment, the saga pushes its combined total to heights rarely seen in Indian cinema, further distancing itself from other major series. This tactical push ensures that the Ranveer Singh-Aditya Dhar collaboration continues to grow its global footprint, solidifying a legacy that stands as a benchmark for franchise-building in the modern era.

Advance Booking

3 days ago

25.8K views

Raja Shivaji 1st Day Advance Booking: 42,000+ Tickets Sold Already; Why The Hindi Version Is Shorter Than The Marathi One?

BY SACNILK

Riteish Deshmukh's much-anticipated historical epic Raja Shivaji is generating significant momentum ahead of its May 1 release. The film has recorded a healthy response in its advance booking phase, crossing the 1.1 crore mark in all-India gross collections without block seats. When including block seats, the total first-day advance booking stands at 1.55 crore. With over 42,700 tickets already sold across 1,105 shows, the film is poised for a strong start, particularly in its home territory of Maharashtra. Beyond the booking numbers, an interesting development regarding the film's runtime has surfaced. As exclusively reported by Bollywood Hungama, Raja Shivaji will be released with two different runtimes for its Marathi and Hindi versions. While it is standard practice for multi-language releases to maintain the same length, this film serves as an exception. The Marathi version has a runtime of 195.05 minutes, which translates to 3 hours 15 minutes and 5 seconds. In contrast, the Hindi version is shorter by exactly 8 minutes, clocking in at 187.05 minutes or 3 hours 7 minutes and 5 seconds.This strategic difference in pacing was also reflected in the film's promotional material; while the Marathi trailer runs for 3 minutes and 5 seconds, the Hindi trailer was kept slightly shorter at 2 minutes and 59 seconds. The Hindi version of the film was cleared by the Central Board of Film Certification (CBFC) with a U/A 16+ certificate on April 28. While no major cuts were requested, the CBFC's only suggestion was that the names of chapters, dates, events, and locations be specifically mentioned in Hindi for that version.This runtime experiment is reportedly a strategic move by Riteish Deshmukh. According to industry insiders, the director wanted to keep the narrative crisper for the national audience, while retaining a more detailed and local flavor for the Marathi audience who are naturally more connected to the historical context. (adsbygoogle = window.adsbygoogle || []).push({}) The language-wise breakdown of the advance booking reflects the film's strong regional pull, though the Hindi version is also carving out its space. Here is a look at the current 1st-day advance booking status: Marathi (2D): 1.05 Cr Gross | 40,070 Tickets Sold | 992 Shows Hindi (2D): 4.50 Lakh Gross | 2,667 Tickets Sold | 113 Shows All India Total (Gross): 1.10 Cr (1.55 Cr with block seats) Total Tickets Sold: 42,737 Marathi (2D): ATP 226 Hindi (2D): ATP 182 The trend was also visible in the promotional material, as the Marathi trailer was slightly longer than the Hindi one. The film features a massive ensemble cast including Genelia Deshmukh, Sanjay Dutt, Abhishek Bachchan, Vidya Balan, and Fardeen Khan. Produced by Mumbai Film Company and Jio Studios, Raja Shivaji is one of the most ambitious Marathi productions to date. This star power, combined with the historical significance of Chhatrapati Shivaji Maharaj, has led to a surge in demand across key cities. Pune has emerged as the strongest performing center, leading the bookings with several theaters introducing 7:00 AM shows to accommodate the audience. Mumbai is also seeing steady growth in ticket sales. Among the national multiplex chains, the performance has been encouraging with PVR Inox leading the Marathi version sales at 10,000 tickets. Miraj Cinemas has followed with 4,500 tickets, while Cinepolis and MovieMax have sold 3,000 and 2,500 tickets respectively. With a total of 1,105 shows scheduled across India, Raja Shivaji is looking to set new benchmarks for Marathi cinema at the box office.

Advance Booking

3 days ago

901 views

Drishyam 3 UK Advance Booking Opens 4 Weeks Early; Official Teaser Date Inside

BY SACNILK

Advance bookings for Mohanlal's Drishyam 3 are set to open in the UK today, marking an early start four weeks before the film's official theatrical release. Industry tracker AB George reported that RFT Films and the Cineworld chain are initiating this window, which is an unusually long lead time for an Indian film in the international market. Adding to the momentum, Mohanlal has officially announced that the first teaser of the film will be released tomorrow, April 29, 2026, at 5 PM IST. The UK market has played a pivotal role in the global journey of this franchise, dating back to 2013 when the first Drishyam became the first Malayalam film to gross over ₹1 crore in the territory. While the 2021 sequel opted for a direct-to-digital release during the pandemic, Drishyam 3 marks the first major theatrical return for the series in over a decade. The landscape for Malayalam cinema in the UK has evolved significantly during this gap, with recent hits like Vaazha 2 and L2: Empuraan expanding the reach of regional content. Due to strong brand loyalty, the franchise is often viewed as a family event in the region, successfully drawing in non-Malayali audiences through subtitled screenings. With an expanded theater network now available, the third installment is positioned to potentially become the highest-grossing Malayalam thriller in the history of the UK box office. This high-stakes global rollout is supported by a significant financial partnership established earlier this year. PEN Studios has committed an investment of ₹100 crore into Aashirvad Cinemas through Panorama Studios specifically for the production of the Malayalam original. This strategic collaboration between the major production houses ensures that the third installment is mounted on a massive scale, matching the worldwide demand and brand value that the Drishyam franchise has built over the years. The project was initially scheduled for an April 2 release but was postponed due to geopolitical tensions in the Middle East. As the GCC market is a vital territory for Malayalam cinema, the makers opted for a strategic delay to ensure an optimal release window. It is now confirmed that the Malayalam version will arrive in theaters first, dismissing earlier reports of a simultaneous rollout with other versions to safeguard the film's narrative twists. Furthermore, the Hindi remake featuring Ajay Devgn is already set for an October 2, 2026, release, aligning with the Gandhi Jayanti holiday. (adsbygoogle = window.adsbygoogle || []).push({}) The decision by UK distributors to open bookings a month in advance highlights the massive brand equity of the Drishyam franchise. By providing a longer booking window, the team intends to capitalize on the popularity of the Georgekutty character to secure a strong opening weekend in Europe. While the original version leads the way, the Hindi remake featuring Ajay Devgn is already locked for a Gandhi Jayanti release on October 2, 2026, ensuring the franchise remains a topic of discussion throughout the year. The speed at which a film reaches the ₹1 Crore pre-sales milestone has become a major benchmark for tracking superstar-led projects in Kerala. Currently, Empuraan holds the record for the fastest film to hit this mark, followed by Leo and the multi-starrer BhaBhaBa. The Mammootty-Mohanlal starrer Patriot also features prominently in this list of top openers, alongside the highly anticipated Coolie. With Drishyam 3 preparing for its domestic rollout, industry eyes are on whether the Mohanlal-Jeethu Joseph collaboration can challenge the top spot currently occupied by Empuraan and set a new standard for pre-release momentum in the state. Drishyam 3 is positioned as a prestigious project intended to conclude the legendary thriller saga. The early booking rollout in the UK serves as a strategic move to establish a record-breaking global footprint, with similar early windows expected in North America and the Gulf. As one of the most anticipated sequels in Indian cinema, the film is expected to be a major high-priority title for the Mollywood box office, aiming to set new benchmarks for regional cinema on the international stage.

Bollywood

4 days ago

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Aditya Dhar To Begin His Next In March 2027; May Reunite With Ranveer Singh

BY SACNILK

Mumbai, April 28 - After the massive success of the Dhurandhar franchise, director Aditya Dhar is gearing up for his next ambitious project. The filmmaker is planning to take his next film on the floors in March 2027, and the script work has already begun. According to the report by Pinkvilla, Dhar has cracked a fresh idea and is currently developing the script, aiming to deliver yet another large-scale cinematic experience. While the genre and storyline are being kept tightly under wraps, the project is expected to match the scale and intensity of his previous successes. Recently, it was reported that Dhar was working on a mythological and a sports film as his next, and his next could be one of these two. Ranveer Singh is the frontrunner to headline the film, and the conversation with him has already commenced. The paperwork, however, is yet to be done. (adsbygoogle = window.adsbygoogle || []).push({}) The actor-director duo has just delivered massive box office hits with the Dhurandhar series, making their potential reunion one of the most exciting prospects in Bollywood right now. The final decision will reportedly be taken once the script is fully ready, and discussions are expected to move forward in the coming months. Aditya Dhar's recent work has set a new benchmark at the box office, with Dhurandhar and its sequel emerging among the biggest Hindi film successes of all time. This has naturally raised expectations for his next venture, which is already being seen as one of the most anticipated films of the coming years. If the reunion with Ranveer Singh materialises, the project could turn into another high-octane spectacle, continuing their successful collaboration streak.