Hollywood

14 hrs ago

762 views

The Odyssey Advance Booking: Here Is When Pre-Sales For Christopher Nolan's Film Open In IMAX In India

BY SACNILK

Mumbai, June 5 - Christopher Nolan's The Odyssey is among the most-anticipated films in India, and the makers are set to open IMAX advance bookings for the same on June 8, Warner Bros. Discovery India confirmed. The announcement comes amid unprecedented global excitement surrounding the filmmaker's next cinematic spectacle, which is scheduled for worldwide release on July 17, 2026. The Odyssey Bookings Open on June 8 in IMAX in India (adsbygoogle = window.adsbygoogle || []).push({}) Indian audiences will now get their chance to reserve seats beginning June 8 through participating IMAX theatres and ticketing platforms. Given Nolan's massive popularity in the country and the strong performance of his previous films in the premium format, demand for opening-weekend shows is expected to be extremely high. The move highlights IMAX's confidence in the film's appeal among Indian moviegoers. Nolan's last release, Oppenheimer, emerged as a major success in India, particularly across IMAX screens, and exhibitors are expecting The Odyssey to deliver another event-level theatrical experience, as The Odyssey is said to be the first film in cinema history to be shot entirely on IMAX cameras. Christopher Nolan's Most Ambitious Film Yet (adsbygoogle = window.adsbygoogle || []).push({}) Based on Homer's timeless Greek epic, The Odyssey follows Odysseus on his perilous journey home after the Trojan War. The film stars Matt Damon in the lead role, alongside Tom Holland, Zendaya, Anne Hathaway, Robert Pattinson, Charlize Theron, and Lupita Nyong'o. The project is also notable for being the first feature film shot entirely using IMAX film cameras, showcasing brand-new technology developed specifically for the production. Nolan has repeatedly pushed the boundaries of large-format filmmaking, and The Odyssey is expected to offer one of the most immersive theatrical experiences ever presented on IMAX screens. With bookings opening more than a month before release, The Odyssey is already shaping up to be one of the biggest movie events of 2026. Trade expects premium-format screenings to witness exceptional demand in the country, where IMAX screens have become the preferred destination for Nolan fans.

Tollywood

14 hrs ago

1.5K views

Every 100 Crore Telugu Opener Worldwide; Ram Charan's Peddi Joins Prabhas Dominated List

BY SACNILK

Hyderabad, June 5 - Superstar Ram Charan has added another major milestone to his career with Peddi. Directed by Buchi Babu Sana, the sports action drama stormed past the coveted 100 crore worldwide gross mark on its opening day, becoming the 11th Telugu film to achieve the feat. The film earned around 110 crore worldwide on Day 1, including more than 82 crore from India and approximately 28 crore from overseas markets. The 100 crores opening day achievement further cements Telugu cinema's dominance in the pan-Indian market, where event films have consistently delivered massive opening-day numbers over the last decade. What started with Baahubali 2 in 2017 has now become a benchmark for the industry's biggest releases. (adsbygoogle = window.adsbygoogle || []).push({}) Prabhas Continues To Rule The List One of the most striking aspects of the elite club is the overwhelming presence of Pan India superstar Prabhas. The actor headlines six of the eleven films on the list, with Baahubali 2, Saaho, Adipurush, Salaar, Kalki 2898 AD, and The Raja Saab. No other Telugu actor, or say an Indian actor, comes close to matching that level of representation. Prabhas' consistent ability to deliver record-breaking openings across genres has made him the undisputed king of opening-day box-office records in Indian cinema. The remaining entries belong to some of the industry's biggest stars, including Ram Charan (RRR and Peddi), Jr NTR (RRR and Devara), Allu Arjun (Pushpa 2), and Pawan Kalyan (They Call Him OG). (adsbygoogle = window.adsbygoogle || []).push({}) ₹100 Crore Telugu Openers Worldwide (Highest to Lowest) Rank Movie Lead Actor(s) Opening Day Worldwide GBOC 1 Pushpa 2 Allu Arjun ₹ 275.00 Cr 2 RRR Jr. NTR / Ram Charan ₹ 223.00 Cr 3 Baahubali 2 Prabhas ₹ 217.00 Cr 4 Kalki 2898 AD Prabhas ₹ 177.70 Cr 5 Salaar Part 1 Prabhas ₹ 158.10 Cr 6 They Call Him OG Pawan Kalyan ₹ 144.00 Cr 7 Devara Jr. NTR ₹ 142.00 Cr 8 Saaho Prabhas ₹ 130.00 Cr 9 Adipurush Prabhas ₹ 127.50 Cr 10 Peddi Ram Charan ₹ 110.50 Cr 11 The Raja Saab Prabhas ₹ 100.60 Cr (adsbygoogle = window.adsbygoogle || []).push({}) A Major Milestone For Ram Charan For Ram Charan, Peddi marks a particularly significant achievement. While RRR had previously crossed the 100 crore worldwide opening-day mark, it was a multi-starrer alongside Jr NTR and backed by the massive brand value of director S. S. Rajamouli. Peddi becomes Charan's first solo-led film to enter the coveted club, proving his box office strength outside of franchise and multi-starrer setups. The opening also comes as a major boost for the actor following the disappointing theatrical performance of Game Changer earlier last year.

Bollywood

17 hrs ago

373 views

Ajay Devgn's Drishyam 3 Gets Major Changes for Hindi Audience; Ravi Basrur Comes On Board

BY SACNILK

Ajay Devgn's much-awaited Drishyam 3 is gearing up for its theatrical release on October 2, 2026, and a fresh report has revealed an interesting update about the film's story and music. According to a report by Bollywood Hungama, the Hindi version of Drishyam 3 will not closely follow the recently released Malayalam original and will instead feature significant changes tailored for Hindi audiences. The first two installments of the franchise largely stayed faithful to their Malayalam counterparts. However, the report states that the makers have taken a different approach with the third chapter by introducing major alterations to the narrative, including several plot developments and twists. Despite these changes, the film is said to retain the essence of the Drishyam universe that audiences have come to associate with the franchise. The development is in line with what director Abhishek Pathak had previously indicated while discussing the project. The filmmaker explained that while both versions share the same emotional foundation, they have been designed differently in terms of storytelling. According to Pathak, the Malayalam version leans more towards a family drama, whereas the Hindi adaptation has been developed as a family thriller, a distinction that is expected to become more evident in the third installment. (adsbygoogle = window.adsbygoogle || []).push({}) The report further claims that the makers are pleased with the performances delivered by the ensemble cast. Apart from Ajay Devgn reprising his role as Vijay Salgaonkar, the film also features Tabu, Shriya Saran and several returning cast members from the previous installments. New additions such as Jaideep Ahlawat and Prakash Raj are also expected to play significant roles in the narrative, adding fresh dynamics to the story. Another notable update concerns the film's music. As per the report, acclaimed composer Ravi Basrur has come on board for Drishyam 3. Best known for his work in blockbuster films such as KGF, Salaar, Marco and Toxic, Basrur reunites with Ajay Devgn after their collaborations on Bholaa and Singham Again. His inclusion marks another change for the franchise, as each Hindi installment has featured a different musical team. While Vishal Bhardwaj composed the music for the first film, Devi Sri Prasad took over scoring duties for Drishyam 2. (adsbygoogle = window.adsbygoogle || []).push({}) Drishyam remains one of the most successful thriller franchises in Indian cinema. The Hindi adaptation of Drishyam 2 emerged as a major box office success in 2022, collecting over ₹342 crore worldwide and reaffirming the popularity of Vijay Salgaonkar's story among Hindi audiences. As a result, expectations for the third installment are considerably high. Presented by Star Studios and produced under the Panorama Studios banner, Drishyam 3 is directed by Abhishek Pathak and written by Abhishek Pathak, Aamil Keeyan Khan and Parveez Shaikh. The film is produced by Kumar Mangat Pathak, Abhishek Pathak, Alok Jain and Ajit Andhare and is currently scheduled to arrive in cinemas on October 2, 2026.

Kollywood

18 hrs ago

332 views

Jana Nayagan Faces Fresh Twist as Thalapathy Vijay Reportedly Asks Makers to Rework Distribution Deals

BY SACNILK

Fresh reports suggest that Thalapathy Vijay has asked the makers of Jana Nayagan to revisit the film's theatrical distribution strategy amid the ongoing uncertainty surrounding its release. According to the latest industry buzz, Vijay has reportedly advised KVN Productions to cancel the theatrical deals that were previously finalized and refund the advances received from distributors. The actor is said to prefer a fresh round of negotiations once the film's release date is officially locked. While there has been no official confirmation regarding these reports, the development has generated significant discussion within trade circles. Industry insiders believe the move, if true, would allow the makers to retain complete control over the film's theatrical business and potentially secure revised terms closer to release. Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan is one of the biggest Tamil releases currently awaiting a theatrical release. The film features Vijay in the lead role alongside Pooja Hegde, Mamitha Baiju, Bobby Deol, Prakash Raj and Gautham Vasudev Menon. Beyond its scale and commercial prospects, the project holds additional significance as it is Vijay's first film release since becoming the Chief Minister of Tamil Nadu, a factor that has amplified interest from audiences, exhibitors and trade circles alike. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan's journey to release has been further complicated by one of the biggest piracy controversies seen in Indian cinema in recent years. In April, an HD version of the entire film surfaced online and spread rapidly across piracy networks, social media groups and messaging platforms even before its official release. The leak triggered widespread concern across the film industry and prompted swift legal action from the makers. The Tamil Nadu Cyber Crime Wing subsequently launched an extensive investigation, arresting multiple individuals allegedly involved in the theft and circulation of the film. Investigators later claimed that the leak originated from unauthorized access to the movie's digital files during the post-production stage. The controversy resulted in hundreds of piracy links being taken down and even led to court intervention as the producers sought to curb the further circulation of the leaked version. The unprecedented leak is widely believed to have influenced the cautious approach currently being adopted towards the film's release plans and business agreements. Adding to the uncertainty are reports regarding the film's certification process. Trade discussions indicate that the makers are awaiting clarity on CBFC certification before proceeding with several key business decisions. It is being reported that fresh agreements for satellite, digital and other non-theatrical rights may only be finalized after the certification process is completed. (adsbygoogle = window.adsbygoogle || []).push({}) The delay in finalizing a release date has further fueled speculation. Although multiple release windows have been discussed in industry circles over the past few months, the makers have yet to announce a definitive release plan. Sources close to the trade suggest that the production team wants all approvals, clearances and business arrangements in place before committing to a release date. The reported move to restructure theatrical deals has naturally attracted attention from distributors and exhibitors. Given Vijay's massive box-office track record, Jana Nayagan is expected to be one of the biggest Tamil releases whenever it eventually hits theatres. Any change in the film's distribution strategy could therefore have a significant impact on its overall business prospects. For now, the makers have not issued an official statement regarding the reported cancellation of theatrical agreements. Until then, the claims remain part of the ongoing speculation surrounding Jana Nayagan, a film that continues to generate immense interest among fans and the trade alike as it moves closer to release.

Tollywood

20 hrs ago

2.6K views

Peddi Overseas Breakeven: Ram Charan Hits $1.57 Million Premieres, Second Best After RRR, Eyes High Breakeven Targets

BY SACNILK

Ram Charan is back on the big screen with Peddi, and the buzz surrounding this release has been nothing short of electric. Following the global impact of RRR, there is a natural curiosity to see how his solo films perform, especially on the international stage. Directed by Buchi Babu Sana and featuring Janhvi Kapoor as the leading lady, the movie has the benefit of a high-profile crew, including a musical score by AR Rahman. While the domestic response is always key, the real conversation this time is about the film's massive footprint in the overseas markets and the significant targets it needs to hit. Peddi started its journey with a strong financial base, having already crossed 275 crore in non-theatrical revenue. This includes the digital rights sold to Netflix for 115 to 130 crore, which could see an additional 20 crore bonus. Music rights brought in 35 crore via T-Series, while satellite deals are expected to range between 50 and 70 crore. The overseas theatrical rights were sold for 40 crore, which sets a high bar for the international market. Including the costs for print and advertising publicity and theater shares, the film needs to reach a cumulative international gross of 9 million dollars to hit the breakeven mark. Within that total international goal, the North American region alone accounts for a 6.5 million dollar breakeven target. Achieving this will require a very consistent performance across the United States and Canada over the coming weeks. The initial reports from Venky Box Office are encouraging, as the North American premiere shows brought in 1.57 million dollars. This figure is particularly notable because it stands as Ram Charans highest solo premiere number to date and his second-best overall, trailing only the massive opening of RRR. (adsbygoogle = window.adsbygoogle || []).push({}) The premiere performance has successfully placed Peddi among the top Telugu openings ever recorded in the United States. Looking at how these numbers compare to previous major releases helps show where the film stands in the current market. Here is how the rankings for the highest North American premieres currently look: 1. Kalki 2898 AD - $3.9M 2. RRR - $3.5M 3. Pushpa 2: The Rule - $3.34M 4. They Call Him OG - $3.14M 5. Devara - $2.85M 6. Salaar - $2.6M 7. Baahubali 2 - $2.45M 8. Peddi - $1.57M 9. Agnathavaasi - $1.52M 10. Guntur Kaaram - $1.42M While landing at the eighth spot on this all-time list is impressive, the road to profitability requires sustained momentum. A key comparison point often discussed is the Rangasthalam benchmark. Ram Charan's previous solo career-best in North America was the masterpiece Rangasthalam, which finished its lifetime run at 3.51 million dollars. For Peddi to hit its 6.5 million dollar breakeven goal, it must gross roughly 85 percent more than what Rangasthalam achieved. This shows just how much the market and the costs have expanded in recent years. With advance sales for the first weekend in North America already hitting 1.37 million dollars, the film is moving in the right direction, but the weekdays will be the ultimate decider. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the broader overseas picture, the early estimates for the opening day, which includes both premieres and Day 1, are looking very healthy. Early figures suggest a collection in the range of 2.85 million to 2.9 million dollars, which is approximately 27.5 crore in Indian currency. This marks the second-biggest overseas opening for Ram Charan, trailing only RRR, which opened at 3.5 million dollars. The total advance sales for the overseas opening day had already set a high bar at 1.65 million dollars, proving that the actor's brand value has grown significantly across different global territories. In summary, Peddi has successfully converted the pre-release hype into a massive opening. The film has the advantage of a strong non-theatrical cushion, but the focus remains on reaching the 9 million dollar target for a successful run. The start is historic, the numbers are record-breaking for a solo film of its kind, and the trend looks positive. However, achieving the status of a clean hit will require the film to hold its ground firmly through its second week.

Bollywood

1 day ago

419 views

Bandar Showcasing Conflict: Zee Studios Puts Multiplex Release on Hold Amid Screen-Sharing Battle

BY SACNILK

The upcoming weekend at the box office is shaping up to be quite chaotic, with multiple releases fighting for space in theaters. While we recently saw Scary Movie get delayed, other titles like Hai Jawani Toh Ishq Hona Hai and the Hindi version of Peddi are currently locked in a screen-sharing struggle. The latest film to join this conflict is the Bobby Deol-starrer Bandar. According to an exclusive report by Bollywood Hungama, Zee Studios has decided to put the film's showcasing on hold across national multiplex chains until a fair distribution agreement is reached. The root of the problem lies in how shows are being distributed among the new releases. Sources inform that the makers of Bandar had a very specific and modest request for their release. They asked for about 3 to 4 shows in multiplexes with 4 or 5 screens, specifically for timings after 1 pm. This was designed to cater to their target audience while acknowledging the heavy rush of other films. However, because national chains like PVR, Inox, and Cinepolis are directly involved in distributing the competing films, Bandar has reportedly been offered a much smaller and less favorable showcasing than expected. Zee Studios has taken a firm stand on this issue, choosing to halt the programming in these major chains rather than accepting what they consider an unfair deal. Girish Johar, the Distribution and Revenue Head at Zee Studios, spoke with Bollywood Hungama and explained that their strategy was never about a massive, wide release. Instead, they planned for a smart release on roughly 500 to 600 screens. The logic was to build the film's presence through positive word of mouth, allowing it to have a long run at the box office rather than a crowded opening day. (adsbygoogle = window.adsbygoogle || []).push({}) The team behind Bandar also pointed out that the runtime of the film is a manageable 130 minutes, making it easier to fit into a tight schedule. There is also a belief within the team that the advance sales for the competing films are not high enough to justify the lopsided show allotment they are currently seeing. By putting the showcasing on hold, the producers are hoping to negotiate a better window that gives the film a genuine chance to reach its core audience. As the situation develops, it remains to be seen if the national chains will adjust the programming before the Friday release. For now, the strategy for Bandar remains focused on quality over quantity, with the hope that once the shows are sorted, the film can prove its worth through audience feedback. Bandar, which is titled Monkey in a Cage for international markets, is an intense crime thriller directed by Anurag Kashyap and produced by Nikhil Dwivedi. The film features Bobby Deol in a gritty role as a fading television star who finds himself caught in a corrupt legal battle after being accused of rape by his ex-girlfriend. Before its global theatrical release on June 5, 2026, by Zee Studios, the film earned significant critical attention during its world premiere at the Toronto International Film Festival on September 6, 2025. Given the prestige of its festival run and the heavy themes involved, the makers are clearly banking on the quality of the content to sustain it through the upcoming competitive weekend.

Bollywood

1 day ago

649 views

Deool Band 2 Day 15 Box Office: Marathi Sequel Hits 50 Crore Milestone, Leaving it 10 Crore Shy of Surpassing Ved

BY SACNILK

Deool Band 2 has reached a massive milestone in its theatrical journey, officially crossing the 50 crore net mark at the Indian box office. This sequel, written and directed by Pravin Tarde, has clearly touched an emotional chord with the audience by blending a gritty social narrative with deep devotional themes. By addressing the sensitive issue of farmer suicides through the eyes of Sangeeta, a struggling woman who finds solace in visions of Shri Swami Samarth, the film has managed to sustain interest far beyond the typical run of a regional drama. Mohan Joshi's return as the saint and Snehal Tarde's powerful performance as Sangeeta have driven this success, proving that stories rooted in faith and local struggles still carry enormous weight at the ticket windows. Entering the 50 crore club is a rare feat for Marathi cinema, and it cements this production's status as a blockbuster. As of its 15th day, the film is continuing its steady run despite entering its third week. Live updates show that the movie has added about 0.41 crore net so far today, which pushes the total India net collection to 51.21 crore. Looking back at the 14th day, which was the second Wednesday, the film earned 1.80 crore. While this was a 23.4 percent drop from the previous day, the hold remained respectable for a mid-week performance. On the gross side, the domestic total has now successfully surpassed the 60 crore mark, currently standing at 60.22 crore. Take a look at the collection breakdown of the movie over its first 14 days: Week 1 Collection: ₹30.20 Cr Day 9: ₹3.10 Cr Day 10: ₹5.00 Cr Day 11: ₹5.75 Cr Day 12: ₹2.60 Cr Day 13: ₹2.35 Cr Day 14: ₹1.80 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The core of this success remains the solid footprint in Maharashtra, particularly in major hubs like Mumbai and Pune. On Wednesday, Mumbai recorded an overall occupancy of around 17.5 percent across 626 shows. Pune performed even better, witnessing nearly 25 percent occupancy from its 408 shows. These two regions have been the engine room for the movie, providing the necessary volume to maintain high daily totals even after the initial opening weekend rush. With 51.21 crore net already in the bank, the next logical target for Deool Band 2 is the record set by the blockbuster Ved. According to the current standings, the film needs to collect approximately 10 crore more to surpass the 61 crore net mark achieved by Ved. Given that it has just entered its third week and still has 826 shows running today, the path toward that record seems clear, though the pace of collection over the coming weekend will be crucial in determining how quickly it closes that gap. In the national multiplex chains, the film saw a decent turnout during its second Wednesday. The combined gross from major chains like PVR, INOX, and Cinepolis was approximately 12 lakh. This came from about 5,400 tickets sold across 570 shows. PVR led the contribution with nearly 6 lakh, while INOX and Cinepolis followed with roughly 3 lakh each. The average occupancy across these premium screens hovered around 4 percent, showing that the urban audience is still trickling in to watch the sequel.

Tollywood

1 day ago

5.8K views

Peddi Day 1 Box Office: Ram Charan Starrer Hits 1 Million Tickets Milestone on BookMyShow

BY SACNILK

The highly anticipated rural sports drama Peddi has officially hit the theaters today, and the response at the ticket windows is proving to be massive. Marking the first collaboration between Global Star Ram Charan and director Buchi Babu Sana, the film has already crossed a major milestone by selling over 1 million tickets on BookMyShow so far. This achievement, which includes both the advance bookings and the rapid current day sales, confirms the ground-level hype for the project set against the backdrop of 1980s rural Andhra Pradesh. When we look at the final pre-sales data, Peddi secured a prestigious position among the biggest Telugu openers since 2024. The film concluded its advance booking window with 875,000 tickets sold on BookMyShow, making it the 5th highest pre-seller for a Telugu movie in recent years. By crossing this mark, it comfortably surpassed the final advance booking numbers of major films like OG, Game Changer, and Guntur Kaaram. While it sits behind massive releases like Pushpa 2, Kalki 2898 AD, and Devara, entering the top five list suggested early on that the film was carrying heavy blockbuster momentum. The ticket sales trajectory since this morning has been particularly aggressive, helping the film reach that 1 million mark quickly. Starting from 6 am, the hourly bookings on BookMyShow showed a rapid upward climb. In the first hour, the film sold about 8,400 tickets, but this number surged as the morning progressed. Between 10 am and 11 am, sales peaked at approximately 43,500 tickets. By noon today, the total tickets sold within just the first six hours of the day reached nearly 1.80 lakh. This kind of morning madness indicates that spot bookings are exceptionally high, particularly in the Telugu states where the opening buzz is fueling the demand. (adsbygoogle = window.adsbygoogle || []).push({}) The performance within national multiplex chains also reflects this large-scale opening. For Day 1, the major chains have recorded a gross of approximately 1.70 crore( As of 2 pm in the afternoon) .This comes from nearly 54,000 tickets sold across these premium screens. While these figures represent the urban center trend, the jump in current day bookings shows that the city audience has turned up in full force for the release day shows. A national chain occupancy of nearly 30 percent on its first day is a positive indicator of its overall theatrical potential. With a runtime of 3 hours and 9 minutes, Peddi is being mounted as an emotional big-screen entertainer centered around a community-driven sports story. The combination of Ram Charan's screen presence and Buchi Babu Sana's storytelling seems to have resonated well with the viewers. As we move into the evening and night shows, the focus will be on the final Day 1 totals to see where this rural drama ranks among the biggest openers for the actor, especially to see if it can secure the second spot in his career right behind RRR.

Tollywood

2 days ago

1.1K views

Allu Arjun's AA23 With Lokesh Kanagaraj Shelved? Here Is What We Know

BY SACNILK

Hyderabad, June 3 - Rumours have been circulating on social media suggesting that Allu Arjun's highly anticipated collaboration with director Lokesh Kanagaraj, tentatively called AA23, may have been shelved. However, the latest developments indicate that the project remains very much on track. (adsbygoogle = window.adsbygoogle || []).push({}) The film was officially announced on January 14, 2026, by Mythri Movie Makers, marking the first-ever collaboration between Allu Arjun and Lokesh Kanagaraj. The announcement video generated massive excitement among fans, and it was confirmed that the project would begin production in 2026. In April 2026, updates revealed that script work for the project was actively underway, with the makers focusing on developing the screenplay before moving into full-scale production. Reports also suggested that shooting was planned to commence during 2026 after the completion of pre-production activities. (adsbygoogle = window.adsbygoogle || []).push({}) The speculation regarding the project cancellation appears to stem from the lengthy pre-production process and the busy schedules of both Allu Arjun and Lokesh Kanagaraj. According to the Tamil industry tracker, Ramesh Bala, all the rumours surrounding the project being shelved are completely baseless. The film is very much on track and progressing exactly as planned. At present, there is no official statement from the actor, director, or production house suggesting that AA23 has been shelved. On the contrary, the most recent reports indicate that the film remains in development, with scripting and pre-production continuing ahead of its planned shoot. Given the scale of the collaboration and the expectations surrounding the project, fans may have to wait longer than expected.

Bollywood

2 days ago

344 views

Ranveer Singh FWICE Dispute: Federation Withdraws Non-Cooperation Directive; Calls For Amicable Resolution

BY SACNILK

The Federation of Western India Cine Employees (FWICE) has officially withdrawn its non-cooperation directive against actor Ranveer Singh. This decision was announced during a press conference held on June 3, 2026, marking a major step toward resolving the recent friction between the actor and the federation. As first reported by Bollywood Hungama, this move effectively rolls back the directive that had been in place since May 25, bringing much-needed relief to several ongoing and upcoming projects. The decision to lift the directive follows an intervention by the Indian Motion Picture Producers Association (IMPPA). Chief Advisor Ashoke Pandit, alongside President Birendra Nath Tiwari and General Secretary Ashok Dubey, confirmed that the directive was being withdrawn with immediate effect. The federation credited IMPPA President Abhay Sinha for his role in mediating the situation, stating that the step was taken in good faith to ensure that the larger interests of the film industry and its members are protected. During the announcement, Ashoke Pandit emphasized the importance of maintaining a collaborative environment within the industry. He invited the actor to sit down with the federation and resolve the underlying issues together, noting that the film industry is like a family to everyone involved. The federation expressed its appreciation for the stardom the actor has achieved and shared a supportive stance, mentioning that they want to see him grow even further as a star rather than being caught in administrative disputes. (adsbygoogle = window.adsbygoogle || []).push({}) The backdrop of this withdrawal also includes a legal development, as the federation confirmed they had received a legal notice from Ranveer Singh regarding the non-cooperation directive. While the legal department is currently looking into a response for the notice, the leadership of FWICE clarified that their priority is to find a middle path that does not negatively impact producers, directors, or other technicians. The sentiment shared was that this resolution is not about victory or defeat for either side, but about finding a fair and mutually beneficial way forward. By taking this step, the federation aims to prevent any further encumbrances on content production. The focus is now on reaching an amicable and constructive resolution through dialogue. With the directive no longer in effect, the industry expects a smoother transition back to normalcy for the projects associated with the actor. This move is being seen as a positive sign of maturity within the industry bodies, showing a willingness to prioritize professional harmony over prolonged conflicts.

Bollywood

2 days ago

357 views

Post Ranveer Singh's Don 3 and Akshaye Khanna's Drishyam 3 Exits, Producers Guild Issues Official Statement On Professional Accountability

BY SACNILK

The Producers Guild of India has taken a firm stand against the growing trend of talent and technicians backing out of projects at the last minute. In a strongly worded official statement released on June 3, 2026, the Guild addressed instances of professionals reneging on their commitments just days before the start of principal photography. This move comes at a time when the industry is already buzzing with reports of high-profile exits from major franchise films, specifically involving Excel Entertainment and Panorama Studios. As first reported by Bollywood Hungama, these developments have caused significant disruptions in the planning and execution of some of the most anticipated upcoming projects. The Guild revealed that it has received formal complaints from its members, Excel Entertainment Private Limited and Panorama Studios International Limited. While the official statement did not name any individuals, the timing points toward recent industry headlines. Excel Entertainment, led by Farhan Akhtar and Ritesh Sidhwani, has reportedly been dealing with complications after Ranveer Singh's exit from Don 3. The project had built massive expectations as Ranveer was set to carry forward the legacy of the iconic character played by Amitabh Bachchan and Shah Rukh Khan. His sudden departure at an advanced stage of preparation has reportedly created serious logistical and financial hurdles for the production house. (adsbygoogle = window.adsbygoogle || []).push({}) Similarly, Panorama Studios, headed by Kumar Mangat Pathak, faced a similar situation with Drishyam 3 following the exit of Akshaye Khanna. This particular development was a major point of contention in late 2025, with the producer expressing strong disapproval over the last-minute change. These instances served as the catalyst for the Guild to intervene, highlighting that such behavior is not just a breach of contract but a blow to the collaborative spirit of the filmmaking community. In its statement, the Guild emphasized that no industry member should engage in actions that result in substantial financial losses for producers and other sectors of the trade. It noted that these last-minute exits have serious and far-reaching consequences, undermining the trust and mutual respect upon which the film industry is built. Beyond the immediate financial impact on producers, the statement expressed concern for the livelihoods of hundreds of technicians and crew members who depend on these films for their income. (adsbygoogle = window.adsbygoogle || []).push({}) The statement further explained that such actions cause significant reputational damage and adversely impact the brand value and credibility of the films involved. While the Guild clarified that it supports a free and fair business environment, it made it clear that it does not encourage disruptions in the content production process. It termed any position contrary to this principle as unethical, as it harms the collective interests of the entire film fraternity. Statement by Producers Guild of India. pic.twitter.com/I4OoeTX5kC— Producers Guild of India (@producers_guild) June 3, 2026 Concluding its address, the Producers Guild urged all parties to resolve their disputes in an amicable manner. The organization asserted its commitment to protecting the interests of the industry and ensuring that professionalism remains a priority. This official stand is expected to trigger a much-needed conversation within Bollywood regarding accountability and the importance of honoring professional commitments to ensure the smooth functioning of the film business.

Bollywood

3 days ago

585 views

Drishyam 3 Update: Ajay Devgn Starrer Wraps Shooting As Post-Production Begins Ahead Of October Release

BY SACNILK

Mumbai, June 2 - Bollywood star Ajay Devgn's upcoming crime suspense thriller Drishyam 3 has wrapped up its filming. The highly anticipated sequel has now moved into post-production and is gearing up for its theatrical release on October 2, 2026. Director Abhishek Pathak recently confirmed the completion of the film's final shooting schedule, marking a major milestone for one of Bollywood's most awaited releases. (adsbygoogle = window.adsbygoogle || []).push({}) The filmmaker shared an emotional note with the cast and crew, expressing gratitude for their efforts throughout the production journey. The film's production was carried out across multiple locations, including Mumbai and Goa. Reports suggest that the makers filmed several crucial sequences during an extended Goa schedule, which played a significant role in bringing the story to life. Star-Studded Cast Returns Ajay Devgn reprises his iconic role as Vijay Salgaonkar, the ordinary man who repeatedly outsmarts the police and protects his family. Returning alongside him are Tabu as Meera Deshmukh and Shriya Saran as Nandini Salgaonkar. The third instalment also features acclaimed actor Jaideep Ahlawat in a pivotal role, adding further intrigue to the mystery thriller. Veteran actor Prakash Raj recently completed his portions for the film and expressed confidence that audiences would enjoy the final product. (adsbygoogle = window.adsbygoogle || []).push({}) One Of Bollywood's Most Anticipated Sequels The Drishyam franchise has emerged as one of the most successful thriller series in Indian cinema. Both previous instalments were major box office successes, with audiences praising their gripping storytelling, suspenseful twists, and strong performances. As a result, expectations for Drishyam 3 are exceptionally high. While plot details remain under wraps, industry reports indicate that the Hindi adaptation may incorporate fresh narrative elements, ensuring surprises even for viewers familiar with the original Malayalam version. With filming now complete, the countdown to release has officially begun. The makers are expected to unveil the film's first teaser, posters, and promotional material in the coming months. Scheduled to arrive in cinemas on October 2, 2026, Drishyam 3 is poised to be one of the biggest Bollywood releases of the year. Fans will once again witness Vijay Salgaonkar's battle of wits as the franchise returns with another chapter of suspense, mystery, and high-stakes drama.