BY CHRISTA LINCY

The Tamil film industry, once the pioneer of the Pan-India wave, is currently facing a series of structural challenges. As 2025 draws to a close and the 2026 festival season kicks off with the postponement of Jana Nayagan, industry analysts are pointing toward a deeper crisis involving rising costs, shifting audience habits, and a massive power vacuum in the making. Thalapathy Vijay's transition into full-time politics following the release of Jana Nayagan is the most significant economic blow to the industry in recent years.According to theatre owners, Vijay's retirement is expected to result in a potential yearly loss of ₹10-20 Lakhs in revenue, a figure that sustains many small-scale exhibitors through leaner months. Vijay has been the primary driver for theater occupancy in Tamil Nadu, particularly in B and C centers, where his films consistently guaranteed footfalls regardless of critical reception. With his departure, exhibitors—who are already struggling with a lack of consistent hits in 2025—fear a permanent decline in the mass movie culture that has sustained single screens for decades. The digital and satellite marketplace is currently undergoing a significant bubble burst,marking a sharp correction in how Southern content is valued. Recent reports suggest that major OTT players have slashed their acquisition prices by 40% to 50% compared to 2024 levels. This shift reflects a move away from the aggressive, high-value bidding wars that characterized the post-pandemic era, as streaming platforms now prioritize sustainable returns over mere library expansion. (adsbygoogle = window.adsbygoogle || []).push({})   This market correction has created a growing disparity between skyrocketing star salaries and the actual return on investment (ROI). While top-tier stars like Vijay, Ajith Kumar, and Rajinikanth continue to command remunerations between ₹150 crore and ₹250 crore, OTT buyers are no longer willing to pay inflated premiums. Platforms are increasingly demanding guaranteed Pan-India performance and proven theatrical footfalls before committing to high-value digital rights. Compounding these financial pressures is a deepening conflict between exhibitors and producers over the theatrical release window. Theater owners are advocating for a strict eight-week exclusive theatrical window starting in 2026 to protect the revenue of single screens and B&C centers. This demand has created significant friction with streaming partners, who typically favor a four-week window to capitalize on digital marketing momentum, further complicating the revenue models for upcoming big-budget releases. The postponement of Jana Nayagan—reportedly due to censor issues is a symptom of an industry in transition. As Kollywood prepares for a post-Vijay era, the focus is shifting toward content over stardom and Pan-India collaboration to survive the ongoing financial correction.

BY CHRISTA LINCY

The Indian Motion Picture Producers’ Association (IMPPA) has officially reached out to Prime Minister Narendra Modi, seeking his immediate intervention to lift the ban on the blockbuster spy thriller Dhurandhar across six Gulf nations. In a formal letter dated January 7, 2026, the producers' body termed the ban a suppression of the freedom of expression, especially since the film has already been cleared by India’s Central Board of Film Certification (CBFC) and has emerged as a historic success. The appeal follows reports that authorities in the UAE, Bahrain, Kuwait, Qatar, Oman, and Saudi Arabia have restricted the film's release.The ban is reportedly due to the film's sensitive geopolitical plot, which follows Indian covert intelligence operations set against the backdrop of real-life terror events such as the 26/11 Mumbai attacks and the IC-814 hijacking. Despite its massive global popularity, Gulf censors have allegedly flagged the content as having anti-Pakistan messaging, a claim the filmmakers and IMPPA have moved to challenge through diplomatic channels. Massive Financial Setback: ₹90 Crore Lost. Directed by Uri fame Aditya Dhar and starring Ranveer Singh, Dhurandhar has emerged as an All Time Blockbuster, recently entering the elite ₹1,200 crore club worldwide. While it is currently nearing the all-time Hindi net record set by Pushpa 2: The Rule, the film has already cemented its place as one of the biggest Indian grossers in history. As per the latest reports, the film has amassed a Worldwide gross of ₹1228 Cr, with an India Net of ₹786 Cr, India Gross of ₹943 Cr, and Overseas collections reaching ₹285 Cr. (adsbygoogle = window.adsbygoogle || []).push({})   However, despite these historic numbers, the lack of a Middle Eastern release—a traditional stronghold for Indian action films—has caused a significant financial dent.Overseas distributor Pranab Kapadia estimated that the ban across six Gulf countries has resulted in a loss of nearly $10 million (approx. ₹90 crore) from that market alone. IMPPA President Abhay Sinha emphasized in the letter to the Prime Minister that these are India-friendly countries with whom India shares robust economic and cultural ties, making the unilateral ban even more unexpected. The letter, which was also copied to Minister of External Affairs S. Jaishankar and I&B Minister Ashwini Vaishnaw, urges the Government of India to engage with the respective authorities to ensure that artistic freedom is respected. Dhurandhar features an ensemble cast including Akshaye Khanna, Sanjay Dutt, R. Madhavan, and Arjun Rampal, portraying a high-octane operation set in Karachi's Lyari area. As the film continues its record-breaking run in North America and India, the industry remains hopeful that government-level dialogue will allow the millions of Indian expats in the Middle East to finally watch the film on the big screen.

BY SUNIT JANGIR

Hyderabad, January 8 - One of the biggest box office clashes of the year, Ranveer Singh's Dhurandhar 2 and Yash-fronted Toxic have already started intensifying, with over two months still left for their release, which is on March 19. And the victim of this clash is Pan-India superstar Prabhas-fronted The Raja Saab. The romantic horror-comedy, directed by Maruthi, is scheduled to hit the big screens tomorrow, January 9, but the full-fledged advance booking in Hindi, especially in national chains, is yet open. As of now, only the single-screen cinemas and independent and smaller chains have begun booking for The Raja Saab. Anil Thadani-backed AA Films is distributing The Raja Saab in Hindi, and according to the report by Bollywood Hungama, the distributors are asking the national chains to give considerable shows to Toxic, which will be distributed by the same distribution house. Only then will these cinemas get to play the Prabhas-starrer. (adsbygoogle = window.adsbygoogle || []).push({}) The report further stated that the theatre chains haven't agreed to the demand as Toxic clashes with Dhurandhar 2 on March 19. The theatres have earned a huge amount of moolah because of Dhurandhar's first part, which is still running in cinemas. It's a given that Dhurandhar 2 will have an earth-shattering opening. The theatre chains are also aware of the fact that Toxic is also a big film and is expected to do very well in Hindi. But they don't want to make any deal at this point for the film, and especially do not want to short-change Dhurandhar 2. This is where the matter regarding the Raja Saab booking has been stuck. Meanwhile, The Raja Saab has paid premieres today, January 8, from 9:00 pm onwards, and the bookings for the same are robust in Andhra Pradesh, while Telangana pre-sales will start after the government order regarding the ticket price hikes. The film's worldwide pre-sales for the opening day have crossed 30 crores and are headed to finish around 40 crores before the premiere shows start. Stay tuned...

BY CHRISTA LINCY

Prabhas has consistently led high-budget films that command significant attention from the trade, even when commercial results have been mixed. Following the Baahubali franchise, his subsequent projects have often opened to large numbers despite failing to meet long-term recovery targets for distributors. For instance, the 2019 film Saaho grossed over ₹424 crore worldwide but was declared an average performer overall because its earnings did not reach the high threshold required for a hit verdict. Similarly, Radhe Shyam in 2022 saw a worldwide gross of approximately ₹214 crore, which was insufficient to cover its production costs, resulting in a significant theatrical loss. The momentum reached new heights with Adipurush, which, despite controversy, witnessed a thunderous domestic opening of ₹86.75 crore net on its first day, bolstered by an advance booking gross of ₹26.39 crore. This trend of massive pre-sales peaked with the 2024 sci-fi epic Kalki 2898 AD. Made on a staggering budget of ₹600 crore, Kalki became a global phenomenon, grossing over ₹1,000 crore worldwide and recording a massive ₹61.8 crore in Day 1 advance bookings with block seats. These figures cement Prabhas as a unique force capable of drawing audiences in record numbers across diverse languages and formats. (adsbygoogle = window.adsbygoogle || []).push({})   Prabhas Movies Day 1 Advance Booking Comparison (India Gross)Movie TitleRelease YearAdvance Booking Gross (Day 1)Tickets Sold (Approx.)Kalki 2898 AD2024₹ 55+ Cr2,093,904Salaar: Part 1 – Ceasefire2023₹ 48.94 Cr2,238,346Adipurush2023₹ 26.39 Cr1,074,247Radhe Shyam2022₹ 23.00 Cr1,100,000The Raja Saab2026₹ 8.62 Cr* (with block seats)164,264Note: Excluding paid premieres Looking at the current trajectory for his upcoming horror-comedy, The Raja Saab, the domestic advance booking gross currently stands at ₹8.62 crore. However, this figure is not directly comparable to his previous outings because bookings in the crucial Telangana market—his primary stronghold—opened significantly late due to legal deliberations regarding ticket price hikes. In contrast, the international response has been explosive; the film has already amassed approximately $1.7 million (₹15.3 crore) in overseas pre-sales. Notably, it has crossed the $1 million mark in North America alone, marking the third consecutive film for Prabhas to achieve this milestone in that region. The prospects for The Raja Saab have received an additional, massive boost following the sudden postponement of Thalapathy Vijay's Jana Nayagan. This shift in the Sankranti release calendar has allowed exhibitors to redirect hundreds of extra shows and prime screens to Prabhas's film, particularly in overseas markets like the UK and Malaysia. While domestic pre-sales are currently catching up following the regional booking delays, the steady international demand and the reduced competition suggest that The Raja Saab is set for a solid start at the box office this festive season.

BY CHRISTA LINCY

Thalapathy Vijay's Jana Nayagan has been officially postponed from its January 9 release date due to a delay in obtaining the Indian censor certificate. This late-stage rescheduling has triggered the largest refund process in Indian film history. While international markets have already cleared the film, the domestic deadlock has prompted widespread support from the film fraternity and shifted the box office focus toward other festive releases like Prabhas's The Raja Saab. According to industry trackers and ticketing platforms, BookMyShow has begun the monumental task of refunding over 450,000 tickets. This marks the first time a film of this magnitude has had to cancel and repay such a massive volume of pre-booked seats simultaneously. While the film has already been cleared for release in 25 countries internationally, the pending status of the censor certificate in India has made a Pongal release legally impossible. Trade analysts suggest that the earliest the film could now hit screens is January 22nd or 23rd, 2026. The sudden delay of Jana Nayagan has brought the film fraternity together to back Vijay during this crisis. Actor Ravi Mohan (Jayam Ravi) expressed his support on X, stating that Vijay himself is the opening and the festive season essentially begins whenever he arrives on screen. He emphasized that he stands with the star as one among millions of supporters, regardless of the change in schedule. (adsbygoogle = window.adsbygoogle || []).push({})   Director Karthik Subbaraj criticized the current regulatory environment, noting that the required three-month lead time for censor completion is unrealistic for big-budget films finishing post-production. He warned that these rigid timelines are killing cinema, citing that other major releases like Parasakthi are already experiencing similar booking disruptions. Meanwhile, Sibi Sathyaraj offered a more hopeful perspective, encouraging fans to remain patient and viewing these administrative challenges as the buildup to a massive eventual success. The exit of Jana Nayagan from the Pongal race has significantly altered the theatrical landscape. As reported earlier, Prabhas's The Raja Saab is the immediate beneficiary, with theaters across Tamil Nadu and overseas shifting prime shows and extra screens to the horror-comedy to accommodate the holiday crowd. For Vijay fans, the wait for the People's Leader continues. While the financial hit from refunds is historic, the surging emotional support from the industry suggests that when Jana Nayagan finally arrives, it may witness an opening unlike any seen before.

BY SUNIT JANGIR

Hyderabad, January 8 - The recently released first look poster of Pan India superstar Prabhas-fronted Spirit took the social media by storm, and started a conversation online. Directed by Sandeep Reddy Vanga, the poster perfectly aligned with the director's raw and unapologetic style of filmmaking. The poster is raw, intimate, and visually arresting. It features Prabhas in a rugged, wounded avatar, his back bearing visible scars and bandages, while Tripti Dimri, who plays the female lead, stands close, lighting his cigarette. The imagery suggests vulnerability, intensity, and emotional complexity, hallmarks of Sandeep Reddy Vanga's storytelling. Rather than a conventional heroic pose, the poster opts for realism and psychological depth. (adsbygoogle = window.adsbygoogle || []).push({}) During a recent video interaction while discussing his upcoming film, The Raja Saab, Prabhas spoke with director Sandeep Reddy Vanga. The actor asked Vanga where the idea for the poster originated. In response, the filmmaker shared that he was initially in a dilemma about how to present the star in Spirit, as Prabhas is such a massive star and didn't want to disappoint his fans. Unsure of which version would best capture the character's intensity, Vanga finally chose a moment directly from one of the film's scenes, resulting in the now iconic first look. Prabhas admitted that he was genuinely worried about how the director would present him in the film. Given Vanga's bold and uncompromising approach, the actor was curious and slightly anxious about the poster. However, those concerns disappeared the moment he saw the poster. Calling it a superb poster, Prabhas went on to say that Spirit has his favourite first-look poster of his career so far. His endorsement has only fueled excitement among fans, many of whom praised the poster for breaking away from routine star-driven visuals. #Spirit pic.twitter.com/DDHwpWlf3N— Absolute KCPD (@AbsoluteKCPD) January 8, 2026 Spirit marks the first collaboration between Prabhas and Sandeep Reddy Vanga and is being mounted as a large-scale cop action thriller. With the first look already making a strong statement and the actor himself expressing complete confidence in the director's vision, expectations for the film continue to rise sharply. Stay tuned...

BY SUNIT JANGIR

Mumbai, January 8 - The year 2025 was a landmark for IMAX, which officially delivered the best year in its history, setting a new record at the global box office in 2025. The premium large-format exhibitor earned a massive $1.28 billion worldwide, marking a 40% jump over 2024 and underlining the growing audience demand for immersive, event-scale theatrical experiences. The milestone year was powered by a strong and diverse slate of blockbuster releases, spanning Hollywood tentpoles, animation, anime, and international hits. From high-octane action spectacles to visually rich fantasy films, IMAX continued to position itself as the go-to format for must-see cinema. (adsbygoogle = window.adsbygoogle || []).push({}) Leading the record-breaking year for IMAX was China's Ne Zha 2, which emerged as the year's highest-grossing IMAX title with $167 million. James Cameron's Avatar: Fire and Ash reaffirmed the franchise's dominance on the premium screens with $112 million, while F1: The Movie, Mission: Impossible, and Demon Slayer delivered strong results with nearly $100 million each. IMAX continues to expand its market, and the 40% year-over-year growth highlights its expanding global footprint and the increasing willingness of audiences to pay for premium theatrical experiences. With filmmakers continuing to design movies specifically for IMAX and audiences prioritising big-screen immersion, 2025 stands as a landmark year for the brand. Stay tuned...

BY SUNIT JANGIR

Hyderabad, January 8 - Pan India superstar Prabhas' much-anticipated film The Raja Saab is showing encouraging signs at the overseas box office as advance bookings gain momentum just ahead of its grand premiere. After a slow start, the film has witnessed a noticeable spike in ticket sales across key international markets, signalling growing audience interest as the release date draws closer. According to the latest update, The Raja Saab has crossed the $1.70+ million mark and should close in at $2 million in overseas bookings for its opening day and premiere shows. The surge has been driven largely by good last-minute traction in North America, where pre-sales have crossed $1 million. The USA and Canada together account for a major chunk of the pre-sales, with premieres alone contributing a substantial share of the total. (adsbygoogle = window.adsbygoogle || []).push({}) Apart from North America, the pre-sales have also started moving well in markets such as the UK, Europe, Australia, New Zealand, and the Gulf. The film's genre, a blend of horror and comedy, appears to be striking a chord with the diaspora audience, especially as promotional content and on-ground buzz intensify ahead of release. The postponement of Thalapathy Vijay's Jana Nayagan, which scored excellent pre-sales before dropping out, is proving to be beneficial for The Raja Saab, as more prime shows are now being allotted to it, especially in North America. The upward trend suggests that the film could see a strong walk-up response if early word of mouth turns positive. Directed by Maruthi as a mass entertainer with a horror twist, The Raja Saab is set to hit screens worldwide with premiere shows beginning on January 8, followed by a full-fledged theatrical release on January 9, 2026. With bookings picking up pace at the right time, all eyes are now on how the film performs once audiences step into theatres. Stay tuned...

BY CHRISTA LINCY

Actress Yami Gautam Dhar is on a roll. Fresh off the critical acclaim of her recent courtroom drama, actress Yami Gautam has now been locked to lead a new project that marks a significant shift in genre. According to an exclusive report by Mid-day, Gautam is set to headline a horror-comedy titled Nayi Naveli, produced by Aanand L Rai's Colour Yellow Productions.The film is reportedly inspired by Indian folklore and is scheduled to go on floors in February 2026. Yami Gautam has carved a niche for herself as a bankable performer who balances content-driven cinema with commercial viability. Her most recent theatrical outing, the courtroom drama Haq (released in November 2025), saw her deliver a powerhouse performance that earned widespread praise.The film, which dealt with complex legal and social issues, managed to gross approximately ₹29 crore worldwide during its theatrical run before becoming a massive hit on OTT platforms earlier this month.This follows her 2024 film Article 370, which was a certified hit at the box office, collecting over ₹100 crore globally, further cementing her status as a leading lady who can carry a film on her shoulders. The announcement of Nayi Naveli comes at a time when Aanand L Rai is riding high on the success of Tere Ishk Mein (2025).The film, which saw the filmmaker reunite with superstar Dhanush, was a certified hit at the box office, grossing over ₹161 crore worldwide.However, trade analysts believe the film's lifetime potential was significantly curtailed by the release of the action-blockbuster Dhurandhar, which arrived just a week later. The massive wave generated by Dhurandhar led to a substantial loss of screens and a 35% dip in collections for Tere Ishk Mein; without this crushing competition, the romantic drama was on track to hit much higher benchmarks. (adsbygoogle = window.adsbygoogle || []).push({})   Following this resilient performance, the formidable actor-director duo is now reportedly gearing up for their fourth collaboration.Industry buzz suggests that this next project will be a large-scale period action romance, marking a significant departure for the pair as they explore an entirely new territory of historical storytelling and grand production scale. By roping in Yami Gautam for Nayi Naveli, Rai is looking to blend rooted Indian storytelling with the fantasy-folklore elements that are currently dominating the Indian silver screen. The choice of genre for Nayi Naveli is no surprise given the current climate of the Indian box office. Horror-comedy has emerged as the most lucrative genre in Bollywood over the last two years. Following the historic success of the Stree franchise and the surprising box office performance of films like Munjya and Bhool Bhulaiyaa 3, producers are increasingly looking toward rooted horror that combines local myths with humor. From a box office perspective, this genre has shown the highest Return on Investment (ROI) in recent times, often drawing massive footfalls in both urban centers and Tier-2/Tier-3 markets. With Yami Gautam's proven track record and Aanand L Rai's knack for capturing the pulse of small-town India, Nayi Naveli is already being touted as a project to watch out for in the 2026 release calendar.

BY SACNILK TEAM

In a move that has sent shockwaves through the global film industry, KVN Productions has officially announced the postponement of Thalapathy Vijay's final cinematic outing, Jana Nayagan. Originally scheduled for a grand worldwide release on January 9, the film has been pushed forward due to unavoidable circumstances beyond control. The production house expressed a heavy heart, stating that the decision was not an easy one given the immense anticipation surrounding what is meant to be the swan song of Vijay's legendary career. pic.twitter.com/dRCsoOrnDp— KVN Productions (@KvnProductions) January 7, 2026 The financial implications of this eleventh-hour delay are staggering. According to trade reports , nearly ₹40 crore in overseas opening day advance bookings and close to ₹60 crore for the opening weekend have been wiped out instantly. This combined ₹100 crore loss in global pre-sales represents a massive blow to overseas exhibitors and distributors who had locked in prime shows and a record-breaking wide rollout. Domestically, the impact is equally painful, with Karnataka Talkies reporting that theatres have been informed to refund tickets worth nearly ₹6 crore in Karnataka alone. This level of hard-earned demand is rare in Indian cinema, and industry analysts are calling it a costly miss for KVN Productions that may be difficult to replicate when a new date is finally announced. (adsbygoogle = window.adsbygoogle || []).push({})   The postponement of Jana Nayagan has created a sudden vacuum at the box office, resulting in a big advantage for Prabhas's The Raja Saab. With the departure of the Tamil titan from the January 9th slot, The Raja Saab is now set to secure a significantly higher screen count across all territories. In a major strategic shift, the Tamil version of The Raja Saab, which was initially scheduled for release on January 10th, can now be advanced to January 9th to capitalize on the open holiday window. This reshuffling of the box office deck ensures that Prabhas's horror-comedy and other releases like Parasakthi will now secure better prime-time showtimes and expanded screen space in key markets that were previously dominated by Vijay's film. Despite the commercial shifts, the postponement has seen a rare display of fan solidarity. Prabhas fans (@HailPrabhas007) have voiced their support for Thalapathy Vijay's followers, noting that a postponement just a day or two before release is a painful experience, especially for a career-ending film with lakhs of tickets already sold. While exhibitors go back to square one to replan their schedules, the trade remains hopeful that when Jana Nayagan finally hits the big screen, it will return with the same ferocity to break all-time records. Until then, all eyes are on the Rebel Star as The Raja Saab prepares to dominate the now-vacant Sankranti/Pongal frame. The official release date for Jana Nayagan is currently being reassessed following the postponement announcement. A major factor influencing the new schedule is the upcoming 2026 Tamil Nadu Assembly Elections. Since the film marks the final project of a lead actor entering the political arena, the timing is critical. A mid-April release, which would normally be a preferred holiday slot, is considered logistically unfeasible as it coincides with the peak of the electoral cycle.Alternatively, some trade analysts are discussing a potential Republic Day (January 26th) slot if the unavoidable circumstances are resolved quickly, though this would mean a direct clash with Sunny Deol's Border 2. As of now, while these windows are being heavily debated the official confirmation remains pending from the production house.

BY SUNIT JANGIR

Mumbai, January 7 - Akshay Kumar's much-anticipated horror-comedy Bhooth Bangla has been officially postponed, with the makers now locking a new theatrical release date of May 15, 2026. The movie was earlier scheduled to hit the big screens on April 2nd. While the reason behind the postponement is not revealed officially, it is said that in anticipation of the Dhurandhar 2 wave, the makers have decided to push the release date back to avoid coming in the way of Ranveer Singh-starrer, which is slated to release on March 19. Also, there are reports that Bhooth Bangla needs more time for post-production work, especially VFX. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Priyadarshan, Bhooth Bangla marks his reunion with Akshay Kumar after several years, raising expectations among fans of their earlier collaborations. The poster showcases Akshay in a traditional avatar, holding a lantern inside a haunted mansion setup, strongly hinting at a blend of desi horror elements and slapstick comedy, a genre Priyadarshan is known to excel in. The film is produced by Balaji Telefilms Ltd in association with Cape of Good Films, with Shobha Kapoor, Ektaa R. Kapoor, and Akshay Kumar backing the project. The scale and visual tone suggest a big-budget entertainer aimed at family audiences. Bangle se ek khabar aayi hai! 🔔The doors open on 15th May 2026 🚪👻See you in cinemas 🎥#BhoothBangla@priyadarshandir @akshaykumarProduced by @balajimotionpic & #CapeOfGoodFilms#ShobhaKapoor @EktaaRKapoor pic.twitter.com/6AHzs1WKgz— BalajiMotionPictures (@balajimotionpic) January 7, 2026 Stay tuned...

BY SACNILK TEAM

Here is the Marathi movie Krantijyoti Vidyalay Marathi Madhyam box office collection which is a drama film. This film is directed by Hemant Dhome and produced by . ## Krantijyoti Vidyalay Marathi Madhyam stars Sachin Khedekar, Amey Wagh, Siddharth Chandekar, and Prajakta Koli in key roles. ## Krantijyoti Vidyalay Marathi Madhyam Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Thursday] ₹ 0.7 Cr - Day 2 [1st Friday] ₹ 0.45 Cr -35.71% Day 3 [1st Saturday] ₹ 1.05 Cr 133.33% Day 4 [1st Sunday] ₹ 1.5 Cr 42.86% Day 5 [1st Monday] ₹ 0.5 Cr -66.67% Day 6 [1st Tuesday] ₹ 0.5 Cr 0.00% Day 7 [1st Wednesday] ₹ 0.5 Cr 0.00% Day 8 [2nd Thursday] ₹ 0.55 Cr 10.00% Week 1 Collection ₹ 5.75 Cr - Day 9 [2nd Friday] ₹ 0.6 Cr 9.09% Day 10 [2nd Saturday] ₹ 1.65 Cr 175.00% Day 11 [2nd Sunday] ₹ 2.1 Cr 27.27% Day 12 [2nd Monday] ₹ 0.65 Cr -69.05% Day 13 [2nd Tuesday] ₹ 0.65 Cr 0.00% Day 14 [2nd Wednesday] ₹ 0.8 Cr 23.08% Day 15 [3rd Thursday] ₹ 1.35 Cr 68.75% Week 2 Collection ₹ 7.8 Cr 35.65% Day 16 [3rd Friday] ₹ 0.45 Cr -66.67% Day 17 [3rd Saturday] ₹ 1.25 Cr 177.78% Day 18 [3rd Sunday] ₹ 1.75 Cr 40.00% Day 19 [3rd Monday] ₹ 0.5 Cr -71.43% Day 20 [3rd Tuesday] ₹ 0.47 Cr -6.00% Day 21 [3rd Wednesday] ₹ 0.35 Cr -25.53% Day 22 [4th Thursday] ₹ 0.28 Cr -20.00% Week 3 Collection ₹ 5.05 Cr -35.26% Day 23 [4th Friday] ₹ 0.2 Cr -28.57% Day 24 [4th Saturday] ₹ 0.55 Cr 175.00% Day 25 [4th Sunday] ₹ 0.8 Cr 45.45% Day 26 [4th Monday] ₹ 0.9 Cr 12.50% Day 27 [4th Tuesday] ₹ 0.25 Cr -72.22% Day 28 [4th Wednesday] ₹ 0.18 Cr -28.00% Day 29 [5th Thursday] ₹ 0.17 Cr -5.56% Week 4 Collection ₹ 3.05 Cr -39.60% Day 30 [5th Friday] ₹ 0.17 Cr 0.00% Day 31 [5th Saturday] ₹ 0.4 Cr 135.29% Day 32 [5th Sunday] ₹ 0.55 Cr 37.50% Day 33 [5th Monday] ₹ 0.13 Cr -76.36% Day 34 [5th Tuesday] ₹ 0.15 Cr 15.38% Day 35 [5th Wednesday] ₹ 0.1 Cr -33.33% Day 36 [6th Thursday] ₹ 0.1 Cr 0.00% Week 5 Collection ₹ 1.6 Cr -47.54% Day 37 [6th Friday] ₹ 0.07 Cr -30.00% Day 38 [6th Saturday] ₹ 0.23 Cr 228.57% Day 39 [6th Sunday] ₹ 0.25 Cr 8.70% Day 40 [6th Monday] ₹ 0.08 Cr -68.00% Day 41 [6th Tuesday] ₹ 0.07 Cr -12.50% Day 42 [6th Wednesday] ₹ 0.05 Cr -28.57% Day 43 [7th Thursday] ₹ 0.05 Cr 0.00% Week 6 Collection ₹ 0.8 Cr -50.00% Week 7 Collection ₹ 0.55 Cr -31.25% Week 8 Collection ₹ 0.45 Cr -18.18% Total ₹ 25.05 Cr - ## Take Subscription To See Footfalls ## India Net Collection ₹ 25.05 Cr ## Worldwide Collection ₹ 29.9 Cr ## Overseas Collection ₹ 0 Cr ## India Gross Collection ₹ 29.9 Cr ## Krantijyoti Vidyalay Marathi Madhyam Budget: ₹ - Cr * Approx ## Krantijyoti Vidyalay Marathi Madhyam Verdict: Coming Soon ## Krantijyoti Vidyalay Marathi Madhyam Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 1st January 2026 ## For more and the latest news about Marathi Film Box Office Collection, Stay tuned to us.