Drishyam 3 UK Advance Booking Opens 4 Weeks Early; Official Teaser Date Inside

By Christa Lincy
April 28, 2026 at 10:14 PM IST
1.3K
4 min read

Mohanlal's Drishyam 3 starts UK advance bookings today via RFT Films and Cineworld. Get the latest on the official teaser release date and the strategic reason behind the film's delay.

Drishyam 3 UK Advance Booking Opens 4 Weeks Early; Official Teaser Date Inside

Advance bookings for Mohanlal's Drishyam 3 are set to open in the UK today, marking an early start four weeks before the film's official theatrical release. Industry tracker AB George reported that RFT Films and the Cineworld chain are initiating this window, which is an unusually long lead time for an Indian film in the international market. Adding to the momentum, Mohanlal has officially announced that the first teaser of the film will be released tomorrow, April 29, 2026, at 5 PM IST.

The UK market has played a pivotal role in the global journey of this franchise, dating back to 2013 when the first Drishyam became the first Malayalam film to gross over ₹1 crore in the territory. While the 2021 sequel opted for a direct-to-digital release during the pandemic, Drishyam 3 marks the first major theatrical return for the series in over a decade. The landscape for Malayalam cinema in the UK has evolved significantly during this gap, with recent hits like Vaazha 2 and L2: Empuraan expanding the reach of regional content. Due to strong brand loyalty, the franchise is often viewed as a family event in the region, successfully drawing in non-Malayali audiences through subtitled screenings. With an expanded theater network now available, the third installment is positioned to potentially become the highest-grossing Malayalam thriller in the history of the UK box office.

This high-stakes global rollout is supported by a significant financial partnership established earlier this year. PEN Studios has committed an investment of ₹100 crore into Aashirvad Cinemas through Panorama Studios specifically for the production of the Malayalam original. This strategic collaboration between the major production houses ensures that the third installment is mounted on a massive scale, matching the worldwide demand and brand value that the Drishyam franchise has built over the years.

The project was initially scheduled for an April 2 release but was postponed due to geopolitical tensions in the Middle East. As the GCC market is a vital territory for Malayalam cinema, the makers opted for a strategic delay to ensure an optimal release window. It is now confirmed that the Malayalam version will arrive in theaters first, dismissing earlier reports of a simultaneous rollout with other versions to safeguard the film's narrative twists. Furthermore, the Hindi remake featuring Ajay Devgn is already set for an October 2, 2026, release, aligning with the Gandhi Jayanti holiday.

The decision by UK distributors to open bookings a month in advance highlights the massive brand equity of the Drishyam franchise. By providing a longer booking window, the team intends to capitalize on the popularity of the Georgekutty character to secure a strong opening weekend in Europe. While the original version leads the way, the Hindi remake featuring Ajay Devgn is already locked for a Gandhi Jayanti release on October 2, 2026, ensuring the franchise remains a topic of discussion throughout the year.

The speed at which a film reaches the ₹1 Crore pre-sales milestone has become a major benchmark for tracking superstar-led projects in Kerala. Currently, Empuraan holds the record for the fastest film to hit this mark, followed by Leo and the multi-starrer BhaBhaBa. The Mammootty-Mohanlal starrer Patriot also features prominently in this list of top openers, alongside the highly anticipated Coolie. With Drishyam 3 preparing for its domestic rollout, industry eyes are on whether the Mohanlal-Jeethu Joseph collaboration can challenge the top spot currently occupied by Empuraan and set a new standard for pre-release momentum in the state.

Drishyam 3 is positioned as a prestigious project intended to conclude the legendary thriller saga. The early booking rollout in the UK serves as a strategic move to establish a record-breaking global footprint, with similar early windows expected in North America and the Gulf. As one of the most anticipated sequels in Indian cinema, the film is expected to be a major high-priority title for the Mollywood box office, aiming to set new benchmarks for regional cinema on the international stage.

Tags

Published on April 28, 2026 at 4:44 PM

Write Your Comment Here

0/500

Max 500 characters, 100 words. Comments are moderated.

Related News & Articles

Rishab Shetty's Chhatrapati Shivaji Maharaj Biopic Expanded Into A Two-Part Theatrical Saga Bollywood
7 views

Rishab Shetty's Chhatrapati Shivaji Maharaj Biopic Expanded Into A Two-Part Theatrical Saga

BY CHRISTA LINCY

Rishab Shetty is currently at a peak in his career, especially after his National Award win for Kantara. If you have been following his upcoming line-up, it is clear that he is moving toward massive, high-budget epics. According to a report by Variety India, his highly anticipated historical project, The Pride of Bharat: Chhatrapati Shivaji Maharaj, has now seen a major change in its production strategy. Originally planned as a single film, the makers have decided to expand the story into a two-part theatrical saga. This expansion is not just about the length of the story but also the sheer scale of the production. Variety India has revealed that the film is being mounted on a massive budget of over ₹500 crore. This puts it among the most expensive historical dramas ever produced in Indian cinema. The vision behind splitting the film into two chapters is to capture the vast legacy and defining moments of Chhatrapati Shivaji Maharaj with the detail they deserve. The current plan is to release the first chapter in 2028, with the second chapter following closely in 2029. (adsbygoogle = window.adsbygoogle || []).push({}) Director Sandeep Singh is aiming for a high level of authenticity, with a significant portion of the filming expected to take place across Maharashtra. This is where the Maratha kingdom was established, and the team wants to bring those historical sites to life on the big screen. However, fans will have to wait a bit longer for cameras to start rolling. Rishab Shetty is first expected to complete his work on Jai Hanuman, directed by Prashanth Varma, which is slated for a 2027 release. Once his commitments for that film are over, he will fully transition into the role of the legendary Maratha ruler. The scale of this project marks a significant moment for Hindi-language cinema as well, as it is being positioned as one of the most ambitious interpretations of Shivaji Maharaj's life. While the Maratha ruler has been the subject of many films over the years, the ₹500 crore budget and the two-part structure suggest that this version will be on a different level entirely. The first look of Rishab Shetty in this role has already created a lot of conversation online, and the official confirmation of this revised release strategy has only added to the anticipation. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the budget and the scale, there has also been a lot of discussion regarding a potential box office clash that has now been averted. Earlier reports suggested that the film might go head-to-head with Sanjay Leela Bhansali's highly anticipated Love and War. However, by moving the release of the first chapter to 2028, the makers have effectively avoided a massive confrontation. This shift is being seen as a calculated strategic move to ensure that both projects have enough breathing room at the box office. By choosing a solo window, the production team aims to maximize screen counts and audience reach, preventing two of Indian cinema’s biggest titles from eating into each other’s revenue. As of now, the technical crew and the rest of the supporting cast are yet to be officially announced. With Jai Hanuman in 2027 and the two parts of the Shivaji saga in 2028 and 2029, Rishab Shetty's schedule for the next few years is officially packed with some of the biggest films in the country.

Spider-Man: Brand New Day to skip IMAX release in India as Christopher Nolan's The Odyssey secures exclusive screens Hollywood
29 views

Spider-Man: Brand New Day to skip IMAX release in India as Christopher Nolan's The Odyssey secures exclusive screens

BY CHRISTA LINCY

July is shaping up to be one of the biggest months for Hollywood releases in India, with two massive titles arriving just weeks apart. Christopher Nolan's period epic, The Odyssey, is scheduled to hit screens on July 17, followed by the highly anticipated Spider-Man: Brand New Day on July 30. While both films are still a few weeks away, the buzz is already reflected in the advance bookings. Tickets for The Odyssey went live on June 8, while Spider-Man bookings opened yesterday, June 17. The response has been overwhelming, suggesting a massive opening for both films at the Indian box office. However, there is a specific detail that has caught the attention of Marvel fans. For the first time in a long while, a solo Spider-Man film will skip an IMAX release in India. While these films are usually a staple for the giant screen format, Sony Pictures India recently confirmed that Spider-Man: Brand New Day will not be available in IMAX. Instead, the studio is steering audiences toward other premium large-format screens like PXL, 4DX, ScreenX, and Dolby Cinema. This decision is not about the film's quality, but rather a strategic screen-locking move by Christopher Nolan. (adsbygoogle = window.adsbygoogle || []).push({}) The reason behind this IMAX absence is the exclusive window secured for The Odyssey. Nolan's latest project was shot entirely using IMAX 70mm film cameras, making it a priority for the format globally. Because of the technical requirements and Nolan's long-standing partnership with the brand, all IMAX screens in India and around the world will exclusively play The Odyssey for a minimum of three weeks. Since Spider-Man arrives just thirteen days after Nolan's film, it falls directly into this lockout period, leaving no room for the web-slinger on IMAX screens. This trend of exclusive IMAX windows is becoming more common as filmmakers push for specific cinematic experiences. We saw a similar situation during the release of Oppenheimer in 2023, where its sustained performance kept other big titles away from IMAX for weeks. It looks like the industry is heading toward more of these clashes, as reports suggest that the upcoming Avengers: Doomsday might also face similar screen issues when it goes up against Dune: Part Three later in the year. To counter this, studios like Disney are even looking into introducing their own premium certifications to ensure their blockbusters still feel like a grand event. (adsbygoogle = window.adsbygoogle || []).push({}) Despite the lack of IMAX shows, the hype for Spider-Man: Brand New Day remains incredibly high. Fans are quickly filling up shows in other immersive formats like 4DX and ScreenX, which offer their own unique viewing experiences. The film also holds a unique connection to its competitor, as Tom Holland stars in both of these July blockbusters. It is a rare situation where an actor will be competing against himself at the box office with two of the years most anticipated movies. Spider-Man: Brand New Day is set to release in multiple languages including English, Hindi, Tamil, Telugu, Malayalam, and Kannada. Indian audiences will actually get to see the film on July 30, a day before its global release on July 31. With a wide variety of formats like 3D, Dolby Cinema, and MX4D still available, the movie is expected to dominate the charts, even if the biggest screens in the country are occupied by Nolan's epic journey.

Peddi Team Includes 6 Minutes of Additional Footage In Cinemas; But Will The Gimmick Work? Tollywood
102 views

Peddi Team Includes 6 Minutes of Additional Footage In Cinemas; But Will The Gimmick Work?

BY SUNIT JANGIR

Hyderabad, June 18 - Superstar Ram Charan's Peddi is already in its second week in theatres, and the film's overall reception has been noticeably mixed despite the massive pre-release hype surrounding it. While the movie opened strongly on the back of star power and aggressive promotions, the momentum appears to have slowed after the initial weekend as audience reactions became more divided. (adsbygoogle = window.adsbygoogle || []).push({}) Meanwhile, considering the fading momentum at the box office, the makers have announced additional footage which will be attached to the already existing runtime from today (June 18). The movie is already nearing the end of its second week, and it has been in the unwanted controversy amid the mixed box office results. Newly inserted scenes are reportedly intended to enhance emotional depth and strengthen certain character arcs, based on audience feedback. The move once again highlights a familiar trend in Telugu cinema. Whenever a film fails to meet the industry's towering expectations, filmmakers often turn to post-release additions such as extended scenes, restored deleted footage, or modified edits in an attempt to revive audience interest. These revised versions are usually marketed as "improved cuts," creating fresh discussion around the film. (adsbygoogle = window.adsbygoogle || []).push({}) However, past results show that such gimmicks rarely make any significant impact on a movie's long-term box office prospects. In today's social media era, audience verdicts are formed within the first few days itself. Once word-of-mouth settles, changing public perception becomes extremely difficult. At best, additional footage may generate temporary curiosity among hardcore fans, but it seldom changes the overall theatrical fate of a film. In the case of Peddi, the six added minutes may slightly improve the viewing experience for audiences still watching the film in theatres. But expecting the additional runtime to dramatically alter the film's commercial trajectory may be unrealistic. Ultimately, a film's success depends on strong storytelling and emotional connection — not on post-release patchwork designed to manage perception after the first week. (adsbygoogle = window.adsbygoogle || []).push({}) The film has already grossed around 320 crores worldwide in 14 days, which is otherwise a decent performance, thanks to a good performance in the Telugu states. However, the film needs to score way more than this worldwide to emerge as a clean box office hit, which is looking tough at this moment. After the initial rush, the box office momentum is slowing down, and if the additional footage also fails to improve buzz, the movie may be heading to an average affair.

Peddi Box Office: Overtakes Mana Shankara Vara Prasad Garu in North America; Becomes Highest Telugu Grosser of 2026 Tollywood
132 views

Peddi Box Office: Overtakes Mana Shankara Vara Prasad Garu in North America; Becomes Highest Telugu Grosser of 2026

BY CHRISTA LINCY

While Peddi has managed to cross the $3.4 million mark in North America after 13 days, the numbers tell a story of underperformance when placed against its high stakes. On the surface, surpassing the $3.38 million lifetime gross of Mana Shankara Vara Prasad Garu and becoming the top Telugu grosser of 2026 in this territory looks like a milestone. However, when we look at the actual economics, the film is struggling to justify its massive pre-release valuation in the overseas market. The North America breakeven target for this Ram Charan starrer was set at a staggering $6.5 million, which is roughly ₹62.22 crore. This was the highest target ever set for his solo lead films in this region, setting a very high bar for success. With the film currently trending toward an expected closing gross of approximately $3.50 million, it is clear that Peddi will fall significantly short of its recovery goal. Despite the top-ranking status for the current year, the wide gap between the target and the actual collection marks the film as a box office failure in the overseas circuit. (adsbygoogle = window.adsbygoogle || []).push({}) The films current performance has allowed it to overtake the lifetime collections of Mana Shankara Vara Prasad Garu, which earned $3.38 million in the region. Reaching this total in less than two weeks shows a strong connection with the NRI audience and reflects the steady interest the film has maintained since its release. It is currently sitting at $3.42 million and is continuing to add to its tally as it nears the end of its second week. When looking at the all-time list of Telugu grossers in this market, Peddi has now entered the top tier. It is currently placed at the 12th spot, having moved past films like Bharat Ane Nenu and Mana Shankara Vara Prasad Garu. The film is now chasing the numbers set by Rangasthalam, which is the next target on the list. (adsbygoogle = window.adsbygoogle || []).push({}) Top Telugu Grossers in North AmericaRANKMOVIE NAMENORTH AMERICA GROSS ($ MILLION)1Baahubali 2 The Conclusion$ 20.77 M2Kalki 2898 AD$ 18.57 M3RRR$ 15.34 M4Pushpa 2: The Rule$ 15.26 M5Salaar Part 1 - Cease Fire$ 8.92 M6Baahubali The Beginning$ 8.47 M7Devara: Part - 1$ 6.07 M8They Call Him OG$ 5.59 M9Hanu-Man$ 5.31 M10Ala Vaikunthapurramuloo$ 3.63 M11Rangasthalam$ 3.51 M12Peddi$ 3.42 M13Bharat Ane Nenu$ 3.41 M14Mana Shankara Vara Prasad Garu$ 3.38 M

Peddi Box Office: Becomes the 9th movie to achieve the 200 Crore Telugu Net milestone Tollywood
344 views

Peddi Box Office: Becomes the 9th movie to achieve the 200 Crore Telugu Net milestone

BY CHRISTA LINCY

Peddi is heading toward the end of its second week at the box office. On its fourteenth day, the film collected a gross of ₹2.83 crore across India. When we look at the previous day, where it earned ₹3.96 crore gross, there is a clear downward movement as the film nears the end of its second week. Most of the revenue continues to come from the Telugu states, but the drop indicates that the initial frenzy is now stabilizing into a steady run. Breaking down the state-wise gross for Day 14, the Andhra Pradesh and Telangana regions contributed ₹2.10 crore. Other territories followed with Karnataka at ₹0.25 crore, Tamil Nadu at ₹0.08 crore, and the Rest of India bringing in ₹0.40 crore. Comparing these to Day 13, where APTG stood at ₹2.80 crore and the Rest of India was at ₹0.71 crore, it is evident that the Hindi and other language markets are seeing a steeper decline than the home market. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of screen presence and viewer interest, Peddi held approximately 3,800 shows across India on Wednesday with an overall occupancy of 17 percent. In major hubs like Hyderabad, the Telugu version maintained a decent 17.3 percent occupancy from 379 shows. Meanwhile, the Hindi version in the National Capital Region saw 9.8 percent occupancy across 89 shows, and Surat recorded a lower 3.8 percent. These numbers reflect a film that is performing well in its primary market while finding it tougher to sustain momentum in the North. The total India net collection of ₹226 crore shows a heavy reliance on the Telugu version, which has contributed ₹200.48 crore. The Hindi dub has performed decently with ₹21.57 crore so far. Contributions from other languages include ₹1.96 crore from the Tamil version, ₹1.69 crore from Kannada, and ₹0.30 crore from Malayalam. These figures clarify that while the film has made an impact across multiple markets, its core strength remains the Telugu audience. (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales on BookMyShow also tell a similar story. After selling 43.03K tickets on its second Tuesday, the count moved to 27.71K on the second Wednesday. This brings the total tickets sold on the platform to 3,709,770. This consistent interest has helped the film cross a significant milestone in its home language, officially entering the 200 crore net club in Telugu alone. Looking at the performance in national multiplex chains, Peddi sold nearly 2,800 tickets across PVR, INOX, and Cinepolis on Wednesday. This resulted in a total gross of approximately ₹7 lakh from 780 shows. Among the chains, INOX contributed the most with 1,400 tickets sold and a gross of ₹3 lakh. PVR and Cinepolis followed with 770 and 660 tickets respectively, each adding about ₹2 lakh to the tally. With an overall occupancy of 2 percent in these urban centers, it is clear that the films current momentum is largely driven by single screens and regional circuits. (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, the film added ₹0.25 crore on Day 14. According to data from Venky Box Office, the North America total has reached $3.42 million after a $66K Tuesday. Based on early estimates, the total overseas gross now stands at ₹52.45 crore. When combined with the India gross of ₹268 crore, the worldwide gross collection for Peddi reaches an estimated ₹320 crore, while the total India net collection currently sits at ₹226 crore. Fastest Movies to 200 Cr Net (Telugu Version)MOVIE NAMEDAYS TAKENTELUGU NET COLLECTIONRRR3₹ 216.23 CrPushpa: The Rule - Part 25₹ 211.60 CrBaahubali 2 The Conclusion7₹ 203.00 CrKalki 2898 AD7₹ 202.05 CrSalaar: Cease Fire - Part 111₹ 205.75 CrPeddi14₹ 200.48 CrDevara - Part 116₹ 200.25 CrMana ShankaraVaraprasad Garu17₹ 200.65 CrAla Vaikunthapurramuloo47₹ 200.25 Cr

Spider-Man: Brand New Day Heads For $200 Million Opening Weekend In North America; But Can It Come Close To Spider-Man: No Way Home? Hollywood
242 views

Spider-Man: Brand New Day Heads For $200 Million Opening Weekend In North America; But Can It Come Close To Spider-Man: No Way Home?

BY SUNIT JANGIR

Los Angeles, June 18 - Sony and Marvel's Spider-Man: Brand New Day is shaping up to be one of the biggest theatrical releases of 2026, with early projections suggesting that the highly anticipated superhero film could open to more than $200 million during its debut weekend in North America. (adsbygoogle = window.adsbygoogle || []).push({}) The Tom Holland starrer has generated tremendous buzz ever since its first promotional material was unveiled online. Industry insiders and tracking analysts have pointed to exceptionally strong advance booking trends, indicating that audience demand for the film is already at a high level weeks ahead of release. Spider-Man continues to remain one of the most bankable superhero franchises in Hollywood, and the upcoming film appears to be benefiting from that popularity. Fans are particularly excited to see Holland return to the role following the record-breaking success of Spider-Man: No Way Home. (adsbygoogle = window.adsbygoogle || []).push({}) While crossing the $200 million mark would be a massive achievement on its own, the big question now is whether Brand New Day can match or even come close to the extraordinary debut of Spider-Man: No Way Home. Released in 2021, the multiverse blockbuster opened to a staggering $260 million domestically, making it one of the biggest opening weekends in box office history. Although Brand New Day may not have the same nostalgia-driven multiverse appeal as its predecessor, the strong pre-release hype suggests that audiences are more than ready for another Spider-Man adventure on the big screen. Positive social media reactions, high trailer engagement, and strong ticket demand have only added to expectations surrounding the film. (adsbygoogle = window.adsbygoogle || []).push({}) If the current momentum continues, Spider-Man: Brand New Day could easily secure one of the biggest openings ever for a superhero movie and further cement Spider-Man's status as Marvel's most reliable box office powerhouse. The film is scheduled to release on July 31, while it will release on July 30 in India.

Salman Khan In Talks To Headline Farhan Akhtar's Ambitious Two-Part Period Action Drama Bollywood
673 views

Salman Khan In Talks To Headline Farhan Akhtar's Ambitious Two-Part Period Action Drama

BY SUNIT JANGIR

Mumbai, June 17 - Bollywood superstar Salman Khan is reportedly in talks with filmmaker Farhan Akhtar for an ambitious two-part period action drama. The project is said to be envisioned on a grand scale and could potentially become one of the biggest collaborations in Hindi cinema in recent years. (adsbygoogle = window.adsbygoogle || []).push({}) According to the report by Pinkvilla, the film is being designed as a large-scale period spectacle packed with action and high production value. Due to the expansive nature of the story, the makers are reportedly considering a two-part format to fully explore the narrative and its characters. It is said that the project is still in an early stage with no paperwork in place. Salman Khan and Farhan Akhtar have reportedly been meeting frequently over the last few weeks, and the actor has shown keen interest in the subject. Both sides are excited about the possibility of coming together for the first time. (adsbygoogle = window.adsbygoogle || []).push({}) Farhan Akhtar, known for directing stylish films and backing major projects through Excel Entertainment, is reportedly involved in shaping the vision of the film. However, details regarding the title, supporting cast, shooting schedule, and release timeline are still under wraps. Meanwhile, Salman is currently shooting for Vamsi Paidipally's family action drama film. He also has Maatrubhumi: May War Rest in Peace, which is expected to release sometime later this year. By October/November, the Sultan star will start Raj&Dk's superhero movie, and after wrapping it up, he is expected to dive into Farhan's period actioner.

Samantha Ruth Prabhu's Maa Inti Bangaaram Tops $150K Advance Booking In North America Tollywood
708 views

Samantha Ruth Prabhu's Maa Inti Bangaaram Tops $150K Advance Booking In North America

BY SUNIT JANGIR

Los Angeles, June 17 - Actress Samantha Ruth Prabhu is once again proving her box office strength as her much-awaited comeback film Maa Inti Bangaaram is roaring in the advance booking in North America. The action comedy has crossed the $150K mark in pre-sales collection across North America ahead of its theatrical release. (adsbygoogle = window.adsbygoogle || []).push({}) The film has reportedly sold tickets worth over $150,000 in the region, reflecting strong pre-release buzz and Samantha’s solid overseas fan following. The advance booking trend has created positive momentum for the Telugu drama, making it one of the most anticipated Indian releases in North America this week. Directed by BV Nandini Reddy, Maa Inti Bangaaram marks Samantha's return to the big screen after a brief break from acting. The film has already generated significant curiosity among audiences due to its promotional material and reports surrounding Samantha's action-driven role. (adsbygoogle = window.adsbygoogle || []).push({}) Trade analysts believe the film could target an opening weekend close to $1 million in North America if early audience reports turn positive. Additionally, industry insiders feel the lifetime collection could stretch toward the $2 million mark with sustained word of mouth, which would be a major achievement for a female-led Telugu film overseas. The strong pre-sales numbers also underline Samantha's consistent popularity despite changing market trends in Telugu cinema. Films like Oh Baby and Yashoda previously showcased her ability to headline content-driven projects successfully, and Maa Inti Bangaaram appears to be continuing that trend. (adsbygoogle = window.adsbygoogle || []).push({}) Apart from the overseas response, the film is also witnessing encouraging bookings in Telugu states, with several early shows reportedly filling up quickly. The combination of Samantha's star power, positive pre-release buzz, and audience curiosity has significantly boosted expectations surrounding the project. Maa Inti Bangaaram is scheduled for release on June 19, 2026.

Alpha Trailer: Alia Bhatt and Sharvari Lead a Fierce Spy Origin Story As Hrithik Roshan's Cameo Sparks Buzz Bollywood
212 views

Alpha Trailer: Alia Bhatt and Sharvari Lead a Fierce Spy Origin Story As Hrithik Roshan's Cameo Sparks Buzz

BY SUNIT JANGIR

Mumbai, June 17 - The much-awaited trailer of Alpha is finally here, and it promises a gripping mix of high-octane action and espionage drama. Headlined by Alia Bhatt and Sharvari, the upcoming film marks a significant expansion of the YRF Spy Universe by introducing its first female-led action spectacle. From the very first frame, Alpha establishes a darker and more intense tone. Alia Bhatt appears in a never-before-seen avatar as a ruthless and highly skilled operative, while Sharvari complements her with equally fierce screen presence and combat-heavy sequences. Together, the duo takes centre stage in what appears to be a deadly origin story packed with betrayal, revenge, and covert missions. (adsbygoogle = window.adsbygoogle || []).push({}) The trailer is loaded with slick visuals and explosive action choreography. Several sequences showcase hand-to-hand combat, large-scale explosions, and stylish chase scenes, positioning Alpha as one of the most ambitious entries in the spy franchise so far. The trailer also confirms that Bobby Deol is playing the antagonist, who trains Alia and Sharvari's characters to seemingly use against India. The movie also features Anil Kapoor as R&AW chief Colonel Vikrant Kaul. However, one of the major highlights of the trailer is the confirmation of Hrithik Roshan's cameo as Major Kabir Dhaliwal. While the makers didn't reveal his complete look, eagle-eyed viewers spotted what seems to be a brief glimpse of the actor reprising his role from War. (adsbygoogle = window.adsbygoogle || []).push({}) Social media erupted soon after the trailer launch, with fans praising Alia Bhatt's transformation into a full-fledged action hero and celebrating Sharvari's powerful presence. Directed by Shiv Rawail, Alpha appears to blend emotional storytelling with stylised action, aiming to carve out a unique identity within the blockbuster franchise. With its intense narrative setup and star-studded connections, the film has already emerged as one of the most anticipated releases from the YRF banner. If the trailer is anything to go by, Alpha is set to deliver a thrilling new chapter in the spy universe — one led by two women ready to redefine the rules of the game. It is scheduled to release on July 3. (adsbygoogle = window.adsbygoogle || []).push({}) girls just want to have fun…with guns 🧨 ALPHA in cinemas from 3rd July! pic.twitter.com/q9S9ZiFdbI— Yash Raj Films (@yrf) June 17, 2026

Peddi Soundtrack Dominates Hyderabad: Chikiri Chikiri and Hellallallo Lead The Charts With Strong Stream Counts Tollywood
185 views

Peddi Soundtrack Dominates Hyderabad: Chikiri Chikiri and Hellallallo Lead The Charts With Strong Stream Counts

BY CHRISTA LINCY

The music for Peddi, composed by A. R. Rahman, has carved out a significant presence on the regional streaming charts, particularly in Hyderabad. According to the latest data from Spotify, multiple tracks from the film are currently occupying top spots, showing a clear divide between the viral commercial hits and the narrative-driven background songs. While the entire album is seeing engagement, it is primarily two specific singles that are driving the bulk of the digital volume. Chikiri Chikiri is undeniably the leader of the pack. With around 284 million plays across various audio and video platforms, it has secured a position within the Top 5 on the Spotify Local Pulse Hyderabad chart. This track has transitioned from a movie song to a public staple, appearing frequently in local transport and social media reels. Being featured on major curation hubs like Trending Now Telugu has given it a level of visibility that most regional tracks struggle to maintain after the initial week. Then we have Hellallallo, which is performing as a strong promotional asset. Currently sitting in the Top 15 on Spotify, this song gained massive traction through its video campaign, which featured names like Ram Charan, Shruti Haasan, and Janhvi Kapoor. The initial blitz saw it pull in 18 million views in just 11 hours, and its total audio plays now hover around 57 million. While it doesn't quite match the sheer volume of Chikiri Chikiri, its energetic choreography has kept it viral among the younger audience. (adsbygoogle = window.adsbygoogle || []).push({}) Rai Rai Raa Raa presents an interesting case of post-release growth. As a track that supports the movie's primary sports-action sequences, it has seen a sharp increase in listener volume since audiences experienced the film in theaters. It is currently placed in the Top 30 on the charts with 94 million plays. This resurgence suggests that the cinematic experience is directly influencing streaming habits, as fans return to the music to relive high-energy moments from the film. On the quieter side of the album, Massa Massa is maintaining a steadier but lower profile. It is currently in the Top 50 on the local charts with 11 million plays. This song serves more as a narrative-heavy background piece rather than a commercial single designed for the charts. While it doesn't have the explosive numbers of the dance tracks, its presence in the Top 50 shows that the dramatic portion of Rahman's score is still finding an audience. Looking at the broader picture, these tracks are currently competing for apex space with major hits like Kissik and Sooseki from Pushpa 2: The Rule. It is clear that Chikiri Chikiri and Hellallallo are doing the heavy lifting for the album on the Hyderabad regional charts. While some songs are narrative-driven and others are commercial juggernauts, the soundtrack is managing to hold its ground in a very competitive regional market.

From Most Watched To Longest Weekly Trending: KPop Demon Hunters Creates History On Netflix Digital Media
348 views

From Most Watched To Longest Weekly Trending: KPop Demon Hunters Creates History On Netflix

BY SUNIT JANGIR

Mumbai, June 17 - Netflix's animated sensation KPop Demon Hunters is rewriting streaming history, turning into a global cultural phenomenon that continues to dominate streaming charts months after its release. The film has officially created streaming history, becoming one of the platform’s biggest global successes ever. Netflix's Most-Watched Film Ever (adsbygoogle = window.adsbygoogle || []).push({}) What started as a unique mix of K-pop, fantasy, and supernatural action has now evolved into a worldwide phenomenon, breaking multiple Netflix records and dominating global conversations for months. The film recently became Netflix's most-watched movie of all time, surpassing several major streaming hits with over 236 million views during its first 91 days on the platform. Currently, the film has 325 million views on Netflix, which is almost 100 million more than the second most-watched Netflix film, Red Notice (230 million). The achievement marks a massive milestone not only for animated films but also for Korean-inspired global entertainment, proving the unstoppable influence of K-pop culture worldwide. Longest Weekly Trending Run (adsbygoogle = window.adsbygoogle || []).push({}) Apart from its massive overall viewership, what makes KPop Demon Hunters even more remarkable is its consistency. Unlike most streaming releases that fade after a few weeks, the film continued to trend on Netflix's weekly charts for a year now (52 weeks), setting a record for the longest-running Top 10 streak for a streaming title on Netflix, possibly in streaming history. The story of Demon Hunters follows a globally famous K-pop girl group secretly fighting supernatural demons while balancing their idol careers. The film's combination of action, humour, music, and Korean mythology connected strongly with audiences across different age groups and countries. (adsbygoogle = window.adsbygoogle || []).push({}) Top 10 Most Watched Netflix Movies S. No. Movie Views 1 KPop Demon Hunters 325.1M 2 Red Notice 230.9M 3 Carry-On 172.1M 4 Don't Look Up 171.4M 5 The Adam Project 157.6M 6 Bird Box 157.4M 7 Back in Action 147.2M 8 Leave the World Behind 143.4M 9 The Gray Man 139.3M 10 Damsel 138.0M Beyond streaming, KPop Demon Hunters has become a full cultural phenomenon. Songs from the soundtrack dominated music charts, fan communities exploded across social media platforms, and the film's popularity eventually pushed Netflix to move forward with sequel plans. It is believed that the movie has redefined what animated streaming films can achieve in the modern era of entertainment.

Peddi Overseas Box Office: Inches From All-Time Top 10 Milestone But Over A 25 Crore Loss Looms Large Tollywood
721 views

Peddi Overseas Box Office: Inches From All-Time Top 10 Milestone But Over A 25 Crore Loss Looms Large

BY CHRISTA LINCY

Peddi has reached an overseas gross of 52.20 crore after thirteen days in theaters. This total puts the film within reach of the all-time top ten list for Telugu cinema in international markets. Currently, Hanu-Man occupies the tenth spot with 57 crore, meaning Peddi requires a little under 5 crore to surpass that mark and enter the rankings. While the film is approaching this milestone, the current daily numbers suggest it will take some time to bridge the remaining gap. Here is how the top ten list currently looks for the highest-grossing Telugu movies overseas: Baahubali 2: The Conclusion - 371.16 Cr RRR - 314.15 Cr Kalki 2898 AD - 275.00 Cr Pushpa 2: The Rule - 271.00 Cr Baahubali: The Beginning - 134.00 Cr Salaar: Part 1 – Ceasefire - 130.00 Cr Saaho - 92.00 Cr Devara: Part 1 - 77.00 Cr They Call Him OG - 65.25 Cr Hanu-Man - 57.00 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Despite being close to the top ten, the financial outlook for the film is quite complicated. According to reports from Venky Box Office, the film recorded 13,000 dollars [~₹11 Lakh] this past Monday in North America, bringing its total in that region to 3.35 million dollars [~₹28.14 Crore]. The trade perspective on this is quite sobering; the closing number is likely to settle near what was originally expected from the opening day alone. It is a significant shock for the industry, especially considering the initial high expectations, and it suggests a need for a market correction regarding the buying prices of overseas rights. The total overseas breakeven target for Peddi was estimated to be around 85 crore. With the current momentum, it appears the film will end its run with a loss of approximately 25 to 30 crore. The North American market alone had a breakeven goal of 6.5 million dollars [~₹54.60 Crore] across all languages, but reaching that target seems highly unlikely at the current daily pace. This gap between the target and the actual performance highlights the challenges big-budget projects face in sustaining interest beyond the first weekend. (adsbygoogle = window.adsbygoogle || []).push({}) If we examine the day-wise overseas collections, the slowing momentum becomes very clear. The film had a strong start with 28 crore on its first day, but the numbers began to drop significantly after the first weekend. For the last few days, the daily collection has settled into the range of 0.35 crore. You can see the daily progression in the table below: Peddi - Daily Overseas Gross Collection(Estimated Data)DAYOVERSEAS GROSSDay 1₹ 28.00 CrDay 2₹ 6.00 CrDay 3₹ 8.00 CrDay 4₹ 4.00 CrDay 5₹ 1.00 CrDay 6₹ 1.00 CrDay 7₹ 0.80 CrDay 8₹ 0.70 CrDay 9₹ 0.50 CrDay 10₹ 0.80 CrDay 11₹ 0.70 CrDay 12₹ 0.35 CrDay 13₹ 0.35 Cr While the goal of entering the top ten is within reach, the underlying business reality is that the film is underperforming relative to its high acquisition costs. The next few days will determine if it can cross the 57 crore mark to secure its place in the all-time list, even if it does so as a loss-making venture for its distributors.