BY CHRISTA LINCY

The final advance booking numbers for Spider-Man: Brand New Day are in, and they reinforce the fact that the web-slinger remains the primary driver of the Indian box office for solo superhero releases. Although the film did not quite reach the monumental milestone established by Avengers: Endgame in 2019, its performance has been nothing short of exceptional. Starting with BookMyShow, the film has achieved a milestone by becoming the first Hollywood release to sell over 50,000 tickets in a single hour. This is a significant data point because it reflects the peak momentum just before the first show starts. Since the introduction of the real-time trending feature in August 2023, no other international film has shown this kind of hourly velocity. The total ticket sales on the platform have officially crossed the 2 million mark. To give you some context on the growth, the film had sold approximately 1.39 million tickets between June 17 and July 28. However, on July 29 alone, it added another 615,000 tickets, showing a massive late surge in interest. Top 10 Hollywood Pre-Sales on BookMyShow (Since Aug '23): 1. Spider Man Brand New Day - 2M 2. Deadpool And Wolverine - 505K 3. Avatar Fire And Ash - 474K 4. The Conjuring - 443K 5. TheOdyssey - 340K+ 6. Mission: Impossible – The Final Reckoning - 248K 7. Godzilla x Kong - 193K 8. Mufasa The Lion King - 152K 9. Jurassic World - 124K 10.F1 - 113K (adsbygoogle = window.adsbygoogle || []).push({}) When we look at the performance across the National Chains in India—which include PVR, INOX, and Cinepolis—the numbers are very strong, though they do highlight where the current ceiling for solo releases sits. For the opening day of July 30, 2026, the three major chains combined have sold approximately 6 lakh tickets in advance. This has resulted in a gross collection of roughly 27.50 crore rupees from these chains alone. Looking at the individual breakdown, PVR led the charge with 3 lakh tickets sold, generating over 14 crore rupees. INOX followed with 1.95 lakh tickets and 8.35 crore rupees, while Cinepolis contributed 1.05 lakh tickets, adding another 5 crore rupees to the total. The average occupancy across more than 7,700 shows in these chains remains at a very healthy 37 percent, showing that while the demand is massive, there is still room for walk-in audiences to fill the remaining seats. It is interesting to compare these figures with the all-time records. Even with this massive push, the record held by Avengers: Endgame remains untouched. Back in 2019, Endgame sold a staggering 10.25 lakh tickets in national chains for its opening day. That film benefited from a unique cultural moment where the Indian government allowed 24x7 screenings for the first time to meet demand, and A.R. Rahman even composed a special Marvel Anthem for the Indian audience. While Spider-Man: Brand New Day has outperformed Spider-Man: No Way Home, which stood at 5.50 lakh tickets, and Avengers: Infinity War at 4.86 lakh tickets, the Endgame milestone is a different beast entirely. (adsbygoogle = window.adsbygoogle || []).push({}) The buzz is not restricted to India. Detailed data shared by Venky Box Office provides a clear picture of the film performance in North America. The domestic opening day pre-sales reached 67.8 million dollars. This was part of a larger 100 million dollar plus pre-sale figure for the entire opening weekend. In the domestic circuit, the AMC chain alone contributed 20.8 million dollars from 1.13 million tickets. Other chains brought in 18.9 million dollars, while Regal and Cinemark added 12.1 million and 11.7 million dollars respectively. Canada also showed strong support with 4.3 million dollars in pre-sales. In total, nearly 3.95 million tickets were sold across North America before the first screening began. Logically, the trend shows that while the solo Spider-Man brand is growing, the collective hype of an Avengers finale creates a level of urgency that is hard to replicate. However, ranking as the second-best Spider-Man opening and the fourth-best Hollywood opening in India is no small feat. The film is currently trending at the fifth spot for overall BookMyShow pre-sales since late 2023. With a 300 million dollar domestic opening weekend now being a realistic possibility in the US, the film is set to be one of the biggest commercial successes of the year.

BY CHRISTA LINCY

Dhamaal 4 is showing surprising resilience as it moves through its third week. For a comedy franchise that relies on repeat value and family audiences, the film is holding its ground despite newer competition. On its nineteenth day, which was its third Tuesday, the movie brought in a net collection of 2.10 crore. This is a notable 31.3 percent jump from Monday's 1.60 crore, suggesting that the film is benefiting from mid-week theater-goers and perhaps a steady word-of-mouth trail. This growth is particularly impressive because the film is currently navigating a market with strong holdover like The Odyssey, which continues to see good traction in India. While it currently sits as the fourth highest-grossing Bollywood film of the year, catching up to Bhooth Bangla will be a challenge. The road ahead is packed with upcoming releases like Batwara 1947 and Awarapan 2, plus the major Hollywood arrival of Spider-Man, which will make securing screens much tougher in the coming weeks. If we look at the broader picture, the India gross collection has now reached 182.32 crore, which translates to a domestic net total of 153.35 crore. The film has also found some traction abroad, adding 0.25 crore on Tuesday to bring its total overseas gross to 29.45 crore. Combining the domestic and international business, the worldwide gross for Dhamaal 4 now stands at 211.77 crore. This milestone is significant because it puts the film in striking distance of some of Ajay Devgn's biggest career hits. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket sales on BookMyShow reflect this late-week surge. On Monday, the film sold about 27,900 tickets, but that number climbed to 39,250 on Tuesday. In total, the film has sold over 26.56 lakh tickets on the platform since its release. In the national cinema chains—PVR, INOX, and Cinepolis—it currently stands as the third highest-selling movie, trailing only behind the massive holdover of The Odyssey and the recent hit Jana Nayagan. Looking at the daily advance figures for these chains, the film generated a gross of approximately 32.3 lakh. This came from around 16.7 lakh at PVR, 11.1 lakh at INOX, and 4.5 lakh at Cinepolis, totaling roughly 23,400 tickets sold across these venues. The regional occupancy for the Hindi 2D version shows that the National Capital Region (NCR) remains a stronghold with 21.3 percent occupancy across 620 shows. Mumbai followed with 17.8 percent occupancy across 405 shows, while Pune recorded a healthy 17.3 percent. Other regions like Ahmedabad and Surat saw lower overall occupancy but maintained strong night show turnouts, often peaking near 26 to 29 percent. This trend of evening and night show growth is helping the film sustain its daily numbers. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of annual rankings, Dhamaal 4 is currently the fourth highest-grossing Bollywood movie of the year. It trails behind Dhurandhar 2: The Revenge, Border 2, and Bhooth Bangla. While it is performing well, surpassing Bhooth Bangla might be a tall order. The upcoming schedule is crowded with major releases like Batwara and Awarapan on the domestic front, alongside Hollywood heavyweights like Spider-Man. Additionally, the continued dominance of The Odyssey makes it difficult for any holdover film to claim more screen space. For Ajay Devgn, this film is another strong addition to his box office portfolio. It is currently very close to surpassing Singham Returns, which earned 216.56 crore worldwide. Once it crosses that mark, it will cement its place among his most successful leading roles. To give you some context on where this film stands compared to his other major solo hits, here is the ranking of his top movies based on worldwide gross collection. Top 5 Leading Role Movies of Ajay Devgn - Worldwide Gross CollectionMOVIE NAMEWORLDWIDE GROSS Singham Again₹ 372.41 CrTanhaji: The Unsung Warrior₹ 361.00 CrDrishyam 2₹ 342.31 CrGolmaal Again₹ 308.62 CrTotal Dhamaal₹ 232.18 Cr

BY CHRISTA LINCY

The most anticipated cinematic spectacle in Indian film history has finally unveiled its grand vision. The official trailer for Ramayana: Part 1, directed by Nitesh Tiwari, was released globally during the auspicious Brahma Muhurat. Touted as the most expensive Indian motion picture ever made, the magnum opus brings together a stellar ensemble cast led by Ranbir Kapoor, Sai Pallavi, and Yash. Powerful Visuals and Grand Character Introductions The trailer opens with a gripping sequence set against the opulent architecture of Lanka and Ayodhya. Rocking a commanding presence, Ranbir Kapoor makes a majestic entry as Lord Ram, displaying a flawless blend of calm nobility and fierce resolve. Opposite him, Sai Pallavi makes her debut as Sita, embodying serenity and grace. However, it is Yash who steals the limelight with his menacing screen presence. Portraying the formidable Asura king Ravana, Yash commands every frame with dark, terrifying authority, setting up an epic clash of divine forces. A High-Octane Sonic Experience: The background score is co-composed by Academy Award winners Hans Zimmer and A.R. Rahman, alongside sitar virtuoso Rishab Rikhiram Sharma. The score blends rich traditional Indian classical instrumentation with massive global orchestral themes. Key Cast & Project Overview Director: Nitesh Tiwari (Dangal, Chhichhore) Producer: Namit Malhotra (Prime Focus / DNEG) in association with Sony Pictures Entertainment Ranbir Kapoor as Lord Ram Sai Pallavi as Sita Yash as Ravana Sunny Deol as Lord Hanuman Ravie Dubey as Lakshman Rakul Preet Singh as Shurpanakha Box Office Expectations & Release Schedule With Prime Focus's Oscar-winning visual effects studio DNEG backing the CGI, Ramayana is engineered to set unprecedented records at the Indian and international box office. Film Title: Ramayana: Part 1 Genre: Epic Mythological / Action / Drama Theatrical Release: Diwali 2026 (Part 1) / Diwali 2027 (Part 2) Languages: Hindi, Tamil, Telugu, Kannada, Malayalam & International Dubs Frequently Asked Questions (FAQs) Q: When is Ramayana Part 1 releasing in theatres?A: Ramayana: Part 1 is scheduled for a grand worldwide theatrical release during Diwali 2026, followed by Part 2 on Diwali 2027. Q: Who plays Ravana in Nitesh Tiwari's Ramayana?A: Rocking Star Yash plays the role of Asura King Ravana in Nitesh Tiwari's two-part cinematic adaptation. Q: Who composed the music and background score for the Ramayana movie?A: The soundtrack and score are jointly composed by Oscar winners Hans Zimmer and A.R. Rahman, featuring sitar music by Rishab Rikhiram Sharma. Q: Which studio is handling the VFX for Ramayana?A: The visual effects and CGI are powered by the Oscar-winning studio DNEG in collaboration with Prime Focus Studios.

BY SUNIT JANGIR

Chennai, July 29 - Thalapathy Vijay's Jana Nayagan has reached another major milestone at the box office, crossing 250 crore worldwide while also surpassing 100 crore gross in Tamil Nadu in 7 days. After opening below the sky-high expectations associated with Vijay's farewell film, the H. Vinoth directorial has displayed good staying power, posting a solid first week despite the usual weekday slowdown. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan has grossed around 246 crore worldwide in its first six days of release, with Tamil Nadu leading the charge with around 97 crore gross. The film has now crossed the prestigious 100 crore gross mark in the state, making it Thalapathy Vijay's ninth film to achieve the feat in the state, while also topping 250 crore worldwide in just 7 days. The milestone once again highlights Vijay's extraordinary dominance at the Tamil Nadu box office, where he continues to set benchmarks unmatched by any contemporary Tamil star. The film's performance becomes even more impressive considering the challenges it faced before release. Jana Nayagan arrived in cinemas after a release delay, suffered an online leak, and was awarded an 'A' certificate, factors that could have significantly affected its commercial prospects. (adsbygoogle = window.adsbygoogle || []).push({}) However, strong fan support and Vijay's immense popularity ensured a solid opening weekend, while the surprisingly steady weekday hold has kept the collections, despite outright negative reception. The focus now shifts to the film's second weekend, which is expected to determine its long-term theatrical run. A strong hold over the weekend could comfortably push Jana Nayagan beyond the 300 crore worldwide milestone, which will be a massive win given the circumstances.

BY CHRISTA LINCY

Sanjay Leela Bhansali has always had a flair for the grand and the unconventional, and it looks like he is about to change the rules of the game once again with his upcoming project, Love and War. According to an exclusive report by Bollywood Hungama, the film—which features the powerhouse trio of Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal—will not be starting its promotional journey with a typical teaser or a motion poster. Instead of the usual marketing route, the director is reportedly working on something far more ambitious. Bhansali is personally shaping a special promotional asset designed to be an immersive experience for the audience. This isn't just a standard clip or a still image; it is being crafted to serve as a proper introduction to the emotional depth and scale of the cinematic world he has built for this movie. The idea is to give fans a first glimpse that feels like a journey into the film's atmosphere rather than just a quick preview. (adsbygoogle = window.adsbygoogle || []).push({}) The project is currently in its final stages of development, with the filmmaker collaborating closely with his creative team to ensure the vision is perfect. The plan is to unveil this special asset sometime in August, which will mark the official start of the marketing campaign. By skipping the traditional teaser format, the aim is to create an event-like atmosphere that transports viewers straight into the essence of the story before they even see a full trailer. This strategy fits perfectly with Bhansali's philosophy that storytelling begins the moment a project is announced. He wants to capture the specific mood and scale of Love and War rather than just showing isolated character looks or a standard motion poster. Since this is the first time Ranbir, Alia, and Vicky are sharing the screen under his direction, the anticipation is already at a fever pitch, and this unique launch strategy is likely to amplify that buzz significantly. (adsbygoogle = window.adsbygoogle || []).push({}) Industry insiders are calling this a potential landmark in promotional history. It suggests that the movie is much more than a standard big-budget release; it is an experience that the director wants the audience to feel from the very first glimpse. If everything goes according to plan next month, fans will finally get their first taste of what is expected to be one of the biggest releases in the Hindi film industry in recent years.

BY CHRISTA LINCY

The collaboration between Allu Arjun and director Atlee for their upcoming film Raaka is taking the Indian film industry by storm with its massive scale. According to an exclusive report by India Today, this project is no longer just a single film but has been expanded into a two-part franchise. The sheer ambition of the project is reflected in its staggering budget, which is currently estimated to be around 1,000 crore, making it one of the most expensive cinematic ventures ever attempted in the country. What makes Raaka particularly interesting is its narrative structure, which aims to bridge the gap between ancient mythology and the modern day. The film is set to weave together two entirely different worlds across distinct timelines. One major segment of the story will transport audiences back to a tribal Puranic Vedic era, a period that promises to showcase a unique aesthetic rarely explored with such high-end production values. The second segment will contrast this by bringing the story into a modern contemporary world. This dual-timeline approach suggests a deep, interconnected mystery between the ancestral past and the present, with Allu Arjun at the center of the narrative. (adsbygoogle = window.adsbygoogle || []).push({}) The casting choices for the film further highlight the divide between these two distinct eras. In the contemporary setting, Mrunal Thakur is set to play a lead role. Meanwhile, the historical Puranic Vedic segment will feature an incredible trio of leading ladies, including Deepika Padukone, Janhvi Kapoor, and Rashmika Mandanna. Having four major stars like this in a single project shows the level of world-building Atlee is putting into the franchise, ensuring that both parts carry significant star power and narrative weight across the different time periods. Beyond the primary cast, the film continues to generate headlines with its high-profile special appearances. The much-anticipated cameo by Shah Rukh Khan remains a key highlight for fans. It is reported that his portions are yet to be filmed and are currently being planned for an international schedule overseas to match the global aesthetic the makers are aiming for. Despite the complexity of filming two separate timelines and managing such a massive ensemble, industry reports suggest that the team intends to complete the principal photography for both parts before the end of this year. (adsbygoogle = window.adsbygoogle || []).push({}) While the production house has kept specific plot points under wraps, the vision for Raaka is clearly aimed at creating a landmark cinematic experience. By moving away from a standalone format and embracing a two-part franchise model, Atlee and Allu Arjun are giving the story the room it needs to breathe.

BY SUNIT JANGIR

Mumbai, July 29 - Marvel Studios and Sony Pictures' Spider-Man: Brand New Day is rewriting the record books even before hitting the big screens in India. The Tom Holland-led superhero blockbuster has registered unprecedented demand across the country, putting it on course to deliver the biggest opening ever for a non-Indian film. With bookings continuing to surge, the film is now within touching distance of surpassing Avengers: Endgame's long-standing pre-sales record. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest update, Spider-Man: Brand New Day has sold approximately 85+ crore gross worth of tickets for its opening weekend, including around 45+ crore gross for the opening day alone. The film is expected to overtake Avengers: Endgame's estimated 90 crore opening weekend advance booking before the first show begins and could even become the first Hollywood release in India to touch the 100 crore gross pre-sales milestone. These are unprecedented numbers for a non-Indian title and reflect the extraordinary anticipation surrounding the latest Spider-Man adventure. The massive bookings have put Brand New Day firmly on track for a historic debut at the Indian box office. Industry projections suggest the film is capable of delivering the biggest opening day and opening weekend ever for a Hollywood release in India, surpassing the benchmarks established by Avengers: Endgame. (adsbygoogle = window.adsbygoogle || []).push({}) Strong occupancy across premium formats, coupled with exceptional momentum in national multiplex chains, has fueled confidence that the film will shatter multiple box office records over its first four days. The record-breaking trend is mirrored worldwide, where Spider-Man: Brand New Day is tracking for one of the biggest global openings in cinema history. With exceptional pre-sales across major international markets and overwhelmingly positive early buzz, the Marvel blockbuster is poised to begin its theatrical run with a historic worldwide opening, further cementing Spider-Man's status as one of the biggest cinematic brands on the planet. It is scheduled to release on July 30 in India in multiple languages.

BY SUNIT JANGIR

Mumbai, July 29 - The cast of director Nitesh Tiwari's Ramayana Part 1 is not only gearing up for one of the biggest Indian films ever made but is also preparing for an incredibly busy theatrical window. Several of the film's lead actors have two major releases within roughly three months, either before or after Ramayana Part 1, ensuring they remain in the spotlight throughout the festive season and into early 2027. (adsbygoogle = window.adsbygoogle || []).push({}) Ranbir Kapoor, who plays Lord Rama, will first headline Ramayana Part 1, slated for a grand Diwali 2026 release, before reuniting with Sanjay Leela Bhansali for Love & War, which is scheduled to hit theatres on January 21, 2027. The gap between the two releases is less than three months, giving the actor back-to-back event films in completely different genres. Yash, who essays Ravana in Ramayana, will kick off his theatrical run with the action thriller Toxic on August 26, 2026, which will be his first release in 4 years since the mega blockbuster KGF: Chapter 2. He will then return to the big screen during the Diwali season with Ramayana Part 1, making it two of the year's biggest pan-Indian releases within a short span. (adsbygoogle = window.adsbygoogle || []).push({}) Sunny Deol is also set for a packed release schedule. The actor will first arrive with the period drama Batwara 1947 on August 14, 2026, before portraying Hanuman in Ramayana Part 1 during Diwali. He also has the emotional drama, Gabru, ready for release. Similarly, Sai Pallavi will be seen in Dhanush-fronted OM Chapter 1 on October 16, 2026, followed shortly by her portrayal of Sita in Ramayana Part 1. With blockbuster titles such as Toxic, Batwara 1947, OM, Ramayana Part 1, and Love & War arriving within a compact three-month window, the ensemble cast of Ramayana is poised to dominate the box office conversation. It is rare for so many stars from a single film to have multiple high-profile theatrical releases clustered so closely together, making the final months of 2026 and the beginning of 2027 particularly significant for Indian cinema.

BY CHRISTA LINCY

Spider-Man: Brand New Day is currently witnessing a massive wave of excitement across the Indian box office. The wall-crawler has always been a favorite in the Indian market, but the pre-sales numbers for this latest installment suggest we are looking at something truly historic. As of now, the film has already sold a gigantic 1.3 million tickets in advance on BookMyShow alone. This incredible surge has placed the movie at the number eight spot for the best pre-sales on the platform since August 2023, and the momentum is not showing any signs of slowing down. When we dive into the data from the national cinema chains—PVR, INOX, and Cinepolis—the performance is even more striking. For the release date of July 30, the film has already locked in approximately 3,69,500 tickets. This has resulted in a staggering advance gross of over 18 crore from these major multiplexes alone. If we break down these numbers, PVR leads the charge with about 1,76,100 tickets, followed by INOX with 1,20,400 tickets, and Cinepolis contributing 73,000 tickets. These figures represent an elite level of interest that is usually reserved for the biggest Marvel crossover events. (adsbygoogle = window.adsbygoogle || []).push({}) The interest remains strong for the second day as well. For Friday, July 31, the national chains have already sold approximately 1,97,400 tickets, which has brought in an additional of over 10 crore in gross collections. PVR has moved about 1,04,200 tickets for the second day, while INOX and Cinepolis have sold 59,600 and 33,600 tickets respectively. Seeing nearly 2 lakh tickets sold for a second day while the first day is still in pre-sales mode is a clear indicator that the film is heading for a massive opening weekend. To understand the scale of this performance, we have to look at how it compares to previous Hollywood blockbusters in India. Trade analysts are projecting that Spider-Man: Brand New Day is firmly on track to close its total pre-sales at over 5,00,000 tickets across national chains. If it hits this mark, it will comfortably surpass the record set by Avengers: Infinity War, which sold 4,86,000 tickets. This would make it the third-highest Hollywood advance-seller of all time in the country, trailing only its predecessor Spider-Man: No Way Home and the all-time record holder, Avengers: Endgame. (adsbygoogle = window.adsbygoogle || []).push({}) The hype surrounding this film is fueled by several factors. Following the emotional conclusion of the previous film, fans are eager to see Tom Holland's Peter Parker navigate a world where no one remembers him. The inclusion of the Hulk in the promotional material has also sent ripples through the fanbase, suggesting a new and unexpected team-up within the Marvel Cinematic Universe. Furthermore, the film is being heavily promoted for premium formats like 4DX and IMAX, which are driving a significant portion of the higher-priced ticket sales in urban centers. With an overall occupancy of nearly 39 percent for the first day based on current bookings, the film is dominating theater schedules. In some premium venues, evening and night shows are already nearing capacity. Given the current rate of hourly bookings, the 5 lakh ticket milestone seems almost certain. Here is how the film currently stands compared to the top Hollywood performers in terms of first-day ticket sales at national chains. Top Hollywood Openings - National Chain Ticket Sales (Approximate)HOLLYWOOD MOVIETICKETS SOLD (PIC)Avengers: Endgame10,25,000Spider-Man: No Way Home5,50,000Avengers: Infinity War4,86,000Spider-Man: Brand New Day3,69,500*Doctor Strange: Multiverse of Madness3,90,000 Note: The figure for Brand New Day reflects current pre-sales and is expected to climb significantly before release.

BY SUNIT JANGIR

Mumbai, July 22 - The final month of 2026 is shaping up to be an absolute blockbuster for moviegoers. Bollywood, pan-Indian cinema, and Hollywood are all bringing some of their biggest titles within a span of just three weeks, setting the stage for one of the most competitive months in box office history. (adsbygoogle = window.adsbygoogle || []).push({}) With multiple event films eyeing premium screens, IMAX auditoriums, and the lucrative holiday season, December could witness several high-profile clashes. The action kicks off on December 3 with Prabhas' Fauzi, directed by Hanu Raghavapudi. The pan-India spectacle is one of the most anticipated films, and will be dominating screens nationwide. Just a day later, Ajay Devgn's Ranger arrives on December 4, while Akshay Kumar's upcoming comedy with Anees Bazmee is also targeting the same day release. That means the opening week itself could see three major commercial entertainers competing for audiences across the country, if the release dates remain unchanged. (adsbygoogle = window.adsbygoogle || []).push({}) The biggest Hollywood showdown is reserved for December 18, when Marvel Studios' Avengers: Doomsday goes head-to-head with Denis Villeneuve's Dune Part 3 (Dune: Messiah). Both films are expected to command a massive IMAX presence worldwide, creating an intense battle for premium screens in India as well. The simultaneous release of two of the year's most anticipated Hollywood blockbusters is likely to have a significant impact on screen allocation. Come this Christmas, superstar Shah Rukh Khan's highly-awaited King is releasing on December 24, giving Bollywood another mega event release during the lucrative holiday period. Directed by Siddharth Anand, the action thriller is expected to be one of the biggest Indian films of 2026 and will arrive just days after the Hollywood heavyweights. A day later, Hollywood blockbuster Jumanji: The Open World hits the big screens, making the competition further intense. (adsbygoogle = window.adsbygoogle || []).push({}) Major Movies Releasing In December 2026 S. No. Movie Lead Actor(s) Director Release Date 1 Fauzi Prabhas Hanu Raghavapudi December 3, 2026 2 Untitled Akshay Kumar-Anees Bazmee Film Akshay Kumar Anees Bazmee First Week of December 2026 3 Ranger Ajay Devgn Jagan Shakti December 4, 2026 4 Avengers: Doomsday Robert Downey Jr. & Ensemble Anthony Russo & Joe Russo December 18, 2026 5 Dune: Messiah (Dune 3) Timothée Chalamet Denis Villeneuve December 18, 2026 6 King Shah Rukh Khan Siddharth Anand December 24, 2026 7 Jumanji: Open World Dwayne Johnson Jake Kasdan December 25, 2026

BY SACNILK TEAM

Here is the English movie Spider-Man: Brand New Day box office collection which is a Superhero film. This film is directed by Destin Daniel Cretton and produced by . ## Spider-Man: Brand New Day stars , Tom Holland, Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal in key roles. ## Spider-Man: Brand New Day Review ## Spider-Man: Brand New Day Review: What Public Has To Say About This Movie ## Spider-Man: Brand New Day Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Thursday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Spider-Man: Brand New Day Budget: ₹ 1 Cr * Approx ## Spider-Man: Brand New Day Verdict: Coming Soon ## Spider-Man: Brand New Day Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 30th July 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

BY CHRISTA LINCY

Jana Nayagan brought in a gross collection of 9.25 crore across India on its first Tuesday. This represents a 24.9 percent drop compared to the previous day, which is a standard trend for a big-star vehicle after the initial rush. Considering the massive market expectations that come with the Thalapathy vibe, these numbers show the film is holding its ground in key territories. It is the typical behavior for a film of this scale, moving from the fan-driven frenzy of the opening days into a more stable weekday performance. The total India gross collection currently stands at 167.57 crore, which translates to a net total of 143.40 crore. Looking at international markets, early estimates suggest the film added 3.00 crore on Tuesday, taking the total overseas gross to 78.50 crore. Combining these figures, the worldwide gross collection is estimated to be around 246.07 crore at this stage. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket sales on BookMyShow offer a clear look at the actual interest levels. From the pre-booking stage through Tuesday, the film has sold 34,17,830 tickets in total, with Tuesday alone contributing about 117,000 sales. This performance puts Jana Nayagan at number eight on the all-time list for first Tuesday ticket sales in Kollywood. It is currently tracking just behind films like The Greatest of All Time and Coolie, while staying ahead of Ayalaan and Bison. Although it hasn't matched the record-breaking numbers of Jailer or Leo, its presence in the top 10 is significant, especially since the movie has been leaked. Usually, early leaks can slow down weekday theater attendance, but these numbers show that fans are still choosing the big screen. Looking at the state-wise breakdown for Tuesday's 9.25 crore gross, the home market of Tamil Nadu led the charts with 5.50 crore. The Rest of India contributed a solid 1.50 crore, followed by Karnataka with 1.00 crore. Kerala added 0.70 crore, while the Andhra Pradesh and Telangana regions brought in 0.55 crore. This distribution shows that while the film is naturally strongest in Tamil Nadu, it has managed to maintain a presence across the southern states and beyond. (adsbygoogle = window.adsbygoogle || []).push({}) The theater occupancy figures provide more detail on how the film is being received across different languages and regions. The Tamil 2D version saw an overall occupancy of 25.73 percent. In major cities, Chennai led with 40 percent occupancy across 771 shows, followed by Coimbatore at 29.3 percent and Madurai at 24 percent. Meanwhile, the Hindi version recorded an overall occupancy of 17.81 percent, with night shows seeing the best turnout at 27.83 percent. The Telugu version maintained a similar level with 16.40 percent overall occupancy. In the major national cinema chains, which include PVR, INOX, and Cinepolis, the film saw a total daily advance gross of approximately 52.9 lakh from 33,600 tickets sold. If we break this down, PVR contributed roughly 33.6 lakh from 20,900 tickets, INOX added 15.0 lakh from 10,000 tickets, and Cinepolis brought in 4.4 lakh from 2,600 tickets. These numbers highlight the film's steady performance in the larger urban multiplex circuits. (adsbygoogle = window.adsbygoogle || []).push({}) The film is maintaining a steady run in the North American market as well. According to Venky Box Office, Jana Nayagan brought in 43,000 dollars (approximately 36 lakh rupees) on Monday. This takes its total regional gross to 1.35 million dollars (roughly 11.27 crore rupees). These overseas contributions are providing a helpful boost to the worldwide gross as the film moves through its first week. When we look at the historical context of Kollywood releases, Jana Nayagan currently holds the sixth position in the list of highest first six-day net collections for Tamil films, with a total of 123.15 crore. This puts it ahead of notable blockbusters like Vikram, which stood at 118.40 crore, and Bigil at 110.10 crore during the same timeframe. While it trails behind the massive opening records set by Leo and Jailer, holding the sixth spot proves that Jana Nayagan is one of the most significant performers in the industry recently. To see where the film stands against the biggest openers in Kollywood history, here are the top 5 highest first six-day collections for Tamil films: 1. Leo: 195.95 Cr 2. Jailer: 165.75 Cr 3. The Greatest of All Time: 143.60 Cr 4. Coolie: 141.45 Cr 5. Ponniyin Selvan - Part 1: 132.80 Cr