BY SUNIT JANGIR

Mumbai, April 1 - The Indian film industry continues to scale unprecedented heights at the box office, with the 1000 crore benchmark becoming the ultimate symbol of cinematic success. While several films have entered this elite club, only a handful of filmmakers and actors have managed to achieve this feat more than once. Among directors, S. S. Rajamouli stands tall as a pioneer of mega-blockbusters. Known for delivering cinematic spectacles on a grand scale, Rajamouli has repeatedly pushed the boundaries of Indian cinema, setting new records with multiple 1000 crore grossers. It was his Baahubali 2 (2017), which first entered this club (without China), and he repeated this glory with his next, RRR (2022). (adsbygoogle = window.adsbygoogle || []).push({}) Joining him in this rare league is just a three-film-old director, Aditya Dhar, whose recent successes have firmly established him as one of the most bankable filmmakers in the industry today. Dhar's ability to blend storytelling with large-scale entertainment, blending nationalism has translated into massive box office numbers. Dhar has delivered two back-to-back 1000 crore grossers in the span of just 4 months in the form of Dhurandhar and Dhurandhar 2. On the acting front (lead role), the list is equally impressive. Superstar Shah Rukh Khan, often referred to as the "King of Bollywood," has reaffirmed his superstar status with multiple films crossing the 1000 crore milestone in the form of Pathaan and Jawan, showcasing his enduring global appeal. Meanwhile, Prabhas continues to be a pan-India phenomenon, with his larger-than-life roles resonating strongly with audiences across regions. (adsbygoogle = window.adsbygoogle || []).push({}) 1000 Crore Indian Films Worldwide S. No. Movie Lead Actor(s) Director Worldwide Gross 1 Dangal Aamir Khan Nitesh Tiwari ₹ 2070 Cr 2 Baahubali 2 Prabhas S. S. Rajamouli ₹ 1788 Cr 3 Pushpa 2 Allu Arjun Sukumar ₹ 1742 Cr 4 Dhurandhar 2 Ranveer Singh Aditya Dhar ₹ 1435 Cr 5 Dhurandhar Ranveer Singh Aditya Dhar ₹ 1307 Cr 6 RRR Jr. NTR / Ram Charan S. S. Rajamouli ₹ 1230 Cr 7 KGF Chapter 2 Yash Prashanth Neel ₹ 1215 Cr 8 Jawan Shah Rukh Khan Atlee ₹ 1160 Cr 9 Pathaan Shah Rukh Khan Siddharth Anand ₹ 1055 Cr 10 Kalki 2898 AD Prabhas Nag Ashwin ₹ 1042 Cr Prabhas has two films in the elite club, with Baahubali 2 and Kalki 2898 AD. Adding to this elite group is Ranveer Singh, whose dynamic screen presence and versatility have translated into massive commercial success. With multiple 1000 crore grossers under his belt in Dhurandhar and Dhurandhar 2, Ranveer has cemented his place among the industry's top box office draws. As Indian cinema continues its upward trajectory, this exclusive club of directors and actors highlights the evolving scale of storytelling and the growing global reach of Indian films. With ambitious projects lined up, the coming years could see this list expand even further, but for now, these names remain at the pinnacle of box office excellence. Stay tuned...

BY SUNIT JANGIR

Chennai, April 1 - Thalapathy Vijay-starrer Jana Nayagan has been awaiting the release for a long time, but the issues with the censor board have proved to be too tough for it to solve. The film was scheduled to be released on Pongal this year, but was forced to be delayed after failing to clear the censor process. The film was sent to the Central Board of Film Certification's Revising Committee due to its political subject. This effectively pushed the film indefinitely with no early release in sight. Now, the film's release date is once again being discussed on social media, suggesting that the film might be getting ready to be released in the last week of April. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest reports, Jana Nayagan's censor raw is nearing its end, and the overseas distributors are reportedly being informed to prepare for April 24 or April 30 release. However, it is said that the movie might need approval from the Election Commission of India due to elections in Tamil Nadu. Since Thalapathy Vijay is also fighting the election, which is scheduled to be held on April 23, and with the Model Code of Conduct firmly in place ahead of the state elections, authorities are examining whether the film's content or release timing could influence voters. There are reports that the movie is carrying a political undertone, which might prevent it from getting released on the said dates. (adsbygoogle = window.adsbygoogle || []).push({}) Also, there were reports previously that the makers are not hurrying the release until the election results are announced. The results will be announced on May 4, and it was reported that the makers are aware that the outcome of the elections may affect the box office. If the team is indeed proceeding with the April release last week, then the official announcement will be made soon.

BY SACNILK TEAM

Mumbai, April 1 - Global star Priyanka Chopra Jonas has heaped praise on the record-breaking Indian blockbuster Dhurandhar 2: The Revenge, applauding both its scale and storytelling. The actress took to Instagram story to share her thoughts after watching the film, calling it a "revelation" and congratulating the entire team for delivering a cinematic spectacle. She gave a special shout-out to leading man Ranveer Singh, acknowledging his powerful performance in the action-packed sequel. (adsbygoogle = window.adsbygoogle || []).push({}) Priyanka reserved her highest praise for director Aditya Dhar, whom she described as a "man with a mission." She also commended his "artistry," highlighting the passion and precision behind the film's execution. Her endorsement adds significant weight to the film's growing reputation, especially on the global stage. Dhurandhar 2: The Revenge has emerged as an all-time blockbuster, smashing box office records and continuing its dream run in theatres. The film's gripping narrative, large-scale action, and emotional depth have resonated strongly with audiences, making it one of the biggest Hindi hits in recent times. With appreciation pouring in from fans and celebrities alike, Priyanka Chopra’s glowing review further cements Dhurandhar 2 as not just a commercial juggernaut but also a film celebrated for its creative excellence. (adsbygoogle = window.adsbygoogle || []).push({})

BY CHRISTA LINCY

The box office narrative for Dhurandhar 2: The Revenge is becoming a fascinating study of Volume vs. Momentum. For the second day in a row—following a similar pattern on Monday—the sequel has found itself trailing behind the daily hold of its own predecessor. While the sequel is a financial titan with over ₹1400 Crore in global collections, its 2nd Tuesday trend has hit a unique benchmark wall set by the first film. The Dhurandhar franchise has created one of the most fascinating box office case studies in Indian cinema history. While the first Dhurandhar film built its success gradually through strong word of mouth and long theatrical momentum, Dhurandhar 2: The Revenge opened to historic numbers from Day 1 and went on to surpass the lifetime collection of the first part in just 13 days. However, the weekday trends of both films reveal a very interesting pattern, especially when we compare their second Monday and second Tuesday collections. On the second Tuesday, Dhurandhar collected around ₹30.50 crore, while Dhurandhar 2 collected approximately ₹26.00 crore. This means the first part is still outperforming its sequel during the weekday hold phase, which is a rare trend for a franchise film where sequels usually dominate in almost every stage of the run. The trend becomes even more interesting when we look at the BookMyShow ticket sales data for the same day. Dhurandhar sold around 506K tickets on the second Tuesday, whereas Dhurandhar 2 sold around 331K tickets. This clearly shows that the first film had stronger weekday traction driven by sustained audience interest and long-term word of mouth. One of the main reasons behind this trend lies in the way both films performed during their initial days. Dhurandhar started with strong but not historic numbers, and as positive word of mouth spread, the film grew significantly over the weekdays and weekends, resulting in an extraordinary long run. In contrast, Dhurandhar 2 opened with record-breaking collections from Day 1 due to massive hype, franchise value, and advance bookings. Because the sequel started at such a high level, a natural slowdown during weekdays was always expected. Despite this weekday trend, Dhurandhar 2 has already achieved a massive milestone by crossing the lifetime India net collection of the first Dhurandhar in just 13 days. This clearly shows the power of franchise cinema, where the sequel benefits from the brand value, audience trust, and anticipation created by the first film. This pattern is commonly seen in major film franchises where the first film builds the audience base through strong content and word of mouth, and the sequel capitalizes on that goodwill to open much bigger but sometimes shows sharper weekday drops because the initial demand is front-loaded. (adsbygoogle = window.adsbygoogle || []).push({}) When compared with other major blockbusters that had strong second week weekday collections, it becomes clear that weekday sustainability is one of the biggest indicators of long-term box office success. Films that maintain strong collections in the second week weekdays usually end up with extraordinary lifetime numbers and long theatrical runs. In conclusion, while Dhurandhar 2 has already surpassed the lifetime numbers of Dhurandhar and is operating at a much higher overall level, the first film still holds an interesting advantage in terms of second-week weekday trends and ticket sales momentum. This makes the Dhurandhar franchise one of the most unique box office phenomena in recent Indian cinema, where both the prequel and sequel have dominated the box office in different ways — one through long-run momentum and the other through historic opening and massive early collections. Below is the comparative breakdown of the 2nd Tuesday performance, showing how the prequel still holds the edge in daily ticket sales momentum. Top 5 Indian Movies: 2nd Tuesday Net Collection and BMS Ticket Sales Comparison MOVIE NAME 2nd TUESDAY (NET) BMS TICKET SALES Dhurandhar (Prequel) ₹ 30.50 Cr 506K Dhurandhar 2: The Revenge ₹ 26.00 Cr 331K Chhaava ₹ 18.50 Cr 380K Pushpa: The Rule - Part 2 ₹ 18.50 Cr 297K Kantara Chapter 1 6.50 Cr 265K The Monday and Tuesday trend makes one thing clear: the first Dhurandhar remains the benchmark for long-term trending in the franchise. While Dhurandhar 2 will undoubtedly end its run with much higher total collections, the prequel's ability to hold the audience deep into the second week is a feat that remains unbeaten. For now, the sequel continues its march toward even bigger records, but the shadow of the original still looms large over the box office charts.

BY SUNIT JANGIR

Mumbai, April 1 - The blockbuster wave of Dhurandhar shows no signs of slowing down, neither in theatres nor on OTT. As Dhurandhar: The Revenge continues its historic run at the global box office, the first instalment, Dhurandhar, is witnessing an unprecedented surge in viewership on Netflix, especially after the release of the sequel in theatres. Even since The Revenge was released on March 19, the viewership of Dhurandhar is witnessing an upward trend on Netflix, and the reasons are obvious - the ever-growing anticipation for part 2, and immense recall value. In its 9th week, Dhurandhar generated an insane 3 million views, up by 30% from the 8th week, pushing total views to 29.30 million. (adsbygoogle = window.adsbygoogle || []).push({}) After the 1300+ crores box office run, Dhurandhar debuted on Netflix with 7.6 million views in the first weekend, followed by a peak of 8.2 million views in the second week, indicating explosive word-of-mouth and growing curiosity around the franchise. After the explosive start, the viewership eventually slowed down in the following weeks. Come the 8th week, when Dhurandhar 2 was released, the film witnessed 130% rise in views, followed by another 30% jump in the 9th week. Reportedly, Dhurandhar is currently the fifth most-watched Indian film on Netflix, after films like RRR, Jawan, and Gangubai Kathiawadi. It has been trending in the top 10 in 10 countries this week, and it has been continuing for 9 weeks. Interestingly, most of the top-viewed films on Netflix were theatrical releases and were box office hits, and Dhurandhar is no different. (adsbygoogle = window.adsbygoogle || []).push({}) Meanwhile, Dhurandhar 2, directed by Aditya Dhar and starring Ranveer Singh, has already crossed 1400 crores at the worldwide box office, including over 1000 crores domestically in just 13 days. It is currently the 4th highest-grossing Indian film of all-time, and is on course to finish in the top 3. It is one of the only 4 films ever to reach 1000 crore gross at the Indian box office.

BY CHRISTA LINCY

Well, the dust has settled on the first three months of 2026, and if you've been watching the box office ticker, you'll know one thing for certain: nostalgia, when packaged correctly, is the most potent currency in Hindi cinema today. The first quarter has been a fascinating story of two distinct Bollywoods. On one hand, we have the cinematic juggernauts—the sequels and established franchises that provided the primary thrust for the industry. On the other, we see a slate of smaller, more contained films fighting for their slice of the pie. The headline act, without a shadow of a doubt, is Dhurandhar: The Revenge. This film didn't just succeed; it created a new stratosphere of success, storming past the ₹1400 Crore mark worldwide. It's a textbook example of event cinema, a spectacle that demanded a theatrical viewing. Following its colossal footsteps is Border 2, which tapped into a deep well of patriotic sentiment and brand legacy to rake in an impressive ₹450 Crore. What these two films tell us is that audiences are more than willing to show up in droves, provided the promise is that of a larger-than-life experience they can't get on their living room screens. The trend continues down the list. With Mardaani 3 and The Kerala Story 2, we see the sequel security blanket providing a comfortable cushion for producers. These films arrived with a built-in audience, a pre-existing narrative world that required no introduction. They weren't just movies; they were the next chapter in a conversation the audience was already having. The only outlier in the top five is O'Romeo, a standalone title that proved that a well-marketed film with strong audience appeal can still break through the franchise clutter, crossing the coveted ₹100 Crore mark. (adsbygoogle = window.adsbygoogle || []).push({}) But once you step away from the dazzling numbers of the top five, the picture changes dramatically. This is where we see the financial reality for films with a more modest scale. Take a look at Do Deewane Seher Mein, Rahu Ketu, and Tu Yaa Main. Their box office journeys began and ended within the domestic circuit, with their entire business coming from Indian theatres. This isn't a critique, but an observation of a clear fork in the road for Bollywood: create a massive, global spectacle, or craft a more intimate film whose commercial fate is tied exclusively to the home audience. Perhaps the most complex consequence of this quarter is the new Dhurandhar Benchmark. When a single film operates in an astronomical realm, crossing milestones that were previously unthinkable, it inadvertently casts a long shadow over the entire industry. It fundamentally shifts the goalposts for what is perceived as a major success, not just by the audience but within the trade itself. This creates a perilous scenario where the very definition of a hit becomes skewed. A film that performs exceptionally well by all traditional metrics and delivers solid returns can now be unfairly perceived as an underperformer simply because it doesn't exist in the same stratosphere as the outlier. The fear is that this immense pressure could discourage investment in the very small and mid-budget films that are crucial for a healthy, diverse cinematic ecosystem, pushing the industry towards a high-risk, high-reward model that prioritizes chasing outliers over cultivating consistent success. Here is the definitive list of the top 10 highest-grossing Bollywood films of the first quarter of 2026. Highest Grossing Bollywood Films of Q1 2026 (India Net) RANK TITLE INDIA NET COLLECTION 1 Dhurandhar: The Revenge ₹899.92 Cr(As of day 13) 2 Border 2 ₹329.43 Cr 3 O'Romeo ₹72.89 Cr 4 The Kerala Story 2 ₹52.52 Cr 5 Mardaani 3 ₹51.80 Cr 6 Ikkis ₹31.85 Cr 7 Assi ₹11.44 Cr 8 Do Deewane Seher Mein ₹7.98 Cr 9 Tu Yaa Main ₹7.31 Cr 10 Rahu Ketu ₹6.42 Cr The first quarter of 2026 has, in essence, delivered a stark new reality. The mandate seems increasingly binary: either aim for the stratosphere with a franchise spectacle or craft a film whose commercial fate is tied exclusively to the home audience. With blockbuster benchmarks now set at dizzying heights, the once-thriving middle ground for cinema is becoming the industry's most endangered territory.

BY SUNIT JANGIR

Mumbai, April 1 - Director Nitesh Tiwari's Ramayana is the biggest Indian film in the making. It stars Ranbir Kapoor as Lord Rama, alongside Sai Pallavi as Goddess Sita, Yash as Ravana, Sunny Deol as Lord Hanuman, and Ravie Dubey as Laxman. However, in a surprising turn of events, Ranbir revealed that he initially rejected the role, and the reason is deep. During the recent first look teaser event in the US, the actor was present along with Nitesh Tiwari and producer Namit Malhotra. Explaining the reason why he initially rejected and later accepted the role, Ranbir said, "I remember when Namit offered me this part around 4 years ago, my instant reaction was 'No', I'm not fit enough, not good enough, and I won't be able to do full justice". (adsbygoogle = window.adsbygoogle || []).push({}) The role, offered by producer Namit Malhotra for an ambitious adaptation, came with immense responsibility, something Ranbir wasn't immediately ready to embrace. However, what changed everything for Ranbir was a very personal thing, which was becoming a father. The actor shared how this life-altering experience gave him a new perspective and emotional depth. "Then I became a father. I think the sweet coincidence of playing Lord Rama and becoming a father was needed for a turning point in my life," the Brahmastra actor said. Ranbir married actress Alia Bhatt in April 2022, and the couple has a daughter named Raha. (adsbygoogle = window.adsbygoogle || []).push({}) This shift in mindset eventually led Ranbir Kapoor to accept the divine role, which is now shaping up to be one of the most significant performances of his career. With Ramayana mounted on a massive scale and backed by a strong creative vision, expectations are sky-high. What started as self-doubt has now transformed into a deeply personal and defining journey for Ranbir, one that audiences are eagerly waiting to witness on the big screen. The first look teaser of Ramayan will be released on April 2nd. It is produced by Namit Malhotra's Prime Focus Studio with Yash's Monster Mind Creations. The VFX is done by DNEG, while the music is composed by AR Rahman and Hans Zimmer.

BY CHRISTA LINCY

The first quarter of 2026 has provided a significant reality check for the Tamil film industry, where fiscal performance is no longer dictated by the size of the production budget. The trade reports indicate a sharp market correction; while elite star vehicles are struggling with high capital erosion, the mid-to-small range content films are operating with surgical precision at the ticket windows. This quarter marks a pivot toward theatrical efficiency, where the return on investment (ROI) has become the only metric that truly defines a films success in an increasingly volatile market. Analyzing the current trajectory, the Kollywood market is evolving into a content-first ecosystem. The audience has shown a clear preference for narrative depth over purely visual spectacle. The trade is observing a fascinating phenomenon where films like Parasakthi, despite a local verdict of flop, are finding a massive 23-crore offshore oxygen tank, proving that the overseas market is now a standalone power center. Meanwhile, the domestic box office is rewarding efficiency. The math is simple but lethal: the combined net of the top two low-budget films has effectively outperformed the recovery percentage of the quarters most expensive project. Kollywood Box Office Q1 2026 - Top 5 India Gross Collection MOVIE NAME INDIA GROSS COLLECTION Thaai Kizhavi* ₹ 70.47 Cr Parasakthi ₹ 62.10 Cr Youth* ₹ 45.60 Cr (As of Day 13) With Love ₹ 35.94 Cr Thalaivar Thambi Thalamaiyil ₹ 35.50 Cr *-movies are still running in theatres A closer look at the individual film economics further reinforces this trend. Thaai Kizhavi, made on a controlled budget of ₹10 crore, has already crossed ₹61 crore India net, delivering a massive return multiple and emerging as one of the most efficient performers of the quarter. Similarly, With Love and Youth, both produced on minimal budgets of just ₹4 crore, have comfortably entered the ₹30–40 crore net range, turning into high-return ventures purely driven by content acceptance. On the other end of the spectrum lies Parasakthi, mounted on a massive ₹150 crore budget. Despite generating a strong ₹85 crore worldwide gross and ₹52.50 crore India net, the film has struggled to recover its costs, underlining the risks associated with high-budget filmmaking in the current Tamil market. Thalaivar Thambi Thalamaiyil, made on a ₹10 crore budget, delivered a steady ₹30 crore+ net, positioning itself as a stable mid-range performer with decent recovery. Compared to previous years, the Tamil Nadu box office market has become more unpredictable but also more content-driven. Star power alone is no longer enough to guarantee box office success. Audience acceptance, genre freshness, and strong word of mouth are playing a much bigger role than before. This is a major structural shift in the Kollywood industry.If this trend continues through the rest of 2026, the industry may see more mid-budget films being greenlit rather than very large budget projects. Producers are likely to focus on profitability rather than just gross numbers. The Q1 data highlights a clear trend where small-budget films are delivering the highest profits. Both Youth and With Love were produced for just 4 Crores and have earned back many times their initial cost. In contrast, Parasakthi cost 150 Crores but has only recovered about one-third of its budget from the Indian market, resulting in a significant loss. For the rest of 2026, the focus will likely remain on realistic budgeting and high-quality storytelling to ensure theater profits.

BY SACNILK TEAM

Los Angeles, April 1 - Filmmaker Zack Snyder has surprised fans by heaping praise on Indian actor Huma Qureshi years after they collaborated on Army of the Dead, in which the actress played a key role. In a recent social media post, Snyder revisited his experience of working with Qureshi and didn't hold back in expressing admiration. The director described her as "one of the most amazing actors" he has worked with and lauded her for her "talent, presence, and pure brilliance on screen." The heartfelt note quickly grabbed attention across film circles and fans alike. (adsbygoogle = window.adsbygoogle || []).push({}) Huma Qureshi, who played the role of Geeta in Army of the Dead, responded warmly to the praise. She thanked Snyder and called him "the best," reflecting the mutual respect the two share since their collaboration on the Netflix-backed zombie heist film. What makes this moment particularly special is the timing. The film was released back in 2021, and such recognition years later highlights the lasting impression Qureshi left on the filmmaker. While her role in the ensemble cast was relatively brief, it clearly resonated with Snyder. (adsbygoogle = window.adsbygoogle || []).push({}) View this post on Instagram A post shared by zack snyder (@zacksnyder) The exchange has once again put a spotlight on Qureshi's international work and her growing global recognition. Having already made her mark in Indian cinema, moments like these reinforce her standing as a talent appreciated beyond borders. Snyder's appreciation also underscores how impactful performances, no matter the screen time, can leave a lasting mark on filmmakers and audiences alike.

BY CHRISTA LINCY

Dhurandhar 2: The Revenge is currently rewriting box office history and has already entered the all-time top 5 highest grossing Indian films worldwide. After Day 12, the film has collected approximately ₹1,044.20 crore India gross, ₹872.17 crore India net, and ₹1,394.20 crore worldwide gross. With these numbers, the film currently stands in the 4th position in the all-time worldwide gross list, behind Dangal, Baahubali 2, and Pushpa 2. To understand whether Dhurandhar 2 can become the highest grossing Indian film of all time, it is important to compare the current top films. Dangal remains the highest grossing Indian film worldwide with around ₹2,070 crore globally, largely boosted by its massive China run where it alone collected over ₹1,300 crore. Baahubali 2 collected around ₹1,788 crore worldwide, while Pushpa 2 collected around ₹1,742 crore worldwide. Dhurandhar 2 currently stands at ₹1,394 crore worldwide and is rapidly closing the gap. If we compare India gross collections, Pushpa 2 leads with around ₹1,471 crore India gross, followed by Baahubali 2 at around ₹1,416 crore India gross. Dhurandhar 2 has already crossed ₹1,044 crore India gross in just 12 days, which means it still has a strong chance of crossing Baahubali 2 and Pushpa 2 India gross totals if the trend continues for another 2–3 weeks. (adsbygoogle = window.adsbygoogle || []).push({}) Language Wise India Net Contribution Comparison MOVIE NAME HINDI TELUGU TAMIL KANNADA MALAYALAM TOTAL INDIA NET Pushpa 2 ₹ 812.14 Cr ₹ 341.48 Cr ₹ 58.56 Cr ₹ 7.77 Cr ₹ 14.15 Cr ₹ 1,234.10 Cr Baahubali 2 ₹ 510.99 Cr ₹ 338.80 Cr ₹ 125.85 Cr ₹ 0 Cr ₹ 54.78 Cr ₹ 1,030.42 Cr Dhurandhar 2 ₹ 818.04 Cr ₹ 35.42 Cr ₹ 15.35 Cr ₹ 1.98 Cr ₹ 1.38 Cr ₹ 872.17 Cr One of the most important comparisons comes from language contribution. Pushpa 2 had a massive contribution from Hindi markets, contributing more than ₹800 crore net alone, while Telugu contributed around ₹341 crore. Baahubali 2, on the other hand, had a more balanced distribution with Hindi contributing around ₹510 crore, Telugu around ₹338 crore, Tamil around ₹125 crore, and Malayalam around ₹54 crore. Dhurandhar 2 shows a very different trend. Out of its ₹872 crore India net so far, Hindi alone has contributed around ₹818 crore, which is an extremely high dependency on a single language market. Telugu has contributed around ₹35 crore, Tamil around ₹15 crore, Kannada around ₹2 crore, and Malayalam around ₹1.5 crore approximately. This clearly shows that Dhurandhar 2 is primarily driven by the Hindi market, unlike Baahubali 2 which had strong multi-language support. (adsbygoogle = window.adsbygoogle || []).push({}) This language distribution is both a strength and a drawback. The strength is that the Hindi market alone is driving the film towards historic numbers. The drawback is that the South language markets are contributing very little compared to Baahubali 2 and Pushpa 2, which had strong Telugu and Tamil markets supporting the overall total. Another major drawback for Dhurandhar 2 is the absence of a Gulf release. The Gulf market is extremely important for mass action films and big event films, and skipping this market could result in a loss of ₹200–250 crore potential overseas gross. This could directly affect the film's chances of competing with Baahubali 2 and Pushpa 2 worldwide totals. However, it is also important to note that Dangal's worldwide total is heavily dependent on China collections. During its initial India and overseas run (without China), Dangal's worldwide total was much lower. The China release later pushed it to the ₹2,000 crore mark. This means Dhurandhar 2's current worldwide total should be compared with the non-China phase of Dangal for a fair comparison. (adsbygoogle = window.adsbygoogle || []).push({}) Based on current trends, Dhurandhar 2 is almost certain to cross Pushpa 2 worldwide total and Challenging Baahubali 2 is difficult but still achievable depending on long-term theatrical run - If the film maintains strong third and fourth week collections.The Dangal record, however, is a different benchmark altogether due to its massive China contribution, and whether Dhurandhar 2 can reach that level remains a pure wait and watch scenario at this stage. In conclusion, Dhurandhar 2 is currently on track to finish in the Top 3 highest grossing Indian films of all time worldwide and could potentially finish at Rank 2 if the current trend continues. The film's biggest strengths are its historic Hindi market performance and strong weekday holds, while the biggest drawbacks are weak South language contributions and the absence of Gulf market collections. The final worldwide ranking will largely depend on how long the Hindi market sustains and whether the film gets additional overseas market releases in the coming weeks.

BY SUNIT JANGIR

Mumbai, March 31 - In less than two weeks, director Aditya Dhar's spy action thriller Dhurandhar 2: The Revenge has outnumbered its predecessor to become the highest-grossing film in Hindi at the domestic box office, and is now marching towards the 1000 crore club. Released four months ago, Dhurandhar stormed the box office with record-breaking numbers and eventually became the biggest Hindi net grosser with 840 crores, beating Pushpa 2's 812 crores. However, the record didn't last long as Dhurandhar 2 has climbed to number 1 in just 13 days. (adsbygoogle = window.adsbygoogle || []).push({}) The Ranveer Singh-starrer scored around 818 crores net in 12 days, and on its second Tuesday (13th day), the film is looking to earn around 25 crores in Hindi. This will take its total Hindi net past the first film, effectively making it the biggest Hindi blockbuster of all-time. The pace at which Dhurandhar: The Revenge is breaking records is remarkable. While it always looked like it would become the biggest blockbuster after the massive success of Dhurandhar, no one saw it doing this in under two weeks, which is something for the history books. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Biggest Hindi Net Grossers S. No. Movie Language Net Collection 1 Dhurandhar 2 (2026) Hindi ₹ 844+ Cr* (13D) 2 Dhurandhar (2025) Hindi ₹ 840.20 Cr 3 Pushpa 2 (2024) Hindi ₹ 812.10 Cr 4 Stree 2 (2024) Hindi ₹ 598 Cr 5 Chhaava (2025) Hindi ₹ 585.70 Cr The first Dhurandhar unlocked new potential for Hindi cinema, and Dhurandhar 2 has taken that to a notch higher. It is now a matter of time before it enters the 1000 crores net club, which will not only be the first instance in Hindi, but also for any language at the Indian box office.

BY SUNIT JANGIR

Hyderabad, March 31 - The much-awaited update on Allu Arjun's next big project, tentatively titled AA22xA6, is finally here, and it's set to arrive on a special date. The film is directed by Atlee, marking his first collaboration with Telugu superstar, and produced by Sun Pictures. While the update about the film was already reported, there have been rumours that the makers would be unveiling the first look teaser along with the title and release date of the film. Now, putting an end to the rumours, producer Bunny Vasu has provided a big update on the same. (adsbygoogle = window.adsbygoogle || []).push({}) BV pic.twitter.com/yFMwd3YtrR— Absolute KCPD (@AbsoluteKCPD) March 31, 2026 Contrary to the rumours, the producer said that the makers will only release the first look title poster on Allu Arjun's birthday, April 8. He said that AA22xA6 is a special film for the makers, and that is the reason they don't want to reveal much other than the title and poster. Made on a budget of over 600 crores, AA22xA6 is a sci-fi actioner, with potential time-travel elements. It boasts a massive female star cast, including Deepika Padukone, Rashmika Mandanna, Janhvi Kapoor, and Mrunal Thakur, in key roles. It is currently in production. Stay tuned...